rolling back down into the chaos and darkness of primitive society, it was said almost 100 years ago, since then we have had many opportunities to see how those who promised to make a fairy tale come true and dreamed of other social utopias turned a far from ideal world into a real nightmare. therefore , not only for the western, but also for our part of europe, conservativism serves as a logical choice for those who are tired of experiments, who no longer want it to the ground, and then, and then it has already arrived. thank you, this was a sas program to fully declare. eu citizens they are increasingly rejecting globalist ideology.

belarus 24 let's take a look at the cultural life of our country, this adzin is immediately familiar with the same look in the territory of belarus, it is known that only adzin is analogous to our fireplace in vogul and in the whole world in russia ў city of samara. all these workshops are lively and here they produce soft decarats. for pastanova, darechy, yon znahodzitsa ў bathhouse of the theater. let's remember folk traditions. krepen - geta yashche yago is called by the people with singing drums. management of the first and second teeth they were writing paper. and then the lips dropped and began to sing a melody or something . and there are all these special pins, as they are called. in this case, the dolls are called shpenev. let's turn to the historical past. our museum has everything...

memorial horrors do not work, there was an hour of sleep here, on the 13th of june 1956 , the work of the father of the singer, the former lyubansky, ceased, this month the center of the world ceased kaga life in minsk, cultural appreciation in the project.

hello, the program say no is on air. be silent, and today victoria popova and tatyana sherbina are with you. and today we are visiting the great film director, nikita mikhalkov. good afternoon, nikita sergeevich. hello girls. tomorrow you will be in minsk with performance 12 at the palace of the republic. for us, this is a huge responsibility and a great joy to come to fraternal belarus to wonderful people. with whom i was very friendly when i came, i filmed, i starred in the film roll calls, in general you can talk and have a drink with them, wonderful guys, and we are bringing the play, to our 12,

thanks to your leadership, and the ministry of culture, and the russian concert, this is a rather large performance, which is difficult to transport, difficult to build, but we couldn’t... miss this opportunity, because i want to believe that for the belarusian audience, the questions that are raised in performances , will be just as important and interesting as for our audience in many cities of russia, and today we are visiting you in moscow, thank you, first of all, thank you very much for welcoming us into your home, you can probably call it that , thank you for coming, let's talk for started about the play, that’s right, they told us that at the shchukin school you staged the play 12 angry men and acted in it yourself, then there was a film, and now a play , you are returning to this story for the third time, what has changed in it, what new accents did you want

arrange? well, in pike i was already expelled from there, so to speak, so i climbed out the window to rehearse, but we released the play. nikolai burlyaev played, by the way, the same thing that henry fonda played, but it was a performance based on a film based on rose’s play, and there was no there were no motives of ours, although it became a graduation performance, when the idea arose to film the film, it was the idea to film a certain... social context, against the backdrop of this kind of history, so we bought the rights from relatives, in my opinion rose, and absolutely no relation this had nothing to do with either the film

or rose’s prose, because it was absolutely adapted to our reality, we shot a picture, by the way, this golden lion, just for this picture and we were nominated for an oscar, but so to speak, the idea of ​​staging a play flew by, the point is that, uh, i realized that the slogan is very accurate, that it is for everyone and about everyone, in this performance, in a fairly universal one, both the person who sits, relatively speaking, in the royal box, and the person who sits on the top, everyone will receive what

may be important and interesting to him, in this sense, he is absolutely modern, absolutely, we were afraid that... people who looked at the picture, let’s say, who liked it, look, i have never heard that anyone -he said that the film there is better, well, people like to compare, yes, the book is better, that’s different, that’s it’s different, it’s just a different genre, and i have to say that i’m the first to sit with my back, i was the first to experience the performances with an eerie feeling, because when you know 1,500 people in the hall, and the feeling that there is no one, such silence that it takes you away, i want to look around

whether there is anyone there at all or not, but this is the most valuable thing, because applause, any applause, you can initiate it, you can - which will react, so to speak, but silence, it cannot be provoked. and if we talk about the viewer’s reaction, you already said that more value silence rather than applause; in relation to silence, they sometimes use it as an oppressive adjective; in your case, how would you describe this silence that is in the auditorium? well, it’s inspiring, very , it’s very inspiring, this silence, for me it’s a performance, a surprise for myself, it was very difficult for us, i invited kolya burlyaeva, who hasn’t been on stage for 50 years, doesn’t like theater at all.

