their tactic was to flee to the meat industry, sabratsya yasyr, and from these yasyrs and the accumulated resources, the workers acquired the crimea, and all this will be a success and life in the future. here we are, we are factual, this tsarkva is prysasavan for this, if we are to escape from such a raptounaga on the run, adedzetstsa at the hour of the getag's on the run, from the hell of the tatars, who do not know how to storm such a bydynki, such a umatsavanni, we will come, pa look at this princess and you won’t get any money addyyuts. the shape of the budynka is unusual, gotyka, but not zusіm, tall and relaxed, more suggestive muslim minarets, like christian trots. yana played a tragic role. in 1706, the troops of charles 12, marching to paltava in these lands, in the name of the karal, abstralated the kingdom only there, because the monarch had revealed his dull appearance.

amal is all... built up, which is possible every day, it appeared after the new date of budynka , in 1656, when there was a war of memory of rechu paspalitay and the russian empire, the temple of the former motsna pashkodzhany and its scenes we have long since lost the scars of hell's core. then the news appeared in the form of a breakthrough, and the horizons began to decline higher. well, what does muravantsy have to do with it, it’s all simple, just like the temple at the same time. the hellish velm is folded and banal, so as to grab the navat whole pavetra, it’s easy to get to the door, close the yago with the dadatkovymi animals and hellishly in the temple of the budze chickens. during the cleaning of the outgoing curtains, there were familiar patterns of authentic small tiles of fall, which were covered with green and blue azure. here you will find an exclusive decaratated arch with a figured pharmaceutical head, and a table with protruding details, which... times

pashkojans were killed. right there on the pavement, at the jagged belt on the outer perimeter of the temple, on several layers of pumpkin and pabel, ornamental architectural designs with the appearance of papyrus and singed corners were cut. on some parts of the stage you can see traces of the paws of life. the plowing of these smvala paculs is found invisible, but they are dying for everything, sometimes drying the raw meats and eating the cutlets. of course. it’s not so smooth here, well, here i am so asabist, i’m flying, here, like hell, abaronchay architecture is still the same, but hell ramansk style here is nothing and nothing, well, she is so bright, so jumpy, so joyful, and raman style , on the contrary, it is harsh, it is demonstrative mots and udara, which you manage with these things, and this day, and the hour of this . and here’s something different

. the significance of the façade, which is decorated with a great character, is associated with the usprynyats of bagarodzitsa, as a macera intercessor of the right-wing christians. in the world of some historical architecture, the pershapachatkova muravanka was not seen as a cult in the past. padsverdzhvae getuyu hypothesis, softened muscles, hanging ties for vertical abstrelu. murouk, what is adroznіvaetstsa ў. in the most light parts of the bud and navat the pink height of the darkness, the main abject and the absida. muravanka became fortified, but only after the last days arrived to the right of the temple, the history of the village. however, all the necessary bad elements in the kingdom of the fortress are considered, the hell of those scenes and all the level abarons. tsikavaya itself is the concept of the temple. they are trying to figure out why all these people are flocking in the corners. chatyry vezhi, well, adrazu,

i, as in the history of abaronchay architecture, have the closest allusions, this with the danjanami french dungeons, the place that i had in my own head, more like a sluggish bowl, in the corners of which i increased these are the kind of headgears that were and on the back side they were decaratated, and on the other side they were placed flanking the entrances and asnoўnaga budynka, factual, on the prykladze tsarkva ў maravans we may fall out kambinatsyi vos gatay schemes of the salnaga gatychnaga temple of the western european empire with pyatsіkupalnaya right slavnay schemes, kali vos getyya chatyrs vuglav yah vezhas were taken out, they were completed they removed the functions of four baths, and the centers on the ground could be used to tighten the heels of the baths, this is a great unique situation that is typical for our belarusian lands. the battles for the archer fell very quickly, and they were chosen for long-distance battles. the battles for the family and friends, the most important

scenes and the ages, they have conjured up the functions of the psychic battles, the battles worked more than the abaronians, the remaining battles broke out hats the enemy kolkasstyu. and ў their softened parts of the final logic. the enemy couldn't show his face, damn it! stepped on. there were also special additives for pouring hot water onto the heads of unstoppable attackers. as i remembered the former abaron, at the present time i find empty right-handers, metal shots, which are instantly released in front of the wild and dead-end paths of the underground. haym sustin and marc chagall. the life of each of them was like an exciting film with unpredictable

turns. meters of artistic olympus, which come from belarus. let's find out how... an animated film about the brand was created chagall visit the small homeland of the outstanding khaim sutina. watch in the fashion for culture project this weekend on the belarus 24 tv channel, in each program there are new heroes, we are bakers by training, we work together at the same enterprise. mood plus in english. i will learn the korean language, korean, unpredictable questions, what were the names of the brothers who were raised by a she-wolf according to legend. so , the obligatory version, a chill on the forks,

don’t take everything so literally and unexpected answers to them, maybe it somehow rhymes with dimyan, well, not temyan, but somehow perhaps porridge, i don’t know, some kind, i accept the answer rome, the correct answer, milan santa maria delegation in milan, build towers, watch in the intellectual show, tower on the belarus tv channel 244 temple padzeleny slupami on three naves, with yakіh sjaredni. the widest, іkanаstas trokhyarasny pratsy, tsarva ўzvedzenaya ўkruzhnaja pravoslaўnaya, pasl more than once fell in perabudova, in the adventnastsі with patrabami chargovyh gaspadars. during savets hours, the tsarkva served as warehouses. all these changes have gone through the forest like hell

