we must look ahead, the logic of the political development of everything that is happening in the world suggests that until 2030, at least, we will observe all this madness around us, in this regard, they began to attack, including our own partners in the eu, so my personal conclusion, the most important one, is that for the next 5 years... everything was

stable, we must support our current political leadership and not allow internal discord and conflicts, only in this way will we survive, i will literally add, yes, on the one hand, when hungary appeared leader, they immediately began to be attacked, but on the other hand, we come to this conclusion after today's conversation, the country has a chance that it will survive in the whirlpool that countries find themselves in. that have lost this sovereignty, sovereignty, statehood, golden words, thank you for this conversation, today everything is happy.

when i got to boroslav, i realized that our land is the most beautiful, your signature style is winter landscapes, i'll be honest, the climate has changed, i really miss it winters, you were very much loved in the netherlands, you were offered, maybe, to stay there, leaving - it was tantamount to betrayal, and you buy someone's paintings, i realized that if i don't buy paintings, they will simply all be in the west, your children are also not alien to the world of beauty, up to the fifth grade they said: dad, we will be anyone, just not

an artist, another of your life achievements is your wife, of course, you are lucky, because she is simply a unique person, she paints a huge picture, she is very famous in europe, the main thing is that she is does it sincerely, she does it not for money, and do you consider yourself a happy person? i would really like people to become kinder and better through small things, through animals, through nature, through beauty. hello, the program say don't be silent is on the air, in the studio tatyana cherbina and svetlana smolonskaya. and our guest today is the belarusian artist, laureate of the special presidential prize, igor barkhatkov. hello, igor antonovich. good afternoon, thank you for coming. igor antonovich, well, you were born into a creative family. your father,

the famous belarusian artist anton barkhatkov, and his mother is a singer, sofia kuzmenichna barkhatkova. she graduated from the getis department, had noble roots, well, she was closely involved in your upbringing, so since childhood, let's say, you were in art, as in that phrase, i'm all in cinema, i'm all in art, tell me please, did you have any other path, except to follow in the footsteps of one of your parents, what do you think? yes, as i can tell you, it's true that in such a family, when you are born, some, well, you understand, each classical music sounds at home during the day, mom plays, mom sings, she has students at... she gave at a music school, students all the time, all the time, if it's an evening, it's definitely an evening, a novel, a safari, that is , you bring everything up in such an atmosphere, dad, he's an artist, he means, hello, goodbye, there, earned a little money, and we, our family was very poor,

dad had to work for money, well, she earned poorly, in short, mom's salary was 68 rubles, and dad's there, when there is, when there is not, that's it, but dad, like money appeared, he left half of it to the family, went away for half a year somewhere to write, or he went to belarus to write with our artists, there with karasev, for a long time, there was a whole group of artists, or he went to russia to a creative academic dacha, there he studied in moscow, so all his classmates were moscow-petersburg, he went there and there with the best artists of the soviet union he wrote, naturally, this was growth, mom understood all this perfectly, and as if she gave him such a cart balance so that he would move. in the family, but mom all the time with books, at home, a gorgeous library, that is , how she was, roughly speaking, engaged in our upbringing, it so happened that the elder brother, he is 10 years older than me, vitold znachensky berulya, he became an artist, there

was no path at all, there was only an artist, because he was terribly talented, he just started any work, it was immediately a masterpiece, that is , for a person, well, a child was born , everything goes well for him. there simply could not be another path, and he, well, everyone thought that it would be simply completely unknown, who is there, mane there, tega, vango, anyone, he is a great impressionist, that is, he had no way, my sister, who is also a year older than me, my sister became a philologist, she worked in the directorate of literary museums, we all graduated from music school, all, what instrument? piano, we have a grand piano at home, well now it is with my sister, a french grand piano, my grandfather was the director of a bank in arenburg, and the workers gave him a grand piano in 1905, a french grand piano, the beginning of the 20th century, 1900, that's

the gorgeous sound, it's such a cabinet grand piano, that's it with a great sound, so when i was studying at a music school, i couldn't switch to this piano belarus, i came home, everything was so cool that i came there and the keys. here is such a real museum worker, that is, everything is clear here, what is going on, and i was stuck in the third grade, well, i lived in a brick factory, we had one there, now yanki marva used to be on... medvezhina, the ninth boronovshchina, kuntsevshchina, or these, or the children of workers from the working youth, here even we

