[000:00:00;00] anton, maybe stop fooling around, i’m bored too, i don’t turn on the music , well, how long can you wait, and you came together, yes, but he went to change his clothes, great father, listen, can this be all somehow, go, so that you can be like him he’ll come, we’ll come right away, i’ve already filled out everything, i just need your signatures, he’s finally arrived,

where’s the suit? lit, i can't. what can't you do? anton, are you kidding me, i told you, not now, not mine, all this, it’s not my cut, not my style, let’s just sign where to sign, it’s all because of the suit, of course, why else, suit, don’t scare me like that again, please, i haven’t started yet, little man, what are you talking about? i took a ticket immediately after the wedding, i’m leaving, after the wedding, after the wedding, at least to orbital , lidiya veniaminovna, do you agree to become the wife of vladimir sergeevich, you also ask, yes, yes, okay, vladimir sergeevich, do

you agree to become the husband of lydia veniaminovna. yes, what answer did you expect, as a sign of fidelity, love, exchange rings.

what is this? volodenka, what is this? lit, forgive me, what is this, i’m asking you, volodya, forgive me, volodya, everyone who is undergoing treatment, where are you going? volodya, this is considered, we are husband and wife, why are you silent, announcing, well, what are you doing,

he is now. nazarova, accounting, that means, hello, khana davidovna, good afternoon, but you keep bragging, yes, this is different, that means where are you, listen to me, screw me, so immediately marry a general, it’s pointless, i remember, something i drank something else, well, when was that, my dear, but, well, general, so what? what, and lesha, lesha, he was offered a place at the embassy, ​​what

fate, and i popped into the studio at lunchtime i work at the academy of sciences, it’s good, there ’s nothing there, but i’m asking for my eyes back, yes, i need to look at you sometime, i do. a suit is needed for paris, well, to emphasize the business nature of the visit, what? listen, but we always welcome such visitors. oh, look, the whole team is assembled, just like in the old days. oh, han, don’t be dramatic, we haven’t seen each other for a week. where is kostya? he has no time for us, he’s gone to a model house, that’s it, he doesn’t come to us. now it would be ideal if the door opened and... he walked in, because of such

how are you and kostya, khanya and i are sewing up here, well, we work, work. hello, tanya, i didn’t wait for an answer to the first letter, with our weather, you never know when it will be delivered, if only you knew what a blessing it is, to breathe deeply for the first time, to watch how life appears where yesterday it was impenetrable more often , it seems that i am finally busy with real work, for this i am grateful... only to you, so i dream of only one thing, maybe in a year or 20 years, when there are no borders in the whole world, i will find myself in paris at a table street cafe, i’ll look at a girl in a red dress passing by and recognize

your work in this dress, then i’ll understand that you

also took a deep breath. what unites soviet coins and the scale of canvases? rarity, uniqueness, sophistication, unique art that captured the consciousness of their creators, two special stories of creating portraits from coins, and grandiose monumentalism on the appearance of architecture, creativity, it is to some extent sad, because if you write a topic, consciously, that means you need to go there, i’ll probably still come back with this

sadness. my work, let’s say it is diverse in subject matter, but in the coloristic system, it has retained such a more natural, earthy cry of color, that is, i always feel closer, for example, to an icon, this calm, not... creaky colonite, since i consider myself more through such a graphic language, so the expression of my works, if i start with these works, i wrote during the period when the national library was being created, that’s why this topic, uh, i developed as two images of these, two eternal sages who create, create this aura,

one planted this tree of life. a book, the eternity of flight of this creativity through a bird, through this sown here, the theme of writing, so this plowed earth, it creates as a symbol of spring, summer, the second, here is the second image - this is what has been collected, then there is architecture from books, here is this sage, reading and giving us, in an open book, here is philosophy, here is a portrait image i have, not also so iconic, let’s say the plot, this was a specific image, and it probably exists, yes, i just wanted such golden wheat, how to make such a state, so... i have all the gesso here on gesso, that is, gesso is

the ground on which applied to the tablet and then written, let's say with water paints, you can write with the same watercolors, but i work with tempera pigments, this plot is a work that is very dear to me, because youth, it is going on a long long journey in life, to live , here she is... and sat down for in order to cross herself, that is, this is the eternal burden of her life, her understanding, here you can connect with the theme of the heavy bearer, although it was written that this is the eternal thought, well , the plan of a person, to stay alive, to stay, this is the peace of the earth

