the palace of patemkin and the galinskys near krychava, the aasis of the aristakrats in the most special deserted village. vyalikasvetsky scenes that hid some of the most famous characters of the russian empire. palace of the hellish facts of svaygo іsnavannya abveshchany aknom u europe, na nechakanym shliha katsyarynskaga prazhekta. what kind of intimate secrets are there is the price of their luxurious apartments, which are magnificent reminiscent of the noble architecture. architecture of belarus. pass the first step to the padzel

rechy paspalіtay royal ўrad for ўmatsavanna svaygo ўswimming and pasіtsy on nyadіna far lands distributed to right and left to noble dignitaries and vassal ranks. the most powerful of their adzins, after all, fought the military cavalry of the heapalty war, and the most stupid teritors became the favorites. the eighth and prince patsyomkin became the ruler of the krychaysk starostvo with 14 thousand jumpers. as far as we are concerned , patsemkin understands that this patented interim territory can be exploited for the sake of good profit. at the bottom of the krycha, dzyakuyuchi katsyarynskaya favarytu peratvaryasya from a small belarusian myastechka is a developed city.

not only the palace remains in memory of patsemkin in krychava, the roof and infrastructure have also changed , which means that a ship has appeared, which was deployed to the charnamorsk fleet of the russian empire, adv. on, not only a palace for fun, but also change and social - krychava’s economic life was in connection with the new gaspadar announced here. it’s true, patsemkin had a palace. great wealth in the capital, in ukraine, in russia, then our side of the krycha palace - this is also often the case with patsemkin’s downfall, please note that for belarus this saprauda is vartay and unique, for the most part, saprauda is so adzina for 18 centuries. the palace is built on the site of the legendary russian architect ivan starov, autar taurychnaga. palace in petsyaarburg -

the most caricature terms, the beginning of katsyaryna's visit, which was lost in the fall of the city and the hours of the crimean project. future openings began on a slow scale. although the architect himself did not appear on the dance floor for the entire period of his stay, the meat doils are good, of course, as they rule materyyalu. they bought potassium, and they threw away some of the soil. all of them fell apart and the whole party was rejected. the hell of classicism, dammit, here is such a great expressive , sensible, voluminous structure that looks like the letter p, from these such aval halls of pasyaredzine, as they protrude. the plan, darechy, was not symmetrical, but ab'emny such , before, velma such a clear structure, symmetrical, for classicism, it was.

it is very important, and then, that the overall structure is clear, simple, and then all the elements, panels, vakon, abrauvlenne vakon, yano taxama іdze udozh va ўіm façan. the palace was published in the style of the so-called russian classicism, which was inappropriate for many hours. the task of the crimean project katsyaryn was to create a russian one. ancient times, but classicism in architecture is simply undergoing an unprecedented decline, as well as norms and ideal vision. the gain and decline of ancient architecture is not only the extraction of special materials and elements, but also the reasonable laws of architectonics. grounds of architectural language classicism has become an order in the ancestors and forms, closest and antique to those of

past eras. the pabudovs are accustomed to such methods that do not overshadow the agul structure of the awakening, but rather resist subtle and blurry accompaniments. plasty budynka ulstsіvaya vyaznasts prastarovykh zalennya i soft koloura. the masters of the prince added to the illusory space of the real hell, created new methods of planning that combine the arganic evil of the garadian forgetfulness with the elements of nature. created hidden dances, which is the evil spirit of vulіtsay. golden age of belarusian icon painting. we will visit the restoration workshop and see how

icons are restored, as well as works of art embodied in stones. the world's largest collection of natural marble products comes from belarus. watch the fashion for culture project this weekend on the belarus 24 tv channel. a show that unites two worlds: virtual games and real fights. they will not forgive each other the slightest mistakes for the weakness of their opponent. will make it your advantage. participants from four countries you have to test your strength. when i stood on this platform, my legs just started to pound my knees. they will prove

, not in words, but in deeds, who is the hero of our time? it was scary for the first minute, of course, i didn’t expect that my hands would hurt so much. trial. come on higher, well , there’s a little bit left, well, crawl, watch the project heroes on our tv channel. particularly the architectural appearance of the palace is based on classicism, this was revealed in the extensive symmetrical plan, elements of the decorative hall and tank facades. u nowadays, on the main floor , there are avalanche halls that extend out from the courtyard