have photographs from your childhood. sixty years, here i am, second on the right. there is a club that my parents, they collected money for, this club was built over several years, with columns, so beautiful now on the corner of panamarenko yanka mavro, now, this club still exists, this club has a gorgeous library, everything i read as a child was from there, because you could find jules verne there, manrida there, well, things that we liked, a movie theater, a movie theater, that is , 10 kopecks, you watch any movie. about 6-7 free sections, these are all the sections we have

guys from my village and the village is small , there are about 10 two-story houses around and everything is nearby, that is, everything for people, and these sections were free, and now when they say you have to pay for football, for a uniform , for hockey, there we had ship modeling, there was aircraft construction , there. it was just, you see, then the victories began, in the fifth grade we took a leather ball, our

team, several guys played with me, who later became, gurinovich, there, zagmantovich, who later became the golden team, the golden team, this is mine generation, this is my year, and these are my guys, with whom i knew them all, because i played, but then in the fifth or sixth grade they went to du usa, that is, a sports school, and my mother, i was sick, a late child, my mother gave birth at 42 years old. and in short, i was sick, and my mother did not want to let me go there, i begged her to send me there, they did not send me, then somewhere in the sixth, seventh, eighth grade comes, i stood in the goal, and i am small, imagine in football, a small goalkeeper, it is impossible, it is impossible, the gates are huge, and i'm small, so somehow with football i started to move away from football somewhere, although although we played all over belarus, we had a team. earlier now this is pid, and earlier it was called dsk, house-building plant, yeah, that's it, and

then my second friend, he's a musician since childhood, he lived in the neighboring house, he was almost blind, he had only 18% of vision, but i remember, to this day, at 3 years old he played any instrument, they sat him down, brought him to the piano, oh, he started playing tyk-pyk-myk, talent, and didn't study anywhere, his parents were sick somehow, and in short, he didn't study anywhere. mostly talented, so vocal instrumental ensembles came and i went there, so i was already playing, we made our own ensemble, played concerts at school, participated in some, well , it was mainly connected with school, festivals, some trips, then weddings started, this is generally bad, because well, weddings are drinking parties and so on, i'm a student there , some kind of ninth grade, yeah, well, and they were needed, we didn't have any guitars. we didn't have there was no drummer, there was nothing, so we collected bottles, dried some grass,

plantains, whatever we did to earn money, then we collected enough and bought two guitars, fine, then we needed to buy an amplifier, then we needed a drummer, but we didn’t buy a drummer, we would buy one drum, then a cymbal, well, we didn’t have any money, so when there was a wedding, you got a normal wedding, people took 300 rubles for a wedding, we took 30, well, we’re students, you know? look, you’re at weddings, dad went to the dacha to do something, draw, sofia kuzmenichna probably clutched her heart there, while she was clutching, no, she didn’t say anything, i didn’t drink, i didn’t smoke, i was a very good boy, she clutched, i just think to myself now, with horror, i imagine my mother, she studied in moscow in the thirties, then in moscow in the forties, he had a teacher labinsky, he was sobin’s competitor, he died. during the war, she studied singing with him, you understand, this is a star, just a world

star of vocal singing, she studied there, she played all her life, sang magnificently, and these on three chords on guitars, no drums , banging on some boxes, how did she stand it, that is, well, a person gets carried away, she was very cultured , very understanding, she took it all in, dad couldn't take football, he says: well, what are you doing, yeah, 20 fools are kicking a ball around and you're there, you know, brother, brother spoke better, brother says, father had three sons, two smart, the third was a football player, yeah. he was talking about me, you know, that's the situation, already by the tenth grade, i was still playing hockey, i was in goal you can be little there, i played hockey for a long time, by the tenth grade it was already clear, well, what is music, in music you have to be the best, yes, you have to work very seriously for music, not just twaddle, but work very seriously, i had an example, my,