, this is warmly leafy with itself, it was preserved in this theme, here is a portrait, uh, well, i was somehow afraid to sign it something, the image of my mother, there is here, when my younger brother, nikolai, passed away , here, his departure, such a triangle, here is hers , this is the cry, eternal, and the hand is simply from land. from the earth, because people, the soul, it rises, this is grief, so this is a sad topic, we are currently in the gallery named after ionidavichalev, here is the gallery that has collected his work, his

many years of work. and we will talk about the path of life, because the fate of my teacher in life was interesting, so his centenary, it is timed, so this exhibition with my colleague and classmate, then along the creative path of life, tallinn nadezhda viktorovna, this is the way myself, i i’ll tell you: i’m very grateful to good , wonderful teachers, that’s how the core, and the basis of all this was leonid dmitrievich shimelyo, why, because he was an educator, a teacher, and a father. and you could turn him any way you wanted, so he always kept us under such internal educational control, the last dialogue we had with him, he was already ninety-eight years old, we were at home, but he lived cheerfully, beautifully, with dignity, now we we see him

in this guise with these works, it’s a delight, i know he’s always been since childhood very interesting very... internally full of interest, how to do it, what to write, how to treat it, today we see, well, a unique, unique urge for what happened, what to strive for artistically, i personally wish him good creative success , health, beauty, appearance , look at him, he fits in with everything that is here on this page, glad, happy, thank you and god bless him. but i believe that in our creative direction there are such, let’s say pages of life, like painting, graphics, sculpture, i have this

monumental art, which, let's say, has absorbed and absorbed into itself, is a synthesis of architecture and monumental art into interiors, exteriors, philosophy in my art... i tried not to be a naturalist and did not speak out on any philosophical topic to illustrate, i created here these works are in their monumental world, mosaics, paintings, stained glass, so i wanted to talk with people who would look at me as equals, so i caught fire, i’m a mountain and i want to burn longer, well , i’ve lived a lot, i’m about 18 monumental works, only monumental, what is connected, besides this there are many monumental paintings, many left, in minsk, if specifically objects, this is the national library, anatoly

luchinovich and i formed this team, about 100 people, internal internal sim rus. then the entrance pages, so he and i also did the authorship, then, uh, i’ll say that - the opera house, for me, there was also such a huge school, why, because four 4,000 florentine mosaics were made, this is a mosaic, i’ll say, the original in, that all the artistic volumes that are there they are all different and manual labor, there was no computer work, they were exhibited and cut, so it is very expensive, when you look, well , you feel that you were needed, the tasks in general,

this is a very difficult job, because you need to work not in the momentary consciousness of the concept of what you are creating, but you need to work for the future and not... forget that there was a history of art behind you, art is not fashionable and modern, art is only eternal, fashion is dictated only in a word, in a car a person creates comfort precisely this philosophy of constructivism, it creates beauty, in art, in art, in real, deepest art, it can only be forever, i consider myself incredibly fashionable, because i want to wear what i

want, the thing is that our friendship with nadezhda viktorovno livintseva at school, already in life we ​​are following our creative path, our friendship - these human relationships began, so we, well , she decided to create such an image of me with such people, probably, well, what there is, if there is such a thing, let the viewer say, but she incredibly talented, very decent, i think that she could very well enter this, well, inner world, of course , they know, they know from the bad side, from the good, i would try to be on the good side, as she says, we sometimes uh , well, how creatively, emotionally, any person communicates. in our work it is good to be silent when everything is ready, because here, so

vladimir, good afternoon, we met like this, this rarely happens, we are here within these walls, his wonderful galleries, and i will say that she really created such an easy inner world of him, because he was very... kind, very sincere, incredibly talented, he madly loved and loves to include horses in his compositions, because he , well, the team gives work, a portrait, he is very well known, painted, and his works by lenid dmikrievich, they, as i have already said many times, educate, educate schoolchildren and both the younger generation and the older, and he allows us to live, so you are there happiness in heaven,

create life there, thank god that we communicated i studied closely, studied, i studied and bowed low before him, because he gave a lot, gave us, and gave our country art, art that will be, it will be

