today the theme of peace, it is the dominant one, in order to win and ensure peace, it is necessary to be united, including in the community of independent states. everything you wanted to know about the greatness of belarusian churches? we conceived it in such a way that, after all, if the bishop believes that this is the future cathedral, it should be truly significant, it should be majestic, because this is the face, not even of the minsk diocese, of the belarusian archate, of the entire republic of belarus. about the power of god's word, it is advisable to take it for everything, no matter what you do blessing, it’s very important for me now, and somehow i need a little bit at once.

the lord commands man to marry as an eternal phenomenon, he created man, he said that it is not good for man to be alone, let us create an assistant for him, suitable for him, and men and women are not different, but at the same time they complement each other, about overcoming life’s difficulties, trying . this is the moment with which one can reveal the truth of love, its jumping, strength, or its foundation. we will tell you about spiritual and educational projects on the tv channel belarus 24. belarus - geta

indispensable forests, black rivers and azers, an untouched nature, hell no magic... nadarvat vachey, and yashche belarus - this people, we open their forest for you, carrying the traditional heat and time after you, me we pay attention to extraordinary speeches, and robim gety light yak magician lepshim. belarusians are so different, except for their own land. belarus 24.

time passes unnoticed minutes. days, years, we never have enough time to stop and think about those who are waiting for us. it is at this moment that it is worth remembering those without whom we will be so lonely on this earth. it's time to say: you know, mom, i miss you, or listen, dad. right now, without

delaying until later, i need to say, i’m here, i’m nearby, appreciate the time spent with your people. loved ones. hello, you are watching the program say don’t be silent. svetlana smolonskaya and tatyana in the studio. shcherbina. and today our guest is the talented, original dulcimer player from lepel, anna sharkovskaya. anna, good afternoon. kind. hello anna, at the very beginning let me congratulate you on the past day cultural workers, with certain recognition of your talent from the state. you

were awarded gratitude to the minister of culture for many years of conscientious work and professionalism. it was unexpected. no, why, as expected, i was counting on this gratitude, i knew, but it was nice , of course, well, write your feelings when you have that they simply appreciate, respect and love your work, of course, it’s nice when you do something you do it, and not just for yourself, when it is appreciated, that is, for an artist it is very important, that ’s exactly what is important, but support and recognition exactly, uh-huh, anna , congratulations, i join in the congratulations, but we can say that, in principle, fate does not offend you, you are a three-time winner of the student agrarian spring competition in vitebsk, twice a laureate of the republican trade union competition new names of belarus, a first-degree laureate of the international festival in bulgaria has a wave of ideas and the international festival rainbow over vitebsk, of all

that we have listed, what warms the soul most? well, firstly, of course, this is not all, these are not the first and last diplomas, there are still a lot of diplomas, from this year i have a grand prix in russia , brighter than the sun, i had an international festival, i have a grand prix there, of course there are a lot of competitions that were stationary, when there was a pandemic, it is clear that we did not go anywhere, very there are a lot of online competitions, where i again have the first degree, and the grand prix, the second, and the third, a lot, everything hangs in the rdk. anya, are you so greedy for awards? no, i'm not greedy, i just like it. what does this participation in competitions give an artist? i am asserting myself. that is, recognition of your talent is important to you. yes, this is important to me.

up to what age, uh, is it permissible for an artist, well, to participate in competitions, or is it endless, they are all, well , not that endless, they are all different, somewhere up to thirty, somewhere up to thirty. somewhere around 50 plus, well, you feel for yourself that you will be 50 years old, and you will still want to continue to prove something to someone, that you are worthy of ten, probably not anymore, but maybe not , denis klyaver, a russian performer, was our guest once, here he is he said that at one time he did not participate in competitions, but now, yes, he believes that we need to keep up with the times and, as he shares your position, that competition is good. this is an opportunity for self-realization, and once again test yourself for strength, for some professional qualities, for a very long time, i will think later, we will meet after 50, this topic, the festival in bulgaria is a wave of ideas, this was your first experience participation in

an international festival, in an international festival it turns out second, because the first experience was within the framework of the rainbow slavic bazaar over vitebsk, but i was there alone, and this... international festival, it was a festival of orchestras in bulgaria, and i went there as part of our dulcimer orchestra, the vitebsk salertinsky school, led by conductor sergei valentinovich timoshenko, and i at that moment, i had already graduated, i was no longer studying, i went blind to rehearsals with them, so we had experience, we went as an orchestra to bulgaria, and there we became first -degree laureates, among orchestras, there were orchestras different, folk and symphonic, here we are tsembalny, there were a lot of us there, and it was the first joy that we could do it, the best, yes, after all, of all these competitions, one was remembered most of all,

