another game last night with the participation of belarusian washington alexei protos lost to san jose 1:2. the visiting belarusian striker played the match on the flank of the third line. his partners in the front three were sonny milana and hentrix laupier. alexey prodos spent 12 minutes 45 seconds in public, shot once at the opponent’s goal, and ended the match with a utility score of zero. in total, this season the belarusian forward has two goals scored for a total of seven points in seventeen matches. the ninth round of the volleyball super league continued in the capital, minsk hosted the most titled team in russia, uralochka from yekaterinburg. the teams approached the head-to-head meeting in neighboring positions in the standings, twelfth and thirteenth, respectively, the guests were stronger with a score of 3:1. after this failure, our volleyball players changed places with their rivals in the summary report card. the minsk resident will have her next match on december 4 away. from the championship leader

dynamo moscow. soligorsk miner is holding on to the level, but everyone wants to get into the top eight. belarus national team player volleyball sergei busel answered the question about the competitiveness of the miners in the current season of the russian super league. in an exclusive interview with our tv channel , the blocker of the yenisei discussed the reasons that could affect the successful performance of the moles in this tournament. they. let’s say the previous round they played with novosibirsk, they played cleaner , held on until the end, that is, sometimes in volleyball it’s enough, well, it’s really easy to make mistakes somewhere, success comes, well , of course, that is, promising, that is, on the level of the team, that is, the top eight, the season will show, the thing is that the season is long, there are many games, many flights, here everyone wants to predict there. tomorrow

the miner will continue to play in the super league at home, our squad will host the gazprom yugra team. note that the clubs are neighbors in the standings. the match starts at the uruchie sports complex at 7:00 pm. in the morning i worked part of the training, then went to change clothes and ran the race. the main discovery at the start of the biathlon season pavel belkov in a long interview for the program sportkadr told how his mixed relay happened at the first stage of the russian cup. let us remind you that the guy replaced the leader of our team anton smolsky. the silver medalist of the olympic games in beijing 2022 was a little ill and pavel belko in a quartet with anna sola, irina leshchenko and nikita lobostov managed to win silver. the young athlete is only spending his second season in the national committee’s roster. he is working according to the plan of the head coach of the men's wing, roman sinichenko. by the way, the coach calls pavel a biathlon grandmaster. in the morning we went out to

training, skated for about 20 minutes, the coach called, said that antoine was not feeling well, some cold symptoms , he said he needed to come in as a substitute, got ready, went to the room to get his things, got ready for the race, well, somehow without any ulterior thoughts, the jitters were present somewhere, present at the first two stages when i watched the video. and then i collected my thoughts and tuned in for the race, before the line they told me to keep a cool head, i myself am from the city of cherikov, magilev region, i started doing biathlon there, since the age of ten, he made the national team that year, as for anton smolsky, who was ill, after 2 days he will already be working at full capacity. the next stage of the russian cup will also be held in hantemanns. from

december 1st to december 3rd, and that was sports day, kristina kamysh worked in the studio, all the best. the war caught me as a nine-year-old girl in the city of zhlobin, a small town. it was

may 1, 1941, in the yard dad was polishing his boots. i’m in a pink sundress and a white blouse embroidered by my mother’s hands and we we are going to a demonstration, it was such happiness and such a rosy mood, i feel it to this day, because there was no such feeling anymore, that’s how the war began, this was the last day of happiness at 9 years old, before it started

this war, i moved to the tenth grade , but from the age of five, when my sister died ... before my eyes, and i was 3 years old, this death was imprinted, and since then i have always said that i will children's doctor, children must not die, on june 22 we went on an excursion to lermontovo crop, the house where lermontov lived, we looked at this house everywhere, we arrived at 12 o’clock, our stop in efremov was such a red square, people were standing there. here - such a big black mouthpiece they said that now there will be some special message, we stood at 12:00, a message that the war has begun, attention,

