[000:03:14;00] to stay with paryzha, not to go to france, not far from the hell of minsk we know the smilavichs, who are called the belarusian paryzha , and finally, there is something to look at, let’s see what happened to chamu stan islava manyushka is called the leader of the national belarusian opera, and so he is grown up between us, he is our brother, the minsk land, my dear mother. like the rich people celebrate christmas, the brides are here. i got tired of everything from wandering

parts. the leader of belarusian traditional dances, festivities, and abavyazkova passed away. chaim sutsin is one of the most prominent masters of the paryzhsky school, who is part of the same team with the ancestors of manet, van hogh and picasso. most of this life is spent in prague near france, but most of the time is celebrated here near smilavichi. i’ll call mine belarusian paryzh smila. at the end of the day , this is why not only masters of art, but also such busy

tourists ў like me. cab davedazza. life's history of masters is coming to the museum prastor haymatzin. once again, the lords of khaimasutsina, you will need the right price for such a great door. darechy, at the getag. malyunka is a great grandeur. we know, heta palina, the supracounica of the pastor chaim sucin. palina, good day. hello. we all remember chaim sutsin menavit in this way. ale tsikava, how i was infected with all this prague and mastastva and how the first bastards that lived here in smilavichi passed away. your knowledge of the ancestors. i'll pack the first halls. here we tell the story ab naymensh learned the period of life of sutsina, and of the dzyatstvo and youth. khaim sotin was born in the ordinary town of smilovich, it was a typical jewish town, that is, 2/3 of the population were jews, as they could understand, this same sutsina

was also jews. father sutsin had 11 dyats. haim naradzіўsya perad aposhnіm, dzesyam. father’s sutsina ends with the edge and mary, as soon as the dzetsi have pressed the yagon on the right. of course, there was someone who opposed this, it was precisely khayim sustin, and in his father’s opinion, he was generally doing unnecessary work, he was drawing, of course, his father flew him for this is precisely why he ran away from home very often, he ran away early in the morning, when everyone was still asleep, and returned home when everyone had already fallen asleep, that is, he completely avoided communication with his family at all, but his mother, she understood that he would come home , hungry, had not eaten anything all day, so she left him a mug of milk, a piece of bread, and when he quietly returned home, at home... the older brothers were already attacking, who took this piece of bread, a mug of milk, ate it in front of the hungry child, and then they beat me brutally. khaim sucin appears to be white varonay va lasnoy sam'i, so that it’s not bad that he’s been away from home since 15 years ago. there are two

versions of how he runs away from home; according to the first version, his father still agreed that he wanted to become an artist and sent him to miniysk to study further. and according to the second version, chaim soutine painted his father in a coffin, with relatives mourning around him. and for the jews then it was... ў minsk with several harms ў kishenі and languid greed to graze at the painting school. adukatsiya in minsk was paid, there was a lot of money to be paid, as if he could pay for it. it was highly regulated in the atelier, and then everything worked just like that, people walked around, sat down, they were taken to all the same photos. and the photograph was not very good, then chaim sutsin took away, carcassed and damaged what was not in the photo-haze, the photograph was now issued, and now we have fortashop for this, and then special

chalavek. gets from the old school of kruger know about minsk and ours. khaim sutsin was a graduate of the getai establishment. u at the small school, sutsin is known to mikhas kikoin and is then sent to study further in vilnia. however , there is no need to bury it there, the master of marya paryzh, who at that time would become a cultural leader in the world. we arrived in the city, and we grazed in uli, a familiar house of stones for masters. geta has an hour to judge. we recognize the madelians. i know that this whole photographic smoke is a great history. palina, tell me. yes, there is a picture of a very famous dealer, leopold zaborovsky, behind him there is a door with chaim soutine on it,