forever. i found myself in, uh , what i did since childhood, this is art, this is creativity, this is drawing, and i wanted to mark this anniversary with something, well, to symbolize something beautiful. numbers, some names, here it is 5:00 , such an interesting account of life with mine, and with my own with all some flaws, there with some of my mistakes, yes, 5:00 i count, after all, i defeated them, here it is 5:00 , and this is also the number of my years of life, the idea of ​​​​the illusion of faces was based in the concept of this visual creativity in general, and since when these works were created, then... the idea was just portraits from coins, but after i created the first painting and moved away from

this painting, then i photographed it, and these were two different paintings, these were two different images, this illusion that turned out thanks to the magic of the human gaze, vision, yes, so that's when i called this my style face manani and i added and illusion, that is, illusion, magic, well, initially there was... an idea to monetize everyone, all people, all images that have already been printed or put on banknotes, this is mahad magandi, this is madun, this is nicholas, this is elizabeth the second , this is the same lenin, when these people ended, well, let's just say, it was still possible, of course, some little-known kings, kings who

were published there in countries, well, some kind of attention and i began to make those people who, in my opinion worthy to be depicted on coins, yes, that is, to go as in the image in the likeness of their courts, which print these kings, there are heroes, cosmonauts, writers, greats, and somehow they choose, and there are many, but for some reason someone chooses this one, yes, i decided that now i will choose today, again as part of my anniversary, i made such a program, accessible art, where in various locations, in a shopping center, in cinemas, in some children's clubs, that is, in those places where usually , well, you won’t come across a painting that, in theory, should be either... in a hall or in a museum and it is precisely this - let's say, unusual way, i like because

people, without going to the palaces of art, or even museums, already see this art, excuse the taftology, perhaps they will have a desire to plunge into art more deeply, more , yes, to visit there, now my paintings are presented in two projects in minsk, chagall’s work is in an exhibition in the project of the center for contemporary arts, the second work was given, also a sacred message, the name of the project is, uh, i’m standing there and... in the case of chagalls , in the case of given, with originals, we breathe the same air with him and there are also graves in the shopping center, in the children's club, and you won’t believe it, even in the church, people, well, if we take this period, people are already tired of sitting at home, but this is after the coronavirus, all these scarecrows, horror stories, well, as if they exist , they do exist, yes, but maybe it was a little intensified, but people were afraid to go, although the museum is supposedly

a safe place, these aren’t there, it’s not the metro, it’s not. .. not grocery stores, not shopping centers, yes, but nevertheless, people were afraid, now they are returning with greater strength, with greater desire , because emotions, where to get emotions, the museum is the space where people received all the time they receive to this day, when i conceived this not yet a project, just an idea create paintings from coins, i liked it myself, my loved ones liked it, my wife, my boyfriend... my mother, well, everyone i knew liked it, but i understood that most likely it was just, well, their opinion, well, so that i not to offend, so i had to the opinion of an independent person, that is, who does not know me, with whom we have no relationship at all, we do not know each other, we have never known each other, plus this person, whose opinion will not be important not only for me, but rather for me, it is very important, and whose opinion, if it

is expressed, will be in the general public, yes, that is, that means it is so. with all that, without creating an idol for myself, and people whom i would like to be like, whose creativity influenced me as a person, as a personality, who, what makes them remarkable, what made them successful in the world, i would like, yes, of course , i have already met several, shook hands, this is already a people's artist of the russian federation, i think the artist is the mirasanov, the israil tsars and i received their opinion at the beginning of my creative career and was enlisted, inspired, inspired by them, their wishes , and there were a few more people that i segmented through in a short time , according to representatives of show business, people of art, and various other segments,

now i’m calm because my work, my, or rather, idea, idea, it’s popular , that is, everyone everyone liked it , since i’m a portrait painter, yes, uh, everyone - they’ve been waiting for a self-portrait from me for a long, long time, at every exhibition they ask , where is your self-portrait, i decided to make a self-portrait, okay, i’ll do it, but it’s an antipode. to surprise everyone, yes, that is , there are things that are not necessary, or rather, are associated with an artist, and i thought that this particular work, the crossroads of fate , would become my calling card, my autotret would become recognizable, and people would recognize me according to it, and so it was born that it was, in fact, well, in fact, i didn’t plan it as an auto-trade, but it so happened, here are

