go up the main staircase to the fifth floor and take the door with the reactive laboratory sign. all clear. and you stay in the car and won’t go anywhere. close all exits of the publication and immediately call the operational team. don't worry, we won't let you out.

kopololov, surrender, the building is surrounded, lieutenant, turn on the lights, stop, i’ll shoot.

i'll take a minute, where are you, i'll go back now , you can't go there, stop, kopylov, the building is surrounded, there's resistance. no use, give up.

get up, get up. forward, see you tomorrow, see you tomorrow.

i went into the winter city, as if into a fairy tale, with i slid on children's slides in salaskah, this city was for me. the investigation gave me childhood, so that i would carefully treasure the gift of the treasure, snowflakes made of lace circle the streets, as the city needs, my heart is warm.

rush quickly. the feather of winter days, the glitter of lights shines silver on their faces, you share the city’s joy and sorrow with me, so that your troubled, complex world becomes clearer to me, snowflakes made of lace, circling through the streets, as the city needs, with your heart... its warmth is like the city needs my heart, warmth.

my history, nature, culture, faith, people, shchodrasts. once you get the feeling and you won’t forget it again, it’s all right here.

music, dj, hello everyone, in a minute the hero of our program will take his place and answer your questions, children, are you ready to meet our guest? igor pavlovich, what do you expect from the children you meet now? i think creativity. in what mood do you go into conversation? with the beautiful, you promise to tell only the truth, the truth and only the truth, then good luck, today in our studio we have the honored artist of russia, the chief political master of the bolshoi opera theater and ballet of the republic of belarus igor pavlovich

kolf. igor pavlovich, i want to warn you that according to the rules of our program, if for some reason you cannot or do not want to answer, you have the right to refuse the question three times. accepted and be attentive to the questions. at the end of the program you have to choose the best one. well, now you have exactly one minute to briefly tell us about yourself. time has passed. as a rule, lately i talk about myself in this way. i was born in pinsk, studied in minsk, uh, got my start as an artist at the mariinsky theater this is st. petersburg, russia, today i am in minsk, this is the city of my childhood, the city is exactly your age, and i am using the opportunity that was given to me a year and a half ago as the chief director of the bolshoi theater, i am happy

that i live in this beautiful city, according to the time period of the contract that the theater concluded with me. well, thank you, you did it in one minute, and now... questions for an adult, let's start with the red sector. hello, my name is semyon, please tell me what the chief does boltmaster of the bolshoi theater? hello, semyon, on the one hand, this is a very, i would say, probably romantic story of the position itself, the chief blitmester of the bolshoi theater, on the other hand, this is just such an illusory story, because literally from the very early morning you come, you start, studying a large number of papers related to this topic, how to organize the process and of course the lives of the artists who are with me every day from morning to late evening, does that mean you are no longer dancing on stage? i'm dancing, i'm

i find time, i need to be in good shape , so the stage is not left in small fragments, and i don’t go out on it very often, so i dance, of course, i ’m not good at dancing. igor pavlovich, turn a little to the right, a question awaits you from the yellow sector. hello, igor, my name is lyubov, you used to work in st. petersburg, why did you decide to move to minsk? but the fact is that i really came into my own professionally in st. petersburg and i saw my further growth precisely there, where, as the premier of the mariinsky theater, for 25 seconds i served in the theater for half of the seasons, probably at some certain moment you realize that you have experience, you still have a desire, so that cumulative process in an absolutely amazing way turned my interest primarily to minsk, because at a certain moment two offers came: one from the bolshoi theater of russia as a tutor, the other

came literally a month later from the bolshoi theater of the republic of belarus as the main baritmester and i spent a very long time matching it so that it would be interesting for me, because that first of all, since childhood, this is such a main factor that moves me through life, it is very interesting for me to be here now, and this is very important, we are moving to the black sector, we will have to turn to... to the right, hello igor, the level of belarusian ballet , what is he like? first of all, the belarusian school, it has always been strong, today it is the same, but when we communicate with each other from different schools, from different cities , we comprehend some common outline, today belarusian ballet is at a very good level, thanks, among other things, to this personnel policy , which i have been pursuing for a year and a half, first of all, because it seemed important to me to initiate a casting for viewing in the theater so that the level is maintained, preserved and