this is my academy, mine, and how did they come together, here is ice, flame, youth and luminaries, was there some kind of grinding period, maybe, or immediately everything went like crazy, no, it was a carida, it was a carida, full of humiliation , insults, violence, when - the actor is waiting for the result, he is ready to endure everything, and when it is fair, and when, which is very important, when

you can show it to the actor, since you yourself are a person in the profession, it’s very stimulating, it’s not just blah-blah words, there’s actually a director who says, you need to cry, remember your grandmother, you need to laugh, i’ll remember a joke, he needs to engage in another profession , you know, nikolai burlyaev was in our studio and he told how he doesn’t like rehearsals painfully and how you still force all the actors, it’s well known, to rehearse, now i’ll tell you something half decent, i’ll tell you, that means, well, he shows each actor, there are 11 of us there, except him, everyone, how to play, he plays for him, and, well , these are rehearsals, he shows, but he gets used to it so much that he cries when he shows it all, with me, how he...' means, well, that's it, i honestly tried , but i came up with some kind of image that obviously didn’t

suit him, so to speak, so i say, this monologue, the most emotional, he sits in the audience and screams from there, kolya fucked up the monologue and runs up the stage, shows me, well, there are young actors nearby, i could be offended, but i understood that he was right, i understood that i would do everything for him when us... there was a premiere at the big theater, and i am playing this monologue, and he is sitting with his back turned to the audience, i am here, i am finishing, and he shows me, in general , i must say that nikolai petrovich burlyaev, i did not imagine, that he can so statically withstand all the humiliations that there were, but he is a real artist and he, he endured, well, everyone endured, vladimirsky... once talked about how he starred in the episode burnt by the sun with you, but this

episode was not included in the film, in play 12, he i practically asked for you by calling you at 2:00 am, is this an exceptional case, or can any media actor ask you for a role? no, well, anyone can ask, receive, receive, not everyone, but if we return to the play, its premiere took place on april 24, twenty-one, on the historical stage there was great... passion, well operatic passions, so to speak, if they are performed in an operatic, so to speak, style, it will be terrible, but there are very serious passions there, yes, it’s pathetic, well, this is a huge hall, a large theater, a historical stage, a royal box, there are all sorts of management , and so on, but uh, still, this, this taste

of friends, other genres, opera ballet, it exists there, and for centuries, it is, so to speak, yes, it is prayed for, so it was suggested to play a dramatic performance there, let’s say if i were to ... play again, i would really think about setting conditions regarding how build the sound so that it goes into the hall correctly, taking into account that these are speeches in nepene , but we played at very large venues,

so many cities, this is a very important issue and this was a very important discovery for me, people are hungry for an honest, open conversation , they are thirsty, but the fact is that moscow , it’s there, it’s there, that is, there’s something there, now the province is starting to turn into something completely different, i remember 20 years ago, the same cities where i was, now it all begins to live an independent life of its own, and this small homeland, understanding, feeling it, and

pride in it, so this arises, well, well, come on, what do we need here? and after some time we take the viewer here and there and then we exist together, the viewer lives with us, i, being on stage, experience tremendous pleasure in how i see how they work, there is not a single one there, it turns out, that i'm bragging, but it's a pleasure, just ah... there's not a single empty place, there's not a single person there who's resting while others are working, we have 12 people on stage, 13 even, there's no this, well, for now he’s me, this is all the time , why? because the energy

that arises, this, this broth that arises on stage, it must feed the one who is in the spotlight at that second, what is called in close-up, it cannot be that he works alone, so the whole energy, all the mezzanines, everything is built so that whoever needs to attract attention at that second receives this energy from partners, this is very important, you have to drill the actors, so we know, the belarusian theater actor gorkov, he was definitely in your first cast of the play, now he’s not there, that he couldn’t stand the drill, i’m just curious to know why he left the play from the team, you know, uh, because uh, why are you doing this, if you are worried about the method of working with you, and

