[000:00:00;00] housing code and have been regulated quite thoroughly, so to speak, but practice shows that problems remain, questions remain, there are a lot of complaints from citizens to the chairmen of fellow owners, a number of violations are revealed, unfortunately, in terms of failure to properly carry out measures for maintenance of the exploitation of the common property of joint household ownership, that is, residential buildings, misuse of funds... the new bill was adopted so far only in the first reading, then the document was submitted to public consultation, which has just ended. university olympiads will be held in 21 regional universities in belarus . registration for testing will begin in these universities in november. at the same time, the list of specialties for enrollment in non-entry tests for winners of university olympiads will be expanded, in particular , it will include specialties in information systems and technology, robotic

systems, technological processes and production, and a number of pedagogical specialties. they are the ones in demand today, economic organizations only allow eleventh grade students to participate in olympiads. quotas for enrolling applicants without entrance examinations have not changed to 15% of the admission target numbers. the opening of the listopad film festival will be held in the cinema house for the first time. the ceremony will take place on november 17. among the trio of presenters is the muse of the slavic bazaar and the presenter of the television and radio station. the company alena speredovich will include a traditional fashion show on the red carpet; guests of the ceremony will be surrounded by the atmosphere of the twenties of the twentieth century. will be included in the concept cinema cafe and live music. for the first time , the entire presidential orchestra will be present at the opening of the film festival. chief conductor vitaly kulbakov supported our idea. the whole action will be structured like a classic ceremony with the hosts. also , with the help of vitaly kulbakov, the conductor will be

with us with the help of his magic. to launch our film festival, it will all be tied up like in a prologue, it will also be like a choreographic production, it will also be connected with video content, where we will show the main eras development of the film festival. a classic of movie starts - breaking the plate a tripod. the directors will show this in a new way; at the opening ceremony they will announce the name of the winner of the special award of the president of belarus for humanism and spirituality in cinema. the closing of the running league season took place in grodno, this is a new project of the belarusian one. athletics federation, anyone during the season could not only earn points for the overall rating, but also get acquainted with different parts of belarus, it was decided to hold the final stage in grodno in historical places, in the program also included a family race; the distances offered were the classic 5 and 10 km for running enthusiasts. in the near future, the athletics federation will announce the running calendar for

2024, in which there will be a place for a running league. the west and the united states have taken seriously the cultivation of such a tool as radical nationalism, and of course the incitement of national conflicts. here's what we got for our investment: we didn't lose a single american soldier. we have reduced the combat power of the russian army by 50%. one of us didn't die in the process, it was the best america could do. all the interethnic conflicts that we had after the collapse of the ussr, years later, analysts, those who deal with this, historians all proved an external factor. we are exactly in the zone of contact, conventionally the collective west and the collective east. and it is fundamentally important for us that this confrontation on our territory does not turn into a heated military

confrontation. the project is objective. don't miss new episodes on the tv channel belarus 24. ready for an exciting adventure through the cities of belarus. on the banks of one of the cleanest rivers in europe and in the second most honorable city of belarus, gomel. the borders of three lands closed, the lands of drygovich and razimic and krivichai, and then the principalities of smalensk, chernigov and turvopin principalities. a unique architectural monument awaits you. the famous russian art critic georgy lukomsky, visiting the palace in 1913, wrote: this is one of the richest russian empires. and the most interesting historical facts: karaleva bonasforza is staying on his land, advedala ragachou, advedala his castle, which is a knowledgeable person here at the castle of the gars nearby, all and added to the foundation of the church, various privileges. the photograph is 42/94 cm in size

. contact method in 1903, and only four such photographs are known in the world.

watch the music in the program of the city of belarus on the tv channel belarus 24. hello everyone, in a minute the hero of our program will take his place and answer your questions. children, are you ready to meet our guest? igor pavlovich, what do you expect from children you will meet now? i think creativity. in what mood do you go into a conversation? with the beautiful. you promise to only talk. the truth, the truth and only the truth, then good luck, today in our studio we have the honored artist of russia, chief political master of the bolshoi opera and ballet theater of the republic of belarus,

igor pavlovich col. igor pavlovich, i want to warn you that according to the rules of our program, if for some reason you cannot or do not want to answer, you have the right to refuse the question three times. and be attentive to the questions, at the end of the program you will have to choose the best one, but now you have exactly one minute to briefly talk about yourself, time has passed, as a rule, lately i have been talking about myself in this way, i was born in pinsk, studied in minsk, took place as an artist at the mariinsky theater. this is st. petersburg, russia, today i am in minsk, this is the city of my childhood, the city of just your age. and use the opportunity that was given to me a year and a half ago as the chief brettmester of a large theater, i am happy that i live in this beautiful city, according to the time period of the contract that