most of all, it was my first international competition within the framework of the slavic bazaar, rainbow over vitebsk, when i played alexander sofinata there for the first time blindfolded, when they called me from vitebsk in the morning and said, you should be there tomorrow at 10:00 am with the cymbals at the philharmonic, you have a first degree laureate, among 1,100 people, more, there were ten countries of the world, and you are playing in a halo concert. and you should be here tomorrow, for me it was a shock, such a pleasant shock , it was the first international one that we felt when they came out on stage, it was scary because the premiere was blindfolded, then it was scary, let’s see by the way , we have, well, not from the slavic bazaar, in 2017, there were new names of belarus, yes, let's see, you performed exactly this composition, blindfolded,

you can play a lot of compositions blindfolded, if you learn them, unlearn them, then of course you can, well, that’s how long you spent preparing, oh, it was a very long time, we probably took a month for the competition, i’m good.

i got ready because it was the first time to play blind, it was scary, it’s like now, but why then did they decide to do it with their eyes closed? it wasn’t even me who decided, i was working in lepelskoe at that time, our agricultural college, and there was such tatyana goldina, she worked with me, i taught vocals, and she was a cultivator there , she was the first to nominate me for the veterinary academy, the student agricultural academy... well, again, it was the first time i went there, i think i played the libertang aster piezola, so i took a diploma as an instrumentalist finalist, this was my first , as it were, republican festival, then we went for the second year, i think i played in ivildi storm, again a diploma, and then she just sat down and said, why don’t you do all the classics, let’s do it michael jackson, for me it was a shock, i say, in the sense of michael jackson, yes try, we tried, i have a diploma again and these... blindfolded, she tells me, anh, i believe in you, come on, i am yes, she told me

, we were blindfolded, it didn’t work the first time, missed the note, as my college conductor would say now, barbell, she laughed all the time when we didn’t get there somewhere in the orchestra, that the symbolists, again the barbell, so did i, too, yes, i really, i learned to play blind, well then i learned, here is the result, the result is obvious, and in fact, it brought success, but this must be quite a virtuoso mastery of the instrument , i played the violin, there are only four strings, and here there are 78, and here there are 78, that is, well, this is how it happens in your head in order to there’s no way to correctly hit the right strings with hammers, well, i’m just saying, you study for so many years, it’s only then perfected to the point of automatism, it was scary in music school, it was scary in the first years of college, when you don’t understand what you’re doing and how, and then, when you work with now... this is the cymbals, this is really my job, when i come

to work at 8:00 in the morning, from 8:00 to 8:00 i just flock to the cymbals, i play, i learn something all the time, what am i - i’m doing this, i have from solo concert to solo concert, this year in january there will be a sixth solo concert, and now it’s just become my job, what am i saying, it’s just automatic, well, it’s a pleasant job, of course, that is, this hobby has grown into work, yes, i remember, i was little, i probably yes, yes, i didn’t want to, no, well later mom already said, i understood, but how did you basically decide that you would play this particular instrument, why not the piano or the violin, for example, but i don’t know, somehow it turned out that way, i say, i was in the second grade, it was back in ninety-seven, and somehow at that time the teacher of the music school himself came to our home, that’s how it happened, because i realized that choreography... it’s definitely not my thing, we they tried to go to the theater too, but i

was still young then, they said next year come, then one day a music school teacher came, but dad already said , daughter, wherever you want, just not the violin, i ask you, while you are studying, there is no need to study, well, somehow it turned out that tsymbaly and how if we even went into the office, as far as i remember, we were the first ones we came across, but let’s go straight to the audition, well, come on, that’s what’s left , and why is dad so busy with the violin, he thought you would torture her, yes, probably while she’s little , apparently, yes, yes, then, when you had already taught her, she tormented her with cymbals throughout her childhood, the neighbors there felt bad, well, because somewhere... it was loud, are there any other musicians in the family? no, that is, you are the only one, one might say, a pioneer in this , well, not that a pioneer, my grandmother had three classes of a music school in the button accordion, it is considered, it is considered that that’s all, yes, and they mastered some other instrument when i entered masherov university, there were no cymbals there,

the main instrument there was the piano, the additional instrument was the bayan, and for me it was a shock, you could play the piano? of course, i took the exam there piano, they taught me there, well, it’s not like i already had a dog waltz somewhere, but here they already taught me, well, an additional instrument, the button accordion, it was a shock for me, but still, even in masherovo there are dulcimer concerts, cymbals, cymbals, and still i’m there with the cymbals, well, somehow i finished fordepian, thank god, anya, but please tell me, when did you participate in various, say, international competitions during the pandemic and if you performed there with your eyes closed, it all happened online, you were not accused of being there maybe they cheated on something? no, no, no, they also had conditions there , that there was a video for 3 minutes, so that there was no plus, as they say now, so that there was live sound, please, everything is on youtube, of course, let's watch another small fragment of one of your performances,

