you headed the orchestra in 22, how many times have you regretted it over the years. in 7 years of work, before joining the orchestra, the national changed six jobs, the artistic director, the person who not only made the program, great, now we are sitting on our laurels. i am resting, no,

journalists added fuel to the fire, they wrote then that you turned out to be a dark horse, i do not really like the concept of a star, because well, who can judge, i am generally a kind person, i do not like conflicts, the artistic director what are you, well, as many musicians say, listen to us, they still do it their own way, i treat musicians as if i were in their place, do you use this official position of yours, the conductor, he lit up, he must lit up the orchestra, a musician - these are emotions, when musicians enjoy the stage, as well as the audience for me this... hello, on the air is the program "say ne molchi", in the studio svetlana smalonskaya and victoria popova. and today our guests are the artistic director and the chief conductor.

kozyryv invited the artistic director, i think that our subscriber will also be happy and satisfied. maxim nikolaevich, well , artists have their so -called reporting concerts, you are with us for the first time, so allow me, our interview will be called a reporting one, do you mind, absolutely not, then let's begin. you headed the orchestra in 22, how many times have you already regretted over the years that you accepted the offer of the ministry of culture, well, regret, probably

not, there were different moments, different thoughts, because it is clear, the stage of formation, it is always difficult, and not everything is as smooth as you planned, as you think, i'll come now, this, this, here, like this, but out of what i wanted 100 percent, i did, probably 50, 50, 50 percent, yes, therefore , you know, as if a quick, so to speak, seizure of power did not work out, probably, such a creative one, because after all, the team with its own traditions, with its... foundations with its views on work, on creativity, it used to be like this, they always told me, it used to be like this, i say, it used to be like this, now we are going a different way, as if on the same tracks, but a little in the other direction, that is, there were some clashes with prickliness, well, that's normal, you know, if you read the biographies of great conductors, they wrote many, many burned out, let's say, yes, it's very difficult. very difficult,

because the team, you know, they are used to one thing, there are people who are already of age, and something is new, well, to the extent that they have their own worldview, then another person comes with some emotions, with some... for a musician, for an artist, such words are not star, isn't that offensive? the concept of a star, yes, it's something that shines, yes, there are also many stars in the sky, we don't see everything, we see the brightest stars, yes, but there are other stars that also exist, which are just a little further away, if you get closer to them, they shine just as brightly,

in fact, if you draw some kind of parallel, but in general i don't really like the concept of a star, because well, who judges, like, yes, if there are people who are engaged in their own pr, their own pr campaign. what did you see, have you heard that there are people who do things, i am from the second category, i am a very modest person in this regard, and it is simply easier for me to prove things with my deeds, not even to prove, just to show, i do my deeds and move forward, no matter what they say, someone is behind my back, well, at least good people in quotes do things, and the caravan moves on, as vladimir spevakov said, so you just need to go, when you come back, you will see the result, and you will see the path that you have taken, and those dogs that barked, they are already far away... will be, therefore if you, god forbid , react to them somehow emotionally or somehow in your soul, then accordingly you are a little bit reached, but you thought about it for a long time or, in principle, this offer flattered you, you know, it was unexpected, firstly, this offer, secondly, they talked to me,

whether i was against it, as i see it further, in principle the issue was somehow closed, somehow a month, probably or however long passed, i think, well, maybe someone has already been appointed, well, silence, and they call me tomorrow for an appointment with the minister culture and i came, actually , a proposal was made, well, accordingly , as if, well, that is, we didn’t think at all, you if i didn’t think at all, you have a challenge, you are ready, yes, well, i am a creative person and for me creativity is the most important thing and probably the meaning of life, yes, that is, as if speaking from a philosophical point of view, there is a creator who created the whole world, the whole earth, us people, and even music in the end, yes, by the way, that music is the only thing left from paradise, we do not see it, yes, that is, and this is music that is through the soul, we you...

i would say that i am a person who believes in something high, higher than our earth is, yes, that is why i always try to look not at my feet, as many people do, but somehow, when you look up, just look at the sky, there is some kind of inspiration, a feeling that there is something above you, and what is not unknown, with reason, you cannot understand it, only somehow feel it, well, if you understand that there is some higher power that gives you some hints, sometimes, which...