the theater concluded with me. well, thank you, you did it in one minute. and now questions for an adult. let's start with the red sector. hello, my name is semyon, please tell me what... what does the main bolt master of the bolshoi theater do? hi semyon, on the one hand, this is a very, i would say romantic, probably the story of the position itself of the chief blittmester of the bolshoi theater, on the other hand, this is just such an illusory story, because that literally from the very early morning, you come and begin to study a large number of papers related to how to organize the process and, of course, the artists who are with me every day from morning to late evening, does that mean you are no longer dancing on stage? i dance, i find time, i need to be in good shape, so

i don’t leave small fragments of the stage, and i don’t do it that often, but i go out on it, so i dance, of course, the dance won’t leave me. igor pavlovich, turn a little to the right, a question awaits you from the yellow sector. hello, igor, my name is lyubov. you previously worked in st. petersburg, why did you decide to move to minsk? well, the fact is that i really came into my own professionally in st. petersburg, and i saw my further growth precisely there, where, as the premier of the mariensky theater, i served in the theater for 25.5 seasons, probably at some certain point you understand, that you have experience, you still have a desire, so that cumulative process is perfect. way turned my interest primarily to minsk, because that at a certain moment two offers came, one from the bolshoi theater of russia as a tutor, the other came literally a month later, from the bolshoi theater of the republic of belarus as the chief

baritmester and i spent a very long time correlating it so that it would be interesting for me, because first of all from the very childhood, this is such a main factor that moves me through life, it ’s very... interesting for me to be here now and it’s very important. we are moving to the black sector, we will have to turn right. hello, igor, what is the level of belarusian ballet? first of all, the belarusian school has always been strong, and today it is the same. but when we communicate with each other from different schools, from different cities, we understand some kind of common convoy, today the belarusian ballet is at a very good level, thanks, among other things, to this personnel policy, which i have been pursuing for a year and a half now, first of all, because it seemed to me important to initiate casting for viewing in the theater, so that the level is maintained, preserved and, of course , rises with each season. tell me what

should we be proud and what are we missing? well, first of all, we should be proud of the person, the artist, the number of free seats in performances in the auditorium, there are very few of them, so today the interest with which the public looks at the theater only makes me happy, so i think that, first of all , it’s the artists who run the repertoire who allow it. come to the theater thanks to your high skill, at the moment you will have to turn over, turn over, i said something, turn around, everything is right, everything that's right, turn left and a question from the purple sector, please raise your hand, why did you decide to do ballet, after all, many people think that ballet is for girls, not boys, the fact is that i didn’t decide anything in my as a child, chance decided for me; literally, while in pinsk

, i was left to my own devices for exactly the first half of the day, since my sister and i studied in different shifts, in order to share a table at home and have time for everyone to do their homework. i went in the afternoon and the first half of the day was absolutely free for me, it was a circus studio, and a young naturalist station , and so on, and so on, and so on, from yes , also the studio was a hard-won dance at some point, uh, in my... i’m a classmate, for the company i was taken to a choriography school, i had to get up very early in the dark, it was autumn, it was dark, i had to go to the other end of the city, so i literally stayed in this school for two or three months thanks to the persistence of my classmate, at some point i was selected, two arrived

teachers from the belarusian choriographic school from minsk, who, uh, found me, on a piece of newspaper, a phone number was written, and it said, boy, call, tell your parents to call in the evening, so i literally changed my life in just a week, my dad called me kamaz took me to minsk, they looked me over, they pressed me, i did the splits in one, they pressed me, i did the splits in the other, so i turned out to be capable of dancing, and literally exactly after: in a week i was already standing with documents, now i’m looking at this this is the building that used to house school, and every day looking from my office at this building, i think, how could this happen, i don’t know, living in a city in which at that time there was not a single theater, neither dramatic nor musical, i ended up from pinsk pulled into a completely different, different microclimate, and i will...' this, in principle, consciousness, despite the fact that i have