which they drew. he was delighted with the way he drew and went to almost every passerby, talking about his talent so that everyone would look at his carcinoma. madelya is not a big deal, as there was a lot of money to be made and the pit was damaged. chchy dzelya getaga mastakh zvyarnuўsya yes svaygo dylerera leapold sbarrowskag, but that, unfortunately, not ўbachy ў ўўў ў ўўўў іякга talent. and then manayan , to spite sborovsky, draws this portrait of the essence in sborovsky’s house, and of course, when sborovsky’s wife, she saw this portrait, and she hated actually, she just couldn’t stand it at all, when she saw him, she was simply furious, she argued with madelyane, tried to get rid of this portrait, she washed this door, cleaned it, nothing worked for her. a copy of these animals can be found in the museum. the medellians did not worry about talenza sucin. just 10 years ago, a total of 100 animals were sold, which

were purchased. there is a great atmospheric space here, you can look at carcinomas, let’s see the hell of their history, and then you can look around here. that's it, i'm geta i'm earning money now. i take away all the same cups and listen to the right things, change the right of their history. on the stages there are all the rap artists of khaimatsin. iago syabrov, masters of the paryzh school, chagall, tsatkin, madelyan, and many others. khutin really loved to draw ordinary, simple people, since he himself came from a very small town and lived in a very poor family. mostak was very strict among the adnosins down to his natural people, and many of them were scornful, as much as they were inclined to suffer. they could pose for six or 9 days, all they complained that he could constantly grumble and shout at everyone, he was constantly

dissatisfied with something. and that’s it, the lack of attention to the character, the sutsin could be recognized. it is clear that many masters are timid only in the face of death, adzin from their urajants milavicha shraga tsarfin. the youngest for sucin na shests gadoў, yon shmat u chym brau z yago proklada, і ў 1900. y 24 godze so sama perekhaў u paryzh. his paintings were more in demand than stutin’s at first, because after all, his paintings can be called more pleasing to the eyes than soutine’s paintings, but when he met his future wife, it was in paris that they had a daughter, he had to somehow support his family, and like many artists at that time, he began to earn money by creating sketches for fabrics, he earned quite well from them, some even were drawn for the kukoshana herself. and yashche u adroznene. ad chaima sutsina, here at the museum of the famous arygina

prats. i appreciate that many carcinas of the artist are carved in dark tones. jakuyuchi getamu yana began to produce extraordinary effects. he was convinced by one of the psychologists that that his paintings still have a psychotherapeutic property, that these blue shades have a calming effect, and now they are shown in some books, psychological, by many psychologists. carcinomas nearby and most likely their inflamed effect on themselves, and this seems to be the case. what are you guys doing on the whole getai pratsy. if you only eat vegetables, then you are not a great and important man. look, if you caress, there are some flowers here, otherwise you can respect and chat. all here, for example, here and here. i knew these guys. darechy, u getai

carcinomas navat nava podyhodzyachaya: zyauchaty in kvetkah. the brave people became famous not only for khaima sutsin and shraga tsarfin. back in the day , these lands were owned by the aginsky vankovics and manyushkas. whenever you go to work, the meetings are most likely to be spammed. people who have achieved success often seem ideal to us, but what is in the souls of these people, whether they know the feeling of devotion, gratitude, the feeling of homeland in the end, or is it something else, they decided that the homeland is bought and sold. i lost everything

yes, i was rich, and now we are performing, all the money is spent on housing and food, but this is a trauma , immigration, this is a serious trauma, friends, there are graves there, parents, work, well, that’s all, if the latvian economy is going to the bottom, who wants to live in such a country, in a country where there is nowhere to work, in belarus without visas, belarus welcomes guests with love and is friendly. more and more people are coming to us from the european union who want to stay with us. the author's project of ksenia lebedeva is different. watch new

