tv [untitled] BELARUSTV November 18, 2023 2:40pm-3:01pm MSK
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[000:00:00;00] this is class, this is class, yes, friends, but it was a worthy competition, i thought that was all, especially since immediately after that, when dmitry actually fell, alexander made a very successful move, he immediately jumped half a meter, they attacked him very hard, and damn, sanya is great, too, yes, no one gave up, no one gave up until the last, thank you guys, congratulations , well done, you were worthy opponents, of course, it’s very nice, but as i
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said , that after the first test... this still doesn’t solve anything, just like a rematch, it’s just like in fights, you lost to someone there, then you won the rematch, of course it’s nice, you didn’t have enough agility, flexibility, everything seemed to work out well, your leg broke, you couldn’t throw it onto that bar, on that you expected, there is always disappointment from losing , but it’s a good, kind disappointment, when you allow yourself to try some tests, it’s... interesting, but this is a rivalry, it turns out that the one who wins is the one who is a little more agile, probably the strongest always wins, for me it’s real as for
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a person who loves sports of all sorts of competitions, it was very interesting, very lively, unusual, very large-scale , champion, champion, champion, e, great job , winner's campaign, just mega beautiful, everything is fine, well done, just you, i congratulate you, this super, this is a victory, this is the next round, how beautiful it was, you started so well, you just went straight, i already got into this topic, what are these sides? well, welcome it turns out, congratulations again to the winners of this round, it was very good interesting good weak opponents only to lose to anyone else, yes, i really enjoyed the game today, it had everything, disappointment and jubilation, failures and ups,
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a world where everything is real. national fine arts awards 2023 is a great event and celebration: organizers not only preserve traditions, but introduce innovations. let's go to the national center for contemporary arts and see in what direction masters of different genres and forms are looking today. yulia burlo is with you, and this is a cultural fashion project. the national prize in the field of fine arts is a competition that was established by the ministry
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of culture of belarus in 2017 and is held. once every 3 years in ten different categories. in 2023, the event is organized by the ministry of culture of belarus, the national center for contemporary arts, belarusian state academy of arts and the belarusian union of artists. the presented works show the achievements of russian fine art over the past few years. alesya alexandrovna, good afternoon. hello, please tell us what are the goals behind this competition? well, in my opinion, of course, this is the first goal - to encourage our artists, young and already quite mature, both famous and not so famous. not only the first steps, first of all, this is the popularization of belarusian art in society, in modern society , and not only belarusian, but also for our guests from abroad, this is, of course, stimulating our
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youth to be creative, to achieve professionalism, to conquer new heights in art, and accordingly, such a final goal is to cultivate new folk artists of belarus, in the end, what trends are visible this year? well, probably the very first tendency is that the selection committee selected such already strong nominees for victory, so the exhibition, although not large-scale, is not numerous in works, but nevertheless, it represents such a cultural cross-section of our modern art, belarusian art, and that’s how archaeologists, when they remove a cultural layer, and they come across various objects, on the basis of which they draw conclusions, how people lived, what they were interested in, what they were worried, so from this exhibition, of course, one can judge
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what interests the artists, what themes, what plots, what philosophical reflections, what they would like to tell their viewer through their works, and here it is very clear it is clear, and quite enough, there is work, that is, the older generation, for example, it adheres to those traditions of the soviet school, the academic school, this is, of course , a historical genre, this is an appeal to our history, but this is also of interest to young people, this is, in principle, an appeal to such national characteristics of our culture, our history, in general, our maybe some kind of identity of belarus, are considered in many works and we can say that this is probably the, well, the main trend of this award may be, but that’s why it is called national, still, i think that the artists presenting their works here were guided by the fact that , first of all
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, they wanted to show some national traditions; probably, as part of the exhibition , a whole marathon of events takes place; of course , the national award is not only an exhibition; of course, it is the popularization of themselves artists, these are meetings with them from almost the first day of the exhibition, a plan has been formed, our artists, our authors are happy to meet with the audience, with visitors, they are happy to talk about their work, which they presented at this competition is about the idea, why this particular work, what the idea is, the concept of this work, but also of course about yourself, your creativity, and this is live communication, this is probably the most important and unique thing that can happen within the framework of such events, because practically and other places where our visitor and artist can communicate on the same platform, and even more so for regional artists, well, practically,
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of course, this cannot be done in another place at another time. how important is it overall? to hold competitions of this level, of this scale, what conclusions do the organizers draw for themselves? any way to support... an artist, to encourage art, to stimulate it, i think this is for any nation, it brings only positive results, because, well, as our history shows, we do not remember and are not interested in what factories there are in italy, yes, but we all know that there are colliseums there, we must come and see, or in paris, of course, we will go to see the monolisa, and not some kind of automobile plant, and of course for this is also relevant for belarus. our culture, our art, our names , artists who are known all over the world, they create this, you know, national brand of our country, first of all, which is compared to the gold reserve, in which category the
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brightest representatives are represented, well, it’s impossible to say, each nomination is quite interesting, it’s very difficult to compare, for example, monumental art and painting, because these are absolutely... different figurative language, yes, these are different means of expression, and of course, even we cannot present the monument here in its original form, photographs are presented, some other documents are presented... documents, paintings, of course, this is an original work, it is here, it pleases the eyes of visitors, but both here and there there are some... then unique things, but of course, the brightest works may be the most original , the most experimental, they are memorable , probably for their brightness, some kind of experimentation, no, of course, the works that are presented in the nomination...