absolutely parents with simple professions, my father is a truck driver, my mother was the head of a canteen, so in principle some then the prerequisites for the fact that i will suddenly dance it wasn’t, but nevertheless, somehow by chance i ended up there, then here, then there, and then again in front of you, so it’s an accident, it’s not trivial, it’s an accident, let’s move on to the next question, but we’ll have to turn around to the right, this is the red sector, please ask a question, hello, my name is masha , tell me, was your childhood different from usual, as a rule, there is an opinion that ballet children, they don’t know at all what childhood is, i don’t remember some moments that would be connected besides homesickness, so that i would be deprived of something, for me it was an ordinary story, the same football, swimming , cycling, absolutely free holidays, in which... one of the teachers really wanted us to maintain some kind of

shape, we filled out a diary, today i sat down, with my right leg on the splits, with my left leg on the splits and did 10 push-ups, that is, this is the only limitation that was somehow a limitation, but it’s funny to call it, even define it, so i remember my childhood years absolutely feel like a happy child, because i’m a village child, both... my father’s and mother’s lines are from different places, half of the holidays were in one village, half of the holidays in another village and i was not deprived of anything from the natural uh... moments of childhood, and the boys teased me for that you do ballet? firstly, no one knew what ballet was in pinsk, and as for teasing, i think not, i’m probably one of those representatives who prove the opposite, that it is important to honestly do what interests you, everything else is brushed aside

in itself, so there is, of course, no next... question black sector, turn to the left, please explain how to understand what the ballet is about, and if the performers do not say a word when they come to the theater, the theater has a program in which the libretta is embedded , a certain sign language that conveys certain information, that is, well, embedded meaning: i love you, today, i, in principle, i think that this gesture, that i, even in the usual... i do it, we immediately begin to add hands, as i, in principle, today, unexpectedly for myself , very i gesticulate a lot, further coming to theater, you will see these certain gestures that are associated with the convoy of dance that this or that choreographer conceived when presenting his work, his performance, or

can you please tell us something with dance, and we will try to guess what you had in mind, i remind you that you can refuse? no, of course, who gives up so quickly, well, let's guess, children, who is ready to guess , please raise your hand, maybe i can dream, absolutely true, thank you, and i thought that this means i'm going crazy about you , the options may be different. no, i'm leaving mind, it would be a temple. the next question, flying into the red sector, is there a ballet part that runs like a red thread through your whole life? there is such a part, uh, in the second year at the chariographic school, the troupe

of the st. petersburg conservatory came to us on tour in minsk. and an absolutely wonderful person, personality, choreographer, teacher, nikita aleksandrovich dolgushin. brought a program from the silver age, anna pavlova, vaclav knyazhinsky, and a miniature by fokine, a vision of a rose, when a girl comes home from a ball, also sits in a chair like me now i’m sitting, falling asleep, full of impressions from the ball, where there was communication, dancing, a certain ghost appears to her, the smell of, uh, roses, and a completely complex, incredibly technically complex, physically complex miniature, where a young man depicts, that’s literally a floral scent , from the second year nikita aleksandrovich gave this miniature to me, and literally until the last days, uh, there in the mirinsky theater, this miniature was with me both in the repertoire and on a large number

of tours that were in my life, that is, this is such a part , which became unexpected for me, a business card, and if we meet someone somewhere, everyone says, ah... keeping a rose, this is also a literary line for me, as well as forming the line of my life, including creative life, we turn to the right, yellow sector, my name is veronica, please tell me, when you perform and dance, do you get upset when no one claps for you, or this didn’t happen at all, i think in rostov on donna, we had a tour, where in the front row, a girl i took out my phone. and began to actively do something in it, and it was so offensive, i bow, after the number i couldn’t stand it, i went up to the girl, i said, girl, aren’t you so interested in being here now, the girl

apologized to me, put it in her pocket, but from this there was still delight and applause from the audience more, that is, we ourselves, in principle, do everything for... there was no, fortunately , there was no stern in the hall, as there is none now, we turn 180° to the purple sector, what is the strangest thing you had to do for a role, i was invited once to a furniture exhibition, where i it was suggested that i come up with a plastic idea on the theme of a chair, at first it made me laugh. then somewhere it got a little tense, but at some point, when i already felt interest and imagined how it could be done, and it was quite funny, a large number of ideas, unfortunately, my participation was canceled, so yes there were,

turn to the right , red sector , raise your hand, what kind of career growth does a ballet dancer have, as a rule, everything is quite fast, at first it seems that this is a very long process, a learning process, you you reach a certain height, you receive a certificate, in this certificate are the points for which you are... but when you come to the theater you understand that you again, nobody, start from scratch to build yourself, your life, the range of your interests, and 20 years fly by, and you are again a nobody, because artistically you have already taken place, and then there should be some kind of movement according to your interest, or the possibilities offered, or if not offered, as a rule, all ballet dancers do not leave... from the trajectory of dance, then there it could be

