nature, culture, faith, people, beauty, you'll never forget it again, it's all right.

when we come to work, we are bridge builders, with our labor, with our creation, we establish connections, bridges, which allows... us to ensure the peace and well-being of our country. i was born in the chuchensky district, the village of zachepichi, grodno region, where i graduated from nine classes, my mother considered some of my abilities in construction and sent me to study at the grodno polytechnic college. you can't argue with mom, mom always sees he makes the right decision, so i think it was the right decision.

i have been in this profession since 1998, which is about 25 years. during this time , a lot of large and small objects have been completed, all of them significant, we took part in reconstructions throughout the republic, last year we came up with a major overhaul of the bridge over the nyomon river on popovicha street. where we are now. to what extent we were given the task of the president to repair. this object in the shortest possible time, we completed this task. in charge my position includes ensuring control of the entire construction process, compliance with the requirements of regulatory documents , well, ensuring the quality of work, well , when we complete objects and ensure the start of traffic, well, there is some kind of joy, of course, there is a sense of demand for our profession, because... this is for for the public

, for the country, for the city, for the people, we feel joy and feel that there are still many different objects and good deeds ahead of us, we run on, we move on. hello, the program is on the air, say no be quiet, victoria popova and tatyana sherbina are in the studio. and today our guest is the honored artist of russia, alexander oleshka. hello, hello, it’s very nice , very nice, we were waiting for you, alexander, in the spring you were still thinking about coming to the premiere of korona georgievich, shakhnazarova, khitrovka, the sign of four, but then you couldn’t visit us because the leaves were falling. and we will definitely

talk about the film later, but let’s probably start with the fact that today cultural life and festival life has changed somewhat, and do you think it’s for the better and does it share... the optimism of your colleagues who say that with the departure of hollywood cinema from distribution, it will be better for russian cinema to breathe more freely, i would like to believe in this, i would like it for a huge number of talented people, but there is an opinion that there are few of them, in fact there are a lot of them, roads would open, opportunities would open, talented people need to be found , they need to be helped, they need to be supported, they need to be nurtured, they need to be seen, because they have a near future, a prospect, so what can i say, i only for, of course, cinema should be very different, multi-genre, cinema should be

entertaining , educational, and intellectual, and deep, and light and kind, and sometimes provocative, it should be different, the main thing is that it should not be... .so to speak, provocations that will destroy a person, the main thing is that it is not a blow to the gut, which, these blows are enough in everyday life, so when there is a wonderful platform in the form of a festival, first of all, filmmakers communicate with each other, talk, outline plans, and this is how new ideas are born in this communication, because everyone is busy with their own lives, it’s wonderful when... there is an opportunity to simply say some good words to each other, because no one in the 21st century practically speaks to each other, everyone lives in these things , which are charmingly called gadgets from the word bastard, you know, a person buys this thing for crazy money , she calls him names every day, she says, gadgets, gadget, by the way, this is not the first time,

alexander, thanks to you i started thinking about etymology, you know, it wasn’t me who discovered it, i i heard this somewhere and realized that we really don’t even pay attention to this, so this is a wonderful platform to see each other, understand who breathes what, who wants what, and whether they can say it, and you often say good things to your colleagues on stage , often very often i come across misunderstandings, suspicions, some, it’s so interesting that he needs this something, yes, that is, in fact, here is the consciousness of people in the 21st century, it is so turned upside down... , that what is normal, human, in general, what should be the norm, is considered somehow,

absolutely, an amazing fact, or immediately arouses a person’s wariness, if something fascinates me or someone fascinates me , i look for a phone number, i call, i understand that, well, probably now it will be again, well, i won’t tell you to give a specific example with last names, but... i was, i won’t say in which theater, forgive me, i was delighted by the performance, i just, i think, well, i can’t help but say thank you to them all, i found the phone numbers of all the actors, actresses, director, started calling them from the list, which means, well, only several, that means it caused some kind of thing, and my god, what like this, and one very famous actress, favorite actress, uh, i say, you know, this... alexander olezhka, so - i say, you you know, i would like to say thank you, i was at the play, thank you, she says, no, what do you need, for what purpose did you call, yes, i say, for no other purpose, so i needed to tell you this , i hear that she

