there are a lot of them, and in order to be more respectful of the gates of budynak, on the first cover there were pointed windows. in 1898 , the palaces were used as pajars. stefan galynski, the apostle ruler of krychava, is celebrating the success of the world and everything is going well, but the first world war and revaluation fell into the pit. in 1918... they would have been abandoned. then the ruler of the city of cherykava, eudakiya gardzeeva, ruled the renovation here and opened a private gymnasium. in 1919 , the gymnasium was converted into a prason school. the bastard has a school was conceived. and in 1959, she moved to a new home, and the palace remained in a state of no use to anyone. ale pa menshai measure. the pit

was filled with all the ruined histories. now the palace is addressed and the right son-in-law is jumping on the roof.

of course, it’s wonderful for a composer when your work is announced as i once heard, a polka-belarusian song, music by igor

luchenok, folk music and the name of the composer, yes , his songs, written especially during the period of inspiration, become folk songs. i noticed, here are many of his songs, they go in a minor key, in a minor key, suddenly in the finale there is some kind of enlightenment in a major key, i asked him, why is this so for you, and he explained, and pay attention, even many of our folk songs are in a minor key, and when the finale is obligatory, as if it opens up in a major key, look at ubach, his

fugues, his... well, they always ask the poet, how do you write poetry, there, how many people asked mayakovsky about this, they ask luchenko, how do you write your songs , and he had an answer ready, and i think he was truthful, he says, i look at good poems, good text, i put it on the piano, start picking chords, picking chords.

and so a melody is born, it probably comes from somewhere on top for me, well then, dad and mom are to blame, they sang, played, and i learned, and at the end of the day, we’ve got a lot of troubles, friends and strangers, i’m in a good match for us, here is the kupala text, spadshina, it is more than 100 years old, says igor, revealing the secret of his songs, but how many images there are in it, how many thoughts there are in it, i'm still alive. paris, frankra, new york, mario lanza, arivederchi,

roma, monserat caballe and freddie mercury, barcelona, ​​and igor’s hometown, a town with the cute name maryana gorki. maryana gorka, miracle gryanitsa, may my journey be long. and probably one more secret of the melody of igor’s creation. these are two people. dad and mom, who probably introduced him into the world of music , into the world of songs, mom, a teacher, with a university education, probably, like all belarusian women, was very musical and vocal,

but dad, dad was a violinist, in general, one might say, a professional, he was part of a traveling troupe, as in belarusian. theater vladislav the dove and played there for many, many years. father mikhail lukich recalled how before the war there was a very popular song, if tomorrow there is a war, if tomorrow there is a campaign, we are ready for the campaign today, and little igor, he says, took a stick and, like a flute , pressed it to his lips like this and played this song , as if on a flattet, he whistled this melody.

we barely managed to evacuate from minsk to... somewhere far, far in the rear in the rostov region in the town of salsk. igor, already in his old age, recalled with warmth lake romanich, the village of yagorlyk there, and the song that the locals sang, a young cossack was walking underneath, igor remembered it well and always sang it well, very willingly. moreover, the local duma recognized igor luchenok as an honorary citizen of the city of salsk. igor recalls that having once visited this city, he was walking through the places of his childhood in the outskirts of salsk, suddenly he found himself near the airfield, and

was detained by a patrol. who is this stranger, what are you doing here near the airfield? igor took out his id. honorary citizen of the city salsk and the patrol were released with the honor of an honorary citizen. well, they liberated their native belarus and the luchenkas returned, returned to maryina gorka. the father, having already appreciated his son’s musical abilities, saw him somewhere at a flea market. stuffed the harmonium, tried it, played it, opened the lid, looked at the brass plate, it says in latin, paris 1868, and he bought this harmonium, brought it home, and almost at

the same time, igor’s mother bought my father a violin, so they started playing these two instruments, igor, swinging his legs, mekhav played in harmony, that means... fingering the keyboard, and dad playing the violin, they began to play music together, and as dad described well, in a handicraft way. and having assessed his son’s abilities, mikhail lukich brought him to minsk and igor was accepted into the music school, which is now located on freedom square. here is the plot of the soviet belarus newsreel from 1953, fifteen-year-old igor plays the cymbals, plays masterfully, it was a concert within the framework of the decade of belarusian art in moscow. you play like crazy. of this class, igor luchanok. and suddenly