of course rose with each season. tell me, what should we be proud of and what do we lack? well, first of all, we should be proud of the person, the artist, the, uh, number of empty seats in the uh, performances in the auditorium, there are very few of them, therefore, today, the interest with which the public looks at the theater... only makes me happy, so i believe that first of all, these are the artists who lead the repertoire, who allow people to come to the theater thanks to their high skill, at the moment you will have to turn over , turn over, i just said, turn around, everything is correct, everything is correct, turn to the left, and a question from the purple sector , please raise your hand, why did you decide to study ballet, after all, many people think that ballet is for girls, but not for... business the fact is that i didn’t decide anything in my childhood, chance decided for me, literally being in

pinsk, i was left to myself exactly the first half of the day, since my sister and i studied in different shifts in order to share a table at home to have time for everyone to do their homework, i went in the second half of the day, and the first half of the day was absolutely free for me, it was a circus studio, and a young naturalist station, and so on and so on and so on, and there was also a pop dance studio in which -the moment my classmate the company took me to a choriography school, i had to get up very early in the dark, it was autumn, go to the other end of the city in the dark, so i literally stayed at this school for two or three months thanks to the persistence of my classmate in some... i was

was selected, two teachers from the belarusian choriography school arrived from minsk , who found me, on the side of the newspaper, a phone number was written and said, boy, call, tell your parents to call in the evening, so, literally in just a week, my life changed, my dad took me to minsk in a kamaz, they looked me over, pressed me, did the split in one, trust me, sat the split in the other, so i turned out to be capable of dancing, and literally exactly a week later i was already standing with the documents , now i’m looking at it this is the building in which the school used to be located, and every day looking from my office at this building, i think, how could this happen, not knowing, living in a city in which there was not a single theater at that time, neither dramatic nor musical . i find myself pulled out of pinsk

in a completely different place, in a different microclimate, and i will be doing this, in principle, consciousness, despite the fact that i have absolutely parents with simple professions, my father was a truck driver, my mother was the manager of a canteen, so in principle there are some prerequisites for the fact that i didn’t suddenly dance, but nevertheless, somehow more than by chance i ended up there, then here, then there, and then again in front of you, so. this is an accident, this is not trivial, this is an accident, let's move on to the next question, but we have to turn to the right, this is the red sector, please ask a question, hello, my name is masha, tell me. was your childhood different from usual? as a rule, there is an opinion that ballet children, they do not, at all, know what childhood is, i don’t remember any moments that would be connected other than homesickness, so that i would be determined by something, for me this it was the usual story, the same football, swimming, cycling , absolutely free holidays, in which

the only thing, one of the teachers really wanted us to maintain some kind of shape. we filled out the diary today i sat down, with my right leg on the splits, with my left leg on the splits and did 10 push-ups, that is, this is the only limitation that was somehow a limitation, but it’s funny to call it, even to define it, so i remember my childhood years as an absolutely happy child , since i am a village child, both my father’s and mother’s lines are from different places and half of the holidays were in one village, half of the holidays in another village, and i was not deprived of anything from the natural moments of childhood. did the boys tease you for doing ballet? firstly, no one knew what ballet was in pinsk, and as for teasing, i think not, i’m probably one of those representatives who prove the opposite, that it is important to honestly

do what interests you, everything else is brushed aside in itself, so no, of course. the next question, black sector, we turn to the left, please explain how to understand what the ballet is about, and if the artists do not say a word when they come to the theater, the theater has a program that contains the libretta, a certain sign language that conveys certain information, that is, well, the underlying meaning. i love you, today, i, in principle, i think that this gesture that i, we even do this in everyday life, i immediately begin to add hands, as i, in principle, today, unexpectedly for myself , gesticulate a lot , then, when you come to the theater, you will see these certain gestures that are associated with the convoy of dance