, so to speak, has taken off this armor from herself, suddenly she says like a human being, thank you very much, but it doesn’t change you, that’s when after this you already give up on calling, you think, well, i won’t call them anymore, they react like that, strangely, that is, no, until the next admiration, this of course is not very pleasant when you feel something like that about yourself, but i do it for myself formulated, uh, well, i, in front of the sky, in front of the universe, in front of the delight that these people awakened in me, i’m honest, i have to say thank you to them all, by the way, thank you from the word save me, god god. yes, then, this is already a fact of their life, their biographies, how they will live with this, thank you, cope, what they fantasized for themselves, they are not guilty of anything, i don’t blame people , i understand that this is in fact, but i consider it my duty

to definitely say kind words, but did the departure of rimmos tuminos from moscow come as a surprise to you, he led vakhtangov theater. where you work, you know, we can talk for a long time on this topic, because firstly, he is a citizen of another country, has always been, this is the first moment, the second moment, just from a factual point of view , it’s all about spinning it all back, then firstly he stopped being an artistic director before the start of the first world war, for health reasons, for some reason of his own, then i remember that he was forbidden to work in his homeland, because it means, probably, well, he made his choice, i don’t want to say, that means, neither in defense nor for or against, yes, it’s none of my business

, but firstly, he announced it himself, he has, in general, a serious illness, so he physically could no longer do, uh, that means, his job as artistic director, well, then, you understand, then everything that so to speak, he said, he said, by the way, he didn’t do it publicly, i remember, i understand, it was like, yes, yes, well, uh, do i agree with what he said, absolutely not, do i like it , uh, no, but you’re asking me about something else, yes, so, clearly, uh, i agree that for those who followed and were in the know, this departure, in general, was not such an information bomb as hers imagined, but let's talk about the moscow theater... today's big event was your role in the play paul i, in the same theater

named after vakhtangov, let's look at the trailer, wow, you even have a trailer, let's be interested , i know that fellow journalists at

the press screening after the first act stood and enraged alexander at you first of all, and the director said that you basically liked her this role was chosen, and it was written and staged for you, the production was done, yes, uh , i needed a role that, at my age today, so to speak, would confirm my status as a theater actor, that i have the right to continue to work this profession this is a kind of re-certification, you know, the kind that i arranged for myself, because well, in general, i live in different genres, styles , directions, i always wanted this, i came up with this, with this prejudice, when the audience, not all the audience is kind , as you understand, like

your mother, who is my fan, as i found out before the start of the program, because people come, well, well, let’s see what kind of thing this television is, not knowing that firstly, i ’ve never been in i never gave up theater in my life, and since i graduated from the theater institute, i haven’t day, in general, i did not leave my theatrical life, yes, these were different theaters, but i... raised myself, raised myself, only in the theater, in fact, an actor grows, this is then in cinema, in tv series, on television , as i say, from this creative bone, the directors are frantically tearing the flesh, so the actor is growing up, he is in the theater, he is looking, so i have a very interesting path, an interesting path, at this age, i was offered other roles, so to speak, offered another musical role, i say, it’s all clear, i i’ve already done it all, it’s all expected, and if i do it, they’ll say, well, it’s clear, well, that’s okay

, well, no one doubted that he, no one doubted, yes, but i needed a blow, a blow, starting from the poster, you know, so that people would say, why , oleshkov, pavel i, have you gone completely crazy, what ’s going on in your theater, what is this all about, and there are a lot of people like that who come with this, well, well, let's see how he fails here now, exactly 3-4, 5 minutes from the start of the performance, it all ends, and you feel right on stage, right? but how - no, there is no negativity as such, there is interest, well, well, well, and then it comes, well, well, yeah, i just went through this more than once in my life, so i know that i will present it to them, and i know that you with all these nuka-nuka, in 3 hours you will be standing applauding me, but i don’t mean that, you understand, so that this is not read,

so i’m such a joke here, yes, i am this took place in the satire theater with a performance where. which i came up with, so to speak, and initiated with alexander anatolvich shirvint and at my request, we have an excerpt, we will discuss it later. okay, alexander, but i know that for an artist there can be no better praise than the fact that he was not recognized, the art of transformation has not been canceled by anyone, i know that one spectator demanded her money back for the ticket because she did not see oleshka just one of those spectators who nuka-nuka, yes, it was a scandal, and she came to the oleshka, she says: what are you doing here? you tell me what’s going on, and when he arrives , i watch the performance for an hour and a half, paid money, but he’s not there, where, i say, here he is in front of you, they brought her, yes, they brought her backstage, it was such a tetanus, that is, she sees me through pavel, my voice, i say, you don’t worry, please, everything is fine, now they will kill me,

