[000:00:00;00] what happened is being clarified for an attempt to use drones in the border zone and disobedience against the driver of a car, an administrative process has begun, and this is the latest news for this minute, see you at 19:00, for a moment i want to stop running to see how it is raining, the leaves are moving, the sun is shining, how our life is built from all these little things, we want to look at this world differently, and discover something new every day, it’s so interesting to us, because we do it with

love, with love from belarus. ilya, describe your happiest day in life, even honestly, i don’t know what to remember, such is our work that often holidays become your work, my happiest day in life, the moments when you return home, such a simple answer, but at the same time for me in bokeh , because all our human lives, we are in search of home, and when you return to some place, theater, home, hometown, you understand that this is your home, this is the happiest moment of your life,

my guest in the theater where... he serves, our star says, in his repertoire pavlinka, marriage, a warm heart, many people dream of such a start, luck, or everything was destined by fate, now we find out, my guest is the actor of the kupala theater ilya krug. ilya, hello, hello, ilya, i know that a lot in your life is connected with yanka kupala, but what exactly? yes, there is such a small mystification of my life. it so happened that in my hometown of brest, where i was born, all my life, despite moving, i lived on yanka kupala street, at the university, and together with my classmates we studied participation in the filming of a film about the fate of our belarusian poet, at the moment i am working at the kupala theater, which directly bears his name, such a small mysterious mysticism that accompanies me all my life, uh, which i probably only thought about

now, having arrived to your theater, well... the acting profession , it’s a little bit like that, contains some mystical signs, and it seems to me that all people are artists, they’re all believers, i always tell everyone that we are all people, actors dependent on energy, from receptivity, because to an ordinary person this may seem somehow wild, strange, but for us this is such an absolute norm of how we communicate with each other and how we work, and life has repeatedly hinted to you about your future connection with the kupala theater, but nevertheless, how did a young student of the university of culture and arts become an artist of the kupala theater? to be honest, i never thought that life was hinting at the fact that i would be an artist of the kupala theater, for some reason it was always, even when the time came for everything at the university. closer and closer to distribution, i thought about many theaters in minsk, but never thought about kupalovsky, we got there absolutely by accident, we were invited to the casting for the restoration

of the play pavlinka, we went through it... i still remember to the university, uh, they sent me from the ministry of culture paper with the distribution of roles, and how would all the guys end up in moslovka, but my last name was not there, i was a little scared and offended, because well, like, am i really the worst of all, am i really missing something, and i asked, i say, but why did they forget about me, but they brought me, they said that i was kim forty, for me and my course master, it was a big surprise, because i didn’t expect this, she didn’t expect this, well, i also wanted to clarify, because the head of the course, zinya mikhailovna pasyutina, also played an important role in your fate, yes, now zinna mikhailovna, unfortunately, is not there, but i always remember how i say that i often dedicate all the performances played to her, still very often, when i don’t know , what to play, i always imagine how

she would do it. it was an incredible training, it seems to me that there is no such master in belarus anymore. te is a director by training, because he is a theater department at the university of culture. produces directors, your education as a director, does it help you in working on a role or, on the contrary, hinders you, you include someone there, i don’t know , you criticize the director in yourself, probably sometimes it helps, sometimes it hinders, i’m generally very glad that probably i received a directing education, as it seems to me, this is still a little richer than artists, artists after all, such people are focused on themselves, the inner world, on how to live everything, yes, that is, exactly like me on stage, but with me. me due to the fact that, probably, my education as a director, mikhailov, in many ways taught us to really look at the whole picture, i always, even when i’m on stage in the role of my character, somehow try to control the picture that happens on the stage of the theater, but

uh you yourself know the profession, not every director is ready to accept, probably, some offers from artists, sometimes it may apply jealousy, as long as it doesn’t bother me, as it were, and of course, we are always also looking for some kind of boundary, so as not to cross all this... it was on us, our ideas, plans, no, of course, we all try so that first turn, everyone saw the director’s plan and the way the director presents us with his dramatic material, well, you’ll still gain a little theatrical experience, maybe into teaching, but by the way, this year i’m starting to work with children, teach acting and speech, i’ll try, i’m very excited myself, the first classes will start soon, of course, there are a lot of messages about the fact that i’m still very young, whatever one may say, uh, what can i convey to them, like uh, convey to them some kind of my experience, which, of course, already exists, and what will be more interesting to them everything in this profession and in this art?

