the outstanding master of avant-garde art of the 20th century is revered not only in his native belarus, but also far beyond its borders. the artist’s paintings can be seen in the largest museums in russia, france, the usa, all over the world; there are streets, embankments and other objects named after him. the art of marc chagall is striking in its diversity and defies strict classification. author's style combining express. and unconventional artistic style, and also the belarusian director elena petkevich created a thirteen-minute cartoon dedicated to the main events from the life of a great master called mark shagal began, the film was released in 2016 and reflects the artist’s memories of his childhood, his native vitebsk, in which he spent his best years, about his parents, whom he loved very much, the feelings and views of his creative

and so vulnerable soul are revealed: elena petkevich’s biography includes more than a dozen animated films. her works have been awarded many prestigious awards, so in 2017 the work of marc chagall was awarded the diploma of the twenty- sixth international film form golden knight. animated film luke at the base exposition of the exhibition fantasies of dreams about vitebsk, which has been held for several years in the exhibition hall of the museum of the history of belarusian cinema, the exhibition was originally called but the smile remained, it turned out to be so expressive and original that it has not lost its significance 5 years later, as the work on the creation of this picture took place let’s find out right now why an animated film about our famous fellow countryman has become a landmark in the work of the belarusian director. elena, good afternoon, good afternoon, you are

mark was the director of the film, you had such a responsible mission , you are a kind of creative leader, yes, who saw the artistic component of the film, so tell us how the idea was born to create a film about such a great man, van painter, mark chagaller? there was no idea, there was love, which he came to quite... at my age, yes, in the lenin library, i saw his work for the first time, and it was a shock, then they brought a book, this thick one from france, and this book is forever, it was during that time that it lay on table, and every animated film that began, yes, it began with this book, with marc chagall and with some of its own ideas, somehow it always fed energy, uh, that is...' and never in life

i didn’t even dream that such a topic could arise, that it could come to me and i could , as it were, implement it, i can say it was the happiest time in terms of energy, yes, in love, i want to say about chagall himself, yes, uh, this is a very complex biography, this is a unique person in himself who lived a very long life in different periods, and he lived through it, terrible... some events in life very much begin with childhood and end, yes, it’s impossible, it’s impossible to imagine that all this resulted in his such works, he practically created the style of image, in which there is allegory, in which there is poetry, in which there is a fairy tale, in which unreal things are combined one with another , yes, in principle, why did i always, when i saw

and stood and could not understand, i could not understand how he combines all this , but if you think about it, look, this animation, yes, it is dianima’s soul, but most importantly, its magic, it penetrates into the modern world, the exhibition presents incredibly beautiful essays by production designer alla matyushevskaya, based on the memories of the famous artist’s childhood and youth, which were made on a special... .films with tempera paints, then the images were scanned , cut, assembled and animated, thus creating a world in which the heroes of this film came to life, the world of marc chagall's memories, he loves you,

famous master artists helping her inga karashkevich and tatyana udovichenko tried to get into the style of the master of avant-garde art. convey his color scheme so that the character, interior items, as well as the basis for the backgrounds of the cartoon are immersed in the atmosphere of his own works. alla matyushevskaya is a production designer with her own unique style, a bright representative of the belarusian school of animation, whose skill gives the breath of high visual culture and carries an expressive sense of style. about the concept of this exhibition in general, and how it happened job? they began to work on the decoding, it was difficult to find, yes, tell me if you encountered any difficulties , it was difficult to find the air that walked in the films, he is a director in himself,

this is a small cartoon, a small story, everything is there they walk, they walk incorrectly, they walk like in childhood, so the children draw, upside down, something else, so it was necessary... to preserve that amazing world of his, multi-colored, blue, red, yellow, so that this space would be a living space, well there was such a move, as if we were making shots, as if a half-erased canvas, when this solution was found, it became easier to shoot, it became easier to arrange frames, and in general the whole film helped , he walked himself, gathered a good group of all those who love him, and it was, in principle, good, very interesting to work with. evidence of the obvious advantages of the project is the geography of its exposure. the exhibition traveled to various cities, including vitebsk or ilozno, the homeland of marc chagall. the creators really wanted the works presented here