moscow says, we are conveying an important government message, citizens of the soviet union, today at 4:00 am, without any declaration of war, german armed forces attacked the borders of the soviet union. started the great patriotic war of the soviet people was opposed, the motherland was declared in danger. and our family, as it was later called a separate underground organization, all three sisters worked in the underground, they gathered with us,

they worked all the time and organized events, how to fight. with the fascists, and i was running around them at home, always asking, when will you give me a task, both my dad and i are petra sergeevich, this is a security officer in moscow, he said, don’t worry, they called me armored car then, we’ll have time and we’ll give you the task, when it started war, when they declared war on us: they immediately made medanbad, but since i was more mobile, i became a medical instructor of medanbad, they gave us some old suits, plague, green with an iron thing so that we would be different from everyone else, after three

, four days, efremov was bombed, and for the first time we heard and saw something... at first we received medical trains, took the wounded right at the station and put them there, there was nowhere to put the wounded, there was so much work that we actually didn’t go home around the clock. well , because how many doctors are there in this city? there was very little, at first we cried and were afraid, and how to raise a wounded man and how to glue his stomach or something else, everything, you know, you get used to all the fears, it

was necessary to convey information to the partisans, and such a close person who could not i would go along the railway along to station number one and go to well , naturally, all the information from the fascists was already collected there, and they sewed the data into my coat or jacket and i went to the partisan camp named after osman kasaev and so on, until the forty-third year i carried out underground work and was a messenger, my mother’s sister lived with us, she got in touch with the partisans then, probably

around 1942, they began to unite, she and her friend got a job in a german hospital on the instructions of the partisans, that’s where she was some kind of litarek- then, i remember, some pills, some bents, some shag sometimes , a lot of things, that’s all they got there, it was difficult to carry, because there were guards at this crossing, they checked the adults, they were young girls, they adjusted me like a container, they would take the landing there to a small town on the outskirts, they tied me to what they had there, and i went through this crossing, a girl was walking, she was pretty, they say the germans didn’t touch it.

don’t think that this is childish heroism, mother, she was 30 years old, completely young, now i remember and think, but i would, and i would send my child off like that , something that i later had to do meet on your way.

oh, lord, what is love, i think it’s, firstly, respect for a person, his relationships, his kindness, of course, you you probably read anne frank, anne frank’s diary, of course, she was there, she was everywhere. in the camps, there was love everywhere, everywhere, for example , at the age of 14 i fell in love with a guy in efremov, while dancing, he was older, he graduated from college and came to work at this plant. and during the dance, he met, suddenly a love flared up, which i didn’t know what it was, he found me when i was in evacuation, he found me once, one letter and without a return address, there wasn’t even field mail, then yes, i realized that he was alive. then the meeting was in moscow, i received a note,

it says, if my fellow countrywoman, if you still remember me, come, i’m in such and such a hospital after being seriously wounded, of course, i flew like a bullet, and he was seriously wounded, they removed his kidney there and so on, we saw each other only once , the second time, and then he gave me a letter, asked me to read it in the hostel where i lived not on the road, in this letter there was money , where it was written, you need it, you don’t need it, and he had to come, we agreed, but he more didn’t come, i didn’t see him again, but it was love, the first, by the way, the only one all my life, and this love helped me survive, when i felt bad, i remembered him, he was not my husband, because i was married to someone else who was wonderful. no, such love did not happen again, but throughout the war, no matter where

i was, no matter how bad i was, no matter how much pain i was in, when i remembered him, i felt better, there were many meetings that cannot be condemned , because tomorrow he wasn’t there, or she wasn’t there, there was love, that ’s probably the only thing that helped, that helps people, that saves, that protects, this. so love enjoy, you are young. once i didn’t go across the railway, i didn’t carry information, i just went along the highway and dobrasnevich near yamnitsa into the forest, i carried information, it was just full of germans,

over my shoulders, i fell into a ditch, i lay there for a while, and the partisans should have me were to welcome the good-natured people. we worked tirelessly, in one place i bandaged one soldier, the wound was not