and yet, uh, the fact that you are now working at the kupala theater, you consider this event as luck or , well, a pattern, it’s strange to call it luck, luck is possible when a person does nothing, a lot has been invested in acting profession by me, a lot generally invested in the concept of what theater is, theatrical art has always strived and studied, and probably it was a gift of fate and the opportunity that i spoke about before, given to me, it was already my business to take this opportunity to do so , so that later she would somehow work for me, help me, or reject her, but it was decided to re-try to come to the kupala theater, to appear on the main stage in such an iconic performance, now, of course

, i never regret that then arrived, review of the most main sporting events, the new head coach of the national team, carlos allasphere , named an expanded list of qualifying matches for the european championship 2024. two gold, silver and three bronze. this is the result of the belarusian wrestlers at the world youth championships, which was hosted by jordan. exclusive interviews with athletes. tell me, did you repeat and surpass this result of 10.92 in the training process? well, i was ready to show it faster than a second, right there in athens. yes, if it was one race, not four. thousands of fans came to the celebration the spanish women's team, which won the world cup, the impressions are only positive, one of the most spectacular, one of the most exciting sports, all this is in the sports

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tv channel, do you remember your first day at the kupala theater? how it was? it was, oh, it was very intense, bright, emotional, of course, you walk, young man, so intimidated, a little bit, as if you don’t understand, the main theater of the country, the theater is expensive, everything is so beautiful, you walk, you speak only in a whisper, because these walls are breathing terribly, it was a very pleasant day, because all the staff were happy to meet us, they were happy to work with us, to meet us, they also had warm eyes, like ours, we were all interested in getting to know each other, so i remember this at the moment in such colors, but for them we probably then there were some kind of... intimidated chickens, because we came, of course, we

probably didn’t fully understand everything at that time, your first roles in the kupala theater were forty in pavlinka, uh, was it difficult to get into the role? it wasn’t easy, of course, it was very hard, firstly, i’ll say that it’s not me , not my master course, and we didn’t expect that this particular role would go to me, i’m still more of a joker, kind of funny , crazy, and yakim soroka, he’s probably more like that, but he’s still... a mentor, such an intellectual, but i’m very grateful olga valentinovna nefeodova, artistic director, tamara vasilievna mironova, together with them we did it, the most difficult thing was probably that a week of rehearsal on a small stage with minimal scenery was enough for us, so that everything worked out well, but when we moved to the big stage and i saw the scale of the auditorium stage, the number of services that work... together with us, light and sound and how it works,

it probably scared me very much as a person, and in the first shows at rehearsals , of course influenced in such a slightly negative direction, i was a little pinched and scared, but now , of course, the feelings in this performance are different , this is my favorite theater performance, because i always watch it, i always watch how it lives, how it develops, this is incredibly warm for me... after all , due to the fact that it is the first work on the main stage of the country, i especially relate to it, were you very worried before the premiere? yes, yes, i didn’t sleep, of course, the whole night before the first, first month of the premiere, actually so, that’s how it went, it was very scary, we didn’t expect that there would be so many spectators, especially at the first show, all three floors of the theater were packed, people were almost standing, and it also so happened that...