pedagogy, it could be choreography, like byter, in my case i never focused on just the profession, i always thought about what and what if it doesn’t happen, that is, for some reason this question haunted me literally from the first days of work in theater, and i always expanded my range of interests, restored furniture, which, in principle, if not a profession, if that very career does not develop, as you define it, then i will always have a craft in which i will be interesting to myself, that is i understood that life doesn’t end there, that it exists a certain movement in the interest that i am in now, and one more question: did you always have enough money, or were there some difficult financial situations? a difficult moment happened in my life, exactly a season later in st. petersburg i received a serious injury at a performance, which did not allow me

to follow this path further and confidently enter the profession. there were exactly two such situations, at the performance of sleeping beauty i received a serious injury, i tore all the ligaments on my left knee joint and it didn’t show up a stop for me, because i love, and i’m lucky, or rather, in relation to the wonderful people nearby, who always saw a little more in me and thought of me a little better, it seems to me, than i really am , so literally in a month i flew to america to have an operation, uh, and a few months later i was already on stage again, but i was in a hurry, so a year later i flew to america in exactly the same way, uh, in october, to have an operation again, this is the second one...' the operation was like this stressful moment for me when you you understand what is now and what will happen next if everything turns out to be bad, but

nevertheless, the human resource, uh, it is inexhaustible depending on how determined one is, who surrounds him, and those around him are those people who are needed at the moment , these were my teachers, alexander ivanovich kolidenko, who will soon turn 90 in april, with whom i was in touch, and those teachers who... surrounded me and acquaintances in st. petersburg did everything to ensure that this did not become a tragedy life, so some moments in my life were, first of all, key thanks to traumas, everything that does not happen to us, it is given, as it seems to me, for something, so that we pay attention, perhaps, on the contrary, open our horizons,

they become isolated in one situation or another. we live our lives, according to our own laws, with our own traditions, but why should anyone believe that they can enslave russia, seize its resources, a huge market, huge natural resources, and for another 300-400 years they will live to to drive a european into a multinational russian, you need deprive him of the memory of what all previous attempts led to, the cossacks in paris, therefore the monuments. today, a huge number of people come to us from different countries, how much they fall in love with our native

belarus, they leave with the kindest thoughts about our country, therefore, who wants to live and work, please, markov’s project is nothing personal, watch it on the belarus 24 tv channel . i heard, that in ballet all the dancers are on a diet, do you limit yourself in some way in order to stay in shape, my biggest diet is that i don’t have time to eat, because in the morning i don’t want to eat, and in the afternoon i don’t have enough time, literally if i have 5

minutes i go down to the theater canteen for lunch, for me this has always been because each person has his own physiology and it so happened that throughout my life i i have never been on any diet, since my parents are quite slim, and i was lucky in this regard, the second question: why do men in ballet use cosmetics? well, today, i’m sitting here in front of you, in front of everyone, basically tinted, because that i... want to look good, and of course, no one will be interested in the current red face, since we do primarily physical labor, after the performance many lose a fairly large number of kilograms, some two, some three, because a lot of fluid comes out of us

, no one is interested in looking at the tired face of an artist on stage, this is that necessary moment of the profession, which... creates a holiday for you when we enter the stage, thank you, turn to the right, and the yellow sector, hello, my name is vasilisa , is it hard do support? this, of course, requires training, to a greater extent, not even physical, but technical, since there is an opinion that there ballerinas are always heavy, the guys have to be strong, this is not always the case, on the one hand, something is difficult. indeed, because it requires time, preparation, on the other hand, it must be done as if she had taken off, as if on her own, but it must be coordinated actions, have you ever dropped your partner? yes, and this proof is spinning in a certain uh internet network, a small fragment

of the performance - 2000 in amsterdam, when i had back-to-back performances in the evening and morning. that is, actually a double, and i danced with different ballerinas, they did completely different robesques, at the moment when the leg went past my hand, a rather large trick movement happened, which in fact still terrifies me, but how much was - an element of human self-preservation is fixed, when in independence, where you are not located, you are obliged, you definitely need to stay alive, on the one hand i look at it as a comic element. since, in principle , i always try to bring some sense of humor to any situation. does the weight of a ballerina matter? without a ballerina, it doesn’t matter at all, although sometimes there are violations of certain standards, which are allowed in our profession, to a greater extent , importance is always attached primarily to the technical component of support, i’m speaking primitively, in

