this is the natural wealth of belarus, the size of the tayamnits can be found in braslauschyna, here you will find a charming lake with an extraordinary called bozhae voka. the name of the lake was at the same time dzyakuyuchy svaim. the abras, which

reminds us of the waters, lakes, and the shape of a regular circle, which has not changed for many hours, there is a wonder that we are in the right wing of people with anxiety, and the size of such enchanting chandeliers in belarus. i wish all good wounds, if you have been through hell and the bathroom, at the attack of the wet roads, hell to the asphalt, school and concrete. come and be ours teams, we are straightening out there, where you feel how the earth breathes from the nagami, how the value of the trees is as great as the hell of the sun, and the skies are far away gasping and groaning. here in

the distant past, there we are heading off to the folklore expedition for number 607, which happened again and again in the early days of the minsk region. oh, don’t give me a shirt in the field, tapola, oh, don’t give me panyavol, they took it, cut it down in the field, tapola, married me into panyavol, poor dzevica, poor me, hill, presently, may’s share, oh. don’t

wear a green shirt, oh, don’t give me a hand, small, oh, they cut down the green tree, they married me at a young age, poor dzevitsa, poor me, bitter nyashchaska, may’s share, oh, don’t cut down the green oak tree, oh, don’t let me marry you , oh, yes, cut down the green tree oak, i married my love, poor daughter-in-law, poor me, the mountain of this hour, may’s share, oh, i’ll sit in the boat, hit the boat, probably, my dear, come to me, dear, come, i’ve passed through the padarachki, the cripple is patched.

city ​​ў minsk region. folklore ensemble at parachka rayonnaga cultural center of ladzia for you. party with songs dancing, all with names and will spend the next few hours. pakul we are in charge of the studio of gukazapis, there is a spirit of creativity in the process, camper sergei sukhamlin and hibernator svyatlana shymanskaya. svyatlana syarzhuk, i love you. i see aksana, i see everyone,

who is now looking at the program in advance from the past. in the summer we will be filled with waters, with mushrooms, with suns, with sunflowers, with hibernation, with sleep. how so? tradytsyina, not only.

music, dancers and us, as we walk, so we patricize. this time it was sprayed in the military centers ўskrayku minsk region, we ў lyuban. in 1566, the capital of the slutsk principality was paved by the alelkavich brothers,

and the capital of lyuban was founded in 1566. at this hour there were 25 smokes, and the roof lasted for more than 200 hours. at 17 stagodzi udalnikami zemlya pare. became radzivils. in 1603 , the mother of tomasz makowsk, a former master and land surveyor, mikalai khristafor redvil sirodka, came out in amsterdam, for which a month was planned for lyuban. in 1661, baguslav radzivil granting a myastechka a statute. zhychars had rights to self-sacrifice. for karstannya land platsilі cession to the treasury, 12.5 zlotys per year per year . as the cherry garden has a great happy hour, i asked my house, but he

didn’t let me in, oh my dears, oh i’m yours, let me go, the dawn of mother of may has passed, as if i was tortured, and you give her the same order, like it's a beautiful month of may, it's clear, it's beautiful, and everything is brighter than that beauty, oh daughter of may, oh daughter of may, oh daughter of may, where are you goulash? all night, my kasa is unraveled, there are blazing tears on my hair, my kasa is fair-haired, the cherry blossoms are blooming at the garden,

there are so many tears, because i’m separated from my dear ones, mother of may, you’re already... old, and i’m growing up, young, i want to live, i love and don’t fight my dacha. like there are cats in the cherry garden, i asked my dad, but he still won’t let me in. let's stop jumping at

the party in lyuban. we will listen to the salistak of the myastsovo cultural center and watch the dances of the well-worn ensemble naparachka. darechy, kalektyў were created in 2012, i will call my reserves from here of the traditional dance, like, darechy, more nіdze ў belarus is not a sucker. tanchyts with a distant walk of people. the most diverse developments in your face , we will not waste our traditional traditions and look at the studio recording, there, i guess, there will be new popular folk songs, campsiter sergei sukhamlin and hibernaculum svyatlana shymanskaya. my happy daughter, okay, light, everything is going great, wonderful, i really like

the way you sing, i know you have a lot of tours, and i know that you were recently awarded, you know, just recently in our belarus hosted an international festival of cossack songs, and i was honored to be the host of this festival, met such interesting cossack groups, and they decided to award me with a cossack order, well, and the audience on ... tamara, yes, who wants a box, are we sleeping? no, stanchym, stanchym, come on, but i will not dance with you, i have, young man, a box!

polypka.