the father finds out that someone is selling a piano, 600 rub. where did the luchenkos, who had just arrived, get such money, but the father was in a hurry, he thought that suddenly there was a line for the piano in maryanka gorka, everything was there, and he was looking for money, well, where could he get such a large sum at once? among my acquaintances and neighbors there are no rich people, but there is one person who has money, although not her own, this is a woman, a saleswoman, a saleswoman at a local store, her father begs her for this money and buys a piano, this trophy instrument is now in maryina gorka, in the house of the igor museum. igor recalls that his mother was very

i loved it when igor played strauss waltzes. she loved, you know, i love these expressions in stories, in the plots of life. and these phenomena, but suddenly, but unexpectedly, but in an incomprehensible way, all these definitions came together when the state film and photo archive from derzhinsk, having learned that i had launched a film about igor luchenko, suddenly told me, vladimir alexandrovich, we have one and a half boxes, films. igor luchenok, with mom and dad , 1982, lord, this is well, igor is 44 years old,

dad is alive, mom is alive, well, i looked through this film on the movie screen, yes, here they are, here they are alive in maryinnaya gorka, near the house, here is dad playing the violin, but, but, no sound, no sound, that’s all... but the film film, well, it looked something like this, we still managed to transfer it to a flash drive, well, we connected the flash drive to the computer, well, well, again, these are all dumb, dumb people talking gubabi, but the miracles continued. in the same film archive we found the same one and a half boxes of the

same wide film, but magnetic with sound recording, and if we were able to distill the image to a flash drive, then devices that could, well, i don’t know, transfer a wide magnetic field , again, there were no such devices to a flash drive, that is, once upon a time there were dozens of them at the film studio. now they are gone, all dozens of them have been destroyed, well, that’s right, for being unnecessary, they are not needed, the age of numbers has come, digital recording, where all this was combined, well, what to do, here we are holding in our hands a box with an image, a box with film, how to connect , then one of the old people from the sound department said, it seems that somewhere in some nook, he saw this one device, my dear kut

yakub kolas, spadchyna yanka kupala, alesya, arkadi kulyashov, i like my native kuta best of all, in the element of yakub kolas, i am in the element of yakub kolas, but i like everything, hell more. others are smaller, these are the songs that are associated with national poetry, they are dear to me, because this poetry was born on this native land for the first time by people. igor, dad, mom, who had been silent for 35 years, started talking, and dad also played the violin with the sound synchronized. purchasing commissions

of the ministry of culture. purchased works on a limited range of topics: leaders, party, soviet army, labor feats, the great dmitry shastakovich, in 1949 he wrote an oratorio, a song about forests, and igor, like all young creators, learned from the classics not only... the profession, but the understanding of what they buy for what they pay, igor composed a song, he was born in the spring about lenin, he was born in the spring, the fields were awakening, from a deep winter sleep, he was born, you know,

nothing wrong. lenin in the spring in april, what igor eluchenok sang in his song. the song was bought by the ministry of culture. help for the student. how does he talk about this song? dad, when you finished ten years old, you had already entered the conservatory, and i... for the first time heard your song, oleniene’s song, he was born in the spring, yes, that was how much joy i had, igor graduated from the conservatory, was very happy about his success as a composer, the teacher of all belarusian composers, about the same age as igor anatoly

vasilyevich bogatyrev, igor then goes to leningrad in lenin “you don’t need to engage in teaching activities, you are a composer, igor remembered this, then he also interned with the chairman of the union composers of the ussrnikov and returned to minsk, already ready for the punishment of mindaug , the first caravana punishment, which our present-day

land appeared to be, this calegium of the educational establishment of the 16th century, such was the case throughout the world . unique sights are found literally in every step. church of the holy apostles peter and pavel. even at the entrance to it, you can literally touch antiquity. the doors of the main entrance of the klyamka have existed for more than 200 years. the iyuses of rubiyazhe have captured the traditions of the birth to this day lekaź z dzelak. you don’t know about such pharmacies as there are. travel with us on the belarus 24 tv channel. we are going on a journey in