my dad studied with gavrilov, this is the first brush of russia, the best. russian artist, and his son andrei gavrilov became a laureate of the fifth tchaikovsky competition there, not a laureate, but he received a grant 3 tchaikovsky, played with a richtor and so on, i saw how he worked, here is his mother, anetta, she worked with him, she says, and my andryusha only plays 10 hours a day, only 10, god, and shkinazi plays 12, and my andryushenka only plays 10 hours, and i 'm sitting there, i go to a music school, and god grant that i play there for an hour, you know, like, well, where should i go to music by the tenth grade, i don't know where to go, so by chance i started drawing, i came to my aunt's dacha in moscow, my dachas are all old people with their asses up, they plant these cucumbers there , you know, it's just gloom , the moscow professors, you know, digging in these gardens, six only hundred square meters and no one there, i'm alone there with this guitar, suddenly two beautiful

girls appear, one blonde, the other brunette, they walk around with these weirdos, you know, drawing pictures, well, to butter up, i had to say that my dad is an artist, i can also be a beginner there, and i drew with them for a month, they got together watercolors, i came, came to my dad, showed him, yeah, it turned out that you have well, okay, go ahead and start, so you know who made me an artist, my brother made me, my mother raised me, but most of all my brother was taking care of me.

poverty from zero in general, he suddenly gets into the school of 905, art, he had options there to be a pilot or an artist, he decided to be an artist, and there he has teachers, favorite students of petrovichev krymov, he immediately gets into such a sphere, it was like that all his life, after and after the war he

met belinsky berul, he is considered the only student of the berlin weruhl, it was difficult for dad, but just in the top ten. young artist, one of the best young artists of the soviet union, he is so sharp

in the language, very smart, knowledgeable, you know, he has these kids sitting there, he has the strongest... his side, he knew how to communicate with little children, this group where i ended up, and there were five or six people, and i came too, there are kids like that, you know, sitting there, drawing these still lifes, like fifth, sixth grade, and i'm such a big tenth grader, everything is crooked for me, the jugs fall , these plates are crooked for me, nothing works out, it's so offensive, but gradually, gradually after six months, well, i'm an adult, and after that i already became a leader there, and there were very good people around me, but... the most important thing is that they were different people, they were not simple people either, they were from different cool families, they were interesting there, they introduced me to kurosawa's films there, you know, they suddenly needed.

it turned out that half of the artists of belarus went through this studio. igor antonovich, but you say that everything was easy for you, but in graduate school you ended up with mikhail sovitsky, and here the difficulties began. but the thing is that before that there was a very large chunk, it was an institute, yeah, after i got into the army after the studio, i went there on purpose, they wouldn't take me, i was sick, they wouldn't take me, i myself was in the army, i felt that after even the studio i wasn't ready for any admissions, i needed time, i got into the army, i painted there day and night, i well i had such an opportunity, so i brought a lot of works from there and prepared a little, firstly i prepared all these stories, russian.

just to be an artist, he must be the greatest artist, he must be, i say this, here i tell repin there, oh, this everything is bad, surikov is bad, leonardo vinci, michelangelo, you have to go there, there, there, that is, take the very tops, the very tops, that is, such an aspiration, and i worked for lutsevich for 14 hours, my wife is also a student of lutsevich, she says that life ended after lutsevich, we just drew day and night, this is very, this is very - important development, so i ended up in the army, after the army i enter the institute, my teachers in the first year were livshetz, then he leaves not for israel, but for america, in my opinion, a wonderful

teacher, he lived on the same street as chagall, when i got into graduate school, into graduate school with the soviet, yeah, that's when i was shocked, i never took a day off, i was always at the institute, everyone went off to the village to rest, i wrote, i came back from... more work during the holidays than at the institute itself, i liked it all so much, i considered myself such a cool artist, i had a defense there, a red diploma, everything was going great for me, but mikhail andreevich didn't think so, he considered mogra, he didn't come to me, let alone to me, he just said right away, so, how many of you made drawings there at the institute, i say, well, here 1. for example, yes there, and how many portraits did you paint, well, there you painted 50-60, and how many paintings did you paint, paintings, yeah. well , a diploma, so you, he says, are not allowed, you don’t understand anything, a painting is a serious thing, you don’t earn anything in terms of composition, but can you, here to our viewers