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creative debut is exactly the nomination where artists under the age of 31 can apply and be represented, of course, many of them are presented here for the first time, but it is in the competition, the competition is still serious, and many of these artists are already known, these are our young generation, those who in 10- for 15 years they will be conquering, of course, the heights of all our competitions for , say, such artists, with sufficient... creative baggage. at the exhibition you can see works by artists of different generations dedicated to the national historical and cultural heritage, military themes, and of course, contemporary art. the authors’ works contain innovative trends in decorating the modern urban environment, new views on the creation of museum exhibitions, a reflection of the versatility of the artistic movements of belarusian
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art, the diversity of techniques and themes, and the originality of belarusian culture. as part of the exhibition, meetings with eminent artists and artists are planned, one of them is vasily vyacheslavovich vasiliev, an artist from vitebsk, author and curator of a large number of original and collective conceptual works. projects, member of the belarusian union of artists. his love for art knows no bounds and he finds it. in everything that surrounds him. the competition presents a series of paintings, jerusalem, the heat and cold of the eternal city, designed in faded tones, as if the author is trying to reach through time to the events of biblical history. vasily vyacheslavovich, good afternoon , hello, good afternoon, yes, please tell us about the series of works that were presented at the competition, there was some kind
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of moral preparation for these things, it was also... during my student years, when i studied with gavril kharitonovich, vashchenko, my pre-graduation work was dedicated to the old testament, a very large project, there was architecture, there were objects, there was painting, graphics and some elements from sculpture, on diploma i was lucky enough to write an iconostasis, the resurrection church, such a small town, near polotsk desna, such a small coziness. town and after some time, it was the ninety-second year, but now, and this is in the twenty-first year, this work was written, in in the twentieth, i made sketches, i already looked at what had been done about this, because well , i didn’t want to get into a repetition, so as not to repeat some other people’s thoughts, other people’s ideas, so that there would be a very... big difference from what
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already done, it was necessary for this to happen, i had to re-read the entire bible, absolutely everything, both the old and the new testament, everything , there were no questions here, the question was, well, to what extent now, let’s say, i wouldn’t take up the iconostasis , i know how responsible it is, then young, not so deep i i understood what was behind this performance, and another thing is the painting, here ... the painting, excuse me, is one thing, the icon is one thing, but the painting is a completely different matter, and here, excuse me, my professional activity begins, if i feel that i need to write this, and i feel that i needed to write, and there is a good reason for this, then of course i need to write it, you didn’t regret it, you were too no, no, no, no, no, first of all , this allows you to look at everything a little from the outside, but
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happening... everything at once, it doesn’t happen here some individual questions that were asked then and then the answers to them were already found, that’s the thing, it will always be relevant, it will always be, well, practical things, it doesn’t matter how you relate to faith, you know, faith, she speaks about the truth, and not about some mercantile considerations, about the truth, but what is more valuable is the truth, somehow, that is, the artist grows along with the work in the process, of course, it is necessary, the artist must always set impossible tasks if he sets feasible tasks, this is craftsmanship, then the craft begins,
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therefore, each generation of artists represents a different interest, a different interest, a different situation, the universe of art, it grows, it doesn’t, not from top to bottom, it develops in breadth, so you teachers constantly work with so tell us, based on your observations, based on your experience, where is this the line between the classical school, and some new ideas, and between new impulses, whether you need to master the basic classical school, these basic skills, or in general, if you were born and you are talented, and you are noticeable, then. .. can not to study anywhere, but you can just try and expect results, in your opinion? to this question, unfortunately, there are two answers, i absolutely needed a huge school, a huge huge school, this is drawing,
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painting, walking, sketches almost every day in the summer, and in order for when i work with students, this is a lot you need to tell them, a lot, if you don’t show, don’t tell, then you know, i don’t think that this will be a complete education, on the other hand, the seeds that are in them are scattered there is bad in these seminars, everything is good in them, on what ground will they fall, because talent, well, just immeasurably, you know, immeasurably, the main thing is in their own way, they are all different, they are very talented people, anyone can join to talk about the importance of art in our lives, and to share our impressions and views, exploring the depths that it reveals. art is the expression of our emotions, thoughts and dreams. trends of the national prize
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for fine arts 2023, cultural heritage, patriotism, historical memory. many participants. competition made an important contribution to the formation of the image of modern belarusian art and the development of value ideas of belarusian society. art is not a profession or a hobby, it is a calling, the ability to see something unique and inimitable in every stroke and every color. yulia burlo was with you, we are following the cultural
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path together. until next time. club of editors, an ordinary european man in the street, he sits under threat... he is frightened by the terrible putin, the terrible lukashenko, the migration crisis, and at the same time terrible he has economic problems, he doesn’t understand where to go, people, instead of fighting for their rights, they are losing these ideological guidelines, americans, they have the task of pitting europeans against each other, they do it methodically, with the help of the british, a sacred economic vessel the european union is slowly turning into a chamber pot with stars on the rim, europe will get nothing from this war except... this is already underway and the third socio-political problems that will come, that’s what europe will get from the ukrainian crisis, we don’t owe it to anyone don't miss it on the
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