which we will learn more about the national identity of belarusians. our products were earth workers and in their year of agricultural farming began, we collected all the grains, we collected all the burning, we collected all the burning, and of course this is not a requirement for desecration, let us remember folk traditions, with these glances hadzili on huts and abavyazkova garela menavit the rich man's candle and the most gallant thing that is not holy if i was going without a traditional musical instrument, as the belarusian buda always is, i take the thread and let the thread go. this house is more than 150 years old and here sapraudy adchuvaetstsa all these hours and the last hundred years of tsudouny versh you adkazav and

taba padaruna i give serebrany ruble all this rubles ўspamіnae danila mitskevich eldest son of kulas zakho happy 41st year as the mascot of the smatrytse cultural show project on the belarus tv channel 24. komsomol youth, this will be the name of probably the most rhythmic, most militant, most perky song by igor luchenok. komsomol youth, you never knew peace. no matter how the edges, as if she always went to storm, igor was very attached to the komsomol from his youth, and as he himself said, he remained

a komsomol member until the end of his days, he said, now i’m still a komsomol member, no matter what we do, we will always do well little, and leads us forward, i knew both authors of this song, even the author of the text better than the composer, because nikolai maltukhov and i lived in the same house, in neighboring entrances, and even quite often crossed paths at all sorts of bohemian feasts, there are words , i don't want...

when i heard these words of my neighbor kolya altukhov, i always grinned, because i know that kolya altukhov did not want to make any fires, especially somewhere on unknown hills, but warm beds, in a comfortable house, in the green center of minsk, were a kolyata. .. with friends, you understand, therefore, these were all just poetic words written by a competent, intelligent person, nikolai alekseevich altukhov, who was the head of the literary part of the belarusian state philharmonic and knew very well what works he was acquiring ministry of culture and what works are purchased: with the highest rates, i don’t want any comfort, not a heated comfortable poster , i want to make fires near the heavenly soups, in

1968 in minsk, at the radio engineering institute the first all-union rock music festival was held, but it this is how the festival of youth music was veiledly named, here the jury was the chairman of the conductor raisky, composers evgeniy grishman, igor luchenok, the leader of the minsk komsomol. radomsky, unique film footage,

student youth festivals are coming, the tenth in berlin, the eleventh in havana, the twelfth in moscow, and everywhere, among the delegates, igor luchenok with komsomolsky. sign, good evening, darling, where are you going, tell me the truth, where are you living? hanulka, ganulka, and the ganulka in luchinka’s life was sashenka alexandra grigorievna. their acquaintance was very interesting; sasha studied at the brest music college. came to maryina gorka, where her friend galya was, who studied at the conservatory in the department of choral conducting, so they came to the library

choose a book. noticed a young man who was also choosing a book, and galya already knew who he was, because she sang his cantata, his thesis kurgan, she whispered to alexandra, this is igor luchenok, and somehow we met, the three of us spent time together , sailed on a boat, sunbathed, picked strawberries , on august 6 it was igor’s birthday, they celebrated his birthday, broke up, sasha and igor began a correspondence, then igor began to come to her in brest, then they got married, alexander received a distribution in pinsk, igor visited her there every 2-3

weeks. igor at that time taught some musical disciplines at a pedagogical institute, received 90 rubles. well, as a novice teacher. in pinsk, their daughter was born, and family life could not continue like this. alexandra had to move to minsk, and for this she needed to change jobs. and having arrived in minsk, since 1970, alexandra worked. gog at the tenth music school, until the start of the school year in 2022. 52 years old. their son andrei was born in minsk, the golden wedding has long passed, and sasha, alexander grigorievna, everyone calls her sasha, and at home, and we all call her that, still glowing, caring,

cheerful. hard-working, good evening, happy evening, where are you going, tell me good luck, how long will you live, yala vada, zbudavashy, hutachka, text on well, as if no one was interested in this, goldman brought this text to luchinka, they have an age difference 14 years old, these are completely different generations, a war veteran and a child of war, igor luchenok, and this song was performed at the first all-union competition for the best soviet song, new,

