and military fires. for eight hundred years now , legends have been circulating in the secret administration of the palace: ignat bulgakh passed through freemasonry, cult colonies, and the navat of the charnaknizhnik. the decor of the interior door had additional stacked elements of a shading vision, which symbolizes the connection between our light and the dark one and the vision symbolizes the background light. the all-seeing eye is located on the pediment of the house church, and it is depicted there, as a masonic symbol, inscribed inside a triangle, but it is hardly possible to connect it with the masons, because after all it is on the church it is not the masonic symbols that are placed, but the eye of god, although of course such speculations on the subject of freemasonry, they are very popular, and they are also associated with the fact that napoleon oroda allegedly drew only masonic estates, masonic palaces, and he drew bulgakov's palace from two angles, that is ... if you believe

the legends, under the scenes of the palace there was an incredible network of underground tunnels, but in connection with the small re-planned buildings, it is known that their entrance is now practically impossible, modern investigators of the incident call bulgakov's palace one of the most cryptic. pabudova in belarus. the softened budynka was abraded by such chyns, as if they were angry with the natural landscapes, the palace became a hidden hell to the outside world. the palace's palaces were closed with stakes, furnishing the magnificent courtyard, and the surroundings of the football field. part of the complex was a bathhouse with a spectacular kalanadai. the bulgakov palace in its own parameters abganya navat radzivil's residence at nyasvizha. adrazu pasla skachennya budaўnіtstva ignat. bulgak died, and married

his young son edgar. edgar bulgak died in 1914 to his nephew emanuel. aposhni here are the beginnings of the troubles, following the revaluation of the emigrants from france, packing the kali faith of the dzienniks, adzin only expressions. everything is going well at zanyapad. makchyma, at the worst hour, so that bosnia will become the same as she was before her gaspadars bulgak. belarus - these inexhaustible forests, black rivers and azers, uncracked nature, hell of some kind of non-magchy adarvat vachey, and yashche belarus - this people, we are covering their forest for you. we carry

traditional traditions, and at the same time we change our views on extraordinary speeches, and we work for this light like a magician is stupid. belarusians are so different, but they are poisonous, no matter their native land. belarus 24. gets from the collections of the belarusian stage, from a few from the ussr, from the female vocal-instrumental ensemble with universal artists.

vocal instrumental ensemble charaunitsy pachynatsya in grodna, at the myastsov palaces of textile culture. arganizava ensemble is a graduate of the grodno music school, studying clarinet, genats litynski. this was

when they graduated from college, it was sixty-nine, or somewhere around there, maybe. maybe even the seventieth, i come to the palace of technicians, and there is the leader of this female ensemble, this is lyuda mayakovskaya, who joined our team on the keyboard, i was an accordionist, so he gave me a yonica, a keyboard instrument, but i couldn't do the movements.

the original entry into the history of the charaunitsa ensemble was their participation in the national television competition of soloists and ensembles, awarded for the song, which... happened in the fall of 1973, they became laureates of this competition, they sang a very famous song dunaevskaga, oh you hearts of the hearts of the girl from the film shukalniki shchastya. adnym z members of the getag zhury. the competition was anatol kalandzenak, he was the director of the belarusian philharmonic society, and at that time he was already

the head of the right department of the ministry of culture of belarus. as it lightened up, this heart was my favorite song, the smell of which it lethally melted. and of course, so that the enchantresses could become laureates, and everything would be done to transfer them to the authorities. in minsk, on the 1st of june 1974, the charmers were introduced into new warehouses in the staff of the belarusian state philharmonic.

i just played somewhere, and you played in good halls, you played to sold-out audiences,

and then the trumpet, after all, he me, that is, my third instrument was the trumpet, it was on the trumpet that he left me, he said, this is your instrument, and so it was with many. he himself showed more of a manner, but he , for example, when i started on the trumpet, he immediately took me to valeria shcheritsa, that is, he took me to musicians with whom he was friends, whom he knew well, who were professionals, i took lessons from my teacher.