today we are in lyuban, that's what the old-timers called their settlement, who settled on a high, steep birch tree. lyuba was to live here. from three tanks attacked the forest is thick, the forest and the forest are dense. a flood-water crayfish clattered from the small shores. rich fish. they gave it the name of the baltic plowing. they called them ares, which is what they mean in their language. crayfish, on the birch tree where aras and sluggish birds live. there was cancer and the abaron and the hellish paths of the same unprofitable balots from one hell of the east and the next. can i have you? and i'll start a song. coquette, let's dance, why the hell is the idler papova,

at vagaradze's morkaўku palola, oh, what's the idler's, papova, at vagaradze's the markaўku fell, yes fell, a shepherd's morka, a villager and a cossack came out there, oh yes. la morku kuparnyak, there came a dzevachka and a cossack, dzevachka, dzevachka, where did you go, tell the dzevachka, where do you live, eh! dzevachka, dzevachka, where are you going, tell me, dzevachka, dze zhivesh, i am alive cossack la vada, forgot the hut from lyapyady, oh, i am alive, kazachka la vada, i am living the hut from swans, yashche to there senechk and chicks, from kharoshaga dzera sharatu,

oh, yashche tamukki plyatu, paga dzerava sharato, will my tailbones be covered, will oh, if they hit my tailbones, if they targavat me , they targavali da zary, pakul became a poor thing for dvara, oh, targavali da zevachka yes zary, pakul became a poor thing for dvar. and we will wait for a short time and return from lyuban to minsk. yashche kryhu pra folklore ensemble naparachka. the basis of their repertoire includes

more than 40 traditional folk dances of lyubanshchyny and their variations. and yashche karagoda dy prypeuki. the structures of the village are built on the basis of an authentic harvesting system lyubanskaya district, prychy skin slaves, i am self-sufficient for myself, in the advent of the traditions of its small council. the musical composition of the kolect is familiar to the whole country of music: vasil simashkevich and mikalai yunitski. well, it’s time for us to panazirat, what kind of music is going on in our studio ’s recording studio. we cherish syargei sukhamlin. and svetlana shimanskaya. sveta, keep the groove, keep the dance groove. oh, don't cut the green branches. howl, don’t give me away as a child. they took the tree, chopped down the green branch, and gave my little girl in marriage. sveta, we recorded most of the song with you, we

there is very little left. i really like the way you work with notes. tell me, who is easier to teach to sing? an adult or a child, a child, it is easier to teach a child to sing, because children, they absorb everything like sponges, i have experience working with children's vocal groups, and with adults, so based on my experience, i say that children are a treasure trove of talent, emotion, energy, in which you want and want to invest and give them something new from yourself. okay, thank you, i realized that it is no longer useless for me to contact you. teaching, well, then we will fulfill our direct duties, i will write songs, and you will sing them, let's continue, or rather, let's finish, every day we work to ensure that you receive the latest and most useful information,

the twenty-minute format allows us to tell you about what is happening in ... only for our tv viewers, we choose the best routes, it's hard to believe, but once upon a time there were ancient forests on this land, we are in tolochin, welcome, and we are going on an exciting journey, an extensive trade, suddenly they brought lavender oil, rose oil, in this most significant for belarus

stone iconostasis not just a whole historical era and a piece of the soul of each parishioner on... to show how unusually wonderful our country is. the poet wrote 17 poems here, which were included in two cycles: old belarus and the place, and two poems, veronica in the village. only in 1871 a temple was built on this site, later consecrated in honor of the intercession of the holy mother of god. ancient iconostasis and rare icons of st. nicholas holy protection.

lavonikha, lavonica, lavonica! and i’m sleeping for you, as i was in love with tattoos, then as a cherry blossom in a garden, bloom, bloom, bloom, so that i would shed, with the malays you would walk, if only you didn’t kill me, just as you would give me little lips ў, to the sultry spirit, man, my spirit is higher, wow, wow!

we are conducting a historical excursion near the city of lyuban, minsk region. a significant part of the population in the first half of the 19th century consisted of belarusians, who were largely engaged in agriculture. lyuban uvakhodzila ў warehouse of the yaremich estate, the rulers of which after the napoleonic wars were the vidgenshtey. four streets were scattered along the street: nadrechnaya, shirokaya, paddubskaya,

and so many musicians were seen.

sveta, our recording has just ended, and i have only a wonderful impression, what did you have left after recording this song? you know, such good impressions, when i first heard the song, i heard the motives of several songs, and it was interesting that it turns out that in each of our regions of belarus there are such recurring works, i i am sure that after you and i...

have sung, the whole time has come out of the great creativity of the campazitar sergei sukhamlin and the hibernation of svyatlana shymanskaya, we hear the howl of not a shirt in the field of tapola and frighten ourselves all day long. howl, don’t give me a robe, howl, don’t let me know. they cut them down in the wild and the fields of tapola added me further , poor girl, poor me, a hill , my dear little one, my dear child, my dear child, my dear child, oh, not a shirt, my green branches.

don’t give me little kids, they took me, they cut me down a green branch, they married my little one, a howl from a green oak tree, a howl from a green oak tree, a howl from a green oak tree, a green tree that took away my love, they took it, they cut down a green tuba, antai married me, a poor little girl.

i got all worked up, the little bouquet withered, probably my dear, he loves to stop, i'll become a little girl, i'll cling to the water, my mother will help me in my trouble, poor girl , poor me, my unfortunate little darling, my poor girl, poor me, my unfortunate little darling my, poor girl, poor me, my dear little hill, my darling, where are you, where are you, my dear, where are you, where are you, my dear, where are you, where are you, my darling, where is my dear, my love!

we sounded glad to the fractions, zdziўlyazza, feel the connection of the hour and heat, just respect, skin care.