that this or that choreographer conceived , presenting his work, his performance, or you can... say something with dance, and we will try to guess what you meant me i remind you that you can refuse this question, you have, no, of course, who gives up so quickly, well, let's guess, children, who is ready to guess, raise your hand, please, maybe i can dream, absolutely true. and i thought, what does this mean, i’m going crazy about you, there may be different options, no, i’m going crazy, that would be a weighty thing. the next question, flying into the red sector, is there a ballet part that runs like a red thread through your whole life? there is such a party, uh, in the second year at

the chariographic school, to our tour in minsk has arrived. group of the st. petersburg conservatory, and an absolutely wonderful person, personality, choreographer, teacher, nikita aleksandrovich dolgushin brought the program of the silver age, anna pavlova, vaslavinsky and fokine’s miniature, carrying a rose, when a girl comes home from the ball, she also sits in a chair like me now i’m sitting, falling asleep, full of impressions from the ball, where there was communication, dancing, a certain ghost appears to her, a smell, roses, and a completely complex, incredibly technically complex, physically complex a miniature where a young man portrays, that’s literally a floral scent, uh, from the second year nikita aleksandrovich gave this miniature to me, literally until the last days, uh, there in

the myrinsky theater, this miniature was with me both in the repertoire and on a large number of tours, who were in my life. that is, this is a party that unexpectedly became a calling card for me, and if we meet someone somewhere, everyone says: and the vision of a rose, such a line is also lethal for me, just as it forms the line of my life, so creative life including, turn to the right, yellow sector, my name is veronica, please tell me, when you perform, dance, do you get upset when no one claps for you or something like that? it wasn’t, i think, in rostov-on-donno we had a tour, where in the front row, uh, a girl took out her phone and began to actively do something on it. and it was so offensive, i bow , after the number, and could not stand it, i went up to the girl, i said, girl, aren’t you so

interested in being here now, the girl apologized to me, put her in pocket, but this made the audience’s delight and applause even greater , that is, we ourselves, in principle, do everything to ensure that either they exist and use the opportunity to dance the situation... there were no failures, fortunately, thank you, there was no silence in the hall it was, as it is not now, we turn 180 ° purple sector, what is the strangest thing you had to do for a role, i was once invited to a furniture exhibition, where i was asked to come up with a plastic idea on the theme of a chair , at first it made me laugh, then somewhere a little tense, but at some point... when i i already felt interest and imagined how this could be done, and it was quite funny, a lot of ideas came, unfortunately, my participation was cancelled,

so yes there were, turn to the right, red sector, raise your hand, what is the career growth of a ballet dancer, as a rule, everything is quite fast, at first it seems that this is a very long process, you reach a certain height, receive a certificate, in this certificate are the points for which you have earned, but when you come to the theater you understand that you are again no one starts from scratch to build yourself, your life, the range of your interests, and 20 years fly by, and you are again a nobody, because artistically you have already taken place, and then there should be some kind of movement according to your interest or opportunity. proposed, or, if not proposed, as a rule, all ballet dancers do not leave the trajectory of dance, that is, it could be

pedagogy, it could be choreography, like ballet performance, uh, in my case, i never focused on just profession, i always thought about what and what if it doesn’t happen, that is, for some reason this question haunted me literally from the first days - working in the theater, and i always expanded my range of interests, restored furniture, i understood that, in principle, if not a profession, if the same career does not work out, how will you you determine, then, uh, i will always have a craft in which i will be interesting to myself, that is, i understood that life does not end there, that this is a certain movement in the interest in which i am now, and one more question, always? did you have enough money or did you still have some difficult financial situations? a difficult moment happened in my life, exactly a season later in st. petersburg i received a serious injury at

a performance, which did not allow me to follow this path further and confidently enter the profession. there were exactly two such situations, at the play sleeping beauty i received a serious injury, i tore all the ligaments on my left knee joint and but this was not a stop for me, because i love and i am lucky, more precisely, in relation to the wonderful people nearby who always saw a little more in me and thought of me a little better, like it seems to me that this is what i really am, so literally a month later i flew to america to have an operation, and a few months later i was already on stage again, but i was in a hurry, so in a year. but i also flew, uh, in october to america, to have an operation again, now the second operation was such a stressful

moment for me, when you understand what is happening now and what will happen next if everything turns out to be bad, but nevertheless, human resource, uh, it is inexhaustible depending on how determined it is, who surrounds it, and surrounded by those people who are needed at the moment, these were my... teachers alexander ivanov kolidenko, who will soon turn 90 years old in april, with whom i was in touch, and those teachers who surrounded me and acquaintances in st. petersburg made everything so that this does not become a tragedy of life, so some moments in my life were primarily key thanks to injuries, everything that does not happen to us, it seems to me, is given for something so that we pay attention perhaps they opened their horizons on the contrary, they are locked into one situation or another.