, explain in simple words the rules of composition in the soviet way, well, i think that this is not his rule, but yes, you know, he made us bring sketches, well, draw with a pencil, what is it that you want to say, you show, no, you show, no, we have been six months on ... the point is this: first, the artist must have, come up with some very big philosophical

idea, what do you want to tell people? the next stage: you need to find a plot for the picture, a plot for the picture through which this idea will be viewed, so the plot is already the three karamazov brothers, yes, there they have a bad dad, right? who was later killed, yes, who was right, who was guilty, that is, you must find a plot so that people, well, you have a bare idea you can't draw on a picture, yes, people should see people, there is some action, yes, what is happening, you made the plot, yes, you came up with it, the next step: you have to arrange these figures and arrange the landscape and arrange the paints so that your idea is visible, that is, we are approaching formal composition, so in class they give you a piece of paper and give you, for example, two circles and there are two circles, for example , a triangle and you have to arrange these two circles and the triangle on the paper so

that it turns out to be a disaster. yeah, you have to try this to do, it's a formal composition, it's not soviet, it's just a formal composition, or for example to convey happiness, from the same objects, only you put it differently, so that a person comes up, like yes, class, yes, this is a formal composition, well, in words it turns out everything is simple, but probably in practice it was a bit complicated, that's why you described mikhail andreevich's style as severe, well, and we'll look at your paintings in the next part, you are famous for your winter landscapes, definitely. we'll discuss, but for now let's take a short break, our telegram channel say, don't be silent, sign up, offer us guests , ask questions, we are in touch. and the apartment? the apartment, of course.

i'll pass it on to anya, i'm your son, what kind of father is he to you, he rubbed his way into a decent house, broke up the family, his whole mother, yes, we did everything we could, i wasn't even around, hold on, you know that i was always very pleased with your work, but lately you haven't been like yourself, clients are complaining, the monthly payroll, utility bills have been destroyed, pen, write a statement of your own... free will, let me help you, what are you doing, get away from me, you take care of your personal life, find yourself a normal aunt, finally, and control her, olya, i missed you so much, forgive me, please, i'm such a fool, i can't live without you, well, forgive me, dad, she just ran out of money, this is kosya, i told you about him, and this is aunt anya, and you already know each other, watch the series everything is for the best on

the belarus 24 tv channel in our show , cheat sheets will not help the participants, you can only count on your own strength, the game will be fire, guys, i know that you hear me too, light up today on our intellectual show, vasya, start the first round. is it true that the diving beetle is a predator, no, i met a diving beetle, it looks like a small bead in the water, is it true that sometimes?

the program say don't be silent is on the air again, and today our guest is the belarusian artist igor barkhatkov. igor antonovich, well, we have already mentioned that your signature style is winter landscapes, i wonder why you have such an attitude to this time of year. well, the thing is that, firstly, i was born in january, i was born on january 5th, this is always crispy snow, you know, our generation grew up when the snow in the yard is taller than you are, these are fortresses, this is all, this is a crispy sound, so these works were written in our village, khoruzhi, you know, it is very difficult to paint in winter, the year before last there was a winter when there was not

a single sunny day, well... i miss winter, i will be honest, the climate has changed, i really miss winter, that is, you noticed, yes, what happened, i noticed from the paintings, before i painted a lot of winter works, sunny ones, now no, there are three, four, five works in total, and nothing, that is, like there are more days, here, but like this work, like i myself felt that it turned out, it was some year when javier was there, and there was a lot of snow, you know, it was a pleasure,

i liked it myself. painted from life, they are very sensual, i don’t paint in the studio, everyone comes to me in the studio, i don’t have a single paint there and my floor is clean, yeah, relatively, well, we ’ll talk about life later, let’s then look at your... other works, because after all you are being modest, it seems to me that in other seasons you, i work all year round, of course, spring is when there is snow, the last snow, i want to catch it, because there is little snow, and even in spring, here in march, i still want to catch at least some pieces of it, in march, by the way, is the best time for winter, because there is a lot of sun in march, it is a pity about the snow, this is autumn - it is right next to my house, well, you see there are already such fallen flowers, leaves, there too. there is a stormy sky, there are winds, autumn, this is a wonderful time, firstly, it’s cool, you know, it’s cool, the wind, these leaves are turning yellow, but you have to work very quickly there, because you come, you start painting, they’re green, then they ’re yellow, then they fall off completely, i have

autumn works just standing in piles unfinished, if i haven’t finished them this year , they’re standing there waiting for next year, next year i go out, i take this canvas, it’s almost finished or just started and it’s easy for me to work faster there, that is, by... we have lena, she feels them, they’re very arranged, we painted next to each other, lena has the same one, only hers is bigger, firstly, her canvases are bigger, three times bigger, huge canvases, secondly, it takes her longer to paint them, she, if she paints, then she will paint one a month, she will put everything in there. you see, even on the apples there are these droplets, sometimes it rains and suddenly there is no