how did the idea of ​​playing modern tracks on a folk instrument come about? i probably watched youtube a lot, there is this stapler, david garth, the first time i saw him was when he played a pirate’s violin. sea, that same michael jackson, i understand, it’s just that the clipped notes are similar to the cymbals, they fit the violin notes onto the cymbals, so i started taking notes from it, trying, of course, sometimes it’s very difficult to do when you look on the internet, there is a minus, there are no notes, or

there are notes, there is no minus, there are a lot of works that do not fit the cymbals from the word at all , i watched a lot of videos, those same velancelists, they play such things, there is a duet of cellists, in my opinion, not british, two boys, they such things play colossally, but cellos cymbals, this is all taboo, no matter how much i tried, no, here are the notes, yes, even if there are no notes, i select them myself, i have my own ears, and i even have so many youtube, tiktok, a lot of comments, give me the notes , and where can i get them for you, i don’t have them, but i have all the notes here, that is, even when you pick up this melody, don’t write it down. yeah, there’s no need, all this is put aside in your head, yes, but it must be said that you have an excellent artistic sense and so, if we speak in modern language, sensitivity, because that this is the most fashionable autumn composition in all the minsk crossings, yes, yes, by the way, have you ever played in the crossing, no, when we went to the slavic bazaar, my sound engineer and i walked past

the pedestrian crossing, there were guitars there they sing, that’s all, and he says to me: he says: let’s go while there is time, i say, you’re crazy, with this sound of cymbals, you want the transition to fall apart, well, because this sound is colossal, there are guitars in the transition, if i bomb there with cymbals, he laughed, said, well, yes, a bad mouse, no matter what, but in general it’s not weak for you, no, to work in a transition or as a street musician, absolutely, how do you decide what to perform, that’s how you chose, that’s the king and the jester or? you have to listen to this, you have to listen to everything, i look at everything on the internet, i liked the composition there, even if the notes are there , i downloaded them, i start playing, sometimes i understand that something is wrong, i even... .. then i call my colleagues, it’s clear that i’m alone, and i’m a musician, and i’m a listener, but there’s something i don’t like here, they’re standing there, my big family is rdk, everyone’s listening, well, if so, that means they’re

that's it, anya, yes, if not, then no , and somehow it just happened so that i say, cymbals, apparently created for rock, rock rests on the cymbals for almost all of rock, i don’t know, i don’t even remember how i it came to him, but come on, king joke, come on. come on kvinov, come on, come on there imagen dragons, come on, it’s just that even in my opinion, it was the fourth or fifth solo concert, there was only rock, it was rock, there was also a group of cinema, tsoi, whoever there only it wasn’t, but in life, what kind of music do you prefer, this one? well, that is, rock is closer to you, yes, blow, but when all your life in music school in college you were tormented by the classics, and there you have no choice, they gave you a living, you will play it, like it, don’t like it, you will play it, but now i only play what i like. i already really like the classics, well, i say, if necessary, of course, i’ll learn, i’ll play, the same thing, how i laugh, for so many years i’ve been playing modernity, as they say, foreign

modernity, that’s all, i don’t play folk, again not in the sense that i i don’t play, it’s necessary, they will tell me, anya, i need a polka, i’ll play a polka, well, no, i don’t play folk music, but the viewer has a request for classics, folk music or? after all, they were with great pleasure - with great pleasure, and just when i had my first solo concert , again there were very few people in the hall, there was my family, there were my friends, well, close friends of friends, there was less than a crawl people, because people didn’t go, well, again, i was talking about a small town, i just heard rumors, why are we going there, it’s cymbals, now a girl in a folk costume will come out, a kokoshnik and... around the city, i look at the second solo concert she was already crawling, for the third

big half, for the fifth solo concert there was no ticket at all, you are now performing not only in lepel, not only in lepel, in the district, in the region, there is a request , yes, that is, a request, is it not you who are taking the initiative , that i want to speak, no, there are a lot of people, now, like you, gorafan radio, write a lot? on tiktok, and when there is a concert in minsk, when there is a concert in vitebsk, come to ushachiy, come to chashniki, come there, come here, a lot of people just write to me in personal messages saying that we want to see you there here and there, and well, i say again, today i am an employee of the lepel district cultural center, all questions are official through the director, i think, through the director they go out and book concerts, so we went to july 3rd in chashniki, we gave a concert, there on the day of writing, also in chashniki. we were , we were in ushachi, we go, there are no questions, they order, they want it, please, we never refuse anyone, well, at the slavic bazaar

