in may, the top, as we have done, washed the belfry, bathed, which covers the central part of the temple, its masses, with such creases, vintage. let's look at their history and basic facts. the paselishcha that became the sweaty meatheads of the fire was not here, there was a roof, a stone, an icon and a board. and the hell of the monastery itself began to develop. expressive and rare, coveted and sweet. at the hour of the end of the world of meat , the abhad gallery, yana is shrouded, so great, jumpy, tiny, dekaratyna aformed, create such plastic part. look at the project architecture of belarus. artfully speaking, vivid. i think that this is what the master of the unified faith, the faith, the faith.

do not miss on the belarus 24 tv channel . pyotr kupriyan fought in the partisan detachment rodina of the razgrom brigade since 1943. in the first battle with the nazis, he himself got a weapon. the young partisan collected important intelligence, penetrating the garrisons of the occupiers, took an active part in the rail war. marriage, shown in the fight against the fascist occupiers, was awarded a medal partisan of the patriotic war of the second

degree. in july of 1944, when the red army expelled the fascists from belarusian soil, pyotr volunteered for the front as a private in the third battalion of the 53rd motorized rifle brigade of the 29th tank corps. the young fighter died on november 2, 1944, covering the embrasure of an enemy pillbox with his chest. this sacrificial feat helped his comrades in arms to seize a nameless height in the distant kruņi region of latvia and victoriously move on, expelling the fascists from soviet soil. eighteen-year-old pyotr kupriyanov was awarded the title of hero of the soviet union. posthumously.

it’s reasonable for all this human beings, so it’s reasonable for all the great important people in the world, who are healthy, so long as the current heat of the day passes, this planet and nature, this prosperity, this gaspadarly oh, oh well, this kind of speech works for me, it’s fundamental, universal, good , kali museum of dapamozha kamusci. i am igar

ivanov, the enigma of the navukova-eksazitsyynaga addel of the belarusian dzyarzhaunaga museum of folk architecture and life. dasledavanna munulag let us understand the truth. belarusian dzyarzhains museum of folk architecture and life, geta adzins in belarus skansan museum. what does skansan mean? skansan - geta adzin from the view of the museum to the open skies. skansyn - this museum, where the foundations

are based on the memory of architecture, which is softened in the museum and the traps in the museum of the roads of translakatsi, then side transport from the natural asyarodja. the pieces are folded. everyone remembers that we are here with you very much, we have previously discovered in several belarusian villages, in different districts, sorted out and transported here. in belarus there are six historical-ethnographic regions, this central belarus, paazire, panyamonne, padnyaproye, zadnaya.

central belarus and padnyapro. i am a riddler of a navukova-expazitsyynaga addzel, my main task is this created exhibition, expazitsy. we work on exhibitions as part of our funds, like in any museum, exhibitions - this point, maybe 10 of our collections. most items are purchased in funds. we actually take away the item. from civility, we learn, systematize, classify in some way, and also the museum of the product is now exhibiting and we are already broadcasting it back from the community. you can eat

a little grain like this, fall asleep at the mill, and then the guide and then spin these mills, because everything is so twisted... you spin, spread the flour, then pour all the flour here, this flour can be sweated, taxama sabrats, open the damper fall and the pulp will fall, but these mounds, which were special here, were pasted for the purpose of digging them out, in order to turn them around, in order to be able to use them pratsavats, so this expansive addzel is frozen, so the zhorns are in the funds i know, we are crazy, we don’t get excursions now. most of our exhibitions are interior, so-called ensemble, and we also create songs asyarodak. uvogule sculpted expazitya - this kind of exposition, what, well, what kind of kitage is not patrabny, side by side the items

speak for themselves. at the asyarodka museum, everything is working on us, on the expanded spread of museum culture. when visiting a museum of this kind, you often look not so much for knowledge as for such reflections in your happy past. kozhny house - geta history peўnay so, the one on the right is the original one, the other on the right is the history of people who are these objects, these everyday life... then we will certainly begin to give certain special accents, such as documents and photographs expressiveness. you and i know each other on the first expansive sector of central belarus, this sector, which is

part of the last 19, 20 centuries. assembling villages in belarus, during such a period there was a street layout, then there was a regular forgetting, a form of some kind of construction, a campaign. abumoulena akurat eight getai regular forget it, you street planner. our museum is great for aaa. semynaga navalnika, then the side of the father can svaymu dzitsenku show: look, i’m greedy for such a rant, so here, i remember how my granny sat down for the crowns, and maybe hundreds of patlumachyts, and dzetsi geta of course, the assembly of central belarus was the so -called linear this molded zabudova dvara, this form of zabudova, like a real peasant hut and gaspadarchy budynki were placed in adzin sherag and were abbyadnan...

