in the fifty-seventh year the first exhibition was established, it told about the defenders of the brezh fortress. the museum was located in the building of the former cross of the exaltation of the cross church, existed there until the ninety-first year, gradually the krevechesky museum acquired a number of branches, i can say with complete confidence that these are unique a...

the hall of our museum begins with a unique map, which was developed specifically by scientists for the exhibition, in accordance with the period that is described in one or another in another hall, well, here is a hall dedicated to archeology, it begins with a map of the main monuments of the stone bronze age in the territory of the brest region. my favorite exhibit in this section is fragments of spherical. world history, what is the third millennium bc, this is the heyday of the new kingdom of ancient egypt, this is the birth of the ancient greek civilization , the so-called kritamiken civilization, at the same time in our region, ivanovo district, brest region, people already lived, and they produced not only ... such wonderful tools of everyday life,

production, but in fact real works of art, like this spherical amphora. one of our prides is a hoard of roman denarii from the first century ad, which came to our museum back in 1974, is of great numismatic and historical interest, shows what trade relations passed through our. land during that period. in 2019, we celebrated the millennium of brest, and naturally, over the thousand years of its history, events took place on the territory of the city and on the territory of the brest region that influenced not only on the history of our region or our republic, but on world history as well. the same meeting in 1409, the meeting in the brest castle, which. battles, that is

, the victory at grunwald began here in brest. after the victory at grunwald in 1410, our lands received the opportunity for a peaceful existence, because they were freed from the raids of the tefton order, this peaceful time, of course, gave...

a working model of a 15th-century press, the same ones were in the brest printing house, and we can follow and tell how it went the printing process, how labor-intensive it was. one of our unique exhibits, located here, is the ceremonial dress uniform of a senator of the russian empire. they wore exactly this kind of uniform to their official meetings and had a ceremonial sword with them. at one time. this uniform was given to us from the state historical museum in moscow, there are two such dress uniforms in museums in russia and belarus: one in the armitage, the second one is in our brest regional kurvetic museum.

our museum has an authentic engraving swedish military engineer, cartographer erik dahlberg siege of the swedes and brest litovsk in 1657. in general, only thanks to his work we can know what the old city of brest-chetovsk looked like before the construction of the brest fortress, because the old city was located on the citadel island, where the center of the memorial complex brest fortress hero is now located, in the first quarter of the 19th century they began to build the fortification of the brest fortress, the old city was completely destroyed and rebuilt 3-4 km to the east, where today our brest is located. somewhere in the distance on the modern southern island of the brest fortress was the source of our city of the 13th century, where today our archaeological museum of berest is located.

in 1982, our branch of the archaeological museum in berestye was opened, before that, beginning in the eighth year, archaeological excavations were underway under the direction of pyotr fyodorovich lysenko, our famous archaeologist. it was he who suggested that the confluence of the mukhovitsa rivers was god, and the ancient city of berestye was originally erected. theoretical calculations, naturally, must be confirmed by archaeological finds, so the first expedition was organized in the sixty-eighth year, the first pits were laid.

counts 28 wooden residential and utility buildings and two wooden bridges, there are no analogues of such a plan of archaeological museums in europe, of course we know the archaeological monuments of ancient greece, ancient rome, but this is stone, and for wood to be preserved in such a state of preservation, this is truly a unique fact. now we have a unique opportunity to be at the depth of the cultural layer of the 13th century, that is, 4 m above us, here to the surface of the 21st century, on equal terms, in general , to talk with ancient brest.

the uniqueness of the preservation of these buildings is that they were located deep in the marshy soil, under a layer of peat. without access to oxygen, therefore any organic matter, naturally, without access to oxygen is preserved very well, almost in its original form, ancient brest appeared to the archaeologist. in general, the creation of the brest museum is a very interesting story, this is the first experience of european, i believe, practice museification of a cheological excavation of a similar. century, it was necessary to preserve it and then come up with some architectural form, which would actually constitute a museum complex above this excavation. both archaeologists

and engineers worked on the conservation of archaeological wood, under strong pressure with the help of needles and compressors into the wood. phenolic alcohols were driven in, which are, well , such a binding, cementing composition, and the structure of the wood itself was thus soldered, this excavation is unique in that preserved structures that reach twelve crowns. no such structures have been preserved in any archaeological excavation of this type, either in eastern or western europe. about 40,000 archaeological artifacts were also found, some of which are presented in the berestye museum. here in front of us

is the cyrillic alphabet, which was used by the east slavic tribes, including

the drigovichi, who founded this city. the excavation also has the first category of historical and cultural values, and the first category, in accordance with the code of culture is international category of values, above it only zero, that is, those values. which can be included in the composition of unesco directly. the art museum branch is the youngest branch of our kraevo museum, it was created in 2001 in the building of the defensive barracks of the brest fortress. conceptually, this branch tells about the history of the development of the brest branch of the belarusian. artists introduces us to artists their works vreshchiny,

starting immediately after the liberation of belarus vreshchiny from the nazi invaders and to the present day. the collection of the art museum presents paintings by authors already known in our country, abroad, such as fetisov, chudaneli, churaba, masters, of whom we are proud, modern young artists. in this hall at one time we presented the paintings of andriaki, roerich, drawings by vancog, masters of dutch and flemish painting of the renaissance, well now we are starting to mount the exhibition, which, of course, i think, will surprise. both residents and guests of our city, these are the works of the famous salvador dali.