you do not accept it, then you will not reach the end, you will not reach perfection. you will resist all the time, calling difficult rehearsals manstroy, but this is not drill, this is called perfectionism, these are different things, i can tell you how it is with us people are seen off on their last journey, i work as a director at a cemetery, but imagine this picture, you are burying someone close to you, well, the funeral service, everything is as it should be , you arrive at the cemetery, anton is there, anton, my dear, you understand that uh , it can’t be here, this is what we ’ve been fighting for all this time, it can’t be here, and waiting uh, for your entry, the man says, i work at a cemetery, as a director, you don’t know this like everyone else , so

looking indifferently in front of you doesn’t work, here it is. if you see what you you play in your own way, let’s say you have to prove to me that you are right, and if you haven’t proven this to me, be kind enough to do what i need, it’s natural, it’s impossible for me, uh, while building a house, to give the opportunity as one of workers, so to speak , to make frames at their own discretion, well, really, to improvise, and despite the fact that this is a very living thing in the performance, very alive, it is there, it is there all the time, this is a very, this is also a very important thing, that in every performance there is something that is being introduced. but not in self-will, in development, according to about improvisation, we remember the film, we’ll still watch the play, we have to do it,

but there your hero takes custody of a chechen boy, and the final monologue of your hero, it’s just full of quotes, today not a single political issue, debate, can do without some phrases from this monologue , but at the same time, in one of the last episodes of besagon, which is... called the gospel of louis viton, you speak so alarmingly about interethnic strife, and this monologue, isn’t he too optimistic v in this case, well, first of all, he is now, uh , very changed, and he is a shock for the viewer , one manager came to me after the performance, listen, have you seen this in performances in general? did you see it there at all? i say, well, everything was, well, nothing, i say, well, nothing, we’re playing for now, but you give, like this, that is,

it’s really, well, very tough, very relevant. i have never bought anything from anyone. how dare you even, i entered the medical institute in moscow for the fourth time, i spent all 4 years while i was there, i worked at the first city hospital, it’s not about the fact that interethnic discord arises, russia is generally the only country in the world that is a real, real bridge between east and west, as tyuchev said, it’s true, we quite clearly perceive western culture easily and with the east wind, but this terrible word

is tolerance , which brought led to the death of europe, the fundamental death of europe, it just died, and it will never be the same as we saw it, it will no longer be the same when we enjoyed american cinema of the seventies, listened to the eighties the music is wonderful. barbray, our attitude towards another culture should be very clear and simple. no pity or opportunity. dragging the diaspora out of court, out of investigation, just because it is a diaspora, a member of such a diaspora is in the police, this

leads, as the patriarch very accurately said, to the loss of the country, to the loss of the nation, in this case, to allow what happened, let's say in france, when the police are afraid... to go into some districts, when they don't learn the language, they consider chances in paris, this is cairo, when swedish police on television ask women in stockholm not to go out on white streets after 9, sweden, guys, sweden, clean, calm, that's it. the result of cowardice and lack of immunity, which were called by the beautiful word tolerance. well, yes, or

a substitution of concepts, i generally feel that what worries you is this disrespectful attitude, in any statement, about russian culture, and when these are done by people who grew up in this country, were fed by this country, this is in a thousand times not. of course, in general , what is healthy nationalism - it’s when i i love mine and chauvinism, when i say i’m better than you, if i love mine and you came to me, i really want you to love mine as much as i love mine, then i can love yours if you give it to me , help me do this. but only on such conditions can this communication take place, and when there is a gang

of azerbaijan practically in st. petersburg. he’s just beating up people and guys, this is of course unacceptable, i understand this pain of yours, and now we’ll take a break for a while, after which we’ll return to the cozy office of nikita sergeevich mikhalkov, bye subscribe to our telegram channel, say don’t be silent, look for all our episodes on the youtube channel belarus 1. on the air again, say don’t be silent and today we are visiting the film director, people’s artist of the russian federation, nikita mikhalkov, in the series the meeting place cannot be changed, the hero of zinovy ​​hertag promised everyone an era of mercy, but does it look like this era of mercy is moving further and further away from us? you know, that's why we, i think. and we are conducting