please go to the second department, but this is a compliment. on the one hand, on the other hand, in the 21st century, there is such a tendency , especially in cinema, in general, actors, especially young ones, are told by directors, i beg you, just don’t play anything, you know, these are self-tests they do, they beg, don’t play anything, that’s how you do, the new sincerity is the same, yes, no, not a new sincerity, listen, it ’s just an inability to create an image, that is, they themselves don’t know, yes, well, can you imagine, if evstegneev , evgeny evstegneev from film to film would be like him in life, or papanov would be like him, firstly, no one knows what they were like in life, we don’t know, it’s true, you know, we know their roles, if put them in a row, then you understand that evstegneev pleischner or evstegneev preobrazhensky in heart of a dog, or vstegneev in beware

of the car, the director who suddenly became a director. these are all different people who speak differently, walk differently , think differently, these are all different people, this is what has always attracted me, so uh, on the one hand, this, so to speak, is my call to the director, let’s work with me, i will create different people, he is interesting, some, on the other hand, directors don’t have time, they want it, i understand them too, this is such a period now. but if you add up yablokovo from the turkish gambit, which i played there, i don’t know at the very beginning, my life in cinema, or the alligator vasya from daddy’s daughters, or pavel ii from the vakhtangov theater, or from the vakhtangov theater floridor or stan from mademoiselle, not exactly, they’re all different people, or that person who is sitting with you now to talk, well, you collect

, and in this way, you try to find a new one, but yes, i really want this, to create another person who would live there on the screen. already without me, well, is this man who we just saw, is it really i, well, you said when we watched the trailer that it immediately becomes bad , why does it become bad, because these sounds, this is how the performance begins, i think, lord, there are 3 hours ahead, i need to lift this barbell, you know, once in the actor’s house i saw inna churikova, who was holding the curtain like this, they were already announcing her, she was whispering, lord, why am i doing this, what do you imagine? this step from behind the scenes is the most difficult step, and is it hard for the stage to die? no, you think, well , i’ll die now, i’ll rest and lie down for a while, that’s how i was filming

dmitry brusnikin, the deceased in the film was called paid with death, played mozart. moreover, in the last year of his life and with the scene of his death , so to speak, and i want to tell you that it was one of the most beautiful shooting days, when it means mozart is lying at home, but he has already died, his wife and everyone there is mourning him, so i had to just lie there all day, they were filming near prague there is a city, kutnogora, a city where... it is forbidden to park cars on some streets, because there are tunnels dug inside, it can collapse, yes, inside the skull, he says, a city on bones, terrible too, you know , and it’s also a joyful feeling, but here i was lying in some house, terribly stuffy and hot, and i dozed off and the director says:

stop, stop, mozart is snoring, wake him up, he’s dead, why is he sprinkling, and i’m like that, they pum-pum sometimes, well, of course these are jokes, but how can i tell you, there’s no pleasure in the fact that ... a person doesn’t experiences, but when you understand that this is your profession, yes, because acting, there is a master in this, skill, master, he must play it, not live it, play it, so as not to go crazy, so as not to incur any, so to speak, illnesses or projections, it is not the actor who dies, the image, the character, the character dies. did you have such difficulties with leaving the role that are often talked about? well, you know, with this role, the difficulties

were that i was injured, so i didn’t come to you , so to speak, in the spring here, yes, because on stage, well, thank god, i’m walking on my own two feet, that’s all it's being restored little by little, well, listen, no one forced you, you know, when actors start complaining, you know, it’s difficult, listen, no one forced you, if it’s so difficult for you, go find another profession, an actor should have a theme, why are you doing this for what, if this topic exists for you, then you can go through the thorns to the stars, i have this topic , which one, i knew which one, tell me, you told me behind the scenes that your mother, uh, what does she do when he , she freezes when she sees you on the screen, that is for her... the rest of the world turns off, it’s magic, yes, but it’s in a pleasant way, that’s my theme, so that those people who look at me, so that they

turn off that world that is full of worries, so that they want to straighten their shoulders, or they want to understand , listen, if everyone has gone crazy, but he doesn’t go crazy, then i can , if i want to, i don’t know, read the same poems as me, or hear, uh, some kind of advice, maybe, or something funny funny incident, or just say, listen, leave me alone, i have this man, i like to look at him, this is my topic, well, it so happened, mommy, that today we dedicated part of the issue to you, i say hello, taking this opportunity to announce that we have a telegram channel, say don’t be silent, subscribe, ask questions and suggest guests, we are in touch. the program “don’t be silent” is on air again, and today our guest is the honored artist