episodes on the belarus 24 tv channel. stanislav manyushka rightfully takes advantage of the list of campasitars, which are commonly called vyaliks, they not only produce music and holes, but also the flock of belarus. being a campaigner, it is not here that ubel, but also the genus of manyushka, changes her mind with smilavicha. here these lands were owned by a dzed kampazitar, whose name was stanislaus, from the hetman of the great principality of lithuania, mikhail kazimir aginskag, and for

many years these lands and the republic of tajikistan were like the kavalak of the earth, adzin could not deal with it, and francis asks himself to help ashttorpa. manyoshka and ashthorp could not grow up, to whom the smilavichs gave, and to whom dukora, there they played the lands of the pasture for themselves from the current foal to the manet, the will of smilavich’s attack was given to stanislav manyushka, and otherwise the palaces were always going to be here. velma tsudoina, why do smilavichi still have such a palace? so, he got caught up, the future began to pour in for 18 centuries and even more. all the way back to 1901, when the vankovichs lived in the dacha of alexander manyushka, paulina, and vankovich, yes, leon vankovich, according to this, the oldest part was published by the fathers of the campazitara, the newest part was published by our

friends. if i had grown the classic gealagic trees of the manyushka family, i would have liked the soft leaves of the paper, because this was... not only the talented ones, but also the great shmatlik families. stanislav manyushka, the most leaping flower on this tree, and we are proud of what he enjoys here, on our land, drinking in the spirit, music, culture that rumbled on the belarusian land, and in contrast, the vilensk period, so on prague 18 year, menavita was recorded on belarusian folk music. stanislav manyushka lichy, what... music is created by the people, and the campers are the only ones who create music. menavita in the vilensk period, our first belarusian national opera, syalyanka, appeared. syalyanka became the first stage where national melodies, jumps and jokes were sung, and most of the musical and dramatic scenes

were performed in the belarusian language. it’s a pity, but at this time we only have one fragment of the syalyanka - arya kamisar. manyushka would have liked it. and thus the works of the jumping works characterized by stanislav manyushka and such a blow between us, he has grown up for us, brother, i am the minsk zyamelka, my dear mother, as i have forgotten the joyful songs, the bad mountain will forget, become eat merry. that's right, dunin martsynkevich back to stanislav manyushka. campasitar would not only be talented, but also great. it’s not for nothing that i was called the slavic schubert, because there are so many rambles like schubert and stanislav manyushka did not write anyone. and what are all the thousands of things we would like to have? chalavek would be taken care of, accepted, immediately swai zhonkai alyaksandrai müller at

vilenski peregyyd yong zhavai dzesyats, sami velmi svalikaya, ale eight aposhni son manyushka , talenavit mastak i gata talent and malevannya pyraysho paradasya , hell hell. my father’s campaigner was a great master, and i managed to find 16 albums with sketches, in which landscapes and portraits of relatives were illustrated. all here we love stanislav manyushka, as a student of the minsk men’s gymnasium, and these little ones we have only for the happy children and for our father’s yago cheslava. the more i miss stanislav manyushka’s great father, the more i swear to him. it is not surprising that the name of the camper is known not only in our region, but also throughout the whole world. the infection of manyushka’s creations has spread in 25 corners of the world, we have fallen so much, and the great tsikava, unlike japan in tokyo, there are institutions of slavic culture, the name of stanislav manyushka, the music of iago guchy this is true for the latvian americans, they

enjoy slavic music, and you can often get sick iago sacred works for kastsel, because the chalavek would be. the format is written such kastselny creations. and in the museum there is a musical hall where you can listen to the works of manyushka. tamu i ask you nadzeya to

please. having grazed the way i suffered from history, as stanislav manyushka and franciszak ashthorp fell to the earth, i began to feel sad, as the woods folded, so i drag my path there. the dukoras have a cultural life, as well as the quality of the gadoo tamu zasyarodzhana for this month, the former family of ashttorpa. atrymashy dukoru, francishak ashttorp and i agree to settle the situation. with such knowledge and energy, dukora began to bring goodness trybytak. on the right, father's pracyagnu liaon ashtorp. leon ashthorp would have loved to know how to work, and with