to give all visitors and guests a feeling light, warmth and joy inspired the search for new creative ideas and their further implementation. each of the heroes of the project is engaged in an important matter, the main custodian of funds is an earthly, very responsible profession, our team is working to collect and preserve materials about the past for the sake of the future, we will introduce you to people, i am the deputy director of the nalibox republican landscape reserve. conservation is important for all of us, as we all depend on the environment to provide us with food, water, health, the quality of life. we suggest spending one day

with specialists to learn all about the intricacies of their work. welcome to our palace. the item comes here for temporary protection, and then the question of whether it will be accepted into the museum permanently. is being decided by the stock-purchasing commission, we turned it upside down on purpose, the age of the skull is about 20,000 years old, urochishchekova bear traces were visible there, we planned to go there on an excursion today, but here’s what, watch the belarus 24 show on the belarus tv channel, in which the two combined peace, virtual game and real fights, they do not ask for the slightest mistake to each other's weakness. they will make their opponent their advantage, participants from four countries will have to test their strength, when i stood on this platform, my legs just started to hurt my knees, come on, they

will prove not in words, but in deeds, who is the hero of our time? it was scary in the first minute, of course, i didn’t expect that my hands would hurt so much, tania got more complicated , oh-oh, look, she’s rushing forward, come on, come on, come on, higher, well, a little bit left, well crawl over, watch the heroes project on our tv channel. khaim solomonovich sutin was born in the town of smilovichi, abbot district of minsk province , into a poor jewish family. his father was a tailor and did not

support his son’s desire to become an artist, but still the boy received an art education. first at the yakov kruger drawing school in minsk, and then in vilna. throughout it all. he never stopped dreaming about paris, which he dreamed of gently in the arts, and the city lived up to his hopes, though not right away, he finds himself in paris, with his creativity, he took on any work, and greedily destroyed his early works, considering them unprofessional; there he met and became friends with amadeo madegliani, who played a big role in the formation of the individual painting style of the young artist. the 1920s-1930s were the most fruitful period in the work of chaim soutine. the time when fame and financial well-being came to him. during this period , the american collector albert

barnes drew attention to him and purchased more than 50 paintings for his meetings. in 1927, the first solo exhibition of haym soutin took place at the bink gallery in paris. the artist also took part in many group exhibitions that took place in parisian galleries. among the artist's characteristic works, a still life of a tureen, a portrait, gladioli, a pastry chef with a red scarf, a woman in red, fish tomatoes, a bellhop and others, in 2008 , a significant event took place in the center of children's creativity in the urban village of sneloviche, an exhibition dedicated to this talented artist was opened, which from the moment of opening until today, more than 30,000 people visited, among them guests from israel... germany, france, austria, italy and other countries.

its director, svetlana khasinevich, will tell you more about the museum’s exhibition. svetlana yakovlevna, good afternoon. hello, you have been running the museum for 15 years. tell us what it means for you and the residents of the urban village of smilovich to preserve the memory of our outstanding fellow countryman. work, conduct excursions, tell as many people as possible. about the work of our famous fellow countryman, because for a long time and the name of this artist was completely unknown, i think, not only in his homeland in smilovichi, but in general in belarus, but uh, when i saw all this, when i first visited france, i saw what a respectful attitude towards, towards the work of our fellow countryman, but here in our homeland no one even knows the name of this artist, this is of course a great injustice. museum exposition. located in three exhibition halls, tell us about each of them, the first hall is the belarusian period of the artist’s life,

at the age of 19 he went to france, it was in france became a famous artist, but his childhood and youth were spent here in the small town of smilovich and then his years of study in minsk and vilna. the second room shows the parisian period of the artist’s life. he lived in france for 30 years and of course. he is a famous artist, he became here in france. the third room is the work of our yet another fellow countryman, an artist of the paris school, a native of smilovich, this is vaibish raga tsarfin. the exhibition features copies of the artist’s works, but where can you see the originals? today we can to see the original works of chaim soutin already in belarus, although when the museum was created, they did not yet exist. if. about other works, of course, they are abroad, i think, in the best

