[000:00:00;00] let’s take a ballet, the viewer sees luxurious scenery, bright costumes, but behind all this there is the painstaking work of dozens, and maybe even hundreds of people, so this is the other side of the ballet, which is hidden from the viewer’s eyes, that’s for you specifically, and what means creative behind the scenes through the eyes of the chief bletmester of the bolshoi theater of belarus, well , surprisingly, ballet is like an army, since there is... strict discipline from childhood, without discipline we will not learn how to perform certain basic movements that in the theater grow into some form of dance, the underside of ballet, it is most interesting to the ordinary viewer , because the audience comes to the theater, this event is, first of all, to see the holiday, but uh, over the last season i realized that all those open events that are created primarily in

the format of internal processes. they are sometimes much more interesting than just coming to the theater, that is, open lessons, open exhibition complexes created, a big promotion for a ruble, curiously enough they also opened up for me the perception of the viewer and the audience's view of the theater, such a necessary function, especially today, is it interesting to learn about ballet art from the point of view of a choreographer? well, first of all, as a choreographer, i... first of all, i am inspired by people, i am inspired by people, and my movement through life is built, first of all, from communication, in which i find this or that direction for the further development of both stage incarnations and and well, some analysis for yourself. igor pavlovich, you are very concerned about the future of the belarusian ballet, or rather for its young generation, you look at it yourself, you are selecting future ballet dancers, for sure

- the new season of the big one has been replenished with new faces, graduates of choreographic schools. tell us, how is their integration into the current troupe going? is everything easy for him? the first season is always quite difficult, and having received the appointment of the belorui bolshoi theater, the first thing i realized was that first of all i needed to broaden my view a little, as well as my relationship with the society around me, the ninetieth anniversary season, more than 35 artists came, and this is somewhere maybe 25-30% of those who came from st. petersburg, moscow and so on, that is, from russia, for me this was a very surprising moment, because i understood what it meant that i was able to do some minimum in terms of attracting an audience and exposure outside the country, this is becoming a tradition, this year on may 16 we will have a screening again, open to the theater , i initiated it not just because we

need personnel, although they are necessary, it is very important for me to show, here we are now walking in the beautiful park around the theater, and every who came to minsk for viewing, even if he was not selected, he was sent for a walk around the theater, troitsky suburb, uh nezalezhnosti avenue, and so on and so on, so that a person, if he comes, comes to minsk, he has an idea , where he plans to live, so that he can see a wonderful theater both outside and inside, that all the conditions are present for the realization of those opportunities that... are offered to young people for the first year - it’s hard regardless of whether he moves - or comes to some place of work , we all we get used to the idea at school that people are following us, this is how it happens now , we have you adjusting the microphone, god forbid you touch something, and when you come to the theater, you clearly understand the situation when it’s not like you they don’t need it, but you start everything from scratch, this is a transitional stage, even if

you trace the path of those children, as i call them. who came from school to the bolshoi theater of belarus , you see how this enthusiastic at first changes to ordinary perception by the end of the season, i see absolutely happy faces and the children who came who understand that some part of that long-term planning for them, including with them , it has already been completed somehow, so today i can say that i am satisfied in the sense that this function took place, it brought its own... let's look at the legendary the ballet swan lake, which turned 145 years old last year, being the main choreographer , everything was really written, invented a long time ago, you bring something new to the production, your own and what exactly, the fact is that the classics, it is unshakable, it is definite form of repertory policy theater, swan lake, the nutcracker, giselle, boyadere, raymonda, that is, the backbone that is necessary above all for good

condition. experimental directions that are necessary, because every artist at a certain time is faced with what to do next within the framework of repertoire policy, such young people, no longer young by that time, become more and more every year, and if you do not find options to offer development path, it seems to me that it would be stupid if this does not happen, because we understand perfectly well that there is yesterday, today, tomorrow , after some time we will need to look for someone on the side without raising our own choreographers, teachers, therefore swan lake, it is necessary in the repertoire format, it creates high-quality work of the troupe , and this is the name when i just now remember one moment when i