principle, how to lift a barbell, but this is not entirely true, but purely technically we must understand that in order to receive certain support, we must combine several factors, specific provisions and joint movement in one direction or another in order to provide support. what's the maximum weight you 've lifted? since i was well trained in our harrigraphy school, i never thought about how many kilograms i lift; for me, first of all, support was a manifestation. and conveying the plot component conceived by the choreographer. i weigh 30 kg, can you lift me? naturally, come here, let's try support. come here, get up, now we will show an arabesque, raise your left leg back. that's it, it was beautiful, huge applause,

please, that's how in one second the girl became a professional ballerina. the girl will first perhaps go and have a look at the school, college, gymnasium college, we will check everything there, maybe how old are you, 11, everything is still ahead, so come, let's applaud and turn to the black sector, it's on your right, next question, from there, hello, my name is arina, and it’s true that ballet dancers don’t have days off and holidays, they dance every day, in fact, this is not entirely true, although there are situations with traveling weekends, due to the fact that in the theater there are unpredictable situations, such as an unexpectedly occurring concert, which requires a preparatory process, for this always there is either a postponement , or such an unspoken rule, before the premiere performance, when the theater is preparing the premiere, there really are no days off in a month, but

not in minsk, in minsk there is a very strict trade union system, i would certainly like to change this situation with transfers a little, since there really is a need, and let’s say this wasn’t even discussed at the mariinsky theater; last season, my first job when i came to the theater in this capacity was the same situation in which, for example, i didn’t know about this, i was already sure that if we have a premiere on wednesday, we have a day off on monday, that it won’t happen, that is, this was not even discussed, because this is a general process, and such moments, they knock out a little, so the following example is mine in theater, it was already made with this in mind. when it will take place on friday so that the artists have time to rest and so that i have time to work with all the work schedule that is necessary, so you can always find a compromise in one or another legislative framework, so

that everything happens for everyone, they say that in there is a lot of competition in ballet, and how did you cope with your competitors? the fact is that i will repeat again, i never fought with anyone except myself, i always moved not according to career growth, but to the interest that the theater offered, repertoire policy, theater, director, how they saw me, how i was introduced to certain plays, to a greater extent i will say, i was really lucky , they saw more in me than i saw myself, let’s say a part, we were preparing me at the same time with another artist, i... always went to other people’s performances, i’ll say this, i was interested in it, but i was interested from the side of how interesting this or that artist managed to come up with than me, if i understood

that it was much more interesting, i looked for it in myself problem, and i believe that in principle it is mine the strong side is that if you are not fighting with someone, not with circumstances, but with yourself in the given circumstances, this path is more honest and you will quickly achieve some results that you dream of. therefore, this is the case when i have always been calm in life, but not calm in my work. it's the turn of the purple sector, please turn left, hello, my name is katya, and your wife is a ballerina, how did you meet? my wife is a ballerina, we met in a completely traditional way at a ballet buffet, because when you come to the theater , your life to a greater extent of the time interval is located within the walls of this or that theater,

in my case it was a buffet, laughter and interest in each other gradually, which turned into relationships, well, then for twenty-two years marriage. igor pavlovich, we turn right into the red sector, tell me, are you a calm person in life? i am a restless person in life, uh, very quickly wound up and up for all sorts of adventures in terms of creativity, in everyday life, i an absolutely calm person who, in principle, probably doesn’t need much today, uh, in terms of any outbursts, both emotional and everyday, if it weren’t for my profession, i probably would have, as expected, two seasons earlier

, i would now live near veliky novgorod , in my village, in principle, i saw this future for myself quite calmly, realizing that a lot has already been done as an artist, a lot has been tried, it’s difficult to name countries in which i have not been and have not danced , so at that moment i saw this history is like that and did not suffer in any way from the fact that someday my theatrical life would end, that is , i am an analyzing person who understood what it meant to stop in order for something to appear later. that is, i calmly move psychologically from one state to another, but in work i consider it necessary to not be a calm person, because when there are 115 people nearby, artists, ballet, if i come to the theater and mutter something to myself, i don't interest many people in anything, so i'm not associated, i have great pleasure accepted the invitation to be here because i am sure that after some time you... will definitely come to giselle for the illusion