museums in the world, a lot of them in private collections. i know that the exposition also has valuable exhibits, what are they? we have a wonderful exhibit that has been preserved thanks to such careful treatment of the memory of our great countryman, this is a small corkscrew made from a grapevine. and as we were told in a small place in champignon, where he spent his in recent years, chaim sutin, this is the corkscrew that the artist used. who was at the origin of the creation of the museum? the national commission for unesco was headed by vladimir grigoryich chastny. the creation of the museum was his initiative, this hall in which we are now, the stylized cafe ratonda, this wonderful idea, to stylize this hall of the ratonda subcafe, came from vladimir. grigorievich, the atmosphere of paris, which he dreamed of the beginning of the 20th

century being recreated here, we continue to this day, we accept there are guests here, everyone really likes it. thomas jefferson once said that everyone has two homelands, his own and paris. in your opinion, why were many artists so drawn to paris and drawn to them? i think it was a time when artists from all over the world flocked to paris , today, you realize that among the famous artists of the school of paris there were many, many natives of belarus, then a lot of artists flocked to paris, even i... know that by 1914 they gathered in paris artists of 30 nationalities, can you imagine what kind of geography it was, and each with their own vision, with their own vision of the world, the desire to become, precisely to become a real artist, of course, it was some kind of certain rivalry, but this rivalry gave

they had the opportunity, spurred them on to create, when chaim soutine arrived in paris, he settled in hive, tell us what this place is, why it has such an amazing name, this hostel, when, which was built by alfred boucher, was originally called villa maria medice, but the artists themselves, whose rooms in this hive, in this dormitory, resembled just that , they were so tiny that they resembled a honeycomb, and the artists themselves called their dormitory simply uli, since then this name has stuck, and the most interesting thing is that in the hive before there are still artists living, and now visitors come to me and say: “but we didn’t succeed.” to visit ulia, and i say: we succeeded, we had a magic word, when we pronounced it, all the doors opened for us, this word was smilovich, smilovichi, where the great artist chaim soutine was born. the works of chaim soutine are represented in major public, museum and private collections around the world.

the originals of three works by the artist are located in belarus. i visited his small homeland. of these, at least for one day, residents of the urban village of smilovich could enjoy the splendor of colors, landscapes, and large meadows in chartres near veoduk. this work, together with the painting portrait of eva, is included in the state list of historical and cultural values ​​of the republic of belarus.

all my work is aimed at the world of creation: every day, when we come to work, we mine ore, which subsequently not only in belarus, but throughout the world. for the first time i went down into the mine, it was probably the second year of technical school, we went down in a group, in general during the descent it was some kind of shock, no one knew anything how to behave there, we went down, our ears were blocked, we were still 15 years old years, probably, they lowered me into a mine, everything was completely unclear, where, what, where, and then i realized that this would be my job, i really liked it. especially when i saw the face of the lava, i realized that this is mine, my profession is to manage the hydromenized complex , this is the whole complex, this is the support, so i have to manage this whole machine, behind me

is the sl50 combine, this is a high-performance combine, such ... in general, in belkaliya there are still four in our mine in soligorsk, but there are not many of them, the petrikovsky management is considered the newest of all the mines that are in belkaliya, the most highly productive machine is working here, which they work with great power, it happens that all the comrades understand each other, they constantly help out, something comes up somewhere, they always help with something , we come to work, we even have sex in a friendly way, for me peace and neighborliness - this is work in a large and friendly team... if there is no peace in a large and friendly team, we will not be able to achieve a good result.

hello, dear tv viewers, november 24 is on the calendar. winter is coming into its own, we continue to tell you about the most interesting things on our tv channel. what this week is famous for its significant dates, what topics did you consider the most interesting and marked them with your likes on our social networks? how and where can you warm up with garbata in syabrovsk fire and how did our grandmothers decorate their houses with handmade paper lace? you will find all this and much more in our episode of ether 24.7, with you... yulia burlo, and we begin. november 20 is celebrated annually as world children's day. in 1954 , the un general assembly recommended that all countries introduce the practice of celebrating this date as a day of world brotherhood mutual understanding of children as the most vulnerable members of society. 21.