rain, you go out and paint faster, that is, it is such a long process, as it were, but you have to try, of course, the faster the better, lena plants the asters herself and then we choose by color which ones to put, we will talk later necessarily about the work of elena nikolaevna. the academic dacha, where there are rivers and lakes all around, or i'm going to braslav, and there are huge lakes, i wrote this work when there was an order for a large painting, which was called my homeland, i had to paint a huge landscape - for our bank, they asked for

a large landscape, so that there was a lot of blue water and blue sky, this work hangs in everything, all the journalists, foreign and everyone who is at the meeting, yesterday was the same, i saw it, i see it almost like... i don't see a person in the landscape now, if earlier it was a man with a horse and i had a lot in the landscape, but a man is grazing, a man

is riding home in a cart, i had all this in the landscape, but now he is riding on a tractor or some kind of supercar, among these little sheds, birches, this car is like hello, it’s not at all well... they don’t go together, or, for example, earlier there were collective farms, people went out there, did something, yes, they raked hay, stacked haystacks, it ’s all very beautiful, these are people on the ground, yeah, that is - machine labor killed your desire to draw, to write, the thing is that of course, everything was killed before, i was still a soviet-style artist, yeah, in 1991 it all ended, because it turned out that no one needed big paintings, the idea, our most important one, which we believed in, which we loved, was destroyed, everything was trampled on, what was bad became good, well, kebalchizh became bad, bad became good, yeah, that's how it turned out for us, and the painting initially, according to the idea and the plot, it doesn't

fit in at all, here are the latest exhibitions, i didn't stop painting, i painted for another 2 years after perestroika paintings, they were exhibited or not exhibited, but if they were exhibited in the backyards, they did not work, people needed something new. some kind of avant-garde, some, well , people needed something new, it was perestroika, they needed something new, and the painting, the painting died in me, and then no matter how much i tried to come up with some idea, a new plot, they will laugh at this, they will laugh at this, this is not necessary at all, there is no need to disgrace yourself, you understand, in me, that is, they killed the artist in me, it was i who began to paint landscapes not out of great happiness, precisely because it was a painting no one needed, you understand, but in landscapes one can also say great things, well, you say that no one needed the paintings, but nevertheless your landscapes in the style of realism , yours and your wife's, they were in great demand - for one period abroad, in particular you were very much loved in the netherlands

, they paid you for 2 years just so that you exhibited only in this country, and this is also connected with the fact that after the great patriotic war there were no realists left there, artists, yes, who painted in realist style, there were avant-garde artists there, and the public, yes, they missed them, there was such a demand, in holland, if you were involved in avant-garde art and discovered something new for yourself, you were given a good salary, but a realist was simply not given one. and artists were simply forced to move there, there are several realists, very few remain, but they are there, there are several people there who have grown up, who have become good artists, but the general mass, the general mass, if you became avant-garde, look at their art magazines you can't, there's not a single retic painting there, there'll be some head there , bandaged with blood, there'll be this photograph and this painting, that is, you 'll be there, well, you'll end up in a completely different place.

holland, it was ninety-seven, i think, ninety-seven, our gallery owner, here's the dutchman, here he is, he looked at my paintings with horror and said, well, i 'll try, but he bought all the belarusian artists, not all, but somewhere around 20 or 30 artists bought paintings in belarus, after a few months he left them in himself only six people.

he says, can you imagine how great they have arranged everything here, but they did it, and we are so happy, we came to everything ready, yes, from the village, and we will use all this, these people poured the earth, yes, on the sea, yes, they built castles there, palaces, they cultivate the land there, but that is, like, or in italy, you come to italy, it is a divine country, the most beautiful country in the world italy, yes, you have blue mountains and everything, no matter how i tried to write this in austria i tried to write, well and... this is me cool, no, i draw really well, everything is there,

oh, how great, and then they took me there in austria, they brought me to this old man, you know, the chairman of the union of artists there in saalzburg, here is salzburg, the city of mozart, so i came to his studio, well, in short, i understood everything, he makes two brains, he has such an austria, such mountains, he has such a sun, such light, let us down, but what is there to draw here, this dryness of some kind of field, he has nothing to draw here, and i have nothing to draw there. what for these people, i love my

people very much, i lived in a brick factory, i have there best friends, in my class my best friends, you see, now you have been living for 25 years between the capital and vents, yes in the village, there are also best friends, they are very good people, it is brilliant to work there , no one will come up to your picture and ask anything, we had our first house in asipovichi, it was impossible to write, because all the de immediately ran up to me i begin the year.