of love and so on and so on and so on and we will become friends and this will be especially since i am sociable in on social networks, i communicate, i answer, for some reason in belarus this is a very surprising moment, i’ll tell you a story, i was in vitebsk several times last season, in navis some two women followed me, there was basically no one in museum and two women were walking, they said something, i’ll go away, after a while they came to they come up to me and say: hello, aren’t you igor kol? i say, igor kol, this means it’s true, i say it’s true, why are you sociable? i say, well, we’re talking to you, no, well, just as a rule , you can’t approach, i say, i mean , you can’t approach, he says, why not, i say, i answer on social networks, i answer there, i go to various kinds of programs , because i believe this is a necessary part of the profession above all. tell me, what can piss you

off? and not professionalism, because i am one of those people who clearly understands that everyone has their own starting point in the profession, including, but if you see that a talented person, you will be patient in order to get results after some time, that is, in this regard, i am patient, in terms of, if you see that a person gifted, capable, nolente and unfortunately i am intolerant of this, we turn to the right, the sector is in line , raise your hand, please, good afternoon , igor, my name is maxim, they say in ballet you retire early, you are a pensioner, i am a pensioner, how can you imagine your ideal pension, my ideal pension should was formed exactly a year and a half ago, in a village near veliky novgorod, where i spent quite a lot of time with great pleasure, this piece of land, at the moment when we were considering the purchase,

was very... mentioned to me by pinsk, places in the vicinity of the village, in which i spent my childhood, with one flask of the same name, where my entire male and paternal line was born, unfortunately, today i have no parents, no grandparents, and i really wanted to create this line of attachment, so that this was also very important for my son, so that he understood where he was coming from, we went to flasks, where i realized that i wanted land, and returning to st. petersburg, we began to ride around the suburbs of nearby cities, in one of the places near veliky novgorod, i saw for myself the story of my childhood, and i really wanted it to continue , so for 10 years, i settled this piece of land on the river bank, and every time i woke up there, i... just

returned to my childhood, thinking how i once woke up at my grandmother's in the morning because i needed it was during the holidays to drive the cow out to the pasture, to meet me with a bucket in the evening, uh, and the first fresh milk, that is, this is the whole story that fed me then it returned to history, so i would think that i interacted minimally with the profession, if if only two such proposals had happened that gave me a little electric shock, at that moment i was completely confused, i did not understand where to move and what next, and such proposals do not come so often and i need to make a choice, i could not make it on my own, and head of a large theater of russia, mahararsanovich vaziev said that you should definitely try to come to minsk, and thus, from those uh dreams that were supposed to make me a farmer, near novgorod, they made me the main choreographer of the bolshoi theater of the republic of belarus. thank you very much. and we

are incredibly happy about this, it’s true, let’s move on to the red sector, turn left, please tell me, you look very stylish, who picks out your clothes? i select clothes myself, i select them not according to some trend or trend in fashion, but rather from comfort, from what i feel comfortable in and what seems to me to suit me, so i don’t have any specific uh... hobbies, hobbies, but nevertheless, a large number of friends and acquaintances who do this , and thus, some things come to me just like that, i have to use them, tell me, what would you never put on yourself? it’s hard to say that no matter what i put on the vision, just as i am a choreographer and i work with artists, forcing them to see

with their own eyes what i stage, also you they put on something that you have to show on yourself, someone’s decision, we remain in the red sector, please pass the microphone for the next question. how do you dance in everyday life, for example, at a friends’ wedding or at a disco? the fact is that friends’ weddings have become less and less frequent, so i don’t dance at them at all, i don’t have enough time at the disco, but i always dance in life, i can’t help but dance, so for me this is a definite outburst, in -first after a working day, so i do it with pleasure, and without any embarrassment, literally not so long ago, i was talking about casting for the role of co-host on one of the famous tv channels, where for a long time i could not cope with the correct, clear intonation that was required of me for pronunciation, for giving out information, and thus the producer,

the general director of the tv channel in my ear said: “igor, start dancing while continuing to talk.” and this is the relationship between sound and body coordination. voices movement, it was a very funny situation for me, and nevertheless, i believe that if i had not done this, i probably would not have ended up i turned out to be the leader, so i always dance, i dance everywhere, in any circumstances, in any situation, even when i’m in a very bad mood, i probably dance mostly because of this, because i’m tired, because i’m in a bad mood, and this saves me, makes me breathe calmly and move further. can you show me? yes easily! igor pavlovich, what do you prefer to dance to? to something good, let's hear something

good? have you ever wanted to? for your son to continue your business or go to ballet? was such a thought, because it seemed to me that it was much simpler, since we are both in the profession and we have a theater family, uh, but it so happened