, being in tokyo, went on tour to the tokyo national theater, that same evening there were six performances around the city, that is, the demand is so high. primarily on cheikovsky, on the theme, the theme of love, disappointment, in the end everything is fine, in the end, it is so necessary for and not only in relation to the music, the idea, but also today, there are a lot of versions, they are modern, they are sometimes absolutely not related to the idea itself, for today day, a classical version is playing at the bolshoi theater of belarus. but the repertoire policy that has been built over the years, it allows us to have exactly this name in the form in which it is, then nevertheless the classics will always be alive forever, this is

the calling card of any theater, swan there must be a lake, you probably know vivid myths about ballet, here are some of them you can refute and which ones you can confirm, i am a happy person, i have always lived in natural competition, a special environment where there was no place for some of those same myths, when they say something like that, they add dead glass, and so on and so forth, and in fact, sometimes i even find it funny, because when i hear something similar among my colleagues, i understand perfectly well that no matter what you do in life, the final result is the exit a scene where you are either yes or you are no one, there are a lot of rumors, there are many myths, but reality absolutely does not correspond to those same myths, if we consider... ballet as an art, then the first associations that arise with it are lightness, airiness, pointe shoes, a tutu, is life really so easy on pointe shoes?

, i will tell you about one of the advantages in my profession, because yes, it is very hard work, strict discipline, but investing 300%, going on stage, the audience... the party all this pays off all the costs that you incur in your life for achieve some results, and the most surprising thing is that you don’t you immediately understand this, you understand, when everything is already in decline, here is the development of the further path after, it just creates some kind of moment of what’s next, and we relate everything precisely to this short segment of the path . in which everything was so bright, but so quickly, so for some reason i always knew about it, and my life was not limited only to the profession of a ballet dancer, but what would you advise those who wanted to join

the art of ballet, why start your acquaintance with this elite art? well firstly, before going somewhere, in particular to take a child there, it is necessary , of course, to read, talk to him about theater, what ballet is with the plot components of the evening, because on the first try you can understand what is happening on stage, what a beautiful girl came out, in a beautiful dress, a boy came out in tights, an adult, this is quite strange to perceive, a child for the first time from ordinary spectator families, nevertheless, if the parents are cooking, they talk about the music, they talk about the plot, they say that this fairy tale, explain every moment. ballet is not such a difficult art form, but it is so elitist that going to the theater is necessary as an event, then everything happens on the first try and love happens right at first sight. last september,

on the bolshoi stage you presented the premiere of a new edition of the ballet jezel. how did the belarusian public receive it? but in completely different ways. since my goal was to make the performance interesting for different age groups, this was fundamentally important. because it seems to me that the child needs to be prepared for coming to the theater in advance, and i, how do i it seemed that i simplified the task of the parents a little, in the hunting scene we have... dogs come out, in the scene of the peasant dance we have a wedding couple ride out on a horse, and it seems to me that the first act, it is absolutely made for any age category, will find something for everyone their interest, in the second act all sorts of options were used , how to first of all show the stage canvas of the big theater, because after the reconstruction, there are a lot of different kinds of possibilities, creating a special effect

of the other world, and these are flyovers, departures from under the stage, passages and flying fabrics, today it is quite difficult to compete with animation, since we are all on the internet, we watch movies quite easily, making a ballet performance, creating a competitive environment for tv, the internet, was not easy, so for me let’s say the natural process of the scene when someone comes out, a horse, dogs, since all my life in st. petersburg they took part in all the performances of don quixote, the horse came out with a scrap, so for me it was not, but in some format, it seemed to me that the belarusian public was not ready for the opportunity to see a horse or dogs on stage, and in this regard, there was such a nuance, why do we need a horse, on the other hand, i had a clear... it’s not easy to create an effect and

somehow to think only in this direction, i looked much more broadly, much more broadly, i studied the history of first of all the first performance, the premiere, which took place in 1846 in paris, in the description of the performance it is written in the documents that the stage, in the hunting scene, a retinue rode out on horseback , that is, it was not even about one a horse, and about horses, and if you take into account the fact that there are... uh, six pairs, it turned out to be six horses in the grand opera , the stage was coming out from different sides, i imagined this incredible action, this scale, and knowing the scale of the big theater, a huge stage , one little horse, i think, should not have offended anyone, but still, modern technologies are actively used in more, they must exist, because if there is something, it should be used as the very gun that is hanging. during the action, still in the final must shoot, having these

opportunities they must be used. today, ballet is more relevant than ever among belarusian connoisseurs of this elite art. in your opinion, what is its greatness and magic? we all come to the theater to be surprised. working in one direction or another, we want a holiday, we want emotions, and this is not always about a holiday, the departing... the departing viewer, uh , wants to get food for thought, at the same time relax, have a good laugh - or laugh, as it is it is possible to do, let's say in performance of donquehod, to be surprised in giselle, uh, to cry in giselle, because the scene of madness leaves no one indifferent, to understand what a swan lake is, swans swimming on a lake with beautiful scenography, that is, we come for emotions, and what emotions give us , of course

