alechka, i liked the gift, the christmas tree is beautiful, i really liked it, mikhail mikhailovich, thank you, i missed you very much, i missed you, you know, my girl, misha, my girl. misha, why cleanse my sunshine, misha, wait, lord, lord, it’s so good, misha, i want you, my sunshine , i want you, quietly, quietly,

yes, my girl, come on, come on, come on, come on, wash my girl, oh you homely , i’ll show you such a story now, i’ll show you such a story now, i’ll show you such a story, i ’ll show you such a story, oh you court, oh you bitch, i'll come see you and show you. how to take men away from someone else's family, oh, you stolozka's dying creature, come here, come here, period , i'll show you, i'll show you how to strangle strangers, bitch, get out of here, strangle you with my own hands, let's go, shooting the canteen, get out of there , let's go from there, let's go! nona,

little viron, you, you, just don’t be nervous, the devil has confused you, forgive me. if i see you with some woman again, i ’ll tear the hell out of you between your legs, i understand.

as if you were holding a book in your hands, rummaging little by little, sniffing your skin in words, from all of us, the most creative,

the most valuable and useful of these books. the books contain the thoughts of the past. the thick galas of people are clear and expressive, everything that the chalavets have created, they have been stocking up on old books, the witches of the enchantment. read the chalavek perazhyvae stagodzi. read more close to the pack. we appreciate the past for our daily life. belarus 24.

what unites soviet coins and the scale of canvases, rarity, uniqueness , sophistication, unique art that captured the consciousness of its creators, two special stories on creating portraits from coins and grandiose monumentalism on the appearance of architecture. sad, because if you write a topic, consciously, it means you probably need to go back there, everything is already with this sadness, my work, it, let’s talk

diverse in subject matter, but in the earthly such a cry of color, that is, i am closer i always felt, for example, towards an icon , this colonite, calm, not strong, because i consider myself more through such a graphic language, and therefore the expression of my works, if i start with these... i wrote the works during the period when the national library was being created, which is why i developed this theme, uh, as two images, two eternal sages who create, create this aura, one planted this tree of life,

uh, book, eternity of flight, this creativity through a bird, through this sown here, uh, the theme of writing, so this plowed earth , it creates as a symbol of spring, summer, the second, here, the second image is already what is collected, collected, then there is architecture from books, this sage reading, and giving exactly to us in an open book, this philosophy, here is a portrait image i have, they are also of such an iconic plot, we will talk about the plot, this was a specific image, and it probably exists, yes, i just wanted such a golden wheat, how to make such a state,

well, here i have all the gesso on gesso, that is, gesso is a primer on which it is applied to the tablet, then written, let’s talk with water paints, you can also... write with the same watercolors, but i work with tempera, pigments, this plot, here are the works, which is very dear to me, because youth, she was going on a long life journey to live, she sat down to cross herself, that is, this is the eternal burden of her life, her understanding, here can be connected with the theme of the same ushachi, although it was written that this is an eternal thought, well, a person’s plan, to stay alive. to stay, this is the calmness of the earth , this is the warmth of the foliage itself, it was preserved in

this theme, here is a portrait, well, i was somehow afraid to sign something, an image of mine mothers, there is here, when my brother, the younger nikolai, passed away, here is his departure , such a triangle, here is her... this is an eternal cry and a hand sprouting from the earth, from the earth, because people, the soul, she rises, this is grief, so this is a sad topic, we are, at the moment, in the gallery named after davichalev, here... which collected his work, his many years of work, we will tell him

the path of life, because the fate of my teacher was interesting life, here ’s his centenary, it’s timed, here’s this an exhibition with my colleague and classmate, then later in my creative life... nadezhda viktorovna talinitsa, this very path itself, i ’ll tell you, i’m very grateful, a good, wonderful teacher and like the core, the basis of all this was leonid dmitrievich shimev, why, because he was an educator, a teacher, and a father , and you could turn him any way you wanted, so he always kept us under such internal educational control, the last dialogue we had with him was already he was ninety-eight years old, we were at home , but lived cheerful, beautiful, dignified.