that nestor categorically refused, that is , it was such a moment, again, of an accident, a series of accidents, when at the maririnsky theater there was a casting for little boris - boris godunov, the season opened with boris godunov with such an opera and little boris was needed as a child, he was chosen by an absolutely wonderful director, we opened the season, the next day nestor came and said that i won’t do it do, then it happened that we gave it to a couple of circles, he came and said that i didn’t like it, and thus we did not influence this direction in any way, which would have been interesting to us, probably, and perhaps it would have been easier him with a choice of where to move in life, however, my child has nothing to do with dance at all, he didn’t , or rather, until probably last year, since i’m not only doing what i’m doing in the main place of the bolshoi theater,

the festival has been open for four years now art in veliky novgorod, today, nester is one of the team members in preparation for the festival, so he is not directly related to dance, but nevertheless he is my assistant in the organizational sphere, which we are involved in in parallel, did you help your son in choosing a profession ? this is actually impossible, because in our family everyone moves according to their inner urges, interest, but at the same time we listen to each other, but no one puts pressure... on anyone, so in this regard, that chosen path of pr relations with the public that is interesting to him, it is most likely dictated not even by me, not by my...' activities, but by some of his desires, his own, his needs. igor

pavlovich, turn 180°, black sector, microphone up. there is an opinion that a person who dances lives not with his head, but with his feelings, is this true? the first thing that probably pushes me, uh , well, i’ll call it that, on any of the adventures, is on any of the interests in my life, is of course, yes, emotions, i agree. and then further the brain turns on and in general i’m one of those people who always starts from the ending, that is, i need to see the final picture in order to go first, that is, this is what i call adventurousness, i don’t know why my life turns out this way, even work over illusions, right now in the theater, it started with the final scene, that is, i need to see where i ’m going, but nevertheless, it’s always first of all an emotion, then the head comes in, in which you understand how it should be. what should move you and how in order to

so that it turns out - general, whole. we move to the black sector and turn 180°. hello, igor, my name is misha, here’s my question: what are the privileges of the theater? well, first of all, this is such a tough work schedule, when you thought you were still reaching this status of a prima ballerina, because you need to concentrate from morning to evening and earn the right to be called a primo ballerina, this is , of course, an erection process when you line up for this or that ballerina , so that it is convenient for her , the number of performances, and accordingly we won’t hide anything from the financial component of the number of performances, this is a certain status, financial status, and so on, everything that dictates in this direction is in our theater, for example, on tour in the mirinsky theater. it was always business class for the flight , no matter where we flew, it always corresponded to what i

had when we fly on tour, premieres and ballerinas always flew, moved with a certain comfort, from experience at the paris opera, this is always the status is saved, well he this is how it is preserved, it has been preserved for me as a premier theater, it is always the same salary component, for life , that is, when you finish dancing, in paris at the grand opera, this is a strict framework at exactly 40 years old, you say goodbye to the theater, with the public, you leave the theater no matter what shape you are in, it’s tough, but on the other hand i think it’s fair, you have no illusions that you are beautiful, young, you can still dance, but that doesn’t mean that you can't dance everywhere and further around the world under their personal contracts.

of course, the higher the status, the more privileges, we move to the yellow sector, igor pavlovich, to the left, that’s right , hello, hello, my name is sofia, and you have your own office, or you work at the ballet barre, i work everywhere, i’ll say, i literally wake up in the morning, i’m already working, because i don’t have time to study at the moment, in the morning i’m warming up at my place, where i live in an apartment, without any machine, i’ve never had one, i’m always in movement, i work everywhere, i even just danced here , in order to be in shape, no emergency conditions are required, in principle, it’s enough to have the opportunity to do the splits somewhere, do a certain number of push-ups and that number of necessary elements , which keep you in good shape, so in my case , i’m always doing something in the office too. for when i’m preparing for a production or rehearsal, in order to be ready

when i cross the threshold of the hall, because i really appreciate time for artists who come to the hall not to speak, but to hear, reproduce and search with me, red sector, turn to the left, why do you love your profession and are there factors that you don’t like in it? i like it, i love my profession because without much effort, as i always do and i am sure of this today, i get a backlash, one of the moments of happiness for an artist is that when you go out on stage you receive applause, that is, for the artist this is necessary, feedback she is here, now, all my life i believed that i am in a profession in which i exist with great pleasure, for this i still get paid money and i still live, so this is the first part of the question, the answer to it, the second part i believe is that the biggest problem for this , of course, is injuries, which take up a lot

