do, but have you heard that we lose moisture when we actively engage in sports, and if we weigh ourselves before and after the classes, we will see this difference, i have performances when after the performance i weigh 2 kg less than before the performance, can you understand how much moisture is lost from a person and what happens to the body - when you sing, can your voice break a glass? no, no, the thing is, why does the glass break? the glass cracks because the walls of the glass enter into resonance with some sound source, the sound of a singer, it is loud due to what, there is such a thing as noise pressure, it is in decibels, you have heard this word decibels, as far as i remember, an airplane on takeoff is about 100 or so decibels, 110 or 120.

a strong opera voice in decibels is 70-80 decibels, that is, imagine, this noise pressure, what happens to the glass, these waves affect it, it enters into resonance, probably there are such voices that are tuned to a specific glass, probably, such a glass can be made, which will break from my voice, but so far i haven’t... met such a thing, let’s say, vladimir, it was curious, they tried, for sure, no, i haven’t tried, i tried differently, you know, it will probably be funny, in order to achieve some kind of correct sound, you need to hear it, but we sing there, it flies off somewhere to the side, a completely different sound flies into our ear, we hear a sound that is not ours, we hear our own sound, which was reflected from some... object and returned to

us already having acquired the color of that room, in which we are, that's how to achieve this, and i took a saucepan like this and sang into it, and you immediately hear what's happening, how this sound changes, you need to remember, choose that sound and those feelings that you made , remember this, save it, this is a rather complicated process, in general, children, if you see a person singing in a saucepan. you know, this is an opera singer, today the ukrainian authorities are ready.

the fact that ukraine is not ready for peace, alexander lukashenko also said the other day, the reason was an incident in our airspace, why ukraine needs this, i don't understand. we clearly defined with them and conveyed to them this information that any provocations will not go unanswered, we are closely monitoring the situation and are ready to respond to any changes, stop provoking us, stop pulling our pigtails and checking the possible reaction, it is worth reminding our neighbors that the red line begins where the border of one state ends and ours begins. ksenia

lebedeva's author's view on the policy of double standards in the project is another, watch on the belarus24 tv channel. i am still a young deputy, i am still i am getting used to it, i always make any decision in life consciously. very often my friends and my new colleagues tell me: angelica, turn off the prosecutor. i think that i will not be able to completely turn off the prosecutor. i got to braslau, i realized that our land is the most beautiful. there is nothing like this anywhere in europe. it is well known that laws are not such that they suit everyone. the time has come when we must increasingly develop civil initiative. they tell me, you have been approved, filming in 10 days. i was sent to dina georgievna, i am with her i worked out, she says, you are thrown straight into the ocean. of course, i'm afraid, but i want to. good evening. today we will sing good songs and tell heartfelt stories. i would really

like people through small things, through animals, through nature, through beauty, to become kinder and better themselves. the project say don't be silent, don't miss the new one. issues on the belarus 24 tv channel . you probably sing incredibly in karaoke, i don't sing in karaoke, well, we were on vacation somewhere. and i tried several times, i want to say right away, i didn't score 100 points, people who sing out of tune, but sing rhythmically, when they hit the right notes, like, evenly - the text goes, the words, they turn pink, there, well

, they change colors, when people hit the right notes perfectly, those people, i noticed, get 100 points, but i never managed to do it, well, first of all , i don’t really need it, after all, singing is the kind of activity that i do a lot in life, and to sing in a car, but it’s like a mathematician coming home from work takes a calculator and starts something else at home, figure out what you perform among a circle of friends, well, among? friends, sometimes we sing some songs, well, there were a lot of bard songs in my childhood with a guitar by the fire, there is such a song under the blue sky, then a very famous song, how great that we are all gathered here today, well

, there are also some other old romances, mostly if we get together with friends, relatives, we just communicate, and not so much about... and could you perform anything except opera? well, now i 'll think of something, oh you darling, beautiful maiden, we let's go with you, let's have fun. we'll go with you, let's have fun and let people attack us, what is this, what kind of a couple,

kind people. applause, bravo, hello, my name is milania, and my question is, do opera singers insure their voices, well, i haven't done that yet...

but somehow over the years of development there was a person sitting on stage and prompting words, it got to the point that we have now refused this in our theater. on chronicisms, although i had such a case in my life when this prompter helped me a lot, i sang in one theater, and the acoustics there are so interesting, the sound that goes into the hall is simply fantastic, that is, you understand that you do not need to force, that

any of your quiet sounds, any nuance will be heard by all the spectators in any corner of the hall, but the orchestra that plays in the pit in the hall, it is remarkably audible on the stage. it is audible, well , somewhere like that up to the level of the second wings, then you go further back, there is complete silence, as if there is no one there, here is a complete feeling that there is no orchestra on the stage, everything was fine, at another performance. it was the bal masquerade, there the scenery is already different, in the third act i have a sol quite deep, and i understand that i sat down at the table and i don’t hear the orchestra, and i understand that something is going wrong, that i’m starting to diverge a little, in a few split seconds i diverge from the orchestra and then i see... the prompter, who starts to hum to me, i