we will introduce you to the people of our country, artist of the grodno regional puppet theater, honored collective of the republic of belarus, leading stage master. i was very pleased, of course, that such a fairly short period, i was like that, well, and received medals for one title and the second, here they have many interesting stories behind them, i take a trap or a fork, i will attach a bow to it, i begin to not just, as they say, chat and wiggle it. and move it to the music, i begin, how she looks, and what she thinks, and are ready

to surprise again again, here i was still a student, but was not yet a soloist odessa theater, but was already invited to perform the main part of the opera, well , what a good start, what is called, of course, i serve the theater, i serve in the theater, but i serve the viewer, watch the project belarusy, on the belarus 24 tv channel, to give yourself a reboot, you don’t have to go far, i love to ride a bike.

emotions, oh, this is a compass, show me, take the compass yourself, it’s a pity that the tv doesn’t convey this aroma, friends, you can go crazy with pleasure, there’s a rook in the garden dawn.

it gives opportunities both directly to the formation of social well-being of the working person himself, and in general of society, as soon as possible to recover in international sports, such a task before the nok, it stands, the time will come when everything will return to its normal course, it will be as it should be, the markov project is nothing personal, watch on

the belarus24 tv channel. 40 km from brest is the city of kamyanets, in 62 the kamenets tower branch was created, which was the first in the regional system...

are set up towards the local population. other nations that were unfriendly during the years and centuries of the existence of the komenets tower, it was never... taken by the enemy, although at different times it was besieged by the itvags, the mongol-tatars, and the teftonians. a little later , the city of kamyanets was built around the tower, that is, an interesting case, too, in general - when first a fortification is created, and then a city is formed around it. the basis

of any museum is its funds. our funds are multifunctional, they are engaged in stock work, research, scientific and educational, that is, the same employees of the funds, they also conduct excursions, as employees. funds are located

we have a restoration workshop, in a very interesting device, this is an electron microscope, which is used by employees of the funds department for the attribution of museum items. these are the devices that the investigative committee and the judicial committee use our forensic experts, these are examinations, so it came in handy in our museum work, including, so far in belarus we are the only museum that has such items for work, we received an icon long ago in the eighties of the last century, the praise of the holy mother of god with an akathist, the icon was dated to the 19th century. when we looked at it on the devices of the regulator, looked carefully in infrared rays, it became clear that the icon of the sub-pater alifo

has very good painting, individual faces glowing with joy. in the lower right corner of the icon we saw the letter all slavic, which dates the icon to the 16th century. and we also ... read that the icon was consecrated, in april , april 12. in our museum we use non-destructive methods of research, ultraviolet rays, and x-rays. in such cases, we go to a regular clinic, where a doctor helps us. as an example of such cooperation with doctors, here is this icon of the late 19th century, selected saints. when we looked at it under a microscope, there was an assumption that there is.

more ancient, it was rewritten already at the beginning of the 20th century, well, and that painting, most likely in the middle of the 19th century, you can even open this icon and make two of it. we already have more than 30 collections stored in funds of our museum, namely those items

that were detained by customs, they formed the basis of the collection of our museum of saved artistic value, our russian colleagues, who when they visited this museum called it a small hermitage. we are in the building of the branch of the saved artistic value, the building was built in 1924-25 according to the project of the architect julian lisetsky, and initially there was a residential house for two families and it performed its function until 1989, when it was decided to create here is a museum of lost valuables. since the entire exhibition is built on those items that were detained by breza customs officers, border guards, here we

see what the customs service uses today, what impressions smugglers tried to take in different years in order to bring antiques across the border, here we see an icon of the holy power...

is in the collections of our museum, an icon of st. nicholas of the 15th century, even such large antiques as antique furniture, the smuggler also tried to bring out border, here we see several such items, this is already a detention of the early nineties, according to the declaration they were carrying packages of dry milk, but these wonderful pieces of antique furniture were hidden and... and antique clocks, a very rich collection of paintings and vinogradov, myasoedov, three works by aivazovsky, today we can admire them, many are surprised where such truly real works come from, the art of famous authors, here it is in our border town, thanks to the work of the customs border

services. of our country, i don't like the pronoun i, i like the pronoun we, i am happy with the team with which i have the pleasure of working every day, a team of like-minded people, and a team of professionals with a capital letter, in fact, a team that is capable of performing the most difficult tasks assigned to it, i would very much like this team, of course with its new members, but it would remain such a team for many, many years.

we have forgotten how to enjoy the little things, to be surprised, to feel the connection of times of generations, simply notice. but every day is made up of traditions, today a year or a century ago, everything that is considered ancient was once new, we ourselves, without noticing it, pass on knowledge and experience through generations, it is in our smile, the wave of our hand. in such a familiar

look , real traditions are formed from simple happy moments. we are proud of the heritage of our ancestors, we value the past for our present. belarus 24.

governor's palace in vitebsk, the adoption of a new style, as a sign of the formation of the absolute state, the clarity of prospects.