numerous you have about a hundred animals, five arabian horses, dogs, cats, chickens, i did not even find the photographs that i chose, probably everything, because it cannot fit into one frame, tell me, can you call your family wealthy, no, few paintings are sold, foreign countries are closed to us, yeah, foreign countries are closed to us, our government agencies, they don’t buy anything, well, sometimes once every 10 years there ’s something there. that is, and there are fewer private owners, buyers, like a wave has subsided, because the first wave was when the jews left, they took a lot of paintings with them from belarus, the second wave was when a rich class appeared here, well, after perestroika, here are our banks, our large enterprises, it was a wave, we

had very good sales in minsk, the third wave ended when the pandemic began, that is, everything is moving away, everything is like mine. yes, there were no paintings at home, they always went to museums, then abroad, then to belarus, you come home, these dutch french gallery owners came there, and why work so little, but because they sell, now i have a full studio painting, well, maybe this is such a thing, this is good, good, i returned to where i started, when i began to become an artist, in each studio, each artist had thousands of paintings, yeah, but there was no money, an artist must be hungry, it turns out like that.

and what to choose here, and how much do you need to be happy, he has 5,000 there, he buys the whole studio, a person worked there for 60 years, here is a studio 5.0, 8.00, here is a studio, at that time it was a lot of money, and you buy someone's paintings, when foreigners were taking them out, i started buying, because i can always find 5 dollars for a painting, a whole clan of these collectors formed around me, they also started buying belarusian art, well, what can you do for 5 dollars, and then 10, and then 50, then paintings.

save paintings, they will all simply be in the west, i think that this is my achievement, i personally saved a lot of paintings with friends, we saved almost everything that was possible, what was left, we saved it, and now, when there is an exhibition of some artist, they call me from the museum or from somewhere, and that they have 20 of these works by some artist, and i

have 40 of them, yeah, igor antonovich, well, we think that this is another of your achievements vital, this is your wife, we have already mentioned her, because everything depends on her. restless household, she gets up at 4:00 in the morning, feeds the horses, then she has to mow, then she has to feed the chickens, she has a drawing session until eight, and then you wake up, you drink coffee, then you start working, well, tell me, how to find a balance in this everyday life, because well, to be honest, getting up at 4:00 in the morning, this is ilina nikolaevna's work, peonies, getting up at 4:00 in the morning, and what does she have to do with all the equipment herself, and my question is then, what in are you doing this moment? no, i'll tell you, of course, it's lucky, because it's just a unique person, it's a unique person, she also graduated from

the art school with lutsevich, by the way , she graduated, she was lutsevich's favorite student, gradually, i remember how she hadn't written anything yet, and she says, igor, buy me a house there in the village, i will write, because she can't in front of people there, so we bought a house near osipovichi, she started working there, then it went, then it went here, she paints a huge picture, she is very famous in europe, one of the most famous artists in europe, and the most important thing is that she does it sincerely, she does not do it for money, then if i still think there, how to glue all this budget, to do something, who to accept, who not to accept, there, she simply does not have it, she loves animals, and since she loves animals, she does not like people, naturally, that is , you understand, well, she loves you, look how she looks, what is the secret - the longevity of the creative union, two, two creative people, so many?