this operation, well, understand, we are the only ones in the world, you and i, who stand up to our full height, to say, no, this is not for us, the fact that a law has now been adopted classifying lgbt organizations as extremist and banned in the russian federation, this is a colossal victory for traditional slavic culture, not everyone says this, as people do, we are an outcast, you can to live as you please with anyone, well, organizations, sports, children's, this, this will not happen, and there should be no propaganda, naturally, because propaganda is already in the constitution, so to speak, subject to obstruction, so

actually. about what happened in gaza in palestine, well, i can’t even imagine imagine if it was possible to come up with a more explicit comparison of what war is and what a special military operation is, how they differ from each other, therefore , mercy is what lives in us and continues to live and continues even when it goes into in general, war, how did you manage to get so comfortable on the internet, on social networks, and just outshine any fashion blogger with your number of views, firstly, well, how did you do it, you are interested in it, you were captivated by this story, well, you understand what thing, there are three components that keep me here, the first is that

we don’t receive a single penny from either the channel or the state, i have a contract for 1 ruble. this means, like this, you work for us, so no one can say, we announce the program on monday , the program comes out on friday, the channel management only knows the name, no one has seen anything, we release it on thursday evening our transmission. that absolutely fantastic trust and freedom, and third, the transmission is never interrupted by any advertising, we do not we carry out orders, uh, if there is a topic, and they give it to us because they can’t give it to anyone else, then we use it, we cover it.

but say good about this, and bad about that , it doesn’t work for us, and then it seems to me that it’s important to people, i don’t teach anyone, and i don’t encourage anyone to do anything, i ask questions that interest me, if you watched us 2000, now maybe there are 10, 12, 15 million, well , that means it’s interesting, that means people need it, but do you want to reach young people or not...’ think about the target audience, absolutely no, but the most important thing is that young people come on their own, it’s very funny, a woman, my friend, told me a very funny story, she says, my friend, which means she caught her son watching besagon, he’s 15 years old, he says yes, but then she came, there were already several guys watching the race, and that means she came, well, she said,

he’s a cool guy, so interesting? says: have you seen his films? which films? don’t you know that he’s a director? no, don’t you know that he has oscars, no, i’m shocked, that’s amazing, but you see how... you react to this with laughter, and there are people who are really very worried about this, you know, i’m happy because i absolutely don’t feel the burden of what i’ve done, we sat with my friend, the great artist cooper at the artemyev festival and there was the first part, there was music from my paintings, and there is one, another, a third, i say, cooper, can you imagine how much the fuck i did, by the way , i screwed up with you too, because he was, according to -my artist, and your show, the main artist of the theater, and the main theater, and now we heard during the renovation, yes, he also draws all this himself, he absolutely does,

but we also remember how he was an artist, a director in your play, where he played the mood of the mostra people, yes, this is you in italy , funny story, and fellini came and said, i never thought that italians could act, fillini came to the actors with juliet, that was the greatest compliment, he said, i didn’t think that italian actors could play chekhov at all, and it’s really amazing because what i encountered when i started working, just marcel and further , mice and just this average level of the russian acting school, i was so scared, the actor enters the stage, on the avan stage, begins to speak the text, and there everything is, he says, maestro, why are they talking , now

my text is koopskal, that is, i speak, everyone is silent, you speak, i am silent, and so on , here we are with this, i was forced to find... help from mikhail chekhov, who wrote that any art tries to be like music, for directors, for many it has already become a common place, which, especially for theater directors, that their comments from critics, theater critics in general , are not interested in opinion, you too, by and large, by and large, the most accurate sensations, let’s say on the set, are from lighting technicians, super technicians who know

the movie when you shot scene , the foreman and the lighting crew come up to you and say: “sergeevich , this is a movie, this is more important than everyone else, the egg-headed critics who see this in this, someone sees this, and so on and so forth, you yourself know how to evaluate your work more strictly than anyone else.” , are you satisfied with it, discerning artist i’m happy, so let the crowd armor you, spit on the altar, where your fire burns, your tripod sways in childish playfulness, you said everything about you with such gusto, you talked about your italian vacation with such gusto, you’re not sorry that our european relations were interrupted today , there was fillini, who received an award in moscow, now 8 and a half, and

in general, if the generation of those artists might have been alive, the conflict of civilization that we are now observing would not have been so irreconcilable, what do you think about it? they if they would be silent, in this situation, they wouldn’t say anything at all, that’s how i’ll say it in spirit, but i absolutely don’t regret it, i don’t regret it at all, i’m so interested in being here, anywhere, i’m so interested in the feeling - involvement in a giant country, that yes 30 years ago, the smell of coffee in rome, the film set, the maestro, komeva, it’s all wonderful, wonderful, charming, tasty, so to speak, you feel like a human being