for me, the first performances that were in the theater, i always started them, and this is so responsible , you also know from the acting profession that it is very important to start a performance, start it well, grab the attention of the viewer, and to this day i understand what this responsibility of starting a performance was very exciting, but it worked out, so what? helped you cope with anxiety, the air, the guys and i very often evaluate, i don’t know, there is such a thing, by the way, in theaters, but my colleagues and i very often discuss the air that is in the auditorium, the way we breathe together with the audience , we are going out, that means, yes, that is, today the air is the same as the viewer today, just like that, then it helped a lot that everyone was waiting for this update, it came out and we, firstly, we were in such a little intrigue, like how people will accept it, where they will laugh, where they won’t, we didn’t yet understand what how... to happen and

people didn’t understand, but at the same time i felt such a tremulous breath, a kind of slight excitement, a pleasant happiness that we are all here today on this day, opening the 101st season, showing pavlinka again, it was this air that helped him cope, and i didn’t forget the word of the role , no, of course, that’s all, we are text, we treat everything very thoroughly in our theater, we especially pay attention to the language, to the language. at the theater we always try to speak the belarusian language, our broadcast in the theater always sounds first bell, first bell, another bell, another bell, all the great dyaku for the performance, the performance is over. ilya, do you follow what they write to you, what they say, praise, scold, yes, at the moment already, of course, yes, i mostly really, i laugh, i really love all sorts of headlines, especially printed publications,

yes, once in my memory, after the premiere of the play marriage, an article came out , they compared me to jim carrey, and there, well, i love people like that, theater actor ilya krug, reincarnated as an introvert under the wheel, yes, for me, sometimes it just becomes so funny, and this is probably the specifics of the work of theaters, critics, who specifically determine what we do on stage, when we ourselves and... coming out after many years of the life of the play, we still don’t understand who our character is, what about what and why and why we have gathered here, so yes, i read to understand a little from the outside. moreover, it’s nice when viewers write on social networks and leave some of their reviews, here i am , as i told you a story a long time ago, that i remember, a teenage girl from school we moved on to pavlinka, she wrote to me that it was her first time in the theater and her first impression of the theater will forever be with me, with the way i performed the role, it

filled her, this is very important, this is our fuel, which we have some information on how to continue working. to continue living, to motivate, and without this our profession is probably impossible, positive reviews are more pleasant to watch and hear, but probably more useful are critical, more negative reviews of course, yes, but i’m not offended, critically, yes, but why be offended, anyway? first, no matter how i’m not 100 dollars for everyone to like, not some big amount, not a superstar, first of all, i always position myself as ilya krug, as a person, and i always want to remain on stage... this person, no no an actor, but to convey this particular humanity, yes, i read, if i understand what is needed somewhere and that in fact it is so, i of course try to listen, change something, someone may have something i ask again, but i never get upset about this, this is our job, this is

the specificity of our profession, that we, as it were, people to show, we have to accept this criticism, we have to live with it, sometimes. of course, some artists perceive this very painfully, but this is a profession, and we knew everything that we choose, i am in this difficult business, and what do you most often criticize yourself for, what do i criticize myself for, i guess i like to shout, yes, uh, as they sometimes tell me, nature gave me a loud voice, very often in life my friends tell me to be quieter, but i don’t have any such threshold, i say, i say: loudly, i say, i’m low, beyond the fact that sometimes i perhaps try too hard for the audience, which can be seen directly from these efforts and efforts of mine, that probably sometimes it is not necessary for the audience to leave them with a feeling of life on stage, but for myself i have determined such a thing that how would i i wasn’t dissatisfied with myself, i have to move on with the performance

and fight, even if i didn’t like this scene, i have to go out and do it in a new, bright, beautiful way, so that the audience likes to continue to fight no matter what. on the stage of the kupala theater you come out with masters of the theater, which of them had the greatest influence on you professionally? we, of course, communicate with the entire older generation, i can’t help but mention my teacher now, a colleague, somehow strange, vladimir mitrofanovich rogovtsov. during training, it’s like this: if mikhailovna was a creative mother , then this is certainly a creative father, who... gave us the principle of the work of artists, uh, zinida petrovna zubkova, i always like to talk to her, she, we play together in a play marriage, and even though we don’t have anything between her text, we just exchange glances, but she always comes up to me after the performance and we discuss with her what was right and what was wrong, and this also has a very