the best performance of this new soviet song, 90 songs, 90 vocalists were presented, but the first place was taken by viktor vuyachich with the song memory of the heart, music by igor luchenok, text by mikhail goldman, who took the pseudonym yasen in the arrangement and accompaniment, only a war veteran can’t sleep past partisan, the night disturbed the wounds in him, and the memory in his heart, and then

another interesting detail came to light, which joseph kobzon recalled, i only heard it from him, luchinok found out that it turns out that there is another prize for the best song, what 2500 rub. and the little boy immediately went to his moscow friends and collected this amount, and immediately contributed it to the peace fund. not yet having received this prize, and then of course, when the prize was received by the song, he had already given away his debts, but what, you know, patriotic, some kind of, i would say, such komsomol fervor was always inherent in igor, who said kobzon komsomolets and i am a komsomol member , he said literally a few months before his departure, and even if you bleed, even if you...

die, but you still win, and when you win, song: cranes fly over woodland, first flew in 1967, and are still flying over belarus, over polesie, and far beyond its borders, they fly and will always fly, because to love our dear belarus, you need to visit different lands, our dear, you need to visit different lands

byvat, you know, then, we are calling, cranes are dancing in the forest, verses, the premiere of this song, a strange situation took place in cuba, at... festivals, but you know, performed in the belarusian language, the song became clear to everyone, all participants in the festival, like they say, children of different nations understood that this song is about the homeland of the authors, and edouard hill was so captivated by the belarusian language in general that he recorded this song, veras in... in the belarusian language. the flames of rosy veras, i would not have pine trees, if the summer

had sunk my sum, if the spring had not sunk, the flames of rosy veras. the khatyn memorial complex was erected on the site of a burned village on the initiative and under the generally continuous supervision of the first secretary of the central committee of the party of belarus, the hero of the soviet union , former partisan pyotr mirodovich masherov , the memorial was erected, having received lenin's award to architects headed by leonid levin.

this memorial and the feat of the people in song, the kotyn is moving, washing people, ringing again, ours... igor luchenok and vladimir mulyavin, a captivating tape recorder, spare batteries, traveled to the villages of tonesh, khoiniki, turov, recorded authentic folklore, folk songs, sang together with the guys and with these belarusian leech. then these songs were included in the repertoire of songwriters, and igor listened to folk tunes and created his own wonderfully melodic songs; the period of the beginning was especially productive

seventies. i remember very well that in the seventy-second year i was filming in dogszyce, and from the pillar, then it was customary, in the square all the time i was distributing wood chips and gifts, empty silent discords, empty silent discords and mounds, vezhki,

and devoted to their work, i don't think so, i don't think so. not navat іnakam, so, because for me a museum is like a monastery. i'll take care of exactly what, first of all, is dear to me, and secondly, in my opinion, is dear. my childhood was spent in sailing, which grew into adolescence, well, it already turns out that i have been here for half a century in my favorite sport, we are ready to share knowledge, my name is sergey morozov, i am the senior coach of the national sailing team, now the athletes are taking similar courses, it is called showing one day from their life, an important element... the idea is not only captured by the material

culture of artaktai, but also by the intangible culture, but also by the creation of folk sounds, abradau, and exactly this day we can observe them. radial from under the meter, eight segments of 2 minutes. look at tv channel belarus 24. 24 a week we work to keep you up to date with current events in the country and the world. in addition, our team of journalists obtains valuable knowledge from experts on how to maintain and increase health. there is also room for entertainment. every friday we bring to your attention the best projects and films of our tv channel. this and much more awaits you in. weekly project ether 24.7,

watch on the tv channel belarus 24. my dear kut, well, this is a christian school poem by yakub kolos, which we all know, well we’re just saying, my dear kut, you’re my dear, what about igor? he took it again, put it on his piano, started playing again, it didn’t come to him, this absolutely wonderful melody, and this chant, then , which was written by the vocalist, who was written by volodya mulyalin, my dear kut, my dear kut, how dear you are to me, forget. forget, i don’t have strength