performed, at the bazaar, yes we were, well, besides the slavic bazaar, what other concerts or actions are you planning on, say, in the republican plan, and wherever they invite us, we will go there, we are not proud, we are happy with all the offers, so it’s good, in the long term, we are like since today we were preparing for the program with tatyana, so... we discussed that in the near future there will be a concert of a famous performer in the minsk arena, which is a concert for 3 days in a row and there are no tickets, so you set yourself such a high bar, to collect some very a large hall, but probably not yet, why? to me they sculpted well, well, they sculpted well, and maybe more people will come to lepel, but it’s just that what you do is really very original, you wouldn’t want as many people as possible to see it. to my sound engineer, maybe a couple more years and we’ll go to crocus , as far as i know, not much music has been written for cymbal, but you

’ve tried to write something yourself, maybe then you’d be able to take a swing at the minsk arena, no, i didn’t write anything, the cymbal is not such a popular instrument in belarus, well, like cymbals, even as i say, these are zhinovich’s orchestras, they play folk, they play smolsky’s concertos, and i was in the orchestra when i was studying. the school played, and cymbals, even if you open youtube, there are mostly classics , folk, zhinovich’s concerts, something else, now that i ’ve already left, and at work they laugh at me, showing me tiktok and saying, anya, they’re squeezing you, because i’m after me, i certainly don’t want to brag, but after me it went, and i look, there’s someone there, someone federica filine started playing, someone started playing that same raspberry, everyone is at work for me, anya... i say , well, let it be nice, but what, why not, well, in general, the very fact that we have cymbals, well, no not very popular, so you say that even when you entered the university, there

was no tsembala. this is our folk instrument, well, they didn’t have such a specialty, they only had the piano, that’s why isn’t it a shame that we don’t popularize our folk instruments, well , now you are, of course, well, so that even at the university, well, at the university, i say, then maybe it was not offensive, then it was a shock that i had been studying the cymbals for so many years, and then she came and said to me, and today you are a piano player, i mean? threw it, i was there everywhere, and even when i was studying by correspondence, the dean’s office called me, anya, we have so many years old there , mosherov, i need to come, i need to play, i flew blindly to vitebsk, i played was leaving back, well, there is something to think about, in fact, well, we’re pleased that our guest is not just a performer who plays the dulcimer and preserves our folk traditions, but introduces rocker traditions,

let's take a break for a while and discuss this during a break. our telegram channel, say don’t be silent, subscribe, invite guests to ask questions, we are in touch , the program say don’t be silent is on air again, and today our guest is a talented dulcimer player from lepel, anna sharkovskaya, anna, you were born and raised in lepel, graduated from children's school there? art in the dulcimer class, studied in vitebsk at college at the university, but after all, they returned to work in their hometown, such a beauty, didn’t big cities attract you? no, i love my city, my family is there, my friends are there, my relatives are there, my people are there, so i feel comfortable, comfortable, blind, do you have some kind of place of power there,

the whole city is my place of power. you are filled with energy there, yes, but what about so that everyone understands that you are in the city of lepel, so unique that it doesn’t let you go, me and my concerts, you don’t want to live in a big city, i'm 6 years old outlived its life in vitebsk, and i returned, no, what does the dulcimer player, anna sharkovskaya, dream of, as a woman, as a musician, as a musician, recognition, to be seen, to be believed in, they have already slammed into me, they believe a lot and they already see me , thanks to the people who believe in me, and purely as a woman i have some kind of dream, but i’m fine, i have it, i have a loved one, and i have a beloved mother, i’m doing well, 2 years you worked in the lyavonikha dance ensemble, yes, what did working in this honored group that has existed since 195 give you? yes, yes, i

there she played in their accompanying group, and thanks to alyavonikha, in 2 years of work i traveled with them all over the world, we were in spain, we were in germany, in switzerland, in geneva, wherever we were, thanks to this team for being together with them i saw the world, it was in spain that there were two of these festivals, they were remembered for the fact that firstly, i can say then, it was the first time a little girl came abroad and when there were such groups, and brazil, they have. these suits, these groups, walked around simply opening their shorts, this it was so interesting, they showed interest in you specifically in belarusian, in the belarusian ensemble, it was then that i played the belarusian one, they came up, of course , looked, what is it, and how is it, and what are these same brazilians, mexicans, they don’t have that, yeah , yeah, well, and in general, of course, a lot , we have a military sanatorium in lepel, a zhelepel military sanatorium , a lot of russians rest there, and we sometimes go there with