gaspadarchy pabudovs, exactly the yard, well, no kanstruktsyina, ale ўmoўna padzyalaўsya in two parts, geta clean courtyard panadvorak for people i... gaspadarchy dzyannik for dzennaga pasta zhively. assembling the folk teaching of belarus at the end of 19 and 20 centuries, there was a hectic class of memories in a hell of a day and a quarter of a teacher. the instructors who worked in folk schools on the size of the waters came up, so they tried to advertize, as if they were stupendous, the usual bastards. at school there was a lady who looked after the gaspadarkai, like that. i fished the hedgehog for both my mentor and my husband, i fished, the interior of the quarters would have been simple, there was

a sluggish holy place with steel, where the mentor could wash gas, navat there people from all ages, because the same levels of writing would be low in people there, yes installation for signatures, for you, for reading there were some sheets, some folded sheets, all the same, well, there were some dachshund sleeping quarters, and a kitchen, all of them were there. fathers do not want to add their skills to school, because the skin working hands were too expensive, all the time, if the belarusians were born it’s not necessary for adukatsy, and this greatness of goodness is written all over the works of yakub kolas on the rise, dze labanovich іmknuўўy dagrukatstsa yes palishukoў, if you understand that the workers are trained.

such a jumpy, lively month of non-fall has become very popular among the world of cinema creators, and there are films like the one from the 44th and from the cherven 41st, which have become a very old classic naga cinema can show the silhouettes of our memory of architecture.

i will float the aesthetics and style of the mural buds, all for this baroque period. i remember the architecture of the draulians - this is the first kanstruktsyya, kanstruktsyya chastsey, navat, asabliva starazhytnaya, there is the end of the 19th century without flowers, amal. either the side is all the evil barvenny, all the evil elements, belek, natural yans, then the side is at the cabin. the architects arrived, fixed the memory, abolished, the workers dismantled, began, then side, and pas...

realized that the tree - the heta was not eternally materiad, the memory of the kingdom of the great one sensual and temperature, yes in the yard, there...

what is normal life for belarusians? for others may seem truly exotic, good morning, friends, rooster, yes, we have it like that, good morning, and how does your rooster crow, kikiriki, kikergi, yes, seriously, friends, any journey in an unfamiliar city should start

in a museum, where i will tell you how to build the right route to see interesting places. however, it is easy to become one of your own in a foreign country, you just need to get acquainted with its history and culture. this is a five-hundred-year-old oak tree, wow, which can fulfill a wish. in my opinion , i don’t want to leave here, i would definitely stay here week to live, ciao, ciao! watch travel show, like at home, on our tv channel. heroes of our program - outstanding persons, captivated by their right. monologue that moment when i was distributed, she was still completely unheard. we looked for some literally lines of knowledge of immunology, rotted,

spent the night, gained some experience. acquaintance with them, left a bright impression. i am dmitry kupriyanyuk, studio and restaurateur. any theater begins with a hanger, well, and the country with hospitality. welcome to belarus. and allow the best to understand the soul belarusian people. i really wanted to do something significant, to somehow make our city even more significant, more interesting. happiness for me is when my loved ones are happy, that 's the most.

today, but i also have my own division, so, this is the royal palace of the arshan district, this is already in our tiered central temple, and two courtyards, one from the village of volevo , dubrovensky district, the other from the village of brakavo slabad, chaussky district, spring courtyards, then the side of the closed courtyard, in principle, my house, my fortress, so all the gaspadarchy elements, doors, yana are all looking at the inner yard, well , the actual life is there, but it is largely hidden. hell outside the block. for padnyaprovya there were typical vyanochny dvaras, and thus padnyaprowya was an integral part of the hell of central belarus. the vyanochny dvara is a form of a planned village, like a peasant's hut and a gas station, all softened like a vyanok's bytsev. then on the side of this there would be a closed courtyard, which is the actual knowledge of the insides and is