serious at all, he wanted to get up and knelt down. i was blocked at that time by a shrapnel in the back to death in the forty-third year of inheritance my sister, who worked at the station, someone tipped off the fascists at night and they grabbed her sleepy load and threw her into prison, they said that the fascists took the tortured woman out and

took her, well, to everyone... we shot to this day, in fact, not we know where she was shot, so i was left alone from everyone and i live in the city of minsk, so every year on may 9 i always bring flowers and lay them, it was scary when... suddenly they announced everyone without their things in the square, surrounded them with a chain and sorted them, took them away children, from seven to 14, this crowd, it wasn’t a cry, it was

something terrible, the mothers shouted, that this is the last time they see their children , last name, first name, age, mother, screaming from behind the fence, say fewer years, say fewer years, i said eight, with these with tags we were immediately loaded into green cars, these german ones, then, when they brought us to this camp, the red bank, but they didn’t have time to use us. somehow they didn’t have time, the front was just approaching, the hospital was evacuated, and we were loaded onto a freight train with these windows high up there, taken away, taken to germany, and

there are three concentration camps there, maybe it was svens, i don’t know, i don’t know, i don’t know what i don’t know, but i remember this wire, i remember this kind of labyrinths, for 23 days the city of mogilev held an attack with the nazis, this is compared to the bares fortress, and after that navcheshov, the nazis attacked, well, apparently someone there suggested that our partisan family began to monitor our house, the germans surrounded us, i see my mother crying, that’s it, and then my mother immediately came up with a plan, she

says, come on, get involved , and ask the germans that you are going to your neighbors for milk, they me, where , kinder, and i... answered them that for milk, they let me through, i walked through the village three houses, went to the neighbors, put the can on the porch, told them, and i walked through the vegetable gardens to the railway, i’ll fall i’ll rise, move on again, move on.

i went home with the hope that i had done a great job, on may 3, 1945 there was a terrible bombing, you can’t tell it when you watch films or read in literature, what american raids are, alarm, alarm, this is alarm, alarm and beeps, beeps like that beeps, calmly, then, if the beeps, alarm and beeps are strong, howling, howling beeps

, this means a strong raid, it’s about to happen, and this happened at night, when suddenly we jumped up sleepily, everything is on fire, everything is torn and we are through the windows we jumped out of this barracks, it was like welding, that was all , we didn’t see anything, we ran in all directions, like blind kittens, we didn’t know what was happening, it seemed like everything was breaking, this fire, this fire, these flashes, it was december 26th when i gasped, my father and mother were on the sidelines, a shell hit the building this stone thing and in general they hit us from behind, in front, from above, we didn’t know, ours shot back, these shot, well, in general it was

very bad, it seriously wounded me, it pierced my left foot right through, like that, at an angle and right through, which means they dragged me in in the rest of this station and he operated on me on some tattered old diran under anesthesia , which... is called ari, scream, this leg he simply removed the fragments that were possible, covered the rest with food and sealed it all around and said, it will fester and be to go out, pulled out a splinter that pierced the bone, by the way, i i cried not so much for a leg for a bone, as for a boot, because they gave us big boots, but here they made boots for our feet, i felt sorry for the boots.

when we were being taken to our first overnight stay, a german cottage, they took us there, so settle down, and from the second floor, two neat, little white seats, two german women come down and bring us snow-white pillows with embroidery, with ruffles, with everything , pillows, something also, we... took what russian children mean, we forgot, we hated them so much , the germans, how we hated them and everything that we we went through how many beatings there were , how many humiliations there were, how many times during this year we gave up on our little bags, whoever had what, lay down to warm each other, and so we spent the night. i had courage only because all the members of our family fought and carried out tasks and looking

at them, i, as the youngest, and they trusted me with this, they even asked me before, where did such patriotism come from? i say, because when i was older , i also tried to complete the tasks that were assigned to me, but after that, when they shot verochka under the field, the desire and desire to carry out became even greater: all the tasks, they brought us to molodechno, 16 orphanages scattered us, and there my father found me, brought me home, and the first meeting with my mother,

the first meeting with the mothers. at night he brought me into the house, at night, she hugged me and her first words, god, god, what did they do to you, from the bottom, skin to the bone, it was the month of june, the sun was shining. and the people all ran happily, and the military walked with an accordion and said, shouted, victory, we won, we liberated the city of mogilev, we ran through a meadow, there were some flowers, and everyone picked these flowers.

the heaviest, heaviest memory, well , my dears, war is very scary, war, now, now for one minute, it’s better not to remember it, but it is often remembered, unfortunately. each new war begins with

how the previous one ends, in general, i want to say that humanity must stop.