, you earn good money, it’s all wonderful , but if you find yourself in as a result, forced to comply with...' rules that don't suit you, but without me, well , without me, the oscars don't matter, and festivals? no longer exists, this oscar no longer exists, in order for a film to be nominated for an oscar, things that are very correct for the washington regional committee must be taken into account, there must be transgender people, there must be a national minority, the greens and the snow maiden, a black boy, everything, there must be everything that works to destroy the world that was

created, including religion, the temple of satan, including the need for a white to bow down to a black, to pay him for it, and so on, when sculptures, monuments to great americans are demolished just because their grandfather was there - but this is all taken together manipulation of the consciousness of humanity, i don’t want this, and this pendulum will swing in the opposite direction , how unconditionally, unconditionally, it will swing, because you look at how gradually the people in whom something is smoldering begin to see the light. just think about it, the pope

who wears a cross with lgbt flowers, the pope who illuminates and allows weddings same-sex marriage, accepts transgender people, violating the most important laws of the commandment of the gospel, and behind the pope... there are several billion believers, but not all of them can accept this, even if it is the pope. in belarus we observe that catholics have been turned away by this, of course, from , well, of course, true catholics, true believers, of course, this is a long process, so to speak, i am convinced that this does not work with a click, on the cultural forum, for me a woman from novosibirsk, the rector of the institute, asked what i should tell the guys,

after your speech, i say , you know, it seems to me that two things are important in life today, most of all, it is the fear of envy, because it is envy that is the basis of all human sins, even the savior was crucified out of envy, you can and we can’t, and... and fearlessness towards the truth, listening to the truth and telling the truth, if we can introduce these three things into our own lives, into our consciousness, this will change a lot, the fear of the truth gives rise to everything else, including zayat, and i think that i even said enough, so to speak, such a controversial phrase, that god sent us his own, and... because

where there is truth, it is there, there is life, there is death, there is a real transformation of the world, the world, although it concerns some, some village or some city, you know very well cultural figures, actors, i mean, first of all, who are the first to escape from the ship, this is what is happening to him, what kind of fashion is this, the same thing happened in belarus in the twentieth year, and you recently they said it aptly that you won’t work with traitors whether you want it or not, but i ’m just interested in psychology or something here , what kind of philosophical fuss is this especially, that if you take into account that these people were treated kindly, that is, it’s not that they were oppressed or persecuted by someone, here you yourself called the philosophical paroch, these people were expelled. these are the people who created the greatest emigrant

culture, literature, music, philosophy, everything, god forgive me, well, i’ll say a terrible thing, thanks to philosophical gunpowder, we received the literature that we would not have received here, shmilyov would never have written the summer of the lord with such love for the country, if he had continued to live here, it arose there. what did these people create there who left now, no one kicked them out, they ran away, afraid of what they could offer to the world there, there, well, bunin left, wrote a dark alley or the life of arseniev and received a nobel prize, there,

well, why can shindirovich receive a nobel prize, or yours, like alexia’s, she’s already received it, but for what? we ourselves cannot find the answer to what muradov is talking about, which is also about nothing, and what does this mean, it means the nobel prize is not worth anything, that is, it is awarded only for some political, ideological reasons, well then, what kind of art can we talk about, the same with the oscar, this question was answered by my wonderful producer, michel sedu, a frenchman, he said, my homeland is where taxes are lower, why do you think it is sometimes difficult for actors with a fine mental organization to understand such leaders as putin and lukashenko , where does such neglect come from, why work depreciates, no, well, there is a wonderful russian proverb that we do not

keep what we have lost by crying, chekhov once said that russians adore their past, fear the future, a rather sad formula, so to speak, but i continued it, which is simply you need to think that the future that you fear turns into the present that you hate into the past that you adore, as a result, the fact is that everything is determined by actions, neglect, leaders probably need to determine what leaders, people who risking everything, in principle, and their career, they can stand up to their full height against the huge

