[000:00:00;00] you refuse, but at the same time there are still 300-400 kids there who will listen to you, well, it’s cool, it’s cool, we chose the days there on wednesday, saturday, in the evenings, we tell fairy tales for half an hour, there is an opportunity to tell the children something, they are interested in listening to fairy tales, but in this fairy tale you can pledge anything, but a storyteller can pledge anything to a child, from some destructive, devilish ideas to creative divine ones, the only question is the choice, of course, you... want to pledge something very good , yes, uh, there we have now the fairy tale is going on an amazing journey - this is a boy who accidentally turned into a hat, and he is in the last part , there is a fairy tale, it continues from day to day, that is, this is not one day of a fairy tale, that is, it continues for a long time and ends at some point interesting moment, suddenly he saw the end of the part and the children, and what did he see there, well, tell me

at least a little, here...' think, they themselves are thinking, they can send their thoughts to the chat, we have it in the telegram chat, showing an image of how gadgets work children, yes, look at this boy, he turned everything into a hat, became very friendly with the child, whom he wanted to hug, but couldn’t, but couldn’t, he says how i want to hug, but i can’t, because i don’t have a hat in my hands, yes, again, this is what this is about, about the value when you have hands, you can hug, i noticed that when you share a child with... imagine, 25, well, 30 minutes of continuous text, with my side, goes to the child’s side, then we may not return to the fairy tale for weeks, i checked, two, three, four weeks, the child may not even come back, and then, when i return , i’ll say, listen, what we talked about a month ago, they’ll tell you everything word for word, word for word, they’re different, their memory is developed, you know, if you’re coming from

the side of images , associations, feelings of living things... a person’s communication remembers word for word a continuous thirty -minute text, you know, it’s like in general, at school they can’t solve the problem of memory, but our goal is even greater, yes, to accumulate it all in one place, which is called school , we are now speaking to school we have a very one-sided attitude, yes, but school is a platform where happy conditions are created, you know, for everyone, children, parents, teachers, who else is there in the country, name at least one more who is not included in this category, children, parents, teachers, if you don’t have your own children, you are a child of your parents, that’s right, that means you are a child, these are children, yes, you, well, teachers and parents, well, who else, parents are divided into fathers and mothers, here are four, well it turns out that fathers, mothers, teachers and children, if we help them with this we will help categories understand something important in life, everything, our lives will change

, not just...' build some kind of business, not just build some kind of building, but how to build a building and a business so that these four

categories live better tomorrow , this is what i changed. dance is an ancient art, it reflects the need of a person to convey to other people his feelings, emotions and experiences through the body, for the first time in history dance was performed by a person as a ritual... symbolizing an important event in life, for example, birth or a successful the completion of the hunt, and over time it became an integral part of ritual activity, like the development of mankind, over the centuries the dance improved, taking on various forms and incorporating new trends. today, on the wave of popularity, modern choreography is nothing more than the art of dance, which

has no rules and... choreography was formed at the beginning of the 20th century in the west and involves a variety of dance movements. this is music, fashion, style. which are inextricably linked with each other. evgeny, hello. hello, there is such a thing a common belief is that a good dancer is not always a good choreographer, on the contrary. what do you think about this? yes, in fact it is so, because you can be a very cool dancer, but you won’t know how to communicate with people, how to present the material. also, on the contrary, you can be an average dancer, but you... know how to convey to the student your point of view, your direction, how you see it, how the body feels, where to move, and thus, yes, this is a point of view , what is not

always a good dancer, a good choreographer - this is true, and i fully support this point of view, every dance has its own history, what is the philosophy of modern dance? in my opinion, there is no specific one, there is freedom in movement , freedom in dance, to freely realize oneself, to show, that is , in the hip-hop industry it is more energetic, more massive, in modern, in jazz, for example, it is more elastic there , elegant, beautiful, that is, there is aesthetics, classics, ballet, that’s all there, hiphop is just the streets, that’s all that dances in the streets, breakdancing, that’s something another thing, there is no specific philosophy here, if you take folk dancing, ballroom dancing, these are completely different types of art, each choreographer, each dancer,

director has his own vision, but despite the freedom and ease, there is some kind of base, certain movements in the same hip-hop, which you need to know, yes, yes, of course, practically... in all directions there are basic elements, in hip-hop, in paping, in locking, wacking, in juanking of a special base, and there is no such thing, because it is more of an american variety it came to us, in hip-hop there is a groove, there is a base, there are some movements on which you continue, and just like everywhere else, from one you make a second, a third, a fourth, and well... different ones at the beginning in the 2000s , hip-hop, chaos, breakdancing were on the wave of popularity, but what is popular with young people today? nowadays everything is developed, for whom everything depends on how old you are, what you like