to the surroundings. darechs, looking out at the birds in flight from above, are guessing the names of the empress herself. the palace was dressed in the uniform of e. ekatserina. the russians are begged for it. and this paved round hall, darechy, was the architect’s trick. at the same time, the old war of the war, which fell first and other tops, the interpretation of the round hall, which protrudes on the dwarf façade, bears the trot of right-wing government, which the worst appeared to the descendants of a low-ranking class. future work and hellishness roughly seemingly, from the rules of record- breaking terms, the construction of the krycha palace palace was simply published. grygor patsemkin is present in history as a man, as great as any external effects, the so-called patsemkin

weights and in general different aspects in ukraine the russian empire, and all of them on the roads, on the roads, as they spoke in their hour, the katsyaryn sapraudas began. different colors on the velma of the jumping edges and fingers and all the krycha palaces of the magic dachshund will be in such a variety at its hour 19 snowfall of 1787 katsyaryna saprauda ruled here one night and it seems that during that period the weight of the jumps was hidden, the lights were brightened, all night there were fireworks, and she was caught crushed by the passages, then she drove side of cherykava. the plan of the memorial , which is a familiar classicism, was enfilade, then from the back of the hall it was possible to pay a price for the future, and further, and further. at the center and on the first step and on the other top there were round ballrooms, which protruded from

the main building and the side of the inner door. the palace had 72 packs. try the ones on the right side of the lobby were sweltering. at the painted palace in krychava in 1914, the vestibule was lined with two parts of the calendar. at the back of the vestibule there were two oak exits; on the other, on top, the scene was filled with armor, successes and misfortunes. in the interiors of classicism, the traditional styles of baroka and rakako gained great leaping and manumanism. whenever the karalean style becomes more and more light-hearted and at a certain stage of ramification, then the same classicism will receive the clarity that was expressed in the memory of elada. classicism slim... distinct geometric shapes, strict decaratsy, and thus, the interiors of the pavement

are rich in gifts and materials. all memories have an audible form, filled with the atmosphere of a chicken, elegant and gentry luxury, not overloaded with details and filled with a streamlined style, not overwhelmed by thickets and respectability. there were scenes of the palace apartment. covered with trellises, because by the end of the day there was already unaffordable luxury. the height of the table is a special torture. classics may be used in the future. what is more important is how high the roof is budze exceeds 3 meters. i’m glad that i’ve been here in the past for such things to happen. they were sad and thought that the round hall would not be on this dull square. i cali. the size of the grinder and the simple drying effect of the moment when

they put the lid on it, and such a rare form was created. kalons, paukalons, friezes, and pediments, characteristic of classic style. they are found in agricultural furniture, in furniture structures, saddles, and even classicism. calons and interiors are made from light materials, because the yans do not call themselves aporous. on the other side of the palace there are three large halls. the aval ballroom was located above the party hall. the halls of the gallows were given decaravans, as the magnificent gallantry of velizar figures resounded. the scenes in the ballroom of the former decaravan are no less luxurious. patsemkin valod's hands and krychava's hands

are in trouble. practical adrazu yon pradaў mayomasts jan galynskam. khutchey for everything, it’s a shame in the future, because the aval hall in pavin’s plans was round, and the aristocrat’s pompous puff was tied up in an uneasy way nedaskanalaga mayontka. and in 1849. the son of yana galynskaga, stefan, transferred the palace to the non-aligned style of the velma, which was clearly formed in the area, at the entrance area , in the area, and all the other things that were there were not so imitated, looking at this gotyka, geta dekaratsya, yakaya, pavinna was. once the high-rise arabic palace fell into the architectural fashion

of those bastards, above the windows of the other roof , special sandstones were sculpted, the central exit, like the earlier ўjumping four-calibre portions from the balconies, staў jump ozhany pseudagatychny ryzalitam with scantavana polons, and also shaped polons, which were completed with teeth and pedestals. the classicism of panava and raptam z'yaulyaetstsa gotyka, prychym yana here, the patch was scooped up, well , often i guess it ryzalit, but i know, it would be, it’s still not ryzalit, ryzalit - it’s not ryzalit what is this, the highest part of the scene of the adnosnaya neighbor, and here the geta part of the stsyana was... the budynka of the part of the part was stuck out, the navat vuknyany tanks are there, and

for the sake of great respect for the geta budynak, on the first cover there were pointed windows. in 1898 there were palaces motsny pajar. stefan galynski, the apostle of krychava, is serving the past, all right, but not the pit of perashkodzil. in 1918 they would have been abandoned. then the naradzhenka of the city of cherykava, eudakiya gardzeeva, ruled over the renovation and expansion of the building. private gymnasium. in 1919 , the gymnasium was converted into a prason school. in the bastard's war, the school was abandoned, and in 1959 she moved to a new building, and the palace remained in a state of disrepair to no one. ale pa menshai measure.