in the museum there were some exhibits telling about his feat there, here he is walking around alive and no one needs him, he has already been forgotten, he no longer exists, he is already just an exhibit, he is just history, a very interesting topic. then he again plunges into his favorite atmosphere of the twenties, the return of the battleship. it is based on a story with the same name by alexei kapler, about how eisenstein filmed the great film, the battleship potengen. most of the film was shot in belarus, and of course, odessa flattery featured again.

the picture of the return of the battleship, by the way, appeared on a remarkable date, the centenary of the invention of cinema. the premiere took place simultaneously in 25 countries, including at the headquarters.

gennady and i met again, he came to minsk to shoot a picture of an eye for an eye. he introduced me to his new wife, such a plump olga. i must say that except for olga and me, who were with nata, everyone else already treated him like a celestial being.

it’s like salvation, a glass, you know, let’s do it one more time, poloka told me that in in the sixties, he brought this script to life, this script is an adaptation of the story by boris lavrenev, the seventh witness, but then in the sixties, when poloka brought this script to production, using the authority of his father, the famous...

kovodka, it is in any proportion, a product, i can’t, somehow you yourself, a film director

who was formed in that great soviet cinema, gennady ivanovich works the old fashioned way, on the table, standing next to him. a monitor in which you can see everything that the camera shows, but the shelf, even if the camera is on the balcony or on the scaffolding, he will definitely go up there and the viewer will definitely look at what is visible in the frame, although the monitor shows him everything, during the break he comes up to me and asks: volodya, what are you reading? i say, yes, here is a play about such an impossible hypothetical... meeting of two great german women, this is marlene dietrich, who is 90, and leni riefenstahl, who is also 90, but marlene dietrich, an ardent anti- fascist, alena riefensteil

glorified the fascist regime in her very talented films, amazing films, in my opinion, the best documentaries of all time cinema, this...

in 2011, the last magician of the great soviet cinema, who shot the film at the end of eight years, left. years, his entire generation has passed, as if the road to the young, the road to the next generation, that’s all, the eyes of the geniuses closed, and when the heavens closed, as if in an empty room our voices began to be heard, we drag out, we draw out the belated word, we speak sluggishly and darkly, they are not there ...

the eyes of geniuses lived, everyone left, everything is allowed, everything is allowed, the road is clear, this is an appeal to you, young people, dare, command, attention, prepared for shooting, recording equipment, camera, engine, extras started, actors started, stop, great.

we introduced such an indicator, what is the effect of investing a budget ruble, if we take innovation activities, then in the first half of the year twenty-three , about 24 rubles worth of products were sold per ruble of budget investments, of which approximately 22 were high-tech science-intensive products, we everything is done for the patient free of charge, absolutely all stages of treatment are paid for by the state, it makes no difference to us. europe as a periphery to use intelligent

economic, financial, technological resources of europe to strengthen the united states in a powerful fight against china. and the efficiency of the government is, well, the highest, because even under the conditions of the imposed sanctions, nothing happened to us, our gdp will grow this year. the markov project is nothing personal. watch on belarus tv channel. 24 palishuks - these people who live in harmony with nature, no one can paint a picture like nature, when i pass something so extraordinary, i see a hand reaching out to me like that take a picture, there’s an anthill here , that’s also life, there’s a family there, they’re doing something there, the city will never have what we have in the countryside, we have nature, we have fresh air, we have our birds , they even sing differently. yana is not very sensitive to the rules of the kashtouna people and i will come out of this.

droplets, droplets. i think i found some drops on the ball. but i mean, in a figurative sense, every little bit of shit is a little bit of a drop. i gained momentum and grabbed this mushroom. watching projects of our tv channel, so what kind of place it is, belarus, business-like and

developing, hospitable, bright and festival-like. generous, picturesque. and monumental, sports and team. we tell you not only.