conglomerate of the west, only because... they are faithful to their tradition, their history, their culture, their people, these are people whom only those who can disrespect can who has never experienced anything serious or terrible in his life, so you may have complaints about certain things in the country. to power, to superiors, and so on and so forth, but to understand that without a vertical of power, at least a country like russia, belarus too, with so many sentries zones, nationalities, religions, they cannot live without it, it turns into chaos, into

anarchy, into destruction, not only russia and belarus, it is the death of the world. therefore, i highly recommend that those who have a condescending attitude towards what is happening, look at how they live very close to us, and make a decision whether they would like to live like this or not, that’s all, and now we’ll take a break for a while, i remind you, we have a telegram channel, tell me don't be silent, subscribe, ask. and invite guests, we are in touch, the program is on air again, say don’t be silent, and today we are visiting film director nikita

mikhalkov, members of the mikhalkov family can criticize each other, for example, about your daughter ’s work as an actor anna, for example, this is all we do in general, and always, with us it has never happened, firstly, there has never been any baby talk with children, that’s all , and secondly, it’s never been, uh, it’s funny, my father, uh, my son is the eldest, which means, uh, he has a daughter, that is, his father’s granddaughter, he’s calling ... in the morning to my father, my father says: yes, listen, he says, yes, yes, i was born daughter, he says, so your granddaughter, he says: very good, but in general, what’s new, it

’s always been in the family, we have this, so i’ve always expressed everything that i think to all my children, no matter what they do, but i looked, let’s say, a picture of anna’s feelings, this is a masterpiece , this is a photo of anna just without zukari at all , not a single false note, not even a hint of a false note, just a wonderful job, she has grown into a great actress, but this is also not, i find our correspondence funny, she was so happy that i liked it, he says you you know, i’m happy just like when i was a child , when i can make you happy, when i can, maybe i can be proud, i wrote to her, you know, i ’m so confident in you that i can’t even... be proud, again, they didn’t praise me, so what she should understand from this answer, she wrote,

ha ha ha, i adore it, and recently in st. petersburg you managed to open an exhibition of vasily surikov, your great-grandfather, great-grandfather, what an impression in general, this is such power, this is such. just like a frame, it’s so dramatic, it’s written out like that, it’s simple, well, even impossible, well you can admire it, click your tongue, or something, but it has such an impact, it’s such an energy coming from the canvas. absolutely incredible, and he always loved, yes, to explore turning points in history, but today’s moment

would interest him, what do you think, i think that i think that if he lived further, he would be interested in the revolution, and i think that he was interested in the great patriotic war, from the point of view of turning points, but thank god , he got tired of it, his grandfather was a hunter, a cossack, ivan, father, no, there was a grandfather, and he was on a horse, he was going hunting, he saw morality, morality, he hears the sounds of footsteps and is afraid, and the horse is, so to speak, a familiar sound for him, maybe another. he put his fusee between the horse's ears

and shot, he always came with prey, so one day he went hunting, drove up to the morale, put his rifle, at the moment when he shot, the horse moved his ear and he missed. he bit off his ear, so don’t let him down, nikita, for some reason i can easily imagine you biting off a fly, and i also, well, before my eyes, this is an apple that you taste so deliciously, khrusulik, there is in surikovskoe, there is, it ’s true, in general to prove the siberian cossacks, you know that before the start of the picture i was very afraid of the siberian tsulnik. and we arrived in krasnoyarsk, because to start a picture, how

to start, a huge picture, and i asked the caretaker of the museum, the house of the museum surikov will spend the night there, if you look at the picture of the capture of a snowy town, you will just see my portrait on the right side, that this is his brother alexander, just my portrait, they let me in, they let me in and put me to bed alexandra, they were all little, siberian cossacks, and that’s why i was tormented and tormented there in that crib, there were some rustling sounds, steps, she didn’t accept me at home, she just didn’t accept me, i got up, walked around, again... again i can’t to fall asleep, all the floorboards creaked, then i went around the house again and found lamp oil. poured

