time passes unnoticed, minutes, days, years. we never have enough time to stop and think about those who are waiting for us. it is at this moment that it is worth remembering those without whom we will be so lonely on this earth. it's time to say, you know, mom, i miss you, or listen, dad, right now, without delaying until later, you need to say, i'm here, i'm close, appreciate the time spent with your loved ones.

when we started the project in december 2017 , i remember, they needed my image for the screensaver, i didn’t offer a photograph, images painted by artists, this one... a portrait by lyudmila kalmaeva, and another one, but the director and producer, sergei kotyer, chose this work, which you see every time at the beginning of the program, i love i remember, but this remains just like a picture in my home gallery, the author is also an artist, and not only an artist, the most interesting person we will talk about today is anatoly.

his life path is tortuous, his fate is bizarre, the events in his life are interesting, he painted icons in the orthodox church for a long time and a lot. there are icons all over belarus, but the orthodox found out that his mother was jewish, and they refused to cooperate with him, he rushed to the catholics , he restored churches, painted frescoes there, but the poles found out that he collaborated with the orthodox and also refused him, yes, he had only one path left to

judea , but he didn’t draw or write there , he was there, but again the irony of fate, he ended his life from covid on january 6, 2021, and january 6 is christmas eve, a great orthodox holiday, if you remember the beginning. activities, writings of orthodox icons, dormition on christmas eve, the circle of life has closed. the orthodox church, in the name of the transfiguration of the lord, is in the very center.

shkova architects today attribute it to the eclectic style, well, that’s their business, rector, archpriest, priest , philip pour it, it’s thriving, not a poor parish, everything was blissful, until the son alexander turned into a young man, alexander filippovich, here in the family, a rift, what’s the matter, that’s it, the son marries a jewish woman, like an orthodox priest, the daughter-in-law is jewish, the young people leave for ragachev, gomel region, most likely so that they forget and don’t know who she is like this, their children are born there, the eldest of them is reverse. who began to be called anatoly,

this was the hero of our story today. and there will be this duality of national origin. turn, break, twist, twist anatoly’s fate, but his fate will be so interesting, so rich, it will be meetings with such people. alsan filipovich nalivay, succeeded in the bonner profession, a very necessary profession in those years. in the year thirty-six, aleksandrovich pour, nalivaev, moved to minsk, where they offered him a lot. a lot of orders and his whole family, four children, the eldest, born in the thirty-first year, abram, and anatoly nalivaev, moved with alexander. well, the great patriotic war began. it was no longer young

alexander who was drafted into the ranks of the red army, but the family moved in the only saving direction to the east from minsk. the nalivaevs, and there, of course, they knew, they knew that alexander’s wife was jewish, and of course, they reported to the new local authorities, their mother and four children were taken to the ghetto. having learned about this , the priest, an orthodox priest, rushed philip. pour, save your daughter-in-law and grandchildren. he barely managed to prove to the authorities that his daughter-in-law’s grandchildren were not jews and he pulled them

out of there, as anatoly aleksandrovich recalls that in just half an hour their grandfather snatched them out of there, all the jews from the ghetto were taken to be shot. mom and her children returned to minsk, to tsinyanskaya street, house number 46, before the war, it was a student dormitory, she settled there, in minsk no one knew who she was, that she was jewish, that’s all, and she managed to get the documents addressed to avdoti kuzminichny nalivaeva. here that's how she became, auntie, then he suddenly returned. father, and he, as it turned out, alexandrovich, he was surrounded, like tens of thousands of soviet soldiers, and he returned to minsk and began working in his profession,

bonddor, well, in 1944, minsk was liberated, and his father was called up again into the ranks of the red army and they said goodbye to their father forever, because soon the news came that aleksandrovich nalivay died on the territory of poland during the liberation of this country, that’s all, this is where the story of the ancestor ends, with the liberation of minsk to his home, on the street tsinyanskaya, they began to return. the students of the conservatory went to their dormitory and then the nalivaevs, following their mother, moved to sovkhoznaya street in house number five, and sovkhoznaya street was in the village, but in fact it’s in the village, chickens, vegetable gardens, piglets, cows, it