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hello, the program “say don’t be silent” is on air, victoria popova and tatyana shcherbina are in the studio. and today our guest is the honored artist of russia, alexander olezhka. hello, hello, very nice , very nice, we were waiting for you, alexander, in the spring you were still thinking about coming to the premiere of korenin georgivich shakhnazarov, khitrovka, the sign of four, but then you were not able to visit us. we’ve arrived and we’ll definitely

talk about the film again, but let’s probably start with the fact that today’s cultural life and festival has changed somewhat, and do you think it’s for the better, and do you share the optimism of your colleagues who say that with the departure of hollywood cinema from distribution , it will be better for russian cinema to breathe more freely ? for a huge number of talented people, and there is an opinion that there are few of them, in fact there are a lot of them. they need to be helped, they need to be supported , they need to be nurtured, they need to be seen, looked for, because they have a near future, a perspective, so what can i say, i’m all for, of course, cinema should

be very different, multi-genre, cinema should be entertaining , educational, and intellectual, and deep, and light, and kind and sometimes provocative, it should be different, the main thing is that it should not be, so to speak, a provocation that will destroy person, the main thing is that this is not a blow to the gut, which, there are enough of these blows in everyday life, so when there is a wonderful platform in the form... to communicate with a friend, talk, make plans, this is how new ideas are born in this communication, because that everyone is busy with their own lives, it’s wonderful when there is an opportunity to simply say some good words to each other, because no one in the 20th century practically speaks to each other, everyone lives in these things, which are charmingly called gadgets, from the word bastard, you see, a person buys this thing for a lot of money, she calls him names every day, she says: “gadget , by the way, this is not the first time for me, alexander, thanks

to you i thought about the etymology, you know, it wasn’t me who discovered it, i somewhere i heard this and realized that we really don’t even pay attention to it attention, so the festival is a wonderful platform to see each other, to understand who breathes what, who wants what, and whether they can say it, and you often say good things to your colleagues on stage, i often very often come across misunderstandings, suspicions, some... then, so, it’s interesting that this is something he needs, yes, that is, in fact, the consciousness of people in the 21st century, it is so turned on its head that what is normal, human, in general, what should be the norm , is considered some absolutely amazing fact, or immediately causes alertness, if something fascinates me or someone fascinates me, i look for a phone number

, i call, i understand that, well, probably now it will happen again, well, i won’t give you a specific example with last names, well, here i was, i won’t say in which theater , sorry, i was delighted with the performance, i just think, well, i can’t help but say thank you to all of them, i found the phone numbers of all the actors, actresses, director, i started calling them from the list, which means, well, only a few, it means that this caused some kind of thing, and my god, what is it like this, and one very famous actress, favorite actress, i tell her, you know, this is alexander olezhka, so, he says, and i say, you know, i would like to say thank you, i was at the play, thank you, she says, no, but what do you need, for what purpose did they call, yes, i say, for no other purpose, so i needed to tell you this, i hear that she