it into the lamp, lit it, and the lamp lit up so wonderfully, and i sat at the table watching the lamp, then went, lay down, fell asleep, i slept for an hour, because then they woke me up, i woke up, as if i had slept all night, i so he accepted the house, at first he didn’t want it, then he accepted it, they gave me tea, shan. i went on the first day of shooting, well, this suspense at home happened in the picture, when he comes in, yes, and uh, then quite subconsciously, if you look, rewatch the scene, maslenitsa, there are a lot of surikov’s

flowers, yes, there is power , surikovskaya is, well, that’s it. it was also absolutely just like that , it all came. well, in the finale, i would probably like to ask such a fairly standard question, what do you expect from the minsk viewer, silence, that same one, yes, nikita sergeevich, also thank you so much, but you're welcome, uh , i understand all the actors who can't part with you for years, unfortunately, we don't have that opportunity, but we really enjoyed today's conversation, i hope our viewers do too, i felt the same way it’s a pleasure to talk to you, tatyana shcherbina, victoria popova, we say goodbye to you for today, goodbye, goodbye, and now nikita sergeevich mikhalkov is speaking. dear friends, i wholeheartedly invite you to our performance 12, which we will play on december 8-9 in minsk, i won’t hide it, i invited:

your president, i don’t know whether he will come or not, but i would like him to watch the play, and if we talk about a conclusion that you can also draw from the play, but it is a universal conclusion: be afraid of envy and fear of the truth, the truth listen and tell the truth, if we do not get rid of this fear, we will still generally live in a lie, and we cannot live in a lie for long. i'm waiting for you at our performance. nikita sergevich, we cannot influence who will come to your hall, to the palace of the republic, but we could not come to you are empty-handed, so they brought the most popular souvenir in belarus today, it’s called the first merch, today , in my opinion, we talked a lot about the truth, and

it couldn’t be better, it seems to me, this is a baseball cap, power is in the truth, today... put the point of our meeting, well, since you are always on friendly terms with women , you don’t give away your favorite phrase, it will also be close, this is your pleasant delusion, and also nikita sergeevich, you are a fan of winter hunting and there is a very cool winter hat here, accept from we are sincerely wonderful, but you are not either you will leave empty-handed. and we had yes it’s called, this is the play 12, cool merch, thank you very much, well, the answer is tanya, thank you very much, this, i’ll tell you, this is a unique thing, disappearing... ink, i

hope this is a pen, besagon, and here are the 50 best besagons, golden collection, class , this is a miracle, just super, super, thank you, this is it, but i got it, a better gift, it’s impossible to expect, thank you, i liked how you said that mom caught twelve , while watching pisagon, that's what we'll be doing for the next 52 nights, a whole year, thank you very much,

thank you, thank you, belarusian cuisine as a show has become more than just television. kitchen is not an easy task, here you always need to be on alert, in shape to understand what you are talking about, sometimes on the set everything goes wrong with us oil, or vegetable oil, or butter , everything is always different, but thank god, our hands are free in the sense that we can improvise, his permanent presenter and guru of belarusian cooking, i love to try everything, and i’m completely omnivorous, but my favorite dish is this one, which can be done at any time time of day to try , taste, and maybe eat well, these are dumplings, this is the most

win-win, chic dish, tv presenter, chef and a person with a big soul, vartan sanomyans, belarus is an absolutely wonderful place to live in general, such people are very rare , recently our in-law came to us, the phrase was short, you live in paradise, is it possible to live in paradise and be unsuccessful or unhappy, of course, everything is fine, watch on friday on our channel, we are going on a trip to belarus, sorachan lakes, the blue necklace of the island region, which rightfully tops the list of the most beautiful places in belarus. here, once upon a time, in this place there was a sacred dubrava, although, unfortunately, now nothing remains of it, only this king oak.

with us, you will receive a charge of positive emotions. friends, right now i envy myself. god, there is a wonderful tradition: hug an ancient tree and make a wish. we ask you from ours. with pleasure! oops, i'm starting to dance! visit the vibrant sights of our country. the church was built by order of chancellor lev sapieha back in 1604. this temple is truly very unusual. its peculiarity is that it opens its doors only once a year for parishioners on a special occasion. look in the program, the route is built on the tv channel belarus 2

midday news on belarus 1. in the studio , vladislav, hello, at the beginning, briefly about the main thing about this.