art over the past few years. alesya alexandrovna, good afternoon. hello, please tell us what are the goals behind this competition? well, in my opinion , of course, this is the first goal of encouraging our artists, young and already quite mature, both famous and not so famous, who are only taking their first steps. first of all, this is the popularization of belarusian art in society, in modern society, and beyond. belarusian, but also for our guests from abroad, this is, of course, stimulating our youth to be creative, to achieve professionalism, conquering new heights in art, and accordingly, such a final goal is the cultivation of new folk artists of belarus, in the end. what trends are visible this year? well, probably the very first trend is that of qualifying.

already strong nominees for victory, so the exhibition, although not large-scale, not numerous in works, nevertheless, represents such a cultural cross-section of our contemporary art, belarusian art, probably like archaeologists when they remove the cultural layer and there are various they come across objects on the basis of which they draw conclusions about how people... lived, what they were interested in, what worried them, so from this exhibition, of course, one can judge what interests the artists, what themes, what plots, what philosophical reflections, what they would like to tell their viewer, through their works, and here this is very clearly visible, and quite, there are such diametrically opposed works, that is, the older generation, for example, adheres to those traditions of the soviet... school,

academic school, this is of course same historical genre, this is an appeal to our history, but this is also of interest to young people, in principle, an appeal to such national characteristics of our culture, our history, in general, our maybe some kind of originality of belarus, can be seen here in very many works, and one can say , that this is probably what this is, well, the main trend of this... award may be, but that’s why it ’s called national, after all, i think that the artists presenting their works here were guided by the fact that, first of all, some national traditions show, probably within the framework of the exhibition there is a whole marathon of events, of course, the national award is not only an exhibition, of course , it is the popularization of the artists themselves, it is a meeting with them and from almost the first day of the exhibition, a plan was formed, our artists, our authors are happy

meet with the audience, with visitors , with pleasure talk about their work, which they submitted to this competition, about the idea, why this particular work, what is the idea for the concept of this work, but also of course about themselves, their creativity, and this is live communication, this is probably the most important and unique thing that can happen within the framework of such events, because there are practically no other places where... our visitor and artist can communicate on the same platform, and even more so, this applies to regional artists, well , practically, of course, this cannot be done in another place at another time. how important is it in general to hold competitions of this level, of this scale? what conclusions do the organizers draw for themselves? any way, support the artist, share art, to stimulate it, i think this is for any nation

, brings only positive results, because well, as our history shows, we do not remember and are not interested in what factories there are in italy, yes, well, we all know that there are coliseums there we need to come and see, or in paris , of course, we will go to see monoliza, and not some automobile plant, and of course, for belarus this is also relevant, our culture, our art, our names, artists who are known throughout world, they make this one like this... presented the brightest representatives, well, you can’t say that, each nomination is quite interesting, it is very difficult to compare, for example , monumental art and painting, because this is a completely different figurative language, yes, these are different means of expression, and of course, even we cannot imagine here

a monument to the original, photographs are presented, some other documents are presented, a painting, of course, this is an original work, it is here, it pleases the eyes of visitors, but both here and there there are some unique things, and of course, the most striking the works may be the most original, the most experimental, they are memorable, probably for their brightness, some kind of experiment, no, of course, the works that are presented in the creative debut nomination, this is precisely the nomination where artists can submit and be represented under the age of 31 . of course, many of them are presented here for the first time, but it is in the competition that the competition is still serious, and many people already know these artists, these are our young generation, those who in 10-15 years will already will, of course, conquer the heights of all our competitions for, say, such artists, with

sufficient creative baggage. at the exhibition you can see works by artists of different generations dedicated to the national historical and cultural heritage, military themes, and of course, contemporary art. the authors’ works contain innovative trends in decorating the modern urban environment, new views on the creation of museum exhibitions, a reflection of the versatility of artistic trends in belarusian art, a variety of techniques and themes, originality of belarusian culture. within the framework. during the exhibition, meetings with famous artists and artists are planned, one of them is vasily vyacheslavovich vasiliev, an artist from vitebsk, author, curator of a large number of original and collective conceptual projects, member of the belarusian union of artists.