, so to speak, has taken off this armor from herself, suddenly she says in human terms, a huge thank you thank you, but it doesn’t change you, that’s when after such a call you give up and you think, well, no i will call them more, they react so strangely, that is, there is no until the next admiration, this of course is not pleasant when you feel something like that about yourself, but i formulated it this way for myself, well, i am in front of the sky. before the universe , before the delight that these people awakened in me, i am honest, i must say thank you to them all, by the way , thank you from the word save, god, yes, and then, this is already a fact of their lives, their biographies, how they thank you, they will live with this, cope with what they imagined for themselves, they are in nothing not guilty, i don’t blame people, i actually understand this, uh, but i consider it my duty

to definitely say kind words, but was it a surprise for you that rimos tumenos left moscow, he headed the theater named after... in which you work ? well, you see, here we can talk for a long time on this topic, because firstly, he is a citizen of another country, he has always been, this is the first moment, the second moment, but simply if, factually, to spin it all back, then firstly, he stopped be artistic director before the start svo, for health reasons, for some reason of his own, then i... i remember that he was forbidden to work in his homeland, because it means that he, probably, well, a person, made his choice, i don’t want to say, it means not in defense, neither for nor against, yes, this is none of my business , but firstly, he himself announced this, he,

in general, has a serious illness, so he was physically unable to fulfill his responsibility as an artistic director , well, then, you understand, then everything that he said, so to speak, said, by the way, it was he i didn’t do it publicly, as i remember, i understand it was a prank, yes, yes, well, do i agree with what he said? absolutely not, do i like it? no, but you’re asking me about something else, yes, that’s why it’s clear. i agree that for those who followed and were in the know, this departure , in general, was not such an information bomb as it was imagined, but let’s talk about theater moscow today, a big event was your role in the play paul i in that the same

vakhtangov theater, let's watch the trailer, wow, you have there’s even a trailer, let’s be curious. i know that my fellow journalists at the press screening after the first act stood

and enraged, alexander, first of all, and the director told you that you, in general, chose this role. yes, it was written and staged for you, the production was done, yes, uh, i needed a role that, at my age today, so to speak, uh, would confirm my status as a theater actor, that i have the right to continue to work this profession, this is a kind of re-certification, you know, the kind that i arranged for myself, because , well, in general, i live. in different genres, styles, directions, that’s what i always wanted, that’s what i came up with, i’m biased with this when the audience, not all the audience is kind, as you understand, not everyone is like your mother, who is my fan, as i found out

before the program starts, because people come, well, well, well, let’s see what this television thing is here, not knowing that firstly, i... never gave up theater in my life, and since i graduated from the theater institute, i haven’t one day, generally did not leave the theater in my own life, yes, these were different theaters, but i nurtured myself, raised myself, it’s only in the theater that an actor actually grows, this is then in the cinema, in tv series, on television, as i say, from this creative bone, directors frantically tear off meat, an actor is growing up, he’s in the theater. he is looking, so i have a very interesting path, an interesting path, at this age, i was offered other roles, so to speak, they offered me another musical role, i say, this is all clear, i have already done it all, this is all expected, and if

i’ll do it, they’ll say, well, it’s clear, well, nothing, well, no one doubted that no one doubted him, yes, but i needed a blow, a blow , starting from the poster, you know, so that people would say, what the hell, pavel i , are you completely, or something, out of your mind, what’s going on in your theater, what is this all about, and... there are a lot of people who come with this, well, well, let’s see how it fails here now, exactly 3-4, 5 minutes from the start of the performance, it all ends, and you feel right on stage, yes, how it falls away this negativity, no, there is no negativity as such, there is interest, well, well, well, and then it ’s nuka-nuka, i just went through this more than once in my life, so i know what i will present to them , and i know you are completely. nuka-nuka, in 3 hours you will give me a standing ovation, but i don’t mean that, you understand, so that this is not read, here i am like this, this is

a joke, yes, i went through it in the theater of satire with the play where we are, which i so to speak , came up with, initiated with alexander anatolvich shirvint at my request, we we have an excerpt, we will discuss it later, okay, alexander, but i know that for an artist there can be no better praise than the fact that he was not recognized, the art of transformation, no one ... from the money changer, and i know that one the spectator demanded the money back for the ticket, because she didn’t see oleshka in the play, one of those spectators who , well, well, it was a scandal, she came to see oleshka, she says, what are you putting on me here, this is what's going on, and when he arrives, it takes me an hour and a half i’m watching a performance, i paid money, but he’s not there, where, i say, here he is in front of you , they brought her, yes, they brought her backstage, it was such a tetanus, that is, she sees me through pavel, my voice, i say : don’t worry, please, everything is fine, now they will kill me, please go to