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24 tv channel. the west and the united states have taken it seriously they are cultivating such an instrument as radical nationalism, and, of course , inciting national conflicts. this is what we got for our investment: we didn't lose a single american soldier, we cut the russian military's combat power by 50%, and not a single one of us died in the process, which is... the best america could do. all the interethnic conflicts that we had after the collapse of the ussr, years later, analysts, those who deal with this, historians, all proved an external factor. we are just now in the zone of contact between the conditionally collective west and the collective east. and it is fundamentally important for us that this confrontation on our territory does not turn into heated military confrontation. the project is objective. don't miss new

episodes on the tv channel. i heard that in ballet all the dancers are on a diet, do you limit yourself in anything to stay in shape? my biggest diet is that i don’t have time to eat, because in the morning i don’t want to eat, and in the afternoon i don’t have enough time, literally if i have 5 minutes, i i go down to the theater canteen and have lunch, uh, for me this has always not been a problem, because each person has his own physiology, and it so happens that throughout my life i have never been on any diet, uh, because i have enough well-built parents, uh, and i was lucky in this regard,

second question: why do men in ballet use cosmetics? well, today, i’m sitting here in front of you in front of everyone , basically, tinted, because i want to look good, and of course, no one will be interested in the current red face, but since we primarily engage in physical labor, after the performance many lose a fairly large number of kilograms, some... two, some three, because a lot of fluid comes out of us , no one is interested in looking at the tired face of an artist on stage, this is that necessary moment of the profession that creates a holiday for you when we enter the stage, thank you, turn to the right and the yellow sector, hello, my name is vasilisa, is it difficult to do support? this of course requires

more preparation, not even a degree physical, but technical, since there is an opinion that there ballerinas are always heavy, the guys have to be strong, this is not always the case, on the one hand, something is difficult, indeed, because it takes time, preparation, on the other hand, it must be done as if she took off, as if on her own, but it must be coordinated with actions, have you ever dropped your partner? yes, and this is proof. spins on a certain internet network, a small fragment of the performance - 2000 in amsterdam, when - i had back-to-back evening-morning performances, that is, actually a double, and i danced with different ballerinas, they did completely different robes, at the moment when my leg went past my hand, a rather large trick movement happened, which in fact is still

horrifies me, but as far as the element of human self-preservation has been fixed, when in independence, where you are not located, you are obliged to, you must remain alive, on the one hand, i look at this as a comical element, because in principle i always try to bring some sense of humor to any situation. does a ballerina's weight matter? without a ballerina, it doesn’t matter at all, although sometimes there are violations of certain standards, which are allowed in our profession, to a greater extent , importance is always attached primarily to the technical component of support, i’m speaking primitively, in principle, how to lift a barbell, but this is not entirely true, but purely technically... we must understand that in order to obtain certain support, several factors must combine, specific positions and joint movement in one direction or another in order to provide support. what's the maximum weight you 've lifted? since i am well trained, uh, in

our chariographic school, uh, i never thought about, uh, how many kilograms i lift. for me, first of all , there was support. manifestation of dance and delivery of the plot component conceived by the choreographer. i weigh 30 kg, can you lift me? naturally, come here, let's try support. come here, get up, now we will show an arabesque, raise your left leg back. oh, that's it, it was beautiful, huge applause, please, that's how the girl became in one second. the girl will probably go first, look at the school, college, gymnasium, college, we will check everything there, and perhaps, how old are you, 11, everything is still ahead, so come, let's