’s here across the road behind the avenue winners, where the museum of the great patriotic war is now, closer to lake komsomolskoye, i also found these buildings, this village, in fact, it was convenient that the city was nearby, and not along the paths, they could simply go to them in center, in the very center of the city, and they lived there, in general, until about seventy-three, 75, until they gradually, systematically began to demolish this village with state farm street, liquidate it, well, like in everyday places... god is not a fool, yes, indeed, having discovered a person’s predisposition to slackness, the lord does not give him anything, wander through life, having discovered some kind of aspiration, some kind of skill, god tells him the direction where

to improve his so to speak, that’s his purpose, well and if a person has two such aspirations, then god... provides him with success in one and the other, anatoly alexandrovich had these two gifts from god, god for him. gave a wonderful tenor, dramatic tenor the ability to draw. and i must say that during his 90 years of life, anatoly alexandrovich made full use of these two gifts of his, artistic and visual vocal. in minsk, which had already been liberated, at the age of 14, anatoly entered a music school in the clarinet class and began to teach. play the clarinet, of course, studying notes, at the same time

at the time, he entered the art school, famous even before the war, at the minsk palace of pioneers and schoolchildren, which was led by sergei petrovich katkov and anatoly began to rush between the music school and katkov’s studio, looking ahead, i will say that he studied in this studio for 10 years until kotkov left this studio, i noticed anatoly ’s tendency to photographically accurately record an object in his memory and then reproduce it on paper with the same accuracy, and recognizing this, he instructed anatoly to record the corners of minsk buildings that were or were destroyed or generally already in such a state that they were destined for demolition, then, he kotkov foresaw this, or

the preserved, these corners of minsk, it must be said that in the first almost 10 years after the liberation of minsk it was strictly prohibited, without special permission, photograph or record on paper in drawings the ruins of minsk. probably the authorities decided that the poor minsk residents had three years of occupation under the germans, under the nazis, that they had enough of all sorts of torment, and there was no need to torment their memory with the image of these ruins, there everything, but the vigilantes did not pay attention to the boy, the teenager, with a folder of paper, and nalivaev began to record these corners of minsk.

he realized that the red church looked very good, and from where, from below, just imagine berson street, which is now... and almost like an intersection with myasnikov street, this is their current name, and there was a house there, as he confesses to the girl , this is his first love, and from there he painted a red church from below, between the artist and the red church there were some houses, some kerosene shops, some pubs, that everything was later demolished, but he recorded it all.

and anatoly continues to paint these houses, these streets, tatar freedom with a mosque, it stood approximately near the entrance to the planet hotel, until about fifty years ago. he paints tatar vegetable gardens, this is along the banks of the svisloch, and there was a village there, which was called tatar vegetable gardens, he paints the ruins of a dominican monastery, which was located at the junction of international and engels streets, well, it’s about now on the right wing of the palace of the republic, these huge buildings were huge, which were completely demolished already in ... the tenth year, but anatoly still managed to write it down, that is, he recorded these corners

of minsk, well then, the bathhouse beloved by the menchan residents, beloved by the young artist, so if you go bridge along bogdanovich street towards troitsky suburb, then on the left side, where there is now, in my opinion, there is some kind of landing stage, there was a bathhouse, the people of men loved it so much, the young artist loved it so much, everyone called her very much my assistant, gena glebko, there, well, i’ve never gone there before and didn’t go, but what was attractive was that he took a steam bath, his paintings are valued, 20 of them, 20 views of minsk, were acquired by the minsk authorities, they seem to be intended for

the museum of the city of minsk, so when nalivaev is asked about these works. he shrugs it off somehow ironically and says: well, he’s been spoiling himself, yes, he’s an independent begger , he’s like that himself, he generally talked like that with a smile , always, that’s how he assessed this youthful hobby of his, so to speak, and these works are in the possession of the jews , because he wrote a lot of synagogues that were not not only in every regional center, but also in many villages, he... painted many places where there was such a dense settlement of tatars, he painted churches throughout belarus, he painted the orthodox church, that is, he was, as it were, an artist of all these religions, for him it didn’t matter, he was an artist, levin, winner of the lenin