the second department, but this is a compliment to the artist, on the one hand, on the other hand, in the 21st century, this is a tendency, especially in cinema, in general, to actors, especially young ones, directors tell them, i beg you, just don’t play anything, you see, just like that... “don’t play anything, that’s how you are, new sincerity, that same one, yes , no, not a new sincerity, listen, it’s just an inability to create an image, a character, that is, they themselves don’t know, yes, well can you imagine if stegneev, evgeny vsegneev from film to film were like him in life, or papanov were like him, firstly, no one knows what they were like in life, we don’t know, it’s true, you know, we know their roles, if you add them up in a row,

these are all different people who speak differently, walk differently, think, that’s all different people, this has always attracted me, so on the one hand, this , so to speak, is my call to directors, let’s... work, i will create different people, it is interesting, some, on the other hand, directors don’t have time, they want it, i understand them too, this is such a period now , so if you add up yablokovo from the turkish gambit, which i played there i don’t know at the very beginning of my life in the cinema, or the alligator vasya from daddy’s daughters, or pavel ii from the vakhtangov theater , or from the vakhtangov theater floridora celestena. these are all different people, or the person who is sitting with you now talking, well, you collect , and so, you try to find a new one, well

, yes, i really want this, to create another person who would live there too screen already without me, well, is this person who we just saw, is it me, well, you said when we watched the trailer that it immediately becomes bad, why does it become bad, because these sounds, this is how the play begins, i i think, lord, there are 3 hours ahead, i need to raise this... i need to raise it, you know, once in the actor’s house i saw inna churikova, who was holding the curtain like that, they were already announcing her, she was whispering, lord, why am i doing this, what do i need, can you imagine, then there is, well, it would seem that she doesn’t need to prove anything to anyone, it’s been a long time, she was standing, because this step from behind the scenes onto the stage is the most difficult step, and it’s hard for the stage to die? no, you think, well, i’ll die now, i’ll rest for a while , i’ll lie down, i acted like that with dmitry brusnikin,

the deceased in the film, it was called paid death, mozart played. moreover, in the last year of his life and with the scene of his death, so to speak, and i want to tell you that it was one of the most beautiful shooting days, when it means mozart is lying at home, but he has already died, his wife and everyone there is mourning him, so i had to just lie there all day, they were filming near prague there is a city, kutnogora , a city where... on some streets it is forbidden to park cars, because there are tunnels dug inside it can collapse, yes, inside the skull, he says, the city is on bones, terrible too, you know, yes, that’s another feeling, joyful, but here i was lying in some house, it’s terribly stuffy and hot, and i dozed off, and the director says, stop,

stop, mozart is snoring, wake him up, already died, why is he snoring, and why am i like that, they poom-poom, sometimes, well, this is of course a joke, uh, but, how can i tell you, uh, uh, a person doesn’t feel any pleasure from dying on stage, but when you understand that this is your profession, yes, because, uh, acting, there is a master in this, skill, master, he must act this is not to live, to play. so as not to go crazy, so as not to incur any, so to speak, illnesses or projections, it’s not the actor who dies, the image, the character, the character dies, but did you have such difficulties with leaving the role, which are often talked about, well, you know , with this role, the difficulties were that i was injured, so i didn’t come to you

, so to speak, here in the spring, yes, because - on stage, well, thank god, now i ’m walking on my own legs, all this is being restored slowly , well, listen, no one forced you, you know, when actors start complaining, you know how difficult it is, listen, no one forced you, it’s so difficult for you here, go find another profession, an actor should have a theme, why, for what are you doing this, if you have a theme, then you can go through thorns to the stars, i have this topic, what is it? i knew what it was like, tell me, you told me behind the scenes that your mother, uh, what does she do when she, she freezes when she sees you on the screen, that is, for her the rest of the world turns off, this magic, yes, but it’s in a pleasant way, that’s my theme, so that those people who look at me, so that they turn off that world that is full of