strong influence, and i very much admire maria georgievna zakharevich, and she is now coming out at the moment only as a presenter... pavlinka, at some events she reads excerpts from the classics of belarusian literature, and how she reads, how a person generally exists in his life, how much pain he endures, how he can take on the proposed circumstances , keeping the whole essence, deep fullness, this cannot but deserve my highest respect, adoration of this person, and moreover, probably some of her life principles, her principle of life not in the theater of work, it fascinates me very much, i am always glad to see her and communicate with her . ilya, i heard that some viewers are confused by the appearance of your undercarriage from your marriage. yes, indeed, our performance begins with the fact that i, as the main character of this play and action, am on stage, only in a coat and

underwear. in everyone, of course, it resonates in different ways, these are modern performances, you know the reaction of the audience to some modern decisions, but we, of course, do not cross any line of what is permitted, no, we keep it all within the framework of what we even try to do bring it a little into the historical era that was in order for the character to, well, justify that he is there for a reason , because we wanted to, this is how he starts the play in appearance, this is his lifestyle, does this help you in the role? yes, it helps in the role, it helps as a person, because that i’m such a person in general, a little bit, i don’t like all these stories, i don’t go to public beaches. it’s always difficult for me, i’m so closed off to myself a little , but here it’s like you need to go out, and for me , even as a person , it’s a great feat that i was able to take off my clothes. no matter how harsh it may sound and the scene comes out, it gives a little of its adrenaline, it gives a little

justification for the character of how i can act with this and further develop my role. each of the project’s heroes, new people, chose their own path and achieved the first great success, he carved his first icon in secret, we, in principle, should start with something simple, gradually rise up step by step, and he himself at home, quietly carved this icon, brought it to me, showed it to me, talented, brave, always ready to learn something new , he loves to work on detail, he is the kind of person who admires every element of his canvas. he starts playing , you know, like a fakir who is hypnotizing a cobra with a pipe, that’s exactly how lyosha

worked wonders with the audience, today they are the pride country, at performances i didn’t even expect him to play like that, energetically, without any embarrassment, everything is clean, about the new generation of belarusians, look at the project on the belarus 24 tv channel, we continue to tell with pleasure, the starting point of our route, how most tourists, the station square, the author's routes, it's hard to believe, but once upon a time there were ancient forests on this land, and here was also the largest trade route from the vorak to the greeks, the most mysterious places, in the very heart of broadway a unique clock, originally there were no hands on them, they appeared later, but the clock never showed the correct time, interesting myths and legends, they say here... in the central square, under the asphalt , a unique paving stone has been preserved, it was brought here in soviet times to the iskrevsky

castle, see the program cities of belarus on our tv channel. ilya, you are one of the youngest artists of the kupala theater, you already have fans who regularly... yes, they appeared, which is nice, people come, there were many cases when people came up after the performance, at the service entrance, they left some gifts, it’s memorable, just recently, two girls came and said that we saw you in the play marriage, they came now with a warm heart, we liked it so much, and it’s like we came from india, we’re leaving tomorrow and here we are for you we give incense and write... people once said that they had been there for a while, so we thought you would come out there, but we wanted to see you, so we are glad that you came out in this performance, we will come

again, of course, this is very nice, your idea of ​​love, to what extent it coincides with ideas of love, let’s say your heroes, there in marriage, in a warm heart, i think that they differ, eh, each hero still carries a little of the era, eh, what do i have in common with my games, that i’m still a romantic? yes, i am such a person, i romanticize life very much, very strongly, and the events of all my life, and this is also inherent in my heroes, they are also all romantics, they are all dreamers, they are all imagineers, they are all dreamers, and i, probably, exactly the same in love, but still, probably, my concepts , along with the characters, differ, uh, in dramaturgy it’s so written that probably for each character understands what love is, i personally probably still have a lot of questions about this feeling, about how it works in our lives, why it