the coins that i made at one time, from which i made with... mine, my heroes in the distance, davini and picasso, and here is the meaning, that my story, biography, my destiny is based on, consists of - these people, yes, from their lives, from their destinies, from their creativity, and crossroads , as if every person has crossroads along which he walks, yes, these are my crossroads, my very first thanks, which i received was the gratitude that many, well... i dare say, many people receive, let's say , after a very long time, that there is so much to conquer, then i conquered - at the very beginning of my creative journey , here is the work of a painting with the title of tseriteli, and since he is the president of the russian academy of arts, it was he who signed and presented me with gratitude for the professionalism and artistic component of these particular

works, and that gave me an incentive to grow and develop. if we take the space from the word in general art, culture, faith, then, i would characterize myself in the image of an artist, through the first thing - this is through work, through thinking, the time in which i live, this is the most important thing, that is, to make it clear that my time was... saturated and at the age of being an artist, and at the age when you already realize a lot, and most importantly, do not forget that there is such a vision as mastery, mastery, it is for

any person, both for the artist and for the person who creates, for time, for i will speak of eras and for the palette in which you... characterized yourself, that’s it, the word artist itself, you know, it’s probably, it’s probably necessary to explain it more broadly, it’s like the rising sun in the morning, like the setting sun in the evening, like warming the soul during the day, like spring, autumn, rain, summer, this is an artist, because he bathes in sadness, in joy, happy that there is a critic, because any criticism is in the mind, it is very important, when there is criticism, it means there is confidence that there is what you have come to, then,

what have you achieved, criticism is in the concept, you can say, well, you like the work or not i like it, this is not criticism, criticism is when i understand inside that the people who give feedback are simply positive. and people give feedback when they want to understand it for a long, long time, they discover it all for themselves, that is, they are afraid of criticism, but this is natural life, we must perceive our world, it is so true, it should be true in creativity, but when you yourself approach your work with criticism, after 10, 20, 30 years, if you approach your work and you tell yourself, you did the right thing, this is criticism. myself, she is dearer to me, well, probably, for me art is everything

, it’s what i did, what i have is that i have a family, it’s what i have friends, it’s what i can draw from mine, from my cup, what i created, i can drink it, i can think, sit, reason, there is that space of a planted field. in which i planted, planted in the bright, planted with sadness, whatever, so for me this space, infinite, human happiness, this lies, probably, it is not inexplicable, in creativity, it every time gives birth and accompanies a person, through talent, but most importantly, you can have talent, but be evil, but it’s better, let... goodness is accompanied by exactly this - the reasoning of honesty, decency, and

professionalism, i was very, well, proud, probably everyone is proud when ... your art is noticed somewhere far abroad, but last year i had an order from america to cross my painting this ocean, it was epic, symbolic for me, my family, my wife, my daughter, this is my rod, my rear, it's not loud, it might sound somehow it’s already jaded, but nevertheless, in my case it’s 99%, it’s true, if it weren’t for this... support, i might have come up with it, i would have come up with it, i would have given birth i would have come up with this, yes, but i couldn’t grow it, this tree , well, this creativity, this is an idea, they help me water, take care of, somewhere to prune something,

yes, somewhere under the opposite something under, under, under, something, well, without them i wouldn’t be able to do this, without them there wouldn’t be me as such, yes, many artists sit and think about them they will come, knock and say, you are a genius, come out, no, it doesn’t happen, it never happens. you should walk around and say that you are a genius, take me, take me, i am a genius, look at me, here i am, here are my works, ugly, look at them from the other side. i don’t like it, let’s do something else, come on, tell me what you need to do, i can do this, i can do this, i can embroider, i can make jam, i’m like that, no one will knock on your door, you know, this is this and my kind of message, urge, i’m always with i don’t meet anyone, with young people, with my colleagues , well, they already know with colleagues, but many are offended by me, you already had 20 exhibitions there in 2 years, but i only have one, and i already an honored

artist, i say, what are you doing, what are you doing? you work, but go out, go out into the street, shout about yourself, shout, shout loudly, your hero, your art to the place where people will see it, sitting in their room at home, enjoying their creativity, trusting in their genius, yes, well you will be loved only by yourself, and to be heard, shout, come out out of the frame, jump out of the door, run, run in any direction, still

running somewhere, the earth is round. on air news now, yulia pertsova is with you , hello, the completion of construction is one of the gifts to the people of belarus by november 7, the president announced this at a meeting with labor representatives. and the builders