of russia, alexander olezhko. today i’m a little bit of a cold artist in russia, because you have such a snowstorm, today there’s just a wall of snow, powder and christmas trees are being collected, it’s very, i hope you warmed up in our studio, yes, yes , i feel good, you played one of the main roles, reincarnated as the famous theater figure vladimir nemirovich danchenko, were you captivated by this role? of course, first of all, this is such trust, can you imagine where i am and where danchenko is not, and oh, i was just talking about this, you know, i thought that firstly there would be some kind of very complex plastic makeup, it turned out , look, they just glued on my dogs and beard, combed my hair a little differently, exactly 6 minutes later someone else was looking at me in the mirror

man, i thought that this would be a long make-up, some kind of plastic, well , that’s how shakhnazarov saw in me, that’s what i can do, this is, uh, so to speak, a gift, uh, yes, a look, of a person who can in the actor, something like that, i really like him, we asked him when he came, presented the film, by the way, he saw oleshka, he says, well, i don’t know, well, they are very similar, one face, he is for it’s not even a question for him, it’s not obvious to us, but for him it’s obvious, imagine, but for me it was not at all obvious, but that’s why i’m very i’m grateful, firstly, for the trust, of course, i would like to expand this role , but there, so to speak, gellerovsky and stanislavsky had something to do, although it would have been possible to take yanimirovich, somewhere by the way, it wasn’t mirovich who went there with them either to tell you the trick, here’s a fascinating story, the story of a movie in which you want to act again and again

, firstly, i really like it, i liked it very much, you know, we had such a funny evening after filming, when they say, that’s it, thank you, actors are destroyed, and i cost i say to kryukov, imagine, right now , and we were filming in a real hut, can you imagine, now... now i’ll go in this makeup, in this costume, there, three houses away, the house in which nimirovich danchenko lived is there it’s still a museum, an apartment, i was in it a few years ago, everything has been preserved, right down to the uh, small comb that he combed his mustache and beard, i sat in his chair, not thinking that i would play him, i say, imagine, let's go there, and i won't just

ring the doorbell, open it with the key, it starts, yes, open it with the key, and the museum staff will be there, and they will tell me what? i’ll say, i came home, they look through the peephole, they say who, i say, but konstantin sergeevich and i are going to arrange something like this, well, of course, this, well, this characterizes you alexander, as a person who likes to joke and misbehave a little , yes, a little, yes , i love it when it doesn’t go into some kind of, you know, extreme... because there are colleagues who, so to speak, act out somehow, harshly, no, this, this is not my thing, what is this for? you, that is, this is some kind of drive, but in order for, well, some kind of courage, then some, you understand, sometimes i hear, or i read to myself, they say, oh, that’s all he comes up with, but you understand, it’s not my fault, that i myself was always looking for something interesting in this life, initiated

some interesting meetings, that my life line, it goes through the lives of those people who lived in books in my childhood , on tv, on the stage, they were celestial beings for me, then suddenly they know about my existence, and speaking of, by the way, here about those prejudices that we have already talked about about paul i, again about irina bugrimova, and when i studied at the circus school and graduated from it, she was the chairman of the cycle commission, which signed diplomas and handed them to us: the legendary people's artist of the soviet union, the first woman a tamer who entered a cage with lions, a symbol of a soviet woman who stops a horse at a gallop, tames a lion, and so on and so forth, everyone is given diplomas, i am the last one, she then quietly tells me: bend over, i’m so

bending over, she says: i want to give you a carnation separately, i brought it to you, she hands me the carnation, then she says, well, this is probably not modest, but this is a fact of my life, she says: please remember, you are special, i love you congratulations, you can imagine, and i read her book as a child, after a while i meet her in the central house of arts workers, i say, hello, irina nikolaevna, she says, you forgot me, and i say, it ’s impossible to forget you, and ... i say, can i come with you? i’ll take an interview, suddenly, i tell her, she says , please come, i come to see her on kotelnicheskaya embankment, i’m not a journalist, this is not my profession, but knowing everything about her life, i did an interview with her, what she said , one sunday of the month is always yours, and i visited her, well, probably for two years every month in one of the...