concerts, just at the regional cultural center, a lot of russians look at me and say : what is this harp? this is not a harp, this is belarusian cymbals, and after that my colleagues said, you are no longer anka sharkovskaya, you are now anka sadko, i say , and yes, they are still laughing at me, this is gussying, well, you already mentioned, now you work at the lepel house of culture , where fairly young specialists came to work, and some, well, i don’t know, benefits as a young specialist. what were you entitled to? no, i didn’t come there to work as a young specialist, i had already finished my studies at the university, i just came to lepel, i came to the house of culture myself and said: take me, there’s a vacancy there was, yes, a vacancy, again yes, i worked as a harmonica master then, then i left the house of culture, i worked for us at the lepel agricultural technical college, then i returned back to the house of culture, i was no longer a choir member, i was already an accompanist

, so i stayed, they accompanied me on the piano on cymbals or on cymbals only on cymbals and this was perceived as normal, that is, there was quite a group of comic songs grmzoli in which i also sing there in when i came to the rdk, i started, there were even accompanying, there are boyanists there, here i am tsembalists, and we played, yes, folk ones, they sang, we played, but now it seems to have fallen apart, we don’t have much, we don’t have an accompanying group, we just sing, already with a backing track, we sing with a backing track and we sing belarusian songs in a modern arrangement, we also went with the grmsols to dubrovno, we took the winner of the second wall to the regional festival , belarusian songs in a modern arrangement, who is doing the arrangement, this modern arrangement? accompanist gremzoli, we have such irina busova, she finds everything, she looks by the voices , who suits what, she finds it all, she sorts it into parts according to the voices, we just

have to learn a small task, uh-huh, ah, well, you are so obviously active and efficient, like you are today relations are developing with your management, you said just above that if someone calls you... and they say when there will be a concert , how to organize it, you send everyone to the director, everything is through the director, everything is through him, you feel, here is help from management and support, from her i feel colossal help and colossal support, thanks to her, she helps me, she promotes me, she tells me, if anything happens, anya, i have to go, let’s go, elena semyonovna, her name is azaryonok, what a beautiful surname, known to us, well known, yes, here, elena semyonovna, thank you very much. not even just me, she helps the whole house of culture, you need new costumes, please, we have just sewn them, folk, chic costumes are just for grimsols, i need something for a recital, please, whatever you say, she does everything ,

she helps, approach her with any problem, she solves everything, she’s great in this regard, thank her very much, you advertised both the cultural center and the management so much that i think now many young professionals will pay attention to this area, to this region. because, well, it’s so customary with us that it’s in cultural centers, say, that the situation is not very good, but you say back, no, we have a good situation, maybe even what saves us is that there are few of us, but we are like a family, we everyone just loves each other, and even solo ones my concerts, i understand everything, how can i , anya, you’re such a star there, i say, i’m nothing without them, because i have to learn and go on stage with the cymbals. this is one thing, but when there is a colossal team working there at a solo concert, starting from the sound operator, lighting operator, presenters, people who help me change clothes backstage, i ’m not alone there, there are people there, because even

some say, but in 2 minutes , while the presenter was saying something, she was just in a floor-length dress, she already jumped out in jeans, when you have time, and you just don’t understand what’s in what’s happening in my pocket, there’s a crowd of people who... help me, and as i say, this is my family, i’m nothing without them, some backup dancers, again, thanks to our choreographers, who anya, let’s do this for you let's make a song with backup dancers, come on, now we'll show a photo of the team, these are the people you're talking about, yes, this is my team, but not all of them, well, tell us about those who are depicted here, for example, tatyana nevedomskaya, here the four of us, irina busova, olesya zababura and i, this is the current current composition - we not only grimzoli, we also sing pop music, yulia gridushka, our artistic director, also helps and conducts concerts, goes with us everywhere if necessary, and of course there is an even larger team

, sound engineer maxim gundarev, who is also always on sound with me, video lighting, there are also guys sitting on the balcony, who make videos for me for my performances, and they work colossally with the light, and the lighting machines , that’s all, they sit the whole concert, dmitry pavlov, he’s not here, well, here he is, he’s 5 years old, probably he's all my solo concerts hosts, and he is the director of the lepel district house of culture, he never refuses, and he is always there, he is also young, hot, he and he yes, he always has some colossal thoughts according to the script, anya, let’s do it like this, come on like this, let’s do it like this, he leads, at the same time, while i’m playing, he changes into some kind of costume... vision, he’s already jumping after me for the cymbals, then while i ’m changing, he takes the microphone again, he’s already changed clothes and he’s leading it all again, so i ’m telling you, there aren’t many of us, but we’re together, we’re each other