applaud and turn to the black sector, this is to the right of you, the next question, from there , hello, my name is arina, and it’s true that ballet dancers don’t have weekends or vacations, they dance every day, really in fact, this... is not entirely true, although there are situations with traveling weekends, due to the fact that in the theater there are unpredictable situations, such as an unexpected concert that requires a preparatory process, for this there is always either a postponement or such an unspoken rule , before the premiere performance, when the theater is preparing the premiere , there really are no days off in a month, but not in minsk, minsk has a very strict system of unions, of course, i would like to change this situation with transfers a little, because there really is a need, and let’s say in the mirinsky theater this was not even discussed, but last season my first job

since joining the theater in this capacity was the same situation in which, let’s say, i don’t know about it, i was already sure, what if we have a premiere on wednesday, monday we have a day off , that it won’t happen, that is, it wasn’t even... discussed, because this is a general process, and such moments, they knock out a little, so the next example is mine in the theater, it has already been made with this in mind when it takes place in friday, so that the artists have time to rest and that i have time to work with all the work schedules that are necessary, so you can always find a compromise in one or another legislative framework, so that everything happens for everyone. they say that there is a lot of competition in ballet, and how did you cope with your competitors? the fact is that i will repeat

again, i never fought with anyone except myself, i always moved not according to career growth, but to the interest that the theater, repertoire policy, theaters, the director, offered, how they saw me, how they took me to... they took me to certain performances, to a greater extent , i’ll say, i was really lucky , they saw more in me than i saw myself, let’s say a party, we were preparing at the same time with another artist, and me, i i always went to other people’s performances, i’ll say this, i was interested in it, but i was interested from the other side , how interesting this or that artist managed to come up with than me, if i understood that it was much more interesting, i was looking for a problem in myself, i think that in principle, this is my strong point, if you are not fighting with someone, not with circumstances, with yourself, in the proposed circumstances, this path is more honest and you will quickly achieve some results that you dream of or do not dream of, so this is the case when - i

have always been calm - in life , but not calm in creativity, it’s the turn of the purple sector, please turn left, hello. my name is katya, and your wife is a ballerina, how did you meet? my wife is a ballerina, we met in a completely traditional way at a ballet buffet, because when you... come to the theater, everything your life is more of a time interval, located precisely within the walls of this or that theater, in my case it was a buffet, laughter and interest in each other, gradually, which turned into a relationship, well, then over the course of twenty-two years of marriage. igor pavlovich. to the right is the red sector, tell me, are you

a calm person in life? i am not a calm person in life, i get excited very quickly and go on all sorts of adventures, in terms of creativity, in everyday life, i am an absolutely calm person who in principle, probably, little is needed today, in terms of some outbursts, both in everyday life, if it weren’t for my profession , i would probably, as expected, two seasons earlier, now live near veliky novgorod, near myself in the village, in principle, i saw this future for myself quite calmly, realizing that a lot has already been done as an artist, a lot has been tried, it’s difficult to name countries in which i have not been and have not danced, so at that time i saw for myself this story and did not suffer in any way

from the fact that someday my theatrical life will end, that is, i am an analyzing person who understood what it means that a stop must occur in order for something to appear later, that is, i calmly move psychologically from one state to another, but in work i think it’s necessary to not be a calm person, because when there are 115 people around, ballet dancers, if i ’m crazy... come to the theater and mumble something to myself, i’ll interest very few people, so i’m not associated, i’m with it was with great pleasure that i accepted the invitation to be here, because i am sure that after some time you will definitely come to giselle , to the illusion of love, and so on, and so on, and so on, and we will become friends and this will happen, especially since i am sociable on social networks, i communicate, i answer, for some reason this is a very amazing moment in belarus, i’ll tell you a story. i was in vitebsk several times

last season, in navis some two women followed me, there was basically no one in the museum and two women walked, they say something, i’ll go away, they’ll go away, they whisper, i’ll go away, they will move away i whisper, after a while they come up to me, they say: hello, are you not igor kolp, i say, igor kolp, this means the truth, i say that it’s true, why are you sociable, i say, well, we’re we’re talking to you, no, it’s just...’ as a rule, you can’t come up, i say, i mean , you can’t come up, he says, why can’t you, i say, i answer on social networks, i answer, i go to all sorts of places there programs, because i think this is a necessary part of the profession, first of all, tell me what can get you out from myself, and not professionalism, because i am one of those people who clearly understands that everyone has their own starting point in the profession , including, but if you see that a talented person, you will be patient so that after some time get the result.