spring, i was already studying at the shchokinsky school, we talked to her, i recorded these conversations on a tape recorder, when- then i did another interview, she told me, in this in the book, by the way, she also has something about prejudice, that she somehow noticed that one person always goes to her performance, sits mainly in the first, second, third row, the best seats, and somehow after the performance she saw him already on the street, when she was walking from the service entrance, she said: i see you all the time, you love the circus so much, do you like my attraction so much? he says: no, i’m just waiting for the lion to devour you, this is a fan, let’s talk about phantasmogoria, where are we, which you we’ve already mentioned that you play a tv presenter who has gone crazy, let’s watch a short excerpt from your duet with alexander

shervent, judging by the smells - is this a hospital or something? judging by the smells, judging by the smells, this is a garbage dump, listen, this, give me a phone, phones phones here they take away take away the phone you know where i don’t worry you don’t know where you are no before here was the house of the winds of the stage oh my god how many great ones have been forgotten can’t you even imagine how sad it is to see the weakness of your idols? yes, then that's it died, that's it, i'm alone, somehow something remained here, i exist, i live like an eternal jew, an eternal jew, eternal, oh, nation, ah,

the idea, you said, you belong to the play, yes, we were traveling on the train , to st. petersburg, to the andrei mironov theater, alexander anatolyevich was supposed to receive a statue named after andrei. mironov, i had to hand him this statue and sing, that means, a song from mironov’s repertoire, and we went together to the vestibule, we had compartments next to us, and such, you know, a cinematic meeting, here just a scene, he smokes a pipe, he says, how are you doing, i say, yes, everything is fine , i say, listen, let's play something together, he says, what am i saying, well, let's put it together, i say, i say , you are yours, i am mine, and he says: you have an audience, i adore him, the audience, i say, this should be inserted into the play, he says, i don’t mind, but i started looking for the play, and then

i realized that there is no play, it needs to be written, i ran to radion yurievich ovchinnikov, asked him, in general, told him some kind of plot, then this plot in general, so to speak, took shape and in general i had an idea that in this ward there would be another third important character, so to speak, a character, an actor, i wanted there to be a tv there, and for people to appear on this tv departed actors, but partners of shirvint, andrei mironov, oroseva, papanov, menglet, and so that at some point he appeared on tv young, and my hero said, listen, this dude reminds me of someone, he said if it wasn't the dude, it was me, i'm really sorry that

he refused this, they rewrote the play once again and came up with a great role for fyodor dobronravov, which he plays brilliantly, and i want to tell you that of course , you know, i talk about this more than once, in general, playing with shirvint is a performance for everyone since it’s still like you’re graduating from college, you understand that he knows the text of everyone around us, he knows the whole play thoroughly , he improvises, it means somewhere, he inserts something all the time, you have to be on the alert, and so some diamonds appear on this, so to say, an already beautiful necklace or necklace, well, not to mention the fact that i’m very funny, you know, this is terrible. yes, i’m crying to tears, in this sense, understand, i’m not comparing myself in any way, but he said that, uh, andrei mironov was terribly funny, that you could simply carry him off stage, because he couldn’t

continue to play, he cried with laughter, i have the same thing, if i catch a laugh, it ’s terrible, but if the two of them, these hooligans, the great shirvind and therefore the genius of good character, begin to do something, that’s it impossible. you see, uh, fedor at some point he said something, once at a performance and did this: i think, god, why is he doing this, that’s it, my tears are flowing, i turn away, i understand that i need something talk, i hear that he takes the infection, does this, finishes it off, or one day he went to performances, uh, that means he made a mistake, it wasn’t on purpose. he should come out like this, as if from the forest with imaginary brushwood, say, look, look how much brushwood i brought, but he was apparently thinking about something, it happens, in general, fyodor comes out with this, this khorost

, yes, but he says the following, from the forest, look, look, how much cottage cheese i brought, lord, why cottage cheese, that’s it, i’m starting, and why is he saying this more convincingly? with me, he finishes me off, he says: interesting version, yes, right on stage, you know? all this can make you go crazy, well, because , as you understand, it was like that in the cherry orchard in my contemporary, after all , galina borisovna volchik played in amazing performances for 10 years in the cherry orchard, that’s how it happened in the cherry orchard garden, when i understood by my own example, so to speak, by experience, what stanislavsky means here, today, now, and what is needed for an actor to truly feel the stage?