prize, about whom i already made a program, i love to remember, he very well described nalivaev’s paintings depicting places of compact residence of jews. anatoly managed to capture the warmth, soul of the stone, alarming rattling, the heart will build. an artist from the category of those fans who, without thinking about exhibitions and artistic councils, simply painted the old city. that's it, youthful. so to speak, his passion for painting has found continued appreciation in our days. well, let's go back to the bright container. due to his age, anatoly is drafted into the army. but it must be said that

musicians, artists, and performers were highly valued in the soviet army. because they defended the honor of their unit at competitions, their military unit was based somewhere near kiev, he was allowed to attend the opera studio, which was headed by people's artist of the ussr, stalin prize laureate, ivan potorzhinsky, bass profunda, he performed all the roles at the kiev opera, bass. classical composers, and of course, his crowning glory was the role of the crucian carp, the ukrainian musical comic opera, zaporozhets beyond the danube, where he will be pilodarkods, stop shouting already, i remember this from childhood, it was broadcast on the radio once a month, or even once a

week, this recording of this opera, a young man studied with him... a native of belarus, anatoly nalivayev, but you know, he studied this, but his subsequent path will not lie in the direction of performing soviet songs, but in a completely different, non-soviet direction. dance is an ancient art, freedom in every movement and fiery rhythms.

let's find out which areas of modern choreography are trending, from the art of ballet, is life so easy on pointe shoes and something behind the scenes of the bolshoi theater, the fashion for culture project, watch this weekend on the belarus 24 tv channel, they are dedicated to their work, i i just imagine that at a certain level the navat is different, right? bo for me museum - this past month, like a monastery, i will take care of exactly what is dear to me first, and in my opinion, what is dear and important to me? people, my childhood was spent in sailing, which grew into adolescence, well, it already turns out that i have been here for half a century in my

favorite sport, we are ready to share knowledge, my name is sergey morozov, i am the senior coach of the national sailing team, now the athletes are coming related courses, called fordwind, show one day from his life, an important element of the museum’s work declared not only for just before he was drafted into the army, he worked a little as a lighting technician at the opera house, and

when there was no one in the theater, he tried to sing, in general, that’s all, someone heard it, they even said, you should go to the conservatory, guy, what conservatory, 6 years of school, music school, and after being demobilized, he again tried to go to the opera house, with pleasure , he liked it there, but you know, they paid very little, they paid very little, and he began to look for more such, well, profitable work, because it was necessary to feed the younger children, and mother, agafya kuzmenishna, found a team of painters and painters, the entire team consisted of jews, and mother assigned anatoly there, the money was good.

they earned good money, alfreyshchiki are artists, so to speak, aristocrats, they were like that, they finished delicate works by invitation, not just painters, they, for example, painted the ceiling in the russian theater, in the musical comedy theater under construction, in the assembly hall of the police school, anatoly he also had orders on his own, he designed the interiors of museums in minsk yankee kupala, yakub kolos, maxim bogdanovich, that is, they were in demand , and of course, there were good earnings, but what ’s interesting is that among these artists, alfreyshchikov, there was a certain kremer, the cantar of the vilna synagogue, pouring from kremer’s voice. he began to learn cantorial singing, the cantorial repertoire, jewish synagogue prayers, various chants

, and having already had the experience of a music school , he wrote it all down on notes, creating such a folder of these cantorial chants, with the hope of someday publishing it, maybe, yes, he it will publish, it will publish. no wonder he did this. and what else was interesting: in minsk, at the house of culture of the komvolny combine, there was a studio, a troupe, operettas, and its musical director was heinrich wagner, the future composer, the future people's artist of the bssr. wagner from 27 to 309, in warsaw, was an accompanist of the famous world-famous cantor mosha koussevitzky, moreover, then in the ussr from 39 to 47 before mosha