that is, in this regard, i am patient, in terms of, if you see that a person is gifted, capable of zero laziness, and unfortunately i am intolerant of this , turn to the right, the yellow sector is next in line, raise your hand, please, good afternoon, igor, my name is maxim, they say in ballet they retire early, you are a pensioner, i pensioner, how do you imagine your ideal pension, my ideal pension should have been formed exactly a year and a half ago, in a village near veliky novgorod, where i spent quite a lot of time with great pleasure, this piece of land, uh, at the moment when we were considering purchase, very much reminded me of pinsk, uh, a place in the vicinity of the village in which i spent my childhood, with one flask with the same name, where my entire male and... paternal line was born, unfortunately, i have today

day there are no parents, no grandparents, and i really wanted to create this linking line so that it would also be very important for my son, so that he would understand where he comes from, we went to flasks, where i realized that i want land, and having returned to st. petersburg, we began to ride around the suburbs , nearby cities, in one of the places near veliky novgorod, i saw for myself the stories of my childhood and i really... wanted this to continue, so for 10 years, i having developed this piece of land on the shore rivers, and every time... waking up there, i first of all return to my childhood, thinking how i once woke up at my grandmother’s in the morning, because i had to drive a cow out to pasture during the holidays, meet him in the evening with a bucket, and the first steam milk, that is, this is the whole story that fed me then it returned to history, so i would think

that i would have minimally interacted with the profession if two such sentences had not happened that gave me a little electric shock, at that moment i... i was completely confused, i didn't i understood where to move and what next, and such offers do not come so often and i need to make a choice, i could not make it on my own, and the head of the bolshoi theater of russia, maharar khasanovich vaziev , said that you should definitely try to come to minsk, and thus, from those uh dreams that were supposed to make me a farmer uh near novgorod, made me the main choreographer of the bolshoi theater of the republic of belarus. thank you, and we are incredibly happy about this, it’s true, let’s go to the red sector, turn left, please tell me, you look very stylish, who chooses your clothes? i select clothes myself, i do not select them according

to some trend or current, in fashion, rather out of comfort, what is not comfortable in, and what i think suits me, therefore some specific... i don’t have, but nevertheless, a large number of friends, acquaintances who do this, and thus, some of the things come to me just like that, i have to use them, tell me, what would you never wear? it's hard to say, no matter what i wear, a vision, just like i am a choreographer, and i work with artists, i force them to see with their... eyes what i stage, they also dress you in what you have to show on yourself, someone’s decision, we remain in the red sector , please pass the microphone for the next question, how do you dance in everyday life, for example, at a friends’ wedding or at a disco?

the thing is that friends’ weddings have become less and less frequent, so i don’t dance at them at all, i don’t have enough time at the disco, but i dance, in life i always can’t help but dance, so for me it’s a certain outburst, firstly after a working day, so i do it with pleasure, and without any embarrassment , literally not so long ago, i was casting for the role of a presenter on one of the famous tv channels, where for a long time i could not cope with the correct, clear intonation that was required from me for pronunciation, for issuing... information and thus the producer, general director of the tv channel said in my ear: igor, start dancing while continuing to speak, this is the ratio of coordination of sound, body, voice, movement, it was a very funny situation for me, and nevertheless, i believe that

if i had not done this, i probably would not have ended up leading, so i always dance, i dance everywhere, under any... circumstances, in any situation, even when i’m in a very bad mood, i probably dance to a greater extent precisely because of this, because of fatigue, because of a bad mood, and this relieves me, makes me breathe calmly and move on, or you can show, easily, igor pavlovich, what you prefer dance to something good, let's hear something good