another thing is that he feels, but the audience doesn’t know this, i’ll give you an example, i’m on my knees on the proscenium, there’s an auditorium half a meter away, and i ’m crying in the second act, i say, here’s a guy, she doesn’t love me, she doesn’t love me doesn’t love me, there’s a woman here, i see with my corner vision, so to speak , probably how well your mother treats me, she’s with me, so that’s why the more my epihodov cries, the more she worries, that means for me, and i stand on my knees and think, oh, how good i am, that means i’m playing, what does it mean, suddenly it’s so prosaic in my stomach, i think to myself, i think , oh, i’m thinking, because i haven’t eaten anything all day, i’m so hungry, but at the same time, i’m saying some kind of long monologue, she’s standing next to me, this varenka who doesn’t love me, and i’m still thinking , so that’s what i’m thinking , so where should i go to buy chicken i want, fried, so that... the juice will flow straight out, i think, where, where

you can buy it now, so that it spins and this, and the more i, she , at some point i realized where, it means that this is where the monologue ends, and this woman is like this, i think to myself, i think , forgive me, as if, you don’t know what it really is, but i don’t like this jam at all, i say, i ’m crying about the chicken, but at least i really felt it, well, this is professionalism, of course, i think, alexander that it becomes easier and easier for you, yes, with experience, because only experience brings such freedom, well, it’s all different, this is such a profession, when there is not a day for a person to sit down in a chair and say, you know, i can do everything, i can do everything , it’s surprising that alexander anatolyevich agreed to this experiment at all, because it seems to me that lately he has somehow been increasingly refusing to work, yes , stage, but he refused. by the way, before this role he hadn’t had a premiere for 16 years,

you know what’s the matter, that’s how you talked him into it? like this, well, how do you answer your question: where are we? where are we? we are at a fateful crossroads, when a person must bear responsibility, first of all, for himself, for his thoughts, for his purity, for his faith, when he should not succumb to provocations, when he should think, when he should analyze based on... very few simple sayings: first: do what you must and be , what will happen, second, even if tomorrow is the end of the world, plant a tree today, and third, i probably often quote this saying, some people forget to sign the list of those present on earth, you need to sign this list with patience and good deeds. awareness, awareness, so that you are not taken somewhere,

where your life will be destroyed, where the life of your country, your family, your hearth, your home, your street, your city will be destroyed, right now the whole planet earth, it is in this provocative mode, and if a person internally resists this... and says: no, no, no, i will be conscious, calm, patient, a believer, i want to save life, because to destroy is just a second, i read yesterday in an interview with mikhalkov, indeed, people don’t think about it, a tsunami , yes, which blows away, but a tsunami begins with a small wave, so you don’t need to allow this wave.

you need to understand how beautiful today is and save it, if you save today, there will be tomorrow, it is advisable to remember yesterday, the day before yesterday, study history, because if you know history, you can prevent the terrible consequences of today or understand cause-and-effect relationships, but there is also a wonderful saying, man remember, when you shoot at the past with a gun, the future will shoot at you with a cannon. why was i like this paul i is important in this performance, firstly, i played it at exactly 46 years old, exactly in the middle. march, when he was killed, i had to make it through and stay alive, you see, everything is in order, because if paul i had the opportunity to carry out what he had planned, the reforms that he wanted for the country, for the common man, by the way

, ordinary people loved him very much, many terrible events of the 21st century would not have happened, they would have been stopped, but he was cruel... he was killed with the wrong hands, by strangers, so we shouldn’t allow this, but we now we’ll take a break for a while, after a short pause we’ll return to this studio again, for now subscribe to our telegram channel, say don’t be silent, look for all our episodes on the youtube channel belarus 1. vanya is a problem boy, unfortunately he is not at all adapted to life in society, and he should be in a special boarding school, and not with us, this is rather an exception, mother, marina

gennadievna, what happened, vanya spoke, i would like to. to ask forgiveness from one person very close to me, it’s interesting, yes, this is a person very close to me, and for the sake of i danced, and for the sake of dance, annechka made sacrifices, we all sacrifice something for the sake of our dreams, you were young, there’s still a child, such responsibility, you were just scared, that’s why you left him, i didn’t leave anyone, but he’s for the whole time he was with us, he didn’t say a word, regina, i decided to find and pick up my son, look, anna rusanova...’ is visiting the named son in the orphanage, today’s date, what ’s happening, she’s mocking us, where am i going? with me, or this is not enough, watch the series: “i choose you”, on the tv channel