surrounded by the same gaspardik booths, hatai not safe, and the hut is a yana element. due to the hour-long exhibitions, we can exhibit items such as pastayan exhibitions, and by exhibiting, we demonstrate the richness of our funds, the richness of material culture, for which we offer exhibitions. exhibitions can be taken from expeditionary work, then the items that we have collected from the region, from the past, the exhibitions can be taken from the research, so, if the knowledge on

certain subjects oh dastatkovyya, sektar paazir'ya tsikavy tym, what's here pradstaulena the systemless layout of the residents, then there is no such regulation on the red line of the façade of the future. the skin was like i could, the geta is connected with you, because the raven of the earth was not too bad, it was necessary to loosen up a little, all the weak pastures in five-seven dvaros were here, well, what about the dachshund? avany vyanochny yard, vyanochny yard itself on its own the most archaic form of forgetful sedziby, so akurat yana abaranye, abaranyae hell of the wild beasts, first for everything, this znoў zha the edge of the forest and the same. for malay since the time of the war,

the regular system of forgetting the dwarf, and the pastoral law, did not stop the spread of popular culture. the paselishchy had very sluggish weights on three, five, seven doors with a systemless layout, then there was no red line of the façade of the budynka, which was found in paazersk ix. paazerskiy yard, dachshunds, from the villages of budzyaky dokchytskaya district, with their own three lines of forgetting: at the private house, seedlings,

lamb, further, dumplings for storing food supplies , and further details zabudovy - geta khlyavy, yard dzyannik, for dzennag pasta zhively. working with the memories of the kingdom's dominion, you understand the people's kind, you understand that this is the same thing... and that's how we come to terms with our harmony, we show that this is not such a long time ago, this is how

it is and 100 years ago nothing, but you are not less, geta vyalik jump, vyalik pragres. in the abyssal weather there are popular vyaskov ladies, shabby huts, people who haven’t lived in centuries, but... even young ones, so, this is such a good way, i mean these people are well from the city mitus, to find some peace, peace, a miracle of nature, a miracle of prophecies, it can be, so, and exactly all this is why people go to the village, it is beautiful and looks, all this is why i seek peace, i seek...

"we choose the best routes, it is hard to believe, but once upon a time there were centuries-old forests on this land, we are in tolochin, welcome, and we set off on an exciting journey, there was extensive trade, suddenly they brought lavender oil, rose oil, in this most significant stone iconostasis for belarus there is not just a whole historical era and a piece of the soul of each parishioner, they donated money for icons alone". place and

two poems veronica in the village. only in 1871 a temple was built on this site, later consecrated in honor of the intercession of the holy mother of god. ancient iconostasis and rare icons of st. nicholas, the intercession of the holy mother of god. she has been protecting the city from various misfortunes for many years. watch the cities of belarus program on the belarus 24 tv channel. every day we work to ensure that you receive. the latest and most useful information, the twenty-minute format allows us tell about what is happening in belarus and the world, take a linguistic walk in the company of our guides, find a new place on the map of belarus, which is definitely worth seeing, and also offer projects and films that will certainly become your favorites, this and much more, you ... awaits

in the project 24x7 broadcast, watch on the belarus24 tv channel. an important element of the museum's work is not only the preservation of material culture of art but also culture.

this is the preservation of the land, the preservation of the land for good stewardship, and the factual sense of the songs that vykonvajutstsa ў this hour, this ўdzyachnastsі, і naturally, podkreslіvaetstsa ў songs, tsjazhar ўtai pratsy. we have given you ours, and we have brought you some bread, so that your life will be happy in the coming year, the wildest, if you had a healthy, kind daughter,

we grabbed bread in the coming year, our trama the sheaf is reaped, as the element and zhynachnaga are important abrad, he takes with himself all the strength of the earth, which this land has given, in fact we have seen these moments, the climax, so all the beginning of the abrad, the gift of this aposhnyaga compressed snap, like yashche called dzedam tsi gaspadar, menavita...

uletku, in the spring geta padvyazka dreva, geta daglad agarodau, abavyazkova, znoў zha ў spring geta harvest urajaya, geta carrots, bulba, apples, geta what we can chestnut a lot of people are sometimes pink holy, all this is the same for the fund, well, at the padarunakulba, well, this is cool, well, asable as possible. davodzitstsa zatrymatstsa on pratsy, sometimes kinazdymkaў, for example, the clock passes navat zhurytsya night, museum of the great change, geta and sunset, geta and others birds, this certain other animals, these birds are in the early stages of nature, this is everything that feels good, and you can look at the museum in a new way, months, but there is no treatment for it ...