koussevitzsky emigrated to the usa, he again accompanied him in the ussr at some concerts, having this is the entire repertoire of the famous cantor. wagner began to pass this repertoire on to anatoly nalivaev, they began to learn this cantar singing, the correct pronunciation in yiddish in hebrew was taught by nalivaeva, an honored artist of the bssr, a participant in the troupe of the already dispersed jewish theater in minsk, judifonchik. intellect , taught by the great erudite, institute, which taught us the history of foreign theater, the history of foreign literature, aron yakovlevich skir, all of them

nalivaev ends up in prague, enrolls there to higher courses for restorers, finishes them and begins to work there, well, actually prague at the end of the great patriotic war, at the end of the second world war, very little suffered, but there was enough restoration work, namely restoration work there, and nalivaev. works there as a restorer, restores the palaces of prague, all this, and here again a twist of the plot, again a twist of the plot, in prague, at the conservatory, his fellow countryman, originally from belarus, from the village of gerasimovi, grodno region, mikhail, zabeida sumitsky, tenor, soloist, teaches milan theater

lyaskala for a while to visit the conservatory, the fate of my fellow countryman, also a tenor, by the way, that is, you know, that’s what they call, as i said at the beginning, that if god gives two skills, then please improve them, basically already more than anything else he was no longer drawn to tenor opera arias, much less soviet songs, he was already completely focused on performing the cants, of course,

here... everyone influenced him: wagner, koussevitzky, kremer, aronchik, and skir , and relis, everyone seemed to be shaping him like this direction, to become the one and only performer of synagogal cants. in minsk he continues to work, as they say, on all four religions, in zaslavli he restores, they paint the famous

16th century church in the village of geroniony, grodno region, he restores a church also from the 15th century, he sings cants in concerts, he still writes tatar theses all sorts of settlements, tatar themes, now there are 20 of his paintings, here not far on griboyedov boulevard in the mosque, 20 of his paintings depicting: mosques in belarus, which bought by muhammad rak, a muslim, for this mosque, they are constantly on display there, that is, he continues to work for all, as they say, four religions, but he had a constant income, until 1975, before his retirement, he worked for

nekrasov in a production plant, in an art production plant, in a department of products, that is, he was given some kind of drawing, and he had to, based on this drawing, sketch, drawing, think about how to do it, from some material, very ... in general it was such a creative job, well inevitably feeling like a proletarian, he was still dealing with what was done with his hands, he began to attend the evening institute of marxism-leninism. each program has a new hero. we are all united by the fact that we study at the belarusian state medical university, so we. we all dream of becoming doctors bko - this is the belarusian committee of youth organizations, we unite 35 youth public associations of our country, unpredictable questions, where does andrei makayonok recommend putting the pill in his comedy? sublingual, under the tongue, like this

simple , and unexpected answers to them, build a tower, already three elements, three elements, unfortunately, for each wrong answer one element, you can throw something at him again, right? in general, let it be lor, this is the wrong answer, let it be lor, this is an absolutely wrong answer. watch in the intellectual show tower on the belarus 24 tv channel. editors club, today we are seeing in a civilized, truly cultural, truly enlightened europe, a slide into medieval hatred, which was caused by the desire to live with our friends in washington in london, they did a great job, they did a very high-quality job, without spending almost any of their resources for our own money, they pitted us against each other here, and belarusians and russians have nothing to be ashamed of at all, our historical, as they say,

the past is much better than that of many other nations, we not only have nothing to be ashamed of, we need to learn to invest patriotism, love for the country and knowledge of the history of our country in our children, we are actually working for... peace in europe, europe should be ours grateful, because of us there is no war, external interference, external financing is equal to betrayal, don’t miss it on the belarus 24 tv channel. 24 hours a day, 7 days a week we are working to keep you up to date with current events in the country and the world. in addition, our team of journalists obtains valuable knowledge from experts on how to maintain and increase health. there is also room for entertainment; every friday we bring to your attention the best projects and films

of our tv channel. this and much more awaits you in the weekly project ether 24.7, watch on the tv channel belarus 24. he told me his whole life at home, when he came to him, now i’ll tell you for what reason, i listened, listened to it and how he was kicked with icons from catholics, to the orthodox, to the jews, to the tatars, and everything, and why did i come to him in november 2006 at the palace of the republic, i was scheduled to premiere my film at the church of the hearts and i decided to preview the film, well, the film is small, where- then there is half an hour somewhere, i wanted a good concert of all