his love for art knows no bounds and he finds inspiration in everything that surrounds him. the competition presents a series of paintings of jerusalem, the heat and cold of the eternal city. rendered in faded tones, as if the author is trying to reach out through time to the events of biblical history. vasily vyacheslavovich, good afternoon, hello, good afternoon, yes, please tell us about the series of works that were presented at the competition, there was some kind of moral preparation for these things, it was still my student years, when i studied with gavril kharitonovich, vashchenko , there was pre-graduation work. i have a very large project dedicated to the old testament, there was architecture , there were objects, there were paintings, graphics and some elements from sculpture, for my diploma i was lucky enough to write an iconostasis,

resurrection church, such a small town, near polotsk desna, such a small cozy town, and after some time, it was the ninety-second year, but now, and this - i made sketches, i already looked at what was done about it, because, well, i didn’t want to get into a repeat, so as not to repeat some other people’s thoughts, other people’s ideas, so that there would be a very big difference from what had already been done, it was necessary for this to happen, i had to re-read the entire bible, everything is absolutely and there were no questions here, there was a question in that, well, now, let’s say, i wouldn’t take up the iconostasis, i know how responsible it is, then i was young, i didn’t understand so deeply what was behind this

execution, but the painting is another matter, here is the painting, sorry , one thing - an icon is one thing, but a painting is a completely different matter, and here, excuse me, my professional activity begins, if i feel that i need to write it, and i feel that i needed to write it, and there is a good reason for this, then of course it needs to be written, you didn’t regret it, no, no, no, no, firstly, it allows you to look at everything a little from the outside, at what is happening , at yourself differently, of course, because this is a conversation in the image, there are no ... it will always be relevant, it will always be, well, practical things, no matter how you feel about faith, you know, faith, it

speaks about the truth, and not about some mercantile considerations about the truth, but what is more valuable is the truth somehow? that is, the artist grows along with the work in the process, of course, necessarily, necessarily, always put impossible tasks, the artist must, if he sets a feasible task, this is craftsmanship. then the craft begins, so each generation of artists represents a different interest, a different interest, a different situation, the universe of art, it grows, it doesn’t, not from top to bottom, it develops broadly, vasilyovich, here you are teachers, you constantly work with young people, so tell us in your opinion observations, based on your experience, where is this line between. ae the classical school, and some new ideas, and between new e

impulses, is it necessary to master the basic classical school, these basic skills, or in general, if you were born and you are talented, and you are noticeable, then you don’t have to study anywhere, but you can just try and expect results, in your opinion? unfortunately, there are two answers to this question, i absolutely needed a huge school, a huge huge school, this is drawing, painting, walking, sketches almost every day in the summer, and in order for when i work with students, this is very there is a lot to tell them, a lot, if not show, don't tell, then you know.

i don’t think that this will be a complete education, on the other hand, the seeds are scattered, what’s bad about them in these seminars, everything is good in them, on what soil will they fall, because the talent, well, it’s just immeasurable, you know, immeasurable, the main thing is -in their own way, they are all different, they are very talented people, anyone can join to talk about the importance of art in ours. life, and also share your impressions and views, exploring the depths that it reveals. art is the expression of our emotions, thoughts and dreams. trends of the national award for fine arts 2023, cultural heritage, patriotism, historical memory. many participants in the republican competition made an important contribution to the formation of the image of contemporary belarusian art and the development of values. art is not a profession or a hobby, it is

a vocation, the ability to see in every stroke, in every color, something unique and inimitable. yulia burlo was with you, we are following the cultural path together, until we meet again. we are embarking on an expedition in the depths of our country. menavita, so that we can accept this unity, let’s set out on a new folklore expedition. things will continue to happen in the past. let's follow the history and myastsovye abrads. adchynyai gaspadarstva.

collection, if you all lived parasmart and shanavanni, if all of us were not paragarelians and galadayuts , well, if you are good , please give us grain, pour grain on our sylvanka, so that in the coming year you will have more flatbreads. rajai i dadzim old traditions new life. yak i've come... right away with the projects on the belarusian tv channel 244 24 a day, 7 days a week, we are working to ensure that you are aware of current events in the country and the world?

in addition, our team of journalists obtains valuable knowledge from experts on how to maintain and increase health. there is also room for entertainment; every friday we bring to your attention the best projects and films of our tv channel. this and much more awaits you in the weekly project ether 24.7, watch on the tv channel.

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