worries, so that they want to straighten their shoulders or... want to understand, listen, if everything gone crazy, but he doesn’t go crazy, which means i can, if i want to, i don’t know, read the same poems as me, or hear, uh, some kind of advice, maybe, or a funny anecdote, or just say , listen, leave me alone, i have this man, i’m pleased with him watch, this is my topic, well, it so happens, mommy, that today we have dedicated part of the issue to you, i say hello, taking this opportunity to announce that we have a telegram channel, say don’t be silent, subscribe, ask questions and suggest guests, we communications, the program “tell me not to be silent” is on air again, and today our guest is the honored artist of russia, alexander olezhko. today i’m a little bit of

a cold artist in russia, because... you have such a snowstorm, today there’s just a wall of snow, powder, and the trees are being collected, it’s very, i hope you warmed up in our studio, yes, yes, i feel good, in the masterpiece karen shakhnazarova, tricky, sign of four, you played one of the main roles, reincarnated as the famous theater figure vladimir nemirovich danchenko, were you captivated by this role? still, firstly, what kind of trust is this, can you imagine where i am and where? danchenko and oh, i was just talking about this, you know, i thought that firstly there would be some kind of very complex plastic makeup, it turned out, look, they just glued on my mustache and beard, a little i combed my hair differently, exactly 6 minutes later another person looked at me in the mirror, i thought that this would be a long make-up, some kind of plastic, well, that’s how

shakhnazarov saw in me that i could do it. by the way, how did he see oleshka, he says, well, i don’t know, well, they look very much alike, one face, for him it ’s not even a question, for us it’s not obvious, but for him it’s obvious, imagine, but for me it was completely not obvious, but therefore i am very grateful to him, firstly for his trust, of course, i would like to expand this role, but there it is to say, gellerovsky and stanislavsky had something to do, although it would have been possible to take yanimirovich, by the way, i read that it wasn’t mirovich who also went there with them for tricks, yeah, that’s a fascinating story, the history of the kind of movie in which you also want to act

also, firstly, i really love gelirovsky, i really love canandoyl , there’s such an amazing connection here, i really liked the script, you know, we had such a funny evening after filming, when they said: that’s it, thank you, the actors are untrained , and i say to kostya kryukov: imagine, right now, and we were filming in a real house, imagine, now i’ll go in this makeup, in this costume, three houses away, the house in which nemirovich danchenko lived, there is still a museum there, an apartment , i was in it several years ago, everything was preserved, right down to the small comb that he combed his mustache and beard, i sat in his chair, not thinking that i would play him, i said, imagine, let ’s go there, and i didn’t just i’ll ring the doorbell,

i’ll open it, yes, open it with the key, and there the museum employees will tell me that who? i’ll say, i came home, they’ll look through the peephole and say who, i say, but konstantin sergevich and i will arrange this. well, of course this is, well, this characterizes you alexander as a person who likes to joke and misbehave a little, yes he loves a little, yes i love it when it doesn’t go into some kind of extreme, you know, because there are colleagues who, so to speak, act out somehow harshly, no, this is not mine is tough and what is this for, that is, it’s some kind of drive and so that, well, some kind of courage then some kind of you understand, sometimes i hear or i read to myself there, he says, oh, why is he making everything up, but you understand, it’s not my fault, that i myself was always looking for something interesting in this life, initiated some interesting meetings, that my

life line, it goes through the lives of those people who in my childhood lived in books, on tv, on the stage, they were celestial beings for me, then suddenly they know about my existence, and by the way, about those prejudices that we have already talked about about paul i again about irina bugrimova, and when i studied at the church graduated from the school, she was the chairman of the cycle commission, which signed diplomas and handed us diplomas, the legendary people's artist of the soviet union, the first woman, tamer, who entered a cage with lions, a symbol of the soviet woman who quickly stops a horse, kills a lion, and so on and so on. they give diplomas to everyone, i am the last one, she then quietly says to me: bend over, so i bend over, she says: i want to give you a carnation separately.