here is our beginner, beginner, beginner costume designer, now, probably, somewhere she will be okay, trumpet player, normal, even to do this pa, pa or as she is already starting to do, this is the last, probably the peak of creativity, personal solo, solo yes.

works for four to five voices sometimes. we always learned from the singers, we always

looked at them as older brothers, so he took vocalists with... taking into account, here we have masha, she had the third octave, well , female clarinet, natasha, kalinin she had a small octave, we could allow the piece to be vocally divided into four to five voices, that is, this is this beautiful female polyphony... there were pipes in the ensembles, and we had pipes, and he basically taught us to play quite professionally, that is, we played very well, our brass band was called that, it sounded very good, better than pama,

better than mama.

i met the cherovnitsy, then we had an incident that kobzon was on the jury, that's when he played, when the piece, we had a stream, and the electronics went out, then there are guitars, everything went silent, and the enchantresses did not stop, that is, only drums and pipes played.

100 brave guys gathered in our studio, each of them has a question for an adult: you have one minute to briefly tell about yourself, time has started, how will you react if a person asks you to do something that is not suitable for him, well, i will also dissuade him in some way, there is a stereotype that all athletes study poorly, how did you study? we studied on a five-point system, somewhere there were of course and ...

all the problems, all the questions through the prism joint activities, we are a state that is more than allies, don’t miss it on the belarus 24 tv channel, in 1979... at the all-union company, a melody comes out of the search for “giant” charmers, who had nineteen campaigns, their people were

so crazy great hits, like not for the eyes of the black yury semyanyaki, but for the two songs of uladzimir budnik, you are remembered by me, and enchanted by you! hits in the early 80s, the charmers celebrated uladzimir budnik’s new song “the groin of the chabarovs.” getty tsudou's hit has become

a hellishly won enchantress who has a name the ensemble is inscribed in the history of the belarusian stage by golden singers. already sounded from all the windows, when i wait for you , sounded enchanted, they were already in the team, i was so pleased, i went, for example, into some department store, and earlier

this department of records, it was such ... very visited bought all this, so i go into the department and there the enchantresses sing, i'm waiting for you, nice, you are gone, no longer sli, who believe, you are gone, and i still do not believe and left like words, like early morning, you are my memory, you are my memory,

replaced each other, the female collective is complex structure and complex for the manager.

then we will decide, if someone is not happy with something, i will go and sort it out, no need to interfere, no need to get involved, we were in kazan on tour, and were supposed to fly to chistopolye on an2, it was delayed, delayed, we took off late in the evening, the props left and flew there, the hotel was wooden, two-story, we go in there, and there are places, the administrator says: no, how come, they booked for you, yes they booked, but you did not arrive on time, what do you mean on time, well, we didn't arrive, we checked into the hotel, i tried to talk normally, but the dialogue didn't work out, then i said, girls , come on, for the first time in my life i allowed it, i said, let's go, but i've never seen anything like this in my life, it was an angry lion, here they

are, i'll throw it on. an extravagant young girl tunes a bass guitar with a short haircut, somehow it was unusual for me, interesting, i saw it and something inside me started pounding, i came up, got acquainted, we started dating natasha, i came on tour many times, sometimes with them i remember going, they had a pazik bus, that's how it went around the cities of belarus, a couple of times i came on electric trains to the cities where they performed, we started a stormy romance, which later grew into a wedding and the birth of boys in 1987, everything was by chance, everything was by chance, everything was on that day, like a white seagull in a wave,

as if he always said, oh how great!

advoch, grabbing a core, advoch, grabbing a core, the sorceresses were top-notch collectors at the all-belarusian market of esradic artists, they were active there. they toured not only along the savetsky sajuz, but also beyond the border, to the german democratic republics, poland, hungary and bulgaria, and since 1986 their governments in afghanistan.

the trip to afghanistan, napaevna, the whole thing is called a tour, for all the sake of the same gramadzyan abavyaz, we traveled there at the very height of the war, at the very height of the years. in reshtse rasht there is a frost in afghanistan, it was baking hot, the thermometer there exceeded 40 degrees, and now the great people there have suffered and the blows, and beaten hell, unaccustomed hedgehogs, and all this chaos flights, transfers are unsafe for life, everything is there...