belarus 24". on the air again, say don’t be silent in our studio, alexander olezhko. for 19 years, you have already mentioned this play by madema netush, you are playing in it, it’s scary, of course, for 19 years, yes, playing the same

the same performance, as it is, as it is, you know perfectly well for our viewers, this plot of the play may be known from the film heavenly swallows, andrei mironov played the role that you play, after all, there is some connection with andrei mironov, no, it was, this was deliberately done so that there would be no comparisons, it was a play, mademoiselle is unfortunate at the vakhtangovo theater, which was staged during the great patriotic war, when the vakhtangovo theater was evacuated in omsk, then this performance was already transported to moscow, when the theater returned and imagine post-war moscow, well, it’s completely different life, it’s black and white, and then suddenly there’s a holiday, as vakhtangov actually bequeathed when he staged princess thorando, also in a joyless time, when the stage was a riot of colors, orchestra,

music, life, life, and, in 2004, also a transitional period again, the country needed a play “joy” plus in the theater grishaeva, who absolutely brilliantly and accurately played for many years denise, aronov, who was completed, painted the role, which means the mother of the boss, she does it, well, completely unique, so they were looking for floridor, selistena, grishaeva says, the director says, what are you looking for, he says, here is your student, sasha olezhka, and evrik. yes, that means they invited me, and you understand, this performance still doesn’t look like yesterday’s performance, it’s surprisingly, he is 19 years old. in october we just played our fifth performance, and when they ask, how can you play like the first time?

well, i didn’t play all 500, aronov played all 500, because both improvisation and the desire to fill the auditorium with this joy, and don’t let it seem pretentious to you, the hearts and souls of the people who then jump home, leave, well, here we are we remove the moral question. it’s morally right to stage or watch comedies in difficult times, well, there’s no question about that, that’s life, that’s all is the same as asking the question: hard times, whether to put a person on a drip to nourish his body or not, whether to give him an injection or let him die faster, in this sense, art, theatrical art, music, painting, in general, what lifts a person, brings him back to life, brings him back to life

, gives him, gives him motivation, relieves him of anxiety, uh, an artist, a good artist, it's not about who i am, it's about what i can give you and what i can take away from you, because many brilliant artists who died untimely or... i was in a lot of pain, what is that? they took away the pain and anxiety from those who look at them, you understand what the story is, i feel it , yes, alexander, well, you are a famous master of parody, and after you played elena malysheva in the program repeat on the first channel, you received an offer from elena malyshevo herself, which you can’t refuse, you know, i’ll immediately remove this , so to speak, pathos of the fact that i’m such a parodist, i seriously say, i really love this genre, but i don’t think that i’ve succeeded in it, i do not think

myself as a parodist, however, i am very grateful to alexander tsikala for inviting me to these programs, master of transformation, that’s probably true, this is closer, you know, i was very afraid, which means ilina malysheva, i understand, that if something happens to us, she will not treat us, for sure. and when i, uh, on the air, said: good afternoon, dear friends, during the applause, blood circulation, you know , friends, my heart was stolen, a huge model of a heart, the next morning malysheva calls me, says: good morning, my dear friend, this call vasilievna malysheva, i want to notify you that i’m inviting you to the program , living with... it’s great, and there was no question of some kind of dialogue, no, she just said that i’m inviting you, you have a shoot on saturday

at 8 in the morning, yes, everything is tough there, so i came to her at 8 in the morning and became a pancreas, and they stood for a long time in this suit, there was a bag with some tubes, there was something there, but this is not the worst option from what could have been a program, yes, yes, yes, well, in general, i visited this program several times later program. literally the day before yesterday, by the way, i was invited to film again, but i think i need to go and support, because in fact , ledina vasilievna saved a lot of people, and this does not apply only to artists, i want to tell you, she has such a general principle even the moment when they call her and say, you know, if possible , could you help, this person has such and such merits, she says, i don’t need to tell any... it’s enough to say that this man, if you are a simple person, please, i’m also open, in general, she helps a lot of people