don’t hear his singing, but i see his articulation, how he closes, and i understood from his articulation where i needed to, like, to converge with the orchestra, but then i understood that i had to rearrange everything a little bit mesanoscenically my existence on stage, and i already began to do all my actions a little closer to the orchestra, to get out of this... zone, where i did not hear it at all, to your left is a black sector, a question from there, what is the strangest thing you had to do for the role, the strangest, the strangest, i remembered the case when i walked with a broom repeating the movement, like me, well, when i served in the army, i remember, it was necessary to clean the alley, a long-long one, you know, there is such an expression, like digging from here until lunch, so we did not dig from here until lunch, but miles

from here until lunch, because you rush, you reach the end of the alley, and the leaves fall again, you turn around and sweep again, so i walked for a long, long time along this alley, so we had such a performance, the city of masters, many people know this fairy tale, and there is a scribbler, he is a sweeper, a janitor, so i walked there with a broom and walked around the stage repeating all my movements that had been worked out many years earlier and so i swept the stage with a sense of business, not during the performance, like this during the breaks. to your left, yellow sector, is it true that the more an opera singer weighs, the better his voice, no, you know, i already... that singing is quite a complex process, so it seems to me that any

artist, and well, an opera singer too , must have a lot of strength, you can't starve yourself, the body must receive food, it must spend calories, it's like any person, because well, opera singers, any singers, they are basically no different physiologically from other people, and how did you meet? with your wife, is she related to opera? yes, natalia is directly related to opera, she is married to opera singer, we met on a poster, you could say, natalia is also a musician, she plays the piano, she is a soloist of the belarusian philharmonic, a pianist, she teaches at the conservatory, that is, we met when i was still a student, so we met, then we had joint performances. well

, that's how our union was created, yellow sector, please, who is ready to ask a question? i would like to ask you, are you at home or are you mostly on the road? no, i am mostly at home. it just so happened that everyone the trips are quite compact, after all , a family is a family, when everyone is together, now my eldest son is studying in st. petersburg, i miss this, although i understand that a person, well, at the family, at the parental home, the life of any young person cannot be closed, and he must, like those birds, flutter away somewhere. into a free life, i understand this perfectly, but i understand

that my family is my home and i am happy that i spend a large amount of time, most of the time, precisely at home, i had a period when i had long trips, and it just so happened when my youngest son was born, when i was born, it turned out that i was gone in the summer like... he was born, then i came, left again for a few days, then i was gone in the fall, almost a month, then i was gone all winter, and when the child is just a newborn, then i... spinning around from tours in the spring, and the child is already sitting and crawling, all this development passes you by, this is of course, well, not very good in terms of myself as a father, for me this was missing, and i am happy that my tours, if they happen, then they are quite targeted, you? famous

and talented, surely women pay you attention? well, probably they do, i try not to focus on it too much, because well, as i call it, these are the costs of the profession, as funny as it sounds, the attention of the audience is nice, yes, but i never forget one thing, that any... this audience and attention of fans - these are all temporary phenomena, you know, it's like news that now they are hot news, a couple of days pass, they are replaced by a lot of new events, which people then talk about, they become

interesting and well, these are already other new hot news, and those are already forgotten, so let's say love. fans - this is all temporary, it's a kind of, probably, like fashion, that's why, yes, it's nice, i won't say that, but this is not the goal itself, and is your wife jealous of you, the thing is that well, you heard that natalia, she is also an artist, she is also a performer, she teaches, she acts, it also exists in this coordinate system, it understands perfectly well what it is. therefore it seems to me, no, and jealousy in general, in principle, jealousy, it is probably such a feeling that will only just destroy, because everything that is created, everything that is done good in our life, everything is done only with love, and jealousy is well a destructive feeling, and it is a self-destructive feeling, a person destroys,

probably, himself, being jealous, therefore it seems to me, just trust or... love in the family, probably, is that fundamental, this is the foundation on which everything rests. are you ready for an exciting adventure through the cities of belarus, unique architectural monuments await you, the temple greets you with simplicity, high windows, and the bell tower, it is the only entrance to the shrine, here

in the family estate mikhail oginsky, together with his wife and children, spent, perhaps, and therefore its complete disappearance was only a matter of time, but still something interesting for tourists has been preserved. watch the program cities of belarus on the belarus 24 tv channel. we will tell you about the progressive experience of various organizations in our country. once upon a time, this workshop was half empty

compared to what it is now, 50 new items, it's like... yes, and we started and released in different areas. our company is the only one in belarus that produces velvet-like fabric. we purchased a whole line for this, starting from knitting, finishing, and release. let's get acquainted with people who are sincerely devoted to their work. all the merits, what we have today is the merit of our large team and each individual. each worries, everyone tries, of course, to make their contribution. even some girls say: when you come into the center, your smile speaks, it is immediately obvious that you come to your place. i love people, those who work here, i have such a feeling that i come to my home, look. the project is a quality mark on our tv channel.