performances in the charnobyl zone and afghanistan were a savior for the belarusian arts. and the whole trip to pyongyang for the 13th world festival of youth and students in lipen in 1989 became a charming experience.

the trip to africa took place in 1990. and of course, no one could even think about it, but it’s amazing.

i just realized that nature is my priority and we worked in moscow, then at one wonderful moment in your life you had to return here to your historical homeland, take care of your grandmother, then you converted your parents' house into a stable, now you save horses, why horses, because other animals also need help, to each his own, but by and large horses are such a childhood illness, well , what can i say? the only thing that relaxed in me is something somewhere

down there, everything that is here, the cheeks, in particular the entire speech apparatus, eyes, spine, everything for some reason tensed up, i am from a village, watch the belarus 24 tv channel . every day we work to ensure that you receive the freshest and most useful information, the twenty-minute format allows us to tell you about what is happening in belarus and the world. take a linguistic walk in the company of our guides, find a new place on the map of belarus that is definitely worth seeing, and also offer projects and films that will certainly become your favorites, this and much more awaits you in the efir 24:7 project, watch on the belarus24 tv channel. in 1998

, nadzeya mikulich marked her benefit, associated with the 25th year of creative life. for there were many surprises in the unforeseen battle of the veteran ensemble enchantress, who came to the concert. with your former ruler gennadzy litynsky. and in the field of varba. down varboyu vada. hadzila there, walked there. dzeuka is young. ale passed

yašče doўgіkh 13 gadoў persh chym charaўnіtsy ў novjats і ў з з з з зініністі і і з з зд з з з з ў ў 2011. the main role in the charming performance is played by nadezhda mikulich.

and you know, modern charmers also keep up this trend, this tendency, now we have saxophones, soprano, alto, baritone, there is also a trombone, a couple of years ago we had lyudmila, she was the leader of the cherovnitsy, she played the trumpet, at that time the cherovnitsy were ultra-modern, ultra

-fashionable and at that time these songs were at the top, now we are perceived, perhaps , as... cherovnitsy were born in the glorious city of grodno, grodno is generally a very musical city, and letinsky from grodno, nadya mikulich from grodno, the first line-up was all from grodno, from the first line-up, there are also a couple of girls there, well, we all

call each other girls, so we are very friendly with lyudmila markovskaya, she was in the first line-up of charovnitsy, always close to us. this is our favorite, lyudochka morkovskaya, who always starts our page, right from our arrival here. enchanted - this is her signature song, this is her, yes, this is the first disc, yes, yes, and this song, lyuda always sang it, with her interesting timbre, with her low voice lyuda sang, in minsk we repeated it, she is the first verse, sharoty.

remember ira avgustinovich, tanya nesterova burunova, litynsky's sister, litynsky himself, lyuda noumovich, our we lost her, valery beskravana, our permanent, permanent our compere, he also traveled with us a lot, and you know that i traveled a lot around the soviet union, met with many ensembles, crimean seagulls, baltic seagulls, red maidens. girls, well , many, many female groups, there were no better charmers than ours, all pretty, all pretty, pretty programs, but our real musicians, real musicians, just from the roots of their hair to their heels, because geno knew how to make them real, how many concerts i attended, i

always sat with my mouth open, with such pleasure i watched their program, because it was so interesting, it was so. once again i can say a huge thank you to him, that he gave us another life, we saw the world, i traveled all over the soviet union, we were abroad, i was in countries that would never have imagined, well even...

if there were some women's vocal-instrumental ensemble, which truly existed on the soviet stage, no one could beat the sorceresses and spoil their efforts, made by the sorceresses will not forget their songs, their voices, the best thing that the belarusian stage gave us for our heritage, thank them for what they were. is that all, is that all for us? valery nikolaevich is not here, let me, let me film, i 'll sit down and show, hello to each one, girls, that's all

and let's go, well, straight to each one, these horns, well done, vera, well done, shury, shury, girls, you'll laugh yourselves, the second round, the little charmer skoda, skoda.

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