, have you ever wanted your son to continue your business or go to ballet, there was such a thought, because it seemed to me that it was much easier, since we are both in the profession and we have a theater family, but he refused , that is, it was such a moment of coincidences, a series of accidents, when at the mirinsky theater there was a casting for little boris, boris godunov, the season was opened by boris godunov with such an opera and little boris was needed as a child, he was chosen

absolutely wonderful director, we opened the season, the next day nestor came and said that i wouldn’t do it, then it happened that we gave it to a couple of circles, he came and said that i didn’t like it, and so we didn’t have no influence on this direction, which would be interesting for us, probably for him with the choice of where to move in life, however, my child has nothing to do with dance at all, he didn’t, more precisely, until probably last year, since i do not only that i'm the main one that hurts bolshoi theater has had an open art festival in veliky novgorod for four years now, and today, one of the team members in preparation for... the festival, therefore has no direct relation to dance, but nevertheless is my assistant in the organizational sphere, which

we are studying in parallel, did you help your son in choosing a profession, this is actually impossible, because in our family everyone moves according to their inner urges, interest, but at the same time we listen to each other. but no one put pressure on anyone, so in this regard, the chosen path of public relations pr that is interesting to him, it is most likely dictated not even by me, not by my activities, but by some of his desires, his own needs, igor pavlovich, we turn to 180°, black sector, microphone up, there is an opinion that a person who dances lives not with his head, but with feelings, this is so that it probably pushes me, uh, well, i’ll call it that, to any of the adventures, to any of the interests in

your life, these are, of course, yes, emotions, i agree, and then the brain turns on and in general i’m one of those people who always starts with the ending, that is, i need to see the final picture in order to go first, that is, this is what i call adventurousness, i don’t know why in my life this is how it works, even working on illusions, right now... in the theater, it began with the final scene, that is, i need to see where i am going, but nevertheless, it is always first of all an emotion, then the head gets involved, in which you understand how it should, what should you move and how, in order to get a general, whole, we move to the black sector, turn 180°. hello, igor, my name is misha, here’s my question, in the theater. well, first of all, it’s such a tough work schedule, when you thought you were still reaching this level of status, because

you need to concentrate from morning to evening to earn the right to be called a criminal. this , of course, is a rehearsal process when it is built for this or that ballerina, so that the number of performances is convenient for her, and accordingly, the financial component... let’s not hide anything from the number of performances, this is a certain status, financial status, and so on, and everything that dictates in this direction is in our theater, let’s say on tour, in the mirinsky theater, it was definitely a business - class on the flight, no matter where we flew, it always corresponded to what i had, when we fly on tour, premieres and ballerinas always flew, moved with a certain comfort, from experience at... the paris opera, this is always status is saved, well it is like that is preserved, it has been preserved for me, like the premier theater, it is always

the same salary component for life, that is , when you finish dancing, in paris at the grand opera, this is a strict framework, at exactly 40 years old, uh, you say goodbye to theater, with the public, you leave the theater regardless of what form you are in, then this is... tough, but on the other hand, i think this is fair, you have no illusions that you are beautiful, young, you can still dance, but that doesn't mean you can't dance everywhere and further around the world according to your personal contracts, of course, the higher the status , the more privileges, we move to the yellow sector, igor pavlovich, to the left, that’s right, hello, hello, my name is sofia, and you have your own office, or do you work at the ballet barre? i work everywhere, i’ll say , i literally wake up in the morning, i’m already working, because at the moment i don’t have time

to study, in the morning i warm up at my place, where i live in an apartment. without any machine, i never had one, i’m always on the move, i work everywhere, even here i just danced, in order to be in shape, no emergency conditions are required, in principle, it is enough to be able to do the splits somewhere, do a certain number of push-ups and the number of necessary elements that keep you in good shape, therefore, in my case, always in the office, including me... i do something when i’m preparing for a production or a rehearsal, in order to be ready at the threshold of the hall, because i really value the time of the artists who come to the hall is not for in order to speak , and in order to hear, reproduce, search with me, red sector, turn left, why do you love your profession, and are there factors that you don’t like about it? i

love my profession because there are no special things. as it always seemed to me, and i am sure of this today, i get a backlash , one of the moments of an artist’s happiness is that when you go out on stage you receive applause, that is, the artist needs it, the feedback is here, now, i’m all life thought that i in a profession in which i exist with great pleasure, i am also paid money for this and i still live, so this is the first part of the question, the answer to it, the second part i think is the most. the problem for an artist is, of course, injuries that take away a lot of time, opportunities, and as my teacher said, in one of the programs about me, he named the biggest shortcomings in mine, and i then understood why he said that the biggest thing is my injuries, because they took away the opportunity to do more than you could do, we move to the yellow sector