a friend is simply a mountain, these are all lepel residents of the harvest, these are all lepel residents, these are all ours, what good fellows, and they didn’t chase the capital’s dreams somewhere, so to speak, yeah, of course, in the description of your youtube channel you wrote, i think that in my life i was very lucky with my teachers, because a natural gift as a musical instrument sounds great only after being tuned by a master, and what did your teachers teach you besides mastering the instrument? probably inspiration and love for music, you also need to love and play the instrument, because there is such a thing, as much as i know from myself, even in that very music school , when people enter a year or two later they understand that this is not mine, they take away the documents, do not leave, the same thing when children go to music school in childhood, this should to be just a calling, and apparently everything was just discovered in me, i want to say thank you that now i am, that you never left music school three times, you could teach yourself to teach

children, of course i can, me after college, i have a specialty in my diploma, teacher, lecturer, artist, orchestra member, ensemble member, my diploma from masherov university says that i also teach, i can, but i don’t want to, well , look, under one of your videos we saw this comment, my granddaughter saw your i went to a music school to study and play the cymbalom, you say, i can , but i don’t want to, but do you have any followers in the city today, has anyone noticed an increase in interest in this instrument, of course, after recitals, my teacher, who she taught me, she also has children on the dulcimer , they come to my concerts, they see me, and she calls me natalya vladimirovna, my little thief, someday and says: “anya, my children want to play the king and jester, what should i do with them, anya?

are there notes or something else there, some kind of day that i’m playing, she calls me, anya, give me the notes, i, yes, my children have already started playing there, i don’t know, the king and the jester, great, that is, you say, i don’t want to, but it turns out that subconsciously or even not, although you do it anyway, they gave you notes, well and thereby further promote your own , yes, even the fact that you, well, let’s say, give rise to a surge of interest in this instrument, this is already good, in principle, probably even for music. how long we still communicate with her and see each other, she says it herself: anya, my children after your solo concerts wanted to play, they want to play, they are all interested, there is no great interest in folk music, yes, you don’t notice also around, but do you connect it with something, do you have it? i say, i probably just got my fill after so many years of studying, yeah,

folk classics, now it’s just that when i started playing all this, i just can’t imagine how today to play that shapin on the cymbals or that mozart or that belarusian dancer, i say, i can, but well, that is, it’s just required for your temperament that - something a little more energetic, something more modern and new, uh-huh, ah , well, he was visiting us... a balalaika player, he ’s also, let’s say, very modern and modern, so yes, he said that the main thing is while studying at a music school, at school, but this already applied to teachers, so that they and, as they say, so that the student does not develop hatred for music, you had good teachers, they really left you only love, but no hatred, but in general the dulcimer is a complex instrument, so tatyana and i can try it at a conscious age master them, of course, why? no, what do you need for this? musical ear, and

desire, any other features? i already went when i went to college, i learned one very interesting story about myself, that i was a hidden left-hander, yeah, my mom told you about this, yes or who? this is my teacher bykova alina viktorovna told my mother that your daughter is a hidden left-hander and this is very good, because the left hand of cymbalists is always lame, but my right and left are absolutely equivalent, and so on, viktorovna also said wonders , it’s just very rare when two hands play the same way, well, in general, the instrument, if you look at the cymbals, uh, it doesn’t look fragile, the cymbals themselves, they weigh about 15 kg, but how do you move them, i have boys yes, specially trained, of course, the same one dmitry pavlov, the same maxim gundarev, of course they laugh and say that anechka, we ’ll probably soon attach wheels to them, you’ll roll like a horse from behind.

because, of course, it is not an easy instrument, usually the dulcimer is played while sitting, but we see your performance while standing , it was difficult to change positions, and how the idea even came to me, it’s not even that it was difficult for me to change positions, for me it became easier, easier in the sense that when, again, i play alone , it’s some kind of concert, it takes two people, one brings out the chair, the second takes out the cymbals, and then he returns, he carries a stand with... a backdrop, which he places under the cymbals, then, all this needs to be taken away from the stage, this is a hitch, and i’m thinking, thinking about how this is all, and i decided to make myself high legs, they... they sculpted me, they were turned to order, i specially made them for myself to fit my cymbals, and my hands were just freed up, i don’t need a chair, here my boys are sound engineers again, why are we going to block you with stands, because we also have the same sound, at the bottom there is a stand with a microphone, at the top they put a stand with a microphone, again