what are the most unusual gifts that fans have given you? well, different, there are some expensive, inexpensive gifts, for example, recently i was given an icon. artist and but he did not see me, but he passed it on through acquaintances, he wrote to me for me a guardian angel, a small icon of a guardian angel, now a few weeks ago when we were on tour in moscow my colleague came back and passed it on from him, he knew there that something had happened to me, not very good, he passed it on to me, he also wrote it especially for me: an icon of st. nicholas the wonderworker, that was probably the most unusual thing, do you think it is possible for an actor to portray his

feelings that he has never experienced in real life? i will answer right away, no, even in the question itself you have an encrypted answer, depict a feeling, you can depict anything, but not a feeling, feelings. the aroma of raspberry jam, we fish them out of some shelf there inside ourselves somewhere, at that moment we put this experience of ours,

which once happened to us, we put it on that text, that hero, whom we, we portray a hero, but we must experience our experiences and feelings that once happened to us, if, let's say, well, theatrical collisions, those stories that we show on stage, do not suggest those events that happened to us had to happen in life, let's say, someone killed someone there or stole something there or something else, god forbid, but we can imagine it, as it was with that character, so we imagine it, we write down inside ourselves this feeling, the sensation of this event, no, we don't depict it, well, in any case, i, i try to be all the time extremely somehow, well , sincere, precisely in my feelings, that

if this happens like this, then i feel it, you know, it even gets to the point of being funny, you can believe it, maybe not, for us, i already i even told you somewhere, there is such a performance, bohemia, there we are cold characters, we are freezing, in the middle of the performance. my character goes outside where it is snowing, puts on his coat, winter, he is freezing , imagine, a theater, june, it is hot outside, it is hot in the theater, very, i am in my coat, and i am cold, this is - that level of some kind of internal exaltation that you need to do that work. with yourself, so that it was, so that the viewer saw that this person is cold, this is how you can force yourself to believe in certain fictions, someone's

the inventions that you show to the stage, i swear to you, at that moment i was cold, and i was shivering from the cold, in the theater 202, 24°, i'm in a coat, i'm cold. we're moving to the red sector, to your left, you devote your entire creative life to the stage, did you manage to play pranks during this time, naturally, and even on the stage sometimes we play pranks, for some reason i just remembered this incident, there was a performance, a wedding , a fig, and it was april 1st, a comedy, we decided something there... i started to play the fool, in the second act in the scene in the garden my hero gives slapped one character, well, and we

agreed. that well, i have to slap one, in the dark, so the collision from the play is made, that he misses and this slap flies to another character, well, and we agreed with the guy to whom i give this slap, that he will take two orbits with him, well, as if i gave such a slap that i knocked out teeth, well, that 's how they were being rude. hello, my name is victoria, do you have any fears? artists, probably, even have the same fears, there are those nightmares that unite, probably, everyone artists, it's a nightmare, that you dream that you need to go on stage and you didn't have time to change, the second common, everyone has the same, nightmare is that you need a stage, and you don't know the role, perhaps, probably, these are some of the strongest fears,

and which are very common and they usually arise these dreams, but it's true, you really feel just scared, i already know this mechanism inside myself, and i see this in my sleep, and i force myself to wake up in order to break out of this kind of vicious circle, where i can't have time to change clothes or i can't learn the role and you... a scene for an artist is probably very difficult to overcome fear when something negative happens to him in his profession. what was the last brave thing you did? i don't know, brave, here somehow, probably, you don't think about courage, as for some reason i remembered the phrase of baron

munchausen, who according to the schedule there: how much there is conditionally at 9 o'clock according to the schedule a feat, here somehow dared, well , you know, probably, there was a moment when my neighbor's car caught fire in the middle of the night, i it noticed, i ran to him, knocked on his door, pushed him out, we ran to put it out, and it could explode at any moment, uh, because i knew that he had a car with gas equipment, that is, in the car there was... a gas cylinder, which, if there was smoke from the engine compartment, well, the fire reached the trunk, it would explode, we ran to put it out, drive it away, the car was on fire, we opened the trunk, disconnected it there, shut off the gas line so that nothing would happen, put out the car before the firefighters arrived,

are opera singers superstitious? are there any omens, in which do you believe in? yes, we are superstitious, basically, well, any person from the arts, probably, will be suspicious. okay, do you have any rituals that you do before a performance, well, and also, more of these superstitions, so, if we have notes that fall, then you have to sit where they fell, sometimes they fly under the piano, then you climb and dodge there.

there were these crooked nails in the costumes, i walked around the stage looking for crooked nails, these are the rituals, the red sector, please, and i i think you look very wonderful, but maybe there is something about yourself that you don't like, do you want to change your appearance? no, my appearance, i guess, i never wanted to change myself, although i remember myself as a child, i was very unhappy with what i saw. in the mirror, well, i somehow considered myself, maybe this will seem funny to someone, i considered myself some kind of ugly duckling as a child, then over time, when i just plunged into this abyss of my, uh, profession, you know, in general, probably, for some time i looked in the mirror just for the sake of it...