, forget for you, i don’t have strength, olesya, no longer a young poet, arkady kulishov, seeing that other poets, his colleagues, not young, bring luchinka. his early works, and he brought a poem that he wrote at 15 years, dedicated to a girl, well, older than him, who was leaving somewhere to study, leaving, one might say, forever, here he is, from his broken heart, arkady kuleshov wrote these poems, gone, you’ll never come back, olesya, be dark-skinned, shaggy , kohanaya, maybe he... for the first time kulishov

uttered this word. and luchenok, having received this text, then, remembering, said, well, yes, kuleshov, grandpa, but as he remembered his youthful love, he immediately became younger. and igor wrote an absolutely wonderful song based on these verses, alesya. come back, alesya, be a snotty, worn-out byva, a flock on the rozstannyas of the past, a hell of a slump, a self-made roast, whole, veronica, well, with this song in general, well, just a great story happened,

the fact is that in 1976 the songsters and luchinok went to france for a musical midem festival the fact is that producers from all over the world gathered at this festival in cannes, because artists, vocalists and groups who released the largest number of records in their countries came there, songwriters came there, releasing millions circulation of a gold record at the melodiya company, and after that... they were immediately invited to america on a huge tour of thirteen southern states with concerts, thousands of halls in universities, sports palaces, somewhere else they sing, sing, moving from place to place

to the place, and their producer was so captivated that he decided to make a recording, and the concert was structured like this, the first part was sung by... the american group christ and ministers, and in the second part the belarusians sang, the singers, but the producer liked veronica so much that he organized in the city of nashville, this is such a city of festivals, in general, where jazz performed there, and jazz festivals and folk festivals, there was a wonderful world-class group

: yama tago, what ate us, yama tago, what used to be, in the first composition of the songwriters, the only musician with a higher conservatory education was only one valentin bodyarov, but gradually the team was renewed, renewed , the so-called golden composition appeared, somewhere in the eightieth year, you see, a conflict began to brew in the team of high professionals, some were for the implementation of the usual songs, there, and the conservatives already believed that

singing such primitives as vologda with six, eight voices was too chic and it seemed unbecoming for them to do this, oh for creating, for turning to large forms, especially in the world already weber's opera jesus christus superstar thundered. in leningrad, singing guitars sang a rock opera, orpheus vredika. and then mulyavin and luchinok turned to luchenok’s thesis work, oratorio for orchestra, choir and soloists, kurgan, yankee kupala, but how difficult was a symphonic work with a choir put it on electric guitars, drums,

saxophone, that is, you understand, it was essentially the creation of a new work. at that time, at a fairly young age, he wrote a song in which he seemed to confess, in which he seemed to write why his song should be appreciated and loved, the song floats on the sea, the song walks on land,

the astronauts sing the song. looking the universe in the eyes, after they stopped creating their masterpieces, igor luchenok, volodya mulyavin, edik khonok, you know, somehow the source of popular belarusian songs, i don’t hear her, she doesn’t dozing on the threshold, with a song it is known, it is easier to work in battle. the song is a trace of generations on an age-old road, that’s why i sing songs to my people. at the end of our, as it turned out, last conversation

, i was suddenly even a little disappointed, i said, igor, well, i asked you to talk about yourself in this film, and you talk about your songs, about your homeland, about musicians, about friends, about singers, he had to talk about himself, he suddenly raised his head and said: volodya, so i was talking about myself, i thought, well , really, he’s all, all in his songs, here he is, igor luchenok, the premiere of the film took place on august 6, 2018, on the day of igor mikhailovich luchenok’s eightieth birthday, we sat with him in the front row, there was no one else nearby, just the two of us, igor. screen, behind a full hall of people.

and when this chronicle appeared on the screen, revived, taken out by us because of the life of 1982, when igor was 44 years old, eighty-year-old igor, sitting next to me, pushed me in the side and told me, volodya, it’s me, coming again, there's a movie on again... it's a newsreel, there's dad, mom, something they say, there is a mound there and he was born, volodya, it’s me, on the hundredth day, after the premiere of the film, igor died, you know,

his songs ending in a major key, like bach’s, they are in the treasury of belarusian art, these songs were sung, sung and they will... sing because the authors love them, remember them, and

what else is needed for immortality? thoughts pray to the earth, dreams, i stand, the covenant has begun. isny, all dreams in milk, cherished my sparshina,

with everything, old dear.