this is all inconvenient, and my boys say to me, let’s buy you pickups , they found them for me, they bought them for me, now i have pickups under the cymbals, with a block, no stands, no nothing, and it’s convenient, i took it, brought it , set it up and you don’t need any stands, or chairs, or anything , it just became more convenient, but sometimes the strings probably can’t withstand your pressure, your energy, how many strings do you lose during a rehearsal, during a concert, it’s not necessary once at a time, sometimes at all for the entire solo concert not a single string may break, yeah, sometimes one piece can cost three pieces just at once. and how do you get out of the situation, there’s an important concert going on with your friend, they don’t interfere, she fell, she’s hanging, and how many of these strings are still left on one note, three strings turn out, if one breaks, two remain, there’s enough for them , they are enough for normal sound production, but if all three fly off at once, and if all three at once, it can of course be

a shock, but this never happens, but we have already started practicing, i have one personal instrument in the regional cultural center , the second one is erdovsky, i have. it’s just always loaded, there’s a second instrument in your pocket, for that same solo concert, if suddenly there’s some kind of collapse, it ’s just a hassle to change two instruments, and the instruments are made in belarus, and there are no problems with the availability of the instrument, that is, you can always free access in minsk, here in the store there is a melody, go buy it, a completely new instrument, in my opinion , made by borisov in the region of four... it costs, ah, well, in other countries there are cymbals too, you already said that the russians they confuse our cymbals with the harp, in hungary for example, there are cymbals, have you seen the hungarian cymbals, i saw the hungarian ones, you saw the romanian ones, no, we didn’t play them, when we went with the ensemble, i learned to ring the cymbals and harmonicas in college, we set up we went there,

a little boy played there, of course we were stunned, because firstly, it is twice the size of the belarusian instrument. he has not three legs, but four, there is a table, as i say, there is a table, they have completely different systems, if we have chromatics on belarusian cymbals, there is a diatonic system, a diatonic system, first of all, i have hammers, they are small , they have these hammers there, they are completely different, we just came up like that, looked and said, it’s beautiful, they wanted to hear the words from you, that our belarusian dulcimers, themselves... are cool and the most unique , of course, especially in my hands, well, what is the uniqueness of the belarusian dulcimers, how do they differ from other instruments, well, they are all different, dulcimers, bass, dulcimers, viola, of course, they are also all different when you played played cymbals, studied at a music school, who is more, boys or girls, girls, of course, and what stopped you from

leaving for a music school? mom, only strict control, yes, this is the mother’s will, you must, because we are even with a friend. for the company, probably, yes for the company, that’s it, i don’t want to, i won’t, my mother said, that’s it, well, i think that you are grateful to your mother for this decision, yes, that is , many musicians remember what, for example, in childhood there, not only musicians, even some athletes say that it was there i wanted to stop with all this, so my parents insisted, and i also thank my mother very much, and for the fact that she still insisted and i went to study, my school is 15 years old, the most transitional age, when from me , too, my alina viktorovna i wanted, i remember, to refuse and i called my mother and said that i couldn’t be with her, i would refuse her, this is a transitional age, but then i outgrew it, yeah, well, somehow, all sorts of things happened, but what if if it weren’t for the cymbals, what would you be doing, you

simulated such a situation, imagined, that is, now with the cymbals, not can you even imagine your life, let’s take a short break now, after a short pause we’ll return to this studio again , for now subscribe to our telegram channel, say don’t be silent, look for all our episodes on the youtube channel belarus 1. the program say don’t be silent is on air again, our guest is the rocker dulcimer player anna sharkovskaya. well, not always the rocker, let's watch one video fragment.

well, you play simply amazing, fiery, well, there are no words. can you explain to me the incredible popularity

of this particular hit? i heard about this song when it was performed by anatoly ermolenko, literally somewhere maybe a year ago on the kvn stage , i became interested, but went to youtube and found a video for this song, at that time there were 550 million views, now it’s a year later. 650 million views, simple mathematics: 140 million people live in russia, plus or minus there, let’s say there’s also the post-soviet space, that’s 280, well , let’s add another 20 million, that’s 300 million, another 350 million, where did someone watch it from? 20 times several times, yes, but that's the popularity, why, here's a simple melody, absolutely simple

melody, but people like it, people like it, chuck noris, mom, i dance, these are the cree notes, well, white roses and something new, well, this is already a classic, well, yes, well, this is all what people like, it’s me i also laugh that there is nothing to play three notes there, they play such an instrument, that it’s just a fiery melody, and something like that, no, why at the last solo... concert i played in california, it’s also california for me, hotel california, yes, and this goes for it, anh, well , no problem, you have tamed the cymbals in the good sense of the word, so it’s probably nothing nothing is impossible for you, but let's watch another performance of yours on national unity day at a concert in honor of this holiday.