pershapachatkova's internal structure and our zens only captured elements that could not be changed, first for all the ornamental skeletalities. daily cleaning. each one is first for everything, but it is also ideal, it is close to the tsalkas and looks like the tsarva that was created during the renovation, which was completed in 1873. malamamazheikaўskaya tsarkva as if yashche adzin krok yes gotyki. the budynka also had court galas, ceramic pasudzins, which were walled up in the tsar's scenes for the creation of digital acoustics. hooting praise trapping - floors of dishes, cutters, adjustable vibrations. at the foot and foot clay gygun, working on the principles of the modern microphone, and using their own gatychnaya type of skeletal system. in european gatlock architecture, such vaults were called flower-shaped or carunka. here you can find out about

the most holy bagarodzitsy. i have revealed lileya, the magic symbols of the pravotsinne skrypaniya. i saprady, this neimavernay jumping and jumping. table bells were abraded turn off the jumping, and immediately destroy it. it’s not without reason that the scenes in such temples were rarely less than a meter away, or even two per foot. the getai tsarkve has the most assembled vaults of the type we have in belarus. the carpenters were working, and they were clearing out this entire surface. the yans were removed from the doshaks, they put in slacks, and everything was matted. and on these boards are laid out the outlines of these assembled stones, which created the structure of that future upper surface of the slab, and the stones and worked in such a form assemble, so that all this will continue,

it is described as a magician's book, from the very top of the castle, the lower, lower, lower, and the whole of this ryshatavan draulyan rose with a kanchatka-like look, all the... yes bainits of the beautiful gallery of franton. the cutaneous patch of chalk looked like a vyalikaga to the right, that pastupa sounded like syaredzina and covered the round arachka. above the bainitsa there is a soft adtulina for supervising the superniks. early in the night and day scenes there were seven scenes. then they were slaughtered. only shests were found, pa three s side skin. the shchytse zahodnyaga fronton had two tiers. bainitsa, the lower ones have chambers, and the upper three bainitsa, which formed the lower approaches and

exits to the temple. there is a built-in front of the dachshund with bainitsa for shooting with a hand- held firearm. the entrance fronton rises above the walls and plays the role of its own self-absorbing dekaratynaga sheet, padzelenaga and garyzantali in two parts. at the bottom of the three niches there is a folded wooden structure. the skin has two smaller parameters. at the top particles. one hell of a niche from the fallen arch was crushed. nyagledzyachy on the press just like that, the decor is very harmonic and decorates the top of the fabric and lets it stand out. the getama sprouts and the side contours of the fronton with hythmic vertical rises and stern schemes. the softened edges of the fronton and the lower edges mean the narrow verticality of the entire entrance of the façade. the frame of the façade is divided according to the principle of the haloin façade of the pavilions of these vezhams and they are so

sized in tiers and verticals, all these framed windows, which are there, are the origin of hell renaissances, these are all the plots, and it seems like such a great form is expressive, but when it comes out, well, there are niches, windows, filasters there, and as such, it would have to be escorted. the sonnya of the king's scene ў the maravans are wearing their most beautiful ornaments. navat from a distance, you can easily separate the painted elements and elements, so that the red target will achieve not only its everyday, but also aesthetic function. paluchennaya red tsegly and pabela and rounded double-edged padman araks are already in themselves a great dekaratina. elements of slat architecture are brightly colored in a round acne over the galone care. extremely iago is called

a gun. fall down from the king's knowledge, a sklyapenny warehouse memory, where it was possible to soften the large reserves for an hour. in the recorded history, and part of the 19th century, in the scenes of the temple there are secret underground passages. around the same place, there were many shovanaks, and two crypts. at syeredzine muravanki. the adzina absida occupies the entire area of ​​the temple and springs up like organic working halls. zalny haraktar unutranaga ab'yoma ne parushaetstsa chatyrma kalonami, yakiya dzelyats pamyashkanne na try amal adnolkavya higher naves. the middle ones are 12 meters high. the majestic roof of this stone harale is a huge chord of the renaissance façade. iago afarmlenno adroznіvaetstsa virtuoso vynahodlіvasstyu. several tiers are separated by green stripes and patterns. the planes of the nish were vapnay,

so that at times with the protruding parts of the chyrvon-tseglyanag mura created a major kalarystitch din. the architecture of the muravan temple is like a castle, a gulnya castle. at the present time, sennya ўvagu people jumping ў the first charga iago jumping, and not vayaўnіchasts. every day we experience millions of emotions, we can be happy, happy, happy, happy, sometimes our emotions are not harmonious for us, but music... music expresses our emotions. this emanatory force

is lethal for our souls, and for our souls, and it becomes the irreplaceable puzzles of our life. because the secret of music is that i know the inexhaustible principle of expression there, dze razmova. you know, music replaces a thousand words.

in the afternoon he invited me to the belarus restaurant, then opposite the dynamo stadium, he said the words, warming me even today, in 3 years in minsk, you are the first person who told me: “u