, turn to the right, the microphone is as high as possible, hello, my name is maxim, please answer my two questions, the first question: what is the modern generation missing? it seems to me that there is just enough of everything, because i am one of those people who admires and feeds on people, i am interested in communicating with young people, because i have experience, i have already mentioned the boris eifon dance academy, where i had 12 students, completely different ages, which i probably also naturally... taught, but in return, i uh, studied with them, i was interested in why they solve this problem this way, and i did it differently , i was interested in how, uh, they look at the world, uh, which may be less interesting to me, but through their eyes i thank i looked at this from a completely different angle, some standard points, i just admire it, and the current

generation, which does not... igor pavlovich, turn 180°, purple sector, please, microphone, as high as possible, anastasia volochkova posts a photo with the splits on instagram, but what do you post on instagram? i i suggest that after the program you subscribe to me and actively view all this , i talk about myself, about what i am like in everyday life, what i am like in non-professional life, this is a necessary element, first of all, i consider it a profession, for me instagram and life - these are different things, because instagram is a certain attraction of attention, if you are engaged in social activities, this is an opportunity to say, quickly disseminating the information that i need, so for me social networks are an important component today, maybe you and i will write together ririlas on instagram, be sure, oh children, how

lucky you are, whoever wants to get into the account of the main bulletin master of the bolshoi theater will come out. to the platform, don’t be shy, and now applause, all together, thank you, this signal means that time... the hero’s questions are glass. igor pavlovich, now you have to choose the best question of this program. question about the emotional component, what motivates me first of all? great, please introduce yourself, where are you? what class are you in? i am sergeenko marianna, i am in the seventh grade at the thirty- ninth gymnasium. according to the rules of our program, the author of the best question receives a special gift. thank you, and of course

tickets to the big theater for the performance, congratulations, man. igor pavlovich, now you have the opportunity to ask the children one question. since today i chose a question more about the emotional component, raise your hands who is in love now. try to keep this wonderful state within yourself as much as possible. longer. russia, the main director of the belorui bolshoi theater, igor kolt, is today visiting the program 100 questions for adults. igor pavlovich, tell me, which of the questions asked today was the most difficult for you? the question

is a stereotype about why men wear makeup on stage? great, was there a moment when you just wanted to run away from the studio? no, of course, i received a colossal emotional charge, and now i’m ready to go into my working day in a good mood. what surprised you today? with its spontaneity. today you managed to answer 44 questions. will you come to us again to beat your score? well, 56 remained with me, but the discussion was about remaining questions. i turn to our audience, do you think that our hero was as honest and open as possible today? yes. who thinks so, please raise your hands. because he wasn't shy. answer, explained everything to us, smiled very broadly, he was not afraid of us, well, as a type of audience, he always answered honestly, the truth, probably, it was clear from his eyes that he

was talking about a pure heart and the fact that he really sincere with us and ready to share his story with the whole world, with us and the younger generation, igor pavlovich. we have this rule: the hero always has the last word, sum up the conversation that took place. for me, the important point is harmony with yourself, and i would like to wish the guys exactly this, because when you live in harmony with yourself, you are honest with yourself first of all, any obstacles are not an obstacle, so guys, be first of all, happy, everything else is such waste in your future wonderful life. chief bulletmaster of the bolshoi theater of belarus igor kol was a guest today on the program 100 questions for adults, see you in a week. watch in the next issue. so, today our

guest is the clergyman of the belarusian orthodox church, archpriest fyodor povny. if god created man. then who created god? what do you think about darwin's theory? if you light a candle, will life immediately improve? who pays priests their salaries? have you ever sinned? there are no sinless people. 100 questions for an adult. is it true that do you know how to fly an airplane and a helicopter? weakness.