, whether you are a girl or a boy, here boys mostly go to breakdancing, hip-hop, highhills, they rarely go, girls who are 18 + now there are frame up, high hills, that's it, what is connected with female plastic surgery, that is, it is now just... well, very developed. dance hall, regiton there, the same. 3 years ago it was developed mainly three or four. jazz-funk was right at the peak of activity, even hip-hop was not so developed. and now more feminine. what will happen in a year, who knows. therefore, it is very difficult to judge and know. are there any unusual styles that you teach here in the studio? such unusual styles just specifically, so that wow and... and no one probably has, but we have one of little-known styles that are taught in minsk, so in principle we have one of the best shuffle teachers, how difficult is it to assemble a concert lineup? this is

actually very difficult, why? because before you create a concert lineup, and you naturally do casting, they sign up there, children , teenagers, adults come, you give choreography, they teach and after that you decide who can, who is promising, who cannot, i when i conduct a casting, i always tell the children that what will be difficult is a lot of training, hour by hour there are many, many tournaments, a lot of moral exhaustion, so in fact, with a concert lineup, it may be good or not, because it is difficult, but as they say, only the strongest go. how can dance art help children in the future? children study from an early age, from five, six, seven years old, that is , for a certain period, it will be 3, 4, 5 years, it doesn’t matter, maybe even two, they

grow up much faster than their peers. we have dance camps that we we collect our own children, take them, in 2 weeks the child’s worldview changes very much, and so do the teenagers. no matter how crazy you are, that is, you understand a little, well, plus i not only teach them how to dance, but try to teach them some basics of life. today, hip-hop still remains one of the most popular popular dance styles in modern dance, it does not accept the strict canons of choreography and is still at the stage of its formation and development, but no matter what style you choose, it will help anyone, even the most shy person, to show individuality, convey their vision of the world, and receive a charge of

positive emotions and impressions. synthesis of decorative, dramatic and musical art. ballet is not just a dance, it is also music performed by a symphony orchestra, under the leadership of a virtuoso conductor, a bellet master who stages the drawing, action, as well as ballet dancers who embody thoughts through dance, thereby revealing the plot of the performance . if we are talking about the art of ballet in belarus, a striking example of the preservation of elite culture is the bolshoi theater, whose ballet repertoire is distinguished by its breadth and diversity. over the course of the decade, the playbill has always included both classic performances, a kind of marker of high style, and new titles. the leading role in the development of national ballet belongs to... the creative activity of the belarusian blitmeister, people's artist

of the ussr, valentin elizariev. his innovative views, bold and full of metaphor and plastic diversity of production, with are received with delight not only in our country, but throughout the world. so in 2023 , the premiere of ludwig minkusat’s ballet took place in its new version. today valentin nikolaevich appears. and the honorary position of chief choreographer of the bolshoi theater of belarus is occupied by igor kolp, who has been living ballet since school age, learning and bringing the most daring ideas to life. well, when coming to the theater, in fact, let’s take a ballet, the viewer sees luxurious scenery, bright costumes, but behind all this there is the painstaking work of dozens, and maybe even hundreds of people. so this is the other side of ballet,

which is hidden from the eyes of the viewer, for you specifically, but what does the creative backstage mean through the eyes of the chief choreographer of the bolshoi theater of belarus? well, what’s surprising is that ballet is the same as an army, since there has been strict discipline since childhood; without discipline we will not learn to simply perform individual movements, which in the theater grow into some form of dance. the wrong side of ballet, it is most interesting to the ordinary viewer, because the viewer comes to the theater, this event is, first of all, to see the holiday, but uh, over the last season i realized that all those open events that are created primarily in the format of internal processes, they are sometimes much more interesting than just coming to the theater, that is, open lessons, open exhibition complexes created, a big event for a ruble , quite... curiously they also opened up for me