well, by the way, that same mother, i’m dancing that you were talking about, but remember this performance, yes, of course, it seems to me, there was a very amazing, incredible atmosphere there, of course, the whole city was there, national unity day, can you call yourself... yes, we love our country, we sing a lot of songs about belarus, both with gramzols and ourselves, and everywhere, at

all concerts, the house of culture is is still a center of attraction for residents of small towns, you already said, concerts are held there by national teams, including yours , yes, this is last year’s poster, it was the fifth anniversary solo concert, yes, people, of course, go to concerts, i i say, we are in the house of culture, not enough, but they love us, we also have choreographic groups, vocal groups, we have the folk theater of miniatures balagan, tatyana nevedomskaya, the director, these are miniatures, some funny ones, monologues, dialogues, we have a wonderful theater popular search, which he’s purely involved in performances, and even in this performance this year i was taken there too, i’m everywhere, well, we have a joke song.

for the elderly, of course, we again have a veteran folk choir, people go there, for older people there is a folk studio svetlana , where adults are taught singing, there is a children 's studio fidget, where kids sing songs, we have a variety, you consider yourself a star, no, well, for your city, maybe for your city, maybe, how many people live in the babble, about 1500, yeah, how many of in your opinion, they know about you, a lot, well, a lot, how many, all 15, well, i don’t know about all 15, but i even go to the park for a walk sometime, every second one, hello, hello, that means 7,500 know, i don’t know them, but i smile at everyone, i say hello to everyone, but it’s nice, of course, and even on national unity day, i just played how many people ran up to me,

everyone took pictures with me, there are already children there, who are children. .. says: sign, well, for me, of course, it’s nice, but well, you probably shouldn’t refuse, it seems to me that your teaching career is somewhere still ahead of you, everything is possible, let's show the audience another fragment of your speech.

i think that our viewers recognized the composition show must go on, about some kind of your own show, you dreamed, thought about it, maybe someday i will grow up to the big arena, but tell us the secret of where and when your closest one will be a solo concert, which it will be, lepel district house of culture, we are planning for now, on january 26 , 2024, and why exactly with january all this is connected, because my birthday is on january 25th, and i myself started these solo concerts, and somehow i told myself, on the eve of my birthday, every year on the twentieth of january, whenever it falls there, or after the 25th or there from the twenty-first to

the twenty-fifth every year on the eve of your poster... 5 rubles only, do you earn anything at these concerts? this same money all goes to the district cultural center, that is , it’s not your personal income, no, of course, it’s just some kind of bonus that you’re entitled to, well yes, it’s a bonus, it turns out that you are an altruist, you do these concerts, well, just because you like it, but not for the sake of making money, no, just because i like it, we wish you that your show continues, thank you so that your team grew, more and more specialists, and so that you would someday perform at some big arena, perhaps you would even gather the minsk arena for a start, and then we’ll see, thank you for coming to visit us today, and we are svetlana smolonskaya and tatyana sherbina, on with this we say goodbye to you, goodbye, goodbye, and now the beautiful anna sharkovskaya is speaking, i want to say a huge

thank you to everyone for loving me and appreciating me. they believe in me, the most important thing is to love your job, what you do, to love music , to enjoy simply your creativity, this is the most important thing. anna , well, according to established tradition, i will ask you to leave us your autograph, perhaps after some time we will sell it for crazy money, and of course, wishes to our viewers, well, to our program.

humanity will not survive the emergence of artificial intelligence, because the very concept of man will change forever. we are already seeing a future in which such a concept as a country, community, team, family, it is absent, remaining in their pseudo-civilized world at the moment, they close the border from everything traditional, from all those values ​​that we are now positioning from the countries of the east , making it worse only for yourself, in order for you to understand the present, you must understand the past, read it, and according to the mistakes of the past, learning how to avoid the mistakes of the future cannot be given to three things in life: mother, one cannot attach god, and one cannot give up the earth. markov’s project is nothing personal, just the truth, which

is always more interesting than speculation, watch it on the belarus 24 tv channel. they are dedicated to their work. i singly understand to myself that at a certain level the navat is different, so for me. important elements of the museum's work are not only the capture of material culture

, artefacts, but also intangible culture, but also the creation of folk it’s a shame, it’s crazy, and right now we can watch it every day. on the belarus-24 tv channel , fertile land in caring hands is our main wealth, when you so want to share, create and develop the joy of what you have achieved. carefully preserving traditions, in the name of a successful, happy future, where everyone’s contribution to the common cause is significant, and life with

others in unity and love is true happiness. it’s always warm here from soulful moments and familiar looks, together at the same table. belarus 24 is what unites us.

live you watch the main news at noon, pavel lazovik is with you, hello, in this episode... the idea is the implementation of a guaranteed effect, improving the strategic project planning system in the spotlight in the palace of independence.