religions, from all faiths, how to make a concert like this, because belarus is an amazing country, all these religions coexist here, peacefully, they attend each other’s celebrations, which is also recorded in my films, and i wanted to be there, so present the jewish topic, so to speak, in some kind of edgy way, and i invited anatoly alexandrovich there , whom i knew, so i came to him with this proposal, he sat me down, treated me to tea, and told me all about this, in general, my life, that's what i'm in now i’ll tell you very briefly, he was a very kind, smiling person, these roots were there somewhere for 300 years, you

can imagine, this is still some kind of story, i looked and decided to give up everything, leave all passions, take up the history of the orthodox icon, and look, this is an ancient icon, it’s not like anything. can’t compare, that’s how it looks, even in a home interior, i showed the walls of my apartment, all the walls were hung with icons, landscapes, and, surprisingly, portraits of familiar and famous people, many of them i i knew, suddenly he said: vladimir, i will paint your portrait. wrote: in the nineties,

the main director of the russian theater boris ivanovich lutsenko, about whom we also already made a program, i love i remember, decided to stage the play perpetuum mobile or jewish jokes. this performance was performed on a small stage, because the big one was under reconstruction. tickets for the performance were expensive, because they also treated me to, i don’t remember, either... or champagne, and for 12 years while this performance was on, pouring, among the jokes, kanty sang, his voice sounded very good, he explained it like this, he said, you know, vladimir, this building of the russian theater was built as a synagogue, so everything here is designed so that the voice can be heard in the synagogue, so my voice fits very well into this space,

into these walls, indeed, it was a very good performance, the theater took it to st. petersburg, then to leningrad and moscow. in the performance of the perpetum mobile, it begins with an ancient old testament prayer in ancient hebrew. elagainy shoma is a prayer for the soul: lord, you gave me a soul, if this soul is pure, take it to you. and imagine, i was painting this icon just before the performance, and i had to repeat this prayer, as it were, so i repeat this prayer,

with which the performance begins, at one moment, the mother of god smiled, and after another for a very short time, boris staged the play exodus, dedicated to the 30th anniversary of the founding of jerusalem, but you know, the play did not last long, because the frailty of the dramaturgy also affected haste in the implementation, but poured and sang the cants there. at the beginning of 2000, director valery anisenko found a play, dana almagora, only fools are sad, staged it in his belarusian drama theater, for some reason one performance was played at the yanka kupala theater, i was at this: the play, byltor too,

they were sitting there not far away, and nalivayev also sang there, he also sang cants. and this play, directed by anisenko, received the presidential award of the republic of belarus in the category of theatrical art. in 2008, the world famous scientist, the traveler, bart, the famous, alexander gorodnitsky, made a film with the same sad theme. sad name in search of yiddish and invited nalivaev to shklov to sing a funeral prayer in the place of shklov gettarakhamin shohen pam-roi minukhny haino alka.

in 2012, nalivayev starred in a documentary , but with reconstruction, film

. now let’s sum up the funny result, look , his orthodox icons in many orthodox churches in belarus, his four images, churches, among catholics in the libraries of the red church, his tatar theme, in the main mosque, that is, among muslims, his depiction of synagogues and his singing

among jews, now imagine how in heaven, representatives of the saints of four religions are arguing about whose he is pouring, to whom he will sing, whom he will draw, write, and let them argue there, here on earth everything is clear, on the land of belarus, in orthodox churches, in churches, in mosques, in synagogues, he left the memory of himself in icons, in images, in songs, in cants, that is he delighted our ears and eyesight for so many years, for this we gave him

we are grateful, we will love him for this, we will love him for this, everything that modern belarus lives with today, look at the tv channel belarus 24 , this is news from the country and abroad, broadcasts of especially important events, live broadcasts from the scene of events, current interviews with belarusians, exciting travels around the country , feature films for all ages. on the territory of the countries: finland , sweden, norway, denmark, the netherlands

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