here are the arabs, here they appeared, arabian horses, she i like it, she had fun at first, here in the previous photo, yes, and this is the last one, the last handsome man, what a, yes, this is a child, well, this is a handsome man, and this is a photo of ilina nikolaevna, she also takes photos, she takes very beautiful photos, but rarely, it's a pity rarely, antonovich, and tell me please, well , it is generally accepted that we learn devotion from dogs, loyalty from swans, horses, what can they teach us, you know, we have never communicated with horses, when did something higher appear in horses,

something higher, higher than a person, she understands you on a horse, understands you not for a piece of bread, sugar, she, first of all, she is a victim, there are predators, a cat, a dog, predators, there your friend has already given you meat, but there, here no, she is a victim, she perceives differently, she goes on some internal spiritual level of communication. with a person, i come to the horses, they are silent, lena follows, they, they go to her, they feel, you understand, they don’t even see, they feel, they completely fill your soul, they, well, this is a person and a horse is a very big topic, and arabian horses, well, for the sake of interest i'll tell you a story, to make it more fun, eh, one time she comes, and we got the internet, my wife has her own internet, she comes, says: igor, i will live in paradise. and what made you decide that? i read that in the koran it is written that every

kilogram of manure cleaned up after arabian horses falls on the scale of your positive deeds, well, hundreds of tons of manure are cleaned up, you understand, everything is cleaned up by our hands, so to speak, you understand, that's why she definitely will be, and we are now. the program say don't be silent is on the air again, today we have belarusian artist igor barkhatkov in the studio. igor antonovich, well, in terms of creativity, we have already talked about this and seen, you are always in a comfort zone, because you always have nature at hand, well, or rather before your eyes, just a few years ago deer came to your site, we saw these. works in one of the social networks photography, here very close, it's just that recently

all sorts of animals have begun to appear, it's very cool when i i'm sitting and drawing, i always carry a camera with me, because well, the royal deer came for the first time, last year the spotted deer came, here comes such beauty, and i understand that this is belarus, what is it, who sees, in minsk who sees, i share on social networks specifically, well, thanks to you, we also saw this.

the world of beauty is also not alien to children, the eldest son anton, he is an associate professor, a candidate of philosophical sciences, and the youngest igor, an art critic is engaged in the gallery business, are you happy with how their destinies turned out, of course, because you can only dream about it , for example, that a child would be passionate about something, would love, he cannot imagine himself as an older person without philosophy, just as a younger one cannot imagine himself outside of paintings. outside of art, here they are, they are, we sent them to an art school, well, that was a mistake, but they were, there was such a situation that we had nowhere else to send them, we sent them to a school with an artistic focus, up to the fifth grade they said, dad, we will be anything but artists, then this is a dynasty, you know, a dynasty is collapsing, i understand, i went to a music school myself, i said, mom, i want to play football, i don’t want to play the piano, this is my topic,

and somehow we agreed that okay, well , it’s your business, do it. the eldest became a philosopher, and he draws, you know, he draws, he draws there in penta, he draws his pictures, philosophical ideas, some historical things, he even had an exhibition at a factory in moscow, it’s a famous gallery, he’s a thinking artist, here he is, there is only one bare idea in his drawing, there is no drawing there, like with us, there is everything, and the younger one is just more, he more realistic and can draw better, he also paints, he said that... happy 30 years, you can paint already, you know, it's great, but the most important thing is that they are happy with their life, they, they like life, they like it, they live here, we once left money in holland, we had our own account in holland, and we thought so, well, suddenly they

want to live there abroad. safely there in the 2000s we took them from there, because the children said no, and recently they said, what a blessing that you didn't left there, and you consider yourself a happy person, well partly, because partly, because in general everything turned out very well, but i still for me a terrible tragedy the turning point of my fate, translated, when my country was destroyed, several years ago i thought that everything would be destroyed, i had such a thing.

touched upon such a burning issue thank you igor antonovich, well thank you that in the final we you for a sincere answer. what can we wish? can we wish you new creative successes? now tatyana and i know how to get into paradise, good luck to you, may everything work out as best as possible. and we, tatyana shcherbina, svetlana smolonskaya, say goodbye to you, until the next broadcast, goodbye. goodbye, igor barkhatkov is speaking now. i would like to wish the viewers.

as if an artist is a person who simply writes his own under a different vision, under a different vision looks at the same things, i would really like people through the little, through animals. through nature, through beauty, to become kinder and better themselves. igor antonovich, well, i will ask you to make, probably, a gesture that is familiar to you, sign our picture, leave your autograph and some good wishes to us, our viewers. okay, let's go, peace, beauty. love in our beautiful country.

the most. within the framework of the match meeting against the russian team. work and discipline give results. this is the principle by which bobruisk works this off-season. hard training, exciting competitions. yes , you lift the cup, for the very first time, this is probably the most emotional moment. it is clear, yes, now there is a new season, you need to get ready.

primo.