the perception of the viewer and the viewer's view of the theater, such a necessary function, especially today, is it interesting to learn about the art of ballet from the point of view of a choreographer? well, first of all, as a choreographer, i come first people inspire me, i am inspired by people, and my movement through life is built primarily from communication, in which i find one direction or another. for the further development of both stage incarnations and, well, some kind of analysis for yourself. let's take a look at the legendary ballet swan lake, which celebrated its 145th anniversary last year. being the main choreographer, indeed, everything was written and invented a long time ago, you bring something new to the production, your own, and what exactly? the fact is that the classics are unshakable, this a certain form of repertoire policy of the theater, swan lake, the nutcracker, giselle,

battle. raymond, that is, the backbone that is necessary, first of all, for the good condition of the team, if these names are not on the playbill, questions arise accordingly, what is going on there, a competent leader always makes a balance between the classics, the modern direction and some experimental directions that necessary, because every artist at a certain time is faced with what to do next in within the framework of repertoire policy, such young people, no longer young by that time. if you don’t find options for suggesting the development of the path, it seems to me that it would be stupid if this does not happen, because... we understand perfectly well that there is yesterday, today tomorrow, after some time we will need to look for someone on the side, without raising their own choreographers, teachers, so swan lake, it is necessary in the format of the repertoire, it creates high-quality work of the troupe, and this is the name when i

just now remember one moment when i while in tokyo, i came on tour to the national theater of tokyo, that same evening there were six performances around the city, that is , there is such a demand, primarily for cheikovsky, on the theme, the theme of love, disappointment, in the end everything is fine in the end, it is so necessary for and not only in relation to the music, the idea, but also today, there are a lot of versions, they are modern, they are sometimes completely unrelated to itself. today, in the bolshoi theater of belarus there is a classical version, but the repertoire policy that has been built over the years is allows you to have exactly this name in the form in which it is, then after all, the classics will always live forever, this is the calling card of any theater, swan

lake must be, you probably know the bright myths about ballet, here are some of them you can refute, and which ones? to confirm, i am a happy person, i have always lived in natural competition in a competitive environment, where there was no place for some kind of myth when they say that something is sprinkled with broken glass and so on and so on, and i actually even sometimes it’s funny, because when i hear something like this among my colleagues, i understand perfectly well that no matter what you do in life, the final result is a scene where you are either a yes or you are a nobody, there are a lot of rumors, a lot of myths. but reality absolutely does not correspond to those myths. if we consider ballet as an art, then the first associations that arise with it are lightness, airiness, pointe shoes, a tutu, but is life really so easy on pointe shoes? i will tell you about one of

the advantages in my profession, because yes, this is very hard work, strict discipline, but... investing 300% , going out on stage, the audience, the party, all this pays off all the costs that you incur in your life to achieve some results, and the most surprising thing is, you don’t understand it right away, you understand when everything is already in decline , the development of the further path after, it just creates some kind of moment... of how, and what’s next, and we correlate everything exactly with this short section of the path, uh, on which everything was so bright, but so quickly, so for some reason i knew always about this, and my life was not limited only to the profession of a ballet dancer, but what would you

advise those who want to join the art of ballet, where to begin their acquaintance with this elite art, well , firstly, before... going where - in particular, to take a child there, it is necessary, of course, to read, talk to him about what theater is, what ballet is and the plot component of the evening, because on the first try to understand what is happening on stage, that a beautiful girl in a beautiful dress came out, an adult boy came out in tights, this quite strange for the perception of a child for the first trip from ordinary spectator families , however, if the parents... cook, talk about music, talk about the plot, say that this is a fairy tale, explain every moment, ballet is not so complicated and a form of art , but it’s so elitist that going to the theater is necessary as an event, then everything happens on the first try, and love happens right at first sight, today

ballet is more relevant than ever among belarusian connoisseurs, this elite art, in your opinion, what is its greatness, magic ? we all we come to the theater in order to be surprised, working in one direction or another, we want a holiday, we want emotions, and this is not always about a holiday, the leaving and coming spectator wants to get food for thought, at the same time to relax, burst out, or laugh, how can this be done, let’s say a performance, be surprised in giselle, cry in giselle, the scene of madness leaves no one indifferent, understand what a swan lake is, swans swimming on a lake with beautiful scenography, that is, we we come for emotions, but what do emotions give us? of course, the theater, the great theater of belarus. currently in the repertoire of the bolshoi theater