of time, opportunities, and, as my teacher said, in one of the programs about me, about my biggest shortcomings. he named, and i later understood why, he said that the biggest thing is my injuries, because they took away the opportunity to do more than you could do, we move to the yellow sector, turn to the right, the microphone is as high as possible, hello, my name is maxim, please answer my two questions, the first question, what is missing in the modern generation, but it seems to me there’s just enough of everything, because i’m one of those people who admires and... i’m interested in communicating with young people, because i have experience, i’ve already mentioned the boris eifon dance academy, where i had 12 students of completely different ages who probably me too naturally taught, but in return i learned from them, i was interested in why they

solve this problem this way, and i did it differently, i was interested in how they look at the world. which may be less interesting to me, but through their eyes, thanks to this, i looked at some standard points from a completely different angle, i just admire the current generation, which is not ready to sit still in order to achieve goals. igor pavlovich, turn 180°, purple sector, please, microphone as high as possible. anastasia volochkova publishes a photo with twine on instagram. what do you post on instagram? i suggest that after the program you subscribe to me and actively view all this, i talk about myself , what i am like in everyday life, what i am like in professional life, this is a necessary element, first of all i consider it a profession, for me instagram and life are two different things , because instagram is a certain attraction of attention, if you are engaged

in social activities, this is an opportunity to say, quickly disseminating the information that... i need, so for me social networks are an important component of today, come on, maybe we can record a rilos together on instagram, definitely, children , how lucky you are, who wants to get into the account of the main director of the bolshoi theatre, come out to the site, don’t be shy. and now applause all together, thank you, this signal means that there is no time for the hero’s questions. igor pavlovich, now you have to choose the best question of this program. the question is about the emotional

component, what motivates me first of all? great, please introduce yourself, where are you? what class are you in? i am sergeenkova mariana, i am in seventh grade at the thirty- ninth gymnasium. according to the rules of our program , the author of the best question receives a special gift. thank you, and of course tickets to big theaters for the performance. congratulations. igor pavlovich, now you have the opportunity to ask the children one question. since today i chose a question more about the emotional component, raise your hands who is in love now. try to keep

this wonderful state within yourself as much as possible. longer. honored artist of russia, belorui bolshoi theater igor kolt is a guest today on the program 100 questions for adults. igor pavlovich, tell me which questions asked today were the most difficult for you. the question of the stereotype about why men wear makeup on stage. great, was there a moment when you just wanted to run away from the studio? no, of course, i received a colossal emotional charge, and now i’m ready to go into my working day in a good mood. what surprised you with our audience today? with your spontaneity, today you managed answer 44 questions, will you come to us again to beat your score? well, 56 are already left to me, we were talking about a hundred questions, i am addressing our audience, do you think that our hero was as honest and open as possible today? yes, whoever thinks

so, please raise your hands, because he didn’t hesitate to answer, that’s it. explained to us, smiled very broadly, he was not afraid of us , well, as a type of audience, he always answered honestly, the truth, probably, it was clear to the eyes that he was speaking from the bottom of his heart and that he really sincere with us and ready to share his story with the whole world, with us, with the younger generation, igor pavlovich , we have such a rule, the last word is always with the hero, sum up the conversation that took place, for me the important point is harmony with oneself, and i would like to wish the guys exactly this, because when you live in harmony with yourself , are honest with yourself first of all, any obstacles are not an obstacle, so guys, first of all, be happy, everything

else is such trifles in your future wonderful life. chief bulletmaster of the bolshoi theater of belarus igor kol was a guest today on the program 100 questions for adults. see you in a week. watch in the next issue. so, today our guest is the clergyman of the belarusian orthodox church, archpriest fyodor povny. if god created man, then who created god? what do you think about darwin's theory? if you light a candle, will life immediately improve? issues priests' salaries? have you ever sinned? there are no sinless people.

100 questions to an adult, is it true that do you know how to fly an airplane and a helicopter? is this my weakness? their passion and hobby is their favorite job. after completing my diplomatic career, in january 2014, i was invited by the national olympic committee to head the belarusian golf association. behind your shoulders. the heroes have a lot of interesting stories, my partners and i decided to do what we were afraid to do before, bring here varieties of european hazelnuts and try

to grow them in belarus, in the first grade i had to take care of chickens, in the second in class i was already assigned to take care of ducks , meeting them will leave a vivid impression, golf is a sport that is built on complete trust, this is... a hazelnut maternity hospital, here mothers, maternal roots give birth to seedlings. watch the belarus project on the