the help of dukor, the pot became languid and rich. he knows not only how to work, but also how to adapt, and how to do the same kind of work for a thousand years that their fathers wrote in the book. it is clear that the dukora hutka was opened as a national cultural center, a music salon appeared here, and a theater and theater were launched from the first circuses in belarus. this is what dukorsky palace looked like in 1876, this is how yago bachy napaleon horde, when the state is here. the palace is glorious. and the chestnut dachshund is a precious commodity. on the first floor were placed karchma,

hammarine, brewery and many other gaspadarchy pabudovs. there was a stud farm here, and at the same hour they were selling more than 300 horses. and at the same time, as you are a bachytse, there is a great tsikavy complex. here you can learn about the history of belarus, if you can have a tasty meal and certainly satisfy your soul and hearts. the ancestors of rich noble families, such as the radzivils, tyshkeviches and the famous shashtorpas, loved to collect from in your family, there are different kinds of dzivos, from the home-brewed houses and the decor of the practice of this long- standing tradition. behind my back, you are now the very first upside-down hut in the territory of belarus, and you know, the building is that... as long as you are not a dad there, you will meet new citizens. gavaratsi, that is the house of the decora shmat, the prisoner of

the dzyakuyuchy step of the creativity. the welders were filled with the inverted lights of the master. in order to know this, you need a good vestry apparatus. of course, i don’t know how kind he is to me, but we are still going to ask you the same price and look at everything here. well, that's it, sofa, sofa. it's a pity. i ’m not a magician, but i’m not a magician, but that’s all. the inside of the hut is nothing like a pile of stuff, a bunch of stuff is folded up. the brain will begin to feel free, the earth and the table have been remembered for months and cannot. to be fair, the cooker is the first to turn the house upside down and put it on the bed, it’s a pity for the dishes with the water. kalі bachysh ya roўnuyu topna, arganіzm supakoyvaetstsa. oh, maybe i’ll stay here, you won’t sweat me

shukaetse, kalishto. at the dukora, i patrapila on the other side of the holy wax, i collect the rich from the bounty. i ask you to visit iago with me. aleg, hello. senny adnaznaetstsa luggage. first of all, before there was no such calendar as we have now. this would be the earthworks of belarus. our products were agriculturalists in this year of the beginning of agricultural farming, we have collected all the grains, we have collected all the gods, we have collected all the gods, and of course this is not a requirement for desecration, but we are with you and most of all, first for everything, this bagachovskaya candle, geta geta zbozhzha, geta halouny sіmval of the menavita of the holy rich. pa tradytsyi, sometimes holy skin syam'ya added pazhmentsy zbozhzha, abmalochanaga. pershaga snapa wheat. the herbs were collected from a special container, and a candle was pressed into it. i commemorate

the fires and medicine that prevent the hell of sickness and disease. this whole bowl of fire and the candle of pasyaredzine is called bagach. with these glances hadzili in the huts and abavyazkova garela menavita bagachovskaya candle this candle would be other abrad, like all men gathered, yana all the slaves of this candle, amal just all the day, yes, yana samarobnaya, abavyazkova, and this pavinnaya slave were menavita ў assyarodze vyaskov, khatsa ya vyralili yana. muggle would be all the same as with us, but i would be muggle all the way from a meter and a meter and a meter away. yashche adzin simvala holy snopal. i was put in a red circle after the images and wanted to attack. and the worst thing is that no saint could live without a traditional musical instrument, such as the belarusian duda. yak yana guchala, now we’ll give you a great demo, let