in this guise with these works, it’s a delight, i know that since childhood he was always very interesting , very internally saturated with interest in how to do it, what to write, how to treat it, today we see, well, a unique, unique urge to , that i personally wish him good creative success, health, beauty, appearance, look at him, he fits in with everything that is here at this exhibition, glad, happy, thank you and god bless him, but i believe that in our creative direction there are such pages of life, we will talk about, like painting, graffiti. sculpture, i have this monumental

art that, let's say, i have absorbed, absorbed, this is a synthesis of architecture and monumental art into interiors, exteriors, philosophy in my art, i tried not to be a naturalist and did not speak out on any philosophical topic , illustrate, i create... these are my works in the monumental world, mosaics, paintings, stained glass, so, i wanted to talk with people who would look on equal terms with myself, that’s why i’m on fire, i’m burning and i want to burn longer in these, well, i’ve lived a lot, i have about 18 monumental works, only monumental ones, what’s connected, besides this there are a lot of monumental ones... a lot of people left for minsk, if specifically the objects are

here is the national library, i was there with anatoliemovich, we formed this team of about 100 people , the interior, seven paintings, then the entrance pages, so we did the same with him, then i will say that the opera house. for me, too , the school was such a huge one, why because 4000 florentine mosaics made this mosaic i will say. the original thing is that all the artistic volumes that are there in the drawing, they are all different and manual labor, there was no computer to display and cut, so it is very expensive, when you look, well, you feel that you were needed, the task in general -

then this is a very difficult job, because you have to work not in the second consciousness and the concept that you are... but you have to work for the future and not forget that behind you there was history, art, art, there is no such thing as fashionable and modern, there is art only forever, fashion is dictated only by words, in a car a person creates comfort precisely with this philosophy of constructivism. he creates beauty, in art, in art, in real, deepest art there can only be eternity, i consider myself incredibly fashionable, because i want to wear what i want,

the fact is that our friendship with nadezhda viktorovno livintseva in school already. she and i are following this creative path of ours, our friendship has begun, these human relationships, so we, well, she decided to create such an image of me with such people, probably, well, what is it, if there is such a thing, let the viewer say, but she is incredibly talented, very decent, i think that she could very well... enter this , well, inner the world, of course, she knows me, knows me from the bad side, from the good side, i tried to be good, as she says, we sometimes, well, as if creative, emotionally, any person communicates, in our creativity, it’s good to be silent then, when everything is already

ready, because here, so vladimir, good afternoon, you and i are like this met, this is rare. it happens that we are here within these walls, his wonderful gallery, and i will say that she really created such an easy inner world of him, because he was very kind, very sincere, incredibly talented, he loved and loves madly in his works, uh, to include horses in the compositions, because he, well, is a team giver, here is a portrait, there is a very famous one painted by him, and his works, lenid dmitrovich, they, as i have already said many times, educate, educate both schoolchildren and the younger generation, and the older, and he gives us to live, therefore, you are in heaven, happiness,

life, create there, thank god that you communicated closely. and i studied and studied, i studied and bow low before him, because he gave a lot, gave us, and gave our country art, art that will be, it will be forever. ready for an exciting adventure through

the cities of belarus on the banks of one of the cleanest rivers in europe and in the second most honorable city in belarus. in gomel, the borders of three lands, the lands of drygovich and razimic and krivichay, and then the principalities of smolensk, chernigov and turvopinsky principalities. unique architectural monuments await you. the famous russian art critic georgy lukomsky, having visited the palace in 1913 , wrote: “this is one of the richest estates of the russian empire.” and the most interesting historical facts: queen. sfforza 's visiting lands, advedala ragachou, advedala his castle, which is known here at the castle of the mountains, not far away, all and gave the foundation of the cascel, various privileges. size 42x94 cm made of contact method in 1903, and only four such photographs are known in the world. watch in the program

of the city of belarus on the tv channel belarus 24, we are going through expeditions in the corners of our country. it’s time to gather a good campaign and leave the city. there, where people have truly felt their unity from nature, they destroyed the grodzen region. in the gancharakh litsk region there is a unique pakroa church, built in 1774 from stone and wood. the whole country in belarus was barred, as if the woman, which stratsila of her husband had unraveled, fucked the young ones with other men. once again, the need for skin care has become a bad thing, so all the first kutochak, the matchmaker needs to fall, and the old traditions are new. gylya-gylya, shiry gusi, nekalam utse, vada, immediately with projects

ahead of the minute, on the tv channel belarus 24. i found myself in, uh, what i have been doing since childhood, this is art, this is creativity, this is drawing and i wanted to define this anniversary, by somehow, well, symbolizing it with some beautiful numbers, some names, like 5:00, such an interesting score, sins, with some of my mistakes, yes, 5:0 i think , after all, i defeated them, here it is 5, 0, and this is also the number of my years of life, the idea, the illusion of faces,