the theater. bolshoi theater of belarus. currently, the repertoire of the bolshoi theater of belarus includes about 40 ballets. these are national plays, masterpieces of world classics, as well as modern productions. creative groups actively tour, with the art of artists the theater is familiar to spectators from more than thirty countries around the world. how in this world ballet continues to develop and grow, changing along with the world around it, without losing its relevance and greatness. ballet remains the same magical art, in which, with the help of dance, you can talk about all human emotions and feelings. here, every wave of the hand is filled with wisdom, and there is not a single meaningless movement. fill your life with meaning, join the elementary art of ballet. follow fashion trends in the cultural life of our country,

alina nevoina was with you remember: being cultural is fashionable, see you in a week, until new cultural meetings. hello everyone, this is sportkadr, a tv news agency project, as you know, the main multi-sports program of belarusian television. this week there will be a handball super series between the national

teams of russia and belarus, which will be held in mogilev, gomel and minsk. on the eve of the original broadcast of our program, we asked the olympic champion several questions. to the head coach of our team yuri shevtsov, regarding the 2024 sports calendar, which is taking on certain shapes. there are soo multi-sport games, friendship games, brix games and much, much more. i will be very glad if we are included there, but so far i have not heard anything about it, and i don’t know anything yet about the fact that competitions will be held, yes, whether there will be handball there, so i will be very glad if we are there will be included, this... will be interesting for us, for us now any opponent, for us now any sparring, for us this is very important, high-status legionnaires, there are still no difficulties, call immediately at the first response, and everyone goes to the national team, even without international matches, you know, what pleasantly surprises me about this team is that they

all come here with pleasure, that’s it, no one refuses, it’s natural injuries, there are some other reasons that we discuss, but now it looks european, but let’s say, some of the best in europe now, and it’s good that our belarusians, for some time now , have gradually started a new generation that the strongest. well the kinglet is one of the strongest linemen in europe and here you don’t need to introduce much, nikita plays in the strongest club, we have a lot of players, we have the geography of our players, we play in romania in israel, we play in hungary in poland, that

is, we have a lot of players, european clubs, and i think there are also a galaxy of young ones who are about to do the same. will play abroad , as for the national team, the day before there was a training session in the capital 's handball house on the day of the original broadcast of our program, the team went to mogilev, where on november 1 it will open the super series with the team russia. there's a game in gomel on friday, a meeting in minsk on sunday, come. in the russian federation, our leading legionnaires, like artyom korolek from the polish avi kielce and nikita baylupov from the hungarian vesper, are straight away. both clubs are performing successfully in the champions league group. last week , vesprim handball players inflicted their first defeat on barcelona in the group round, and this is the sixth round 41:35. vailupov scored against the catalans once, in just six rounds he scored 20 goals, right barcelona shares the first line of group b. kielce korolka is stronger than eurofarm. artyom

scored his tenth match in the group tournament for his club. and his team takes third place behind kiel psg. we need this kind of handball even after the announcement. let's return to our well-known studio , 300 km away at makayonka 9. watch the new edition of the main multi-sports program of belarusian television, sportkadr. aest spreads its wings. a club from china is flying on the route for the asian games in minsk. what will happen next to the historical project? let's talk about the horizon about natalia's coaching horizons trofimova. let's draw a line under the twenty- sixth round of the major league football championship. and in the second part of our program there will be medals from the u23 world wrestling championship with the exclusive vasilis orzalyuk. and moto extreme, what do you know about enduro? we've already done a lot, don't switch. let's continue the handball theme. eastern wisdom says: wings are free only if they are open in flight; they are heavy behind your back. interesting events surround the aistai project in the belarusian championship, which is nominally the chinese national handball team. oleg

shareika raised a project with the best players , showed off at the asian games and will soon return with them to minsk. and here on the farm there was an ex-mentor. igor popruga, this is what will happen next, alexander yakubovsky found out everything, just for you. igor popruga, one way or another, is associated by fans of belarusian handball with the capital’s army team, and the move of the eminent mentor to the camp of aista in china was unexpected for many. on the one hand, no matter how i leave, i remain in the structure of the club, but for now i’m interested in working on the site, but in general i’m in front of your i counted 36 as a parish. in the army club, they just don’t go away, that is, you remain there as a sports director, no matter what the position is, the main thing is to bring some benefit to young coaches, maybe young players, what? specifically, what is your responsibility, exactly there? at the moment, my responsibilities are here on site, at the end of this short