’s get you the hell out of it, of course. velma jumping, dzyakuy, and yashche folded ўjavіtsya saba holy without wars , richly pranced varazhyts on high-kalaskahs, for the sake of ўradzhay zhanіha і navat kolkastsya dzyatsey ў lyube, as before the holy day the rich people celebrated, bazaar ku i da very night. of course, it began all the way back, the menavita of the belarusian traditional dances, festivities, abavyazkova, the abrads passed away, and of course, the youth, the menavita knew from another youth, for which in the village, the villagers were busy on the fires, for an hour there was no chance to watch yourself as a couple, but all the time the holy and young ones are given a chance to wander, learn and know

their bride. tamu, what a beast you are. unfortunately, most of the walks were sometimes in pairs, the boys and the couple were not only having fun, but also jumping, who they were on the verge of falling. just like that, with festivities, songs, caragodas , they celebrated the holidays for the whole day, so they knew the young men and the old muggles and this year they were very excited. pakul the young knew, the elders shepherded the ladies ab vyasellyakh, there many magli azhanitstsa navat u tym zha godze. i was plowed about by the father of a bride. all you know is that the abrad gety are right and wrong and our zen is exactly the same as it would have been, the family hadzili, became a stake, hadzili around one bride, then, which one chose of course, this is how it came out. and

the most important things about the holy day of the rich have a cult... mothers, ladies and gentlemen gave gifts to grandmothers , fathers, hadzili and elders, and young mothers brought fresh baked bread and a little. i shook my head because it’s so practical for no one to sit on the phone, so people’s time is holy. it’s fun here, there’s a lot of wear and tear, there’s a lot of joy in the party, and there’s just a lot of goodness. hour, for these sapraudny pains i’m in need of vandravana. kali vyrashytse will guide my route, i will plan my time in heaven. on the navedvannaya prastory hajmatsіna pawnbroker hell gadzіny yes trokh, adnak, majtse na ўwaz, that with the museum of the need budze damovitsa ab navedvanni. excursion to the museum of stanislav manyushka , a practitioner of kalya gadzina. you can

go to dukoru either for a couple of gadzins or for the whole zen. my sunny day, i dared to call the magician cultural, i know how folded the paths went to the price of khaimu sutsin, the first thing they injected with the talent, i got the adchuts on myself for the healing effect of carcinas scars of tsarfina and akunuzza the music of stanislav manyushka, the rich man’s holy day gave me unforgettable emotions. remember that we are planning our own holiday, and

you can know something about the skin of belarus. the west and the united states have seriously adopted and cultivated such an instrument as radical nationalism, and of course inciting national conflicts. here's what we got for our investment: we didn't lose a single one. we cut the russian army's combat power by 50% and not a single one of us died doing it, which is the best america could do. all the interethnic conflicts

that we had after the collapse of the ussr, years later, analysts, those who deal with this, historians, all proved an external factor. we are exactly in the zone of contact, the conditionally collective west and the collective east. and it is fundamentally important for us that this... the confrontation on our territory has not turned into a burning military confrontation. the project is objective, don’t miss new episodes on the belarus 24 tv channel. to become an artist, you need to be a strong person, in spirit. how a boy from an orphanage managed to conquer the stage. the most important desire and aspiration is to be the number one artist. he learned to sing before he could talk. but there are a lot of people, it’s necessary, eh. oh, so that they can hear themselves. his songs are often heard on radio and television. if the real audience feels you, then you, you

you live, you live the song, you live the people who came to you to listen to you. and every concert ends with thunderous applause. if you have a good artist and a good team, then you will definitely have success. in the belarus project. winner of international and national music competitions and festivals, artist ivan buslay will talk about his talents. since childhood, i wanted to become a cook, somehow i was drawn to this, i cooked, sang, sang and cooked, he is always frank on stage and ready to discover something every time... something new in myself, not only me i can sing, i can also build, and what i should be like... a real artist. i believe that an artist should be able to sing everything if you are a real artist. watch this friday,

only on the tv channel belarus 24. on air news now, tatyana nekrasova is with you. hello. the upcoming parliamentary elections are the most important political campaign for belarus. there was a detailed conversation between the president and