happens this way, and i’m still looking for answers to them, you have you ever looked after girls, as beautifully as your heroes on stage, no , no, still completely different, on stage i have to fight myself very often in this regard, because after all, in life i’m a little different, that’s all i try to share the stage of my personal life, just like that, in this regard there is so much. i am a closed person, i keep many secrets and mysteries within myself. well, it’s probably a bad actor who doesn’t dream of acting in a movie. have you already had any first auditions? yes, i’m probably not a good actor here, i don’t really like cinema, i had auditions, i acted in films, but, uh, i’ve been thinking about this a lot lately, the value of theater is that people come and see real emotions, cinema, having worked a little, i already see that, of course, this is unconditional, this is sincere art, but the strongest, but still there is a lie in it, a little,

because you can shoot somewhere, put music somewhere, somewhere this, somewhere that, in the theater i like just... to give that very air, and for me it’s a little difficult when they call what -these projects, i see, i understand that they are not mine, i understand how i can deceive people, they will still see through the screen and through the camera what is inside me, and if i show something completely different, but you have some kind of dream to play some kind of, maybe specific, maybe indefinite role, that’s what plan you would i wanted pronevskaya, in my opinion, they asked, if i’m not mistaken, about, well, you’ve already played what you wanted, at the end of her life she says: of course, no, no, and such an acting essence, she is greedy, greedy for herself, greedy for the profession in the good sense of these words, that when you play one thing, you outgrow these problems that were inside you, you have new ones and you are already waiting for

something new to come to you, so it is very difficult for me to answer this... question: for me, there is probably material in which i would like to exist in any role, this is a cherry sat, my favorite chekhov's dog, for me it is a treasure of my universe, my worldview, a treasure of how everything works in the world, how people live, and i am ready to exist in this material in any role, as for your life outside the theatre, it is just as bright, scenic... what infects you with creativity, i think, yes, i always try, now, i’m especially greedy for events, looking for new places, looking for new people, new acquaintances, events, i go to all sorts of events, activities, lectures, choreography i study, i’ll take up some vocals here and there, i’ll read a little bit here and there, i always try to make my life varied, and moreover, i really like it when

there’s literally no free minute in my schedule, so now i’m talking to her mom about this topic, i say: ah, mom, that’s it, i’m tired , i say, there’s so much of this, i don’t want anything, she says, but i know you, you can’t live without it, and yes, this is what i have a little temperamental that i can complain, but deep down i will understand that i like it, and where can you most often seen in minsk? i will name besides the theater, most often, of course, in the theater, but i think that the victory square area, i really like the architecture of this area and its infrastructure, how everything is built there, walking around, these small houses, and the fact that this is the city center , uh, some places, a sandbox that is open there, where a lot of young people gather, discuss their interests, just have a good time, that is, in fact, sometimes i just like to come to a place, sit, be silent, listen to it, take it - the pace of life of this places to adopt yourself.

so, a new theater season is approaching, which will surprise kupala. theater in the new season at the moment, as our artistic director said, we can boast, we have proudly restored the theater’s repertoire, in our two seasons, we have a full-fledged repertoire, like every theater, kupalovsky is going to surprise with its tours, its guests and new productions, now in september the kazan theater named after kochalov is coming to us, unique events for the cultural life of belarus, this is their first tour in and in general this is the first such large-scale tour in the history of the kochalovsky theater, when the theater comes to us for a month, they open their season with us, this is such a surprise for the belarusian audience, we will also go to kazan, we will go to moscow to show our pavlinka, where we were repeatedly with performances, premieres of performances are planned,

now, of course, we have bombed all the seasons, showing five, six premieres. per year, now, of course, as the plans were announced to us, we will slow down the pace a little, but we will work on a very good, high-quality product, and of course, kupala will continue to surprise people in the regions of belarus , we travel a lot to even the smallest cities, sometimes we go to some villages, surprise people there, take their reactions, smiles, laughter, applause, and this is a very important mission of our theater in general to show people in such cities ... belarusian theatrical art. our program is called the meaning of life. what is the meaning of life for you now? i thought a lot about this question, due to the fact that i’m still young, of course, i can name a lot of deep things , love, faith, strength, it’s true, but it won’t be sincere from me, because i probably haven’t fully lived through all these emotions with of your