was founded in the general concept of this creativity, visual, and since when these works were created, then of course the idea was just portraits from coins, but after... i created the first picture and moved away from this picture, then photographed it, and these were two different pictures, these were two different images, this illusion, which turned out thanks to the magic of human look, vision, yes, so when i called this style face money, i added face money illusion, that is, illusion magic, well, initially there was an idea to monetize all - all - people, all the images that had already been printed or printed on banknotes, this is mahad magandi, this is maudze dun, this is nicholas ii , this is elizabeth ii, this is the same lenin, when

these people ended, well, let's just say, of course there could still be some little-known kings, tsars who were published there in countries, well , some african ones, yes, but i i understood that this is such a...' utopia, because if i start not, not media people, yes, it depicts how, well, such a success, it’s still like an exhibition exposition, yes, i would like it to be attracting attention, and i began to make those people who , in my opinion, deserve to be depicted on coins, yes, that is, to go, as in the image of the mints that print on these kings, there heroes. navts, writers, greats, and somehow they choose, there are already a lot of them, but for some reason someone chooses this one this, yes, i decided that now i will choose, today, again as part

of my anniversary, i made such a program, accessible art, where in various locations, in a shopping center, in cinemas, in some children's clubs, that is, in those places where you usually don’t see a painting that, in theory, should be either in an exhibition hall or in a museum, i like this particular - let’s say, unusual way - because people, without going into palaces arts, but there they go to museums, they already see this art, excuse the taftology, and perhaps they will have a desire to plunge deeper into art, more and visit there, now my paintings are presented in two projects in minsk, chagall’s work is in an exhibition in the project of the center for contemporary arts, and... the second work was given, also a sacred message , the project is called, there i stand and in the case of chagall, in the case of dali with the originals, we breathe the same air. and

there are also graves in the shopping center - in the children's club and you won’t even believe in the church, people, well, if we take this period, people have already tired of sitting at home, but this is after the coronavirus, all these scares, horror stories, well, as if they exist, they happen, yes, but maybe it was a little intense, but people were afraid to go, although the museum is supposedly a safe place, there are none of these, this is not the metro, these are not grocery stores, not shopping centers, yes, but nevertheless people were afraid now... it comes back to me with greater strength, with greater desire, because emotions, where to get emotions , the museum is the space where people received all the time to this day, when i conceived this, not yet a project, just the idea of ​​​​creating paintings from coins, i liked it myself, my loved ones liked it, my wife, my daughter, my mother, well, everyone

i knew liked it, but i understood that most likely it was just... their opinion - well, so as not to offend me, so i needed the opinion of an independent person , that is, who does not know me, who, who has no relationship at all, we are not familiar, we have never known each other, plus this person, whose opinion will not exist it is important not only for me, well, or rather for me, it is primarily important, and whose opinion , if it is expressed in the general public, yes, that is, that means this is the way it is, despite the fact that without creating an idol for yourself, and the people i would like... to be like, whose work influenced me as a person, as a person, who, what makes them remarkable, what made them successful in the world, i would like, yes, of course, with i have already met several, shook hands, this is already a people's artist of the russian federation, i think artist mirasanov and their opinion i received at the beginning of my creative career, i was enlisted, inspired, inspired, by their...

desires, so there were a few more people that i segmented through in a short time, in the opinion of representatives of show business, people of art, in various other segments, now i am calm in the fact that my work, my, or rather, idea, idea, is popular, that is, everyone everyone liked it. since i’m a tertiary artist, yes, everyone was expecting a self-portrait from me, for a long, long time, at every exhibition they ask where is your self-portrait, i decided to make a self-portrait, okay, i’ll do it, but the antipode, to surprise everyone, yes, that is,

there are things that are not necessary. or rather, it is associated with the artist and i thought that this particular work, the crossroads of fate, would become my calling card, it would become my recognizable authoritative, and they would recognize me by it, and so it was born that it was actually, well, in fact, i didn’t plan it like an auto-tread, but it so happened, here are the coins that at one time were used to make my heroes in the distance, davinici and picasso and here... this is the meaning, that history, my biography, my destiny is based on, consists of these people, and from their lives, from their destinies, from their creativity, and crossroads, as it were every person has crossroads along which he walks, yes, these are my crossroads, the very first gratitude that i received, it was the gratitude that many, well, i dare say, many people receive,

let's say... so very through for a long time, that there is so much to conquer, then i conquered, at the very beginning of my creative journey, here are the works of paintings with the title of tsars, and since he is the president of the russian academy of arts, it was he who signed and handed me a letter of gratitude for the professionalism and artistic component of these very works, and that gave me an incentive to grow and