, i’m very grateful to her for that, you’ll write in a line on your resume, played the role of the pancreas, by the way, in all these biographies of mine, of course, i’m not shy what i did, because even if i have some, well, unsuccessful jobs, fortunately there are not many of them, but this is also a person’s path, this is also his, so to speak, a moment of trial and error, this is a search for oneself, but it doesn’t happen that a person always hits the top ten, you know, or also development, of course, so in this sense i am not ashamed of anything that i had, because i try to live honestly according to my conscience in the profession, including, you also noticed, you have a taste for language and know what you write in a notepad? something, can we expect an autobiography or a book from you? a lot of people are urging me to do this, but

mostly for some reason i’m embarrassed to do this right now, i can’t imagine what ’s going to appear on the shelf? book, alexander oleshka, my life in art or what, i don’t know, how can i say it, maybe if i come up with some kind of move and i come up with some kind of title that will then give me the right to write a book, although on these shelves there are so many books, people who do not have the right to do so, but at least i need to write a book for your mother, well, just look, it seems to me that everything is very harmonious with you, you wrote letters, being a provincial boy, a great artist, received answers, in general, for those boys who today are well you should also pick up this thread, you can become guide, i'll explain to you, uh, unfortunately, these boys, as you say, they don't know who yurine kulin, oleg popov is, but yes, they are completely different, they don't have, uh, unfortunately,

maybe for now, or rather so, i hope that for now, there is no this, so to speak, trepidation or some kind of sacred attitude towards what was towards those who were, i agree, here i am, you understand, here i am going today , so i arrived, uh, and the driver asks me, do you have it, he says, do you like it in minsk, i say, what are you talking about, i say, i have a soul here, just relaxing, because the city is so well-kept, so clean. such beauty, such, such development, gradual, i lived here a lot, it’s just that i starred here in the film station, at your station, i just know everything, even what you don’t know, from the totality of those days, the months i spent here, living in different hotels, sometimes they rented us apartments , which means i lived in

minsk for about a year, i have two in minsk that still keep me warm in moscow, well, that is, you are a minsk resident of the year , minsk resident of the year, so you see, i’m looking at these buildings, i think, my god, after the great patriotic war, to rebuild the city, then the republic, now the country, but this, can you imagine how people worked, worked, how inspired they were by this? when i arrive at the slavic bazaar in vitebsk, i walk around with my mouth open, well, i don’t know, my relatives and friends can prove it, when i arrive, you see, they say, well, it’s clear, it’s clear, i was in belarus, not only that i’m always , that means, with huge bags of your best, most delicious chocolates, well, that is, i to

i have a sacred attitude towards what was, now this is the tendency of the new generation, they were born... with the feeling that this is how nothing happened, we will now build everything anew, invent it, and this will happen until some point, of course , they will understand that, firstly, everything has already happened, secondly, everything was invented, everything was sung, drawn, played, built, then these are just superstructures, technical, technological, if only they could look into the soul of themselves, themselves... to grow as a person, not to be another virtual walking gadget, but to be a person, so you see how i has gone far, so the question is, who is this book for, to whom am i addressing it, probably the older generation, and in front of the older generation i feel awkward, i think, well, what can i say, yes, so to speak, they already know everything

, but maybe through, for us, for the people, write, we beg you, because we regret to say that the finale of the program, if you listened and listened more, again there will be a reason to invite you again to our studio for a presentation, a book , okay, well, in general, we’ll take a promise from you, that you will come to us at every opportunity and visit us, because you are interesting, if for this we need to give you a heater, we are ready, with pleasure, okay, cherbina, victoria popova we say goodbye to you for today, goodbye, see you goodbye, and now alexander olezhko is speaking. i wish us all continued life. i wish you a good, good mood. i wish you all not to be afraid to create your own world from songs, films, sounds, people that delight your heart. don't be afraid to be unfashionable, don't modern, don't be afraid, just be

yourself, look at your own path, you will live. long, happily, in good health, joy, and maybe you will become a long-liver, although why maybe you will definitely become, your alexander oleshka, well, the most natural request for an artist: please leave us an autograph of wishes, i choose the neighborhood with this call with a new one season, so that i always have new seasons, in which there will be new wonderful works both for me and for our viewers, i wish you all joy in everything, this is very important, so that a person enjoys life, work, communication, in general the fact that he is healthy, oh, stormy and long-lasting,

people you can admire. golf is a sport that, in such conditions , allows a person to always be with nature, to be in development, because in one game you need to walk 8, 10-12 km, i tell you. yourself your hobbies. our hazelnut varieties produce a harvest within 2 years after planting the garden. this is a movement that today gives me the life-giving basis to be in demand in

life in our world of creation, so to speak. and share the secrets of their success. if you do something well, there will be results, there will be money, there will be success. watch the belarus project on the tv channel.