some parallels, even with mikhail yakovlevich, with your predecessor, they called you the new finberg and found out that when he took office he was 40, you were 39, such a comparison amused you, it was not that it amused, the fact is that well, i was practically 40, 39, literally in 4 months

it was already 40 years old, that is, in fact , mikhail yakovlevich began his path with this orchestra, he created the orchestra at 40, as if at 40 i continued, at 40 i continued the path of mikhail yakovlevich and

well, this is not yet the case, i think, but it will happen over time, that is, the name yes, yes, that is, i continue, but i am starting, like mikhail yakovberg, it turns out, i am going through this path, not anew, no, that is, our task now is to preserve what mikhail yatenberg has worked out, this is a lot, to preserve what we have preserved, this is the most important thing and to continue the work further, that is, the work does not stop, we perform music that the orchestra has never performed before, this is academic music, we rely on academic music. we literally we recently had a concert at the town hall on august 24, we performed two piano concertos by chopin for piano and orchestra

, timur sergen, a pianist, played, that is, for us the orchestra debuted as a symphony orchestra, this is the direction in which you are moving, yes, let's say, we are developing this direction, we have a very well -developed direction of both jazz pop pop art, yes, our orchestra employs one of the best musicians in our country who know how to play this jazz pop music, they do it and prikhovichi, this was the orchestra's strong point. always jazz, that's all our orchestras, academic music, it was, but nearby and basically it was belarusian music, not going beyond the framework of our culture, so to speak, now we perform music of absolutely world composers, and we are now preparing a program called bachiana, it will be presented at the town hall, also within the framework of the classics at the town hall, where we will present the work of the yagan sebastian bach and composers who dedicated their works to him, this is villa lobos, brazilian composer, this is... arva pärt, a modern composer, so the orchestra has never played this, on anisimov orchestras,

in no way, you understand that we have a completely different history, alexander mikhailovich has a large symphony orchestra, no matter how we claim, we have a completely different niche, there is a chamber orchestra of the philharmonic, and a small string composition, we have a string orchestra, which is the only other string orchestra in the country, specifically a string orchestra, so we are developing that direction, techno music. maxim nikolaevich, but we noticed how you eyes sparkled when we started talking about mikhail yakolevich, let's still pay tribute to the memory of this man, we discussed, talked about him only on the day when belarusians said goodbye to him, natalia tomela was visiting us then. after

which he created this brainchild of his, in fact, all his strength, health, emotions of his whole self he

dissolved in this orchestra, of course, he deserves that the orchestra bears his name, and now we have always said, the finberg orchestra was such a household name for the finberg orchestra and it will be easier to say this, because that they immediately understand where the caller is addressed, and it seems to me that among the people this is how finberg's orchestra sounded, but no one else called it, well, and a landmark project.

well, maybe in vain you drag them into symphonic music, look how good,

the good old orchestra of finberg, you noticed that there is a game here. leonit gaidai 100 from the cycle hits for all times. excuse me, what is your name society? marfa vasilievna. well then, maybe, should we be sad? yes, just tell me, how will we change. happiness suddenly in silence, knock on the door.

do you really believe in me and i don't believe, snow was falling, dawn was pouring, autumn was freezing, so many years, so many years, where did you lose, suddenly, like a fairy tale now everything is clear to me, it became nine, for a hundred years i have my mica, pass this meeting, the suit floated somewhere in the deputy, i know, it's all in vain in the world, well, who hasn't sung this

happiness and how many times, but every time you listen and the soul. unfolds and then no longer folds, well, for artists this is happiness to see such a reaction of the audience to which direction will we attribute this concert? and this concert is very interesting, i have long wanted to do something like this, i am interested in creating something that has not been done before, yeah, i think, gaidai is my favorite director, the music is wonderful, just in time for the century of lenin gaida, i think we need to make a good program, but just take the music of the movie, people will come, hear it again. all the songs from the movies that the artists perform, some music, here is a cut-up video sequence, well , nothing new, then - the idea came to me that we, with the help of, let's say, technical moments, separated all the voices the artists singing in these films, the diamond arm, and the caucasian captive, all the songs are sung

by the artists, mironov, well here is zolotukhin's voice, aida vedicheva, everything, it's all preserved, the orchestras removed the recording. only the voice remained, and the live orchestra accompanied these voices, that is, we walked exactly according to the metronome, according to the click, and also all the chases, there when here are the famous gaidai chases, the orchestra voiced exactly in a second with a second, as it should be on the screen, if there are horses there, that is, you were the ussr cinematography orchestra sergei skripka practically yes you can say, but our project was called cinema with an orchestra, that's exactly gaidai, but this is a cool project in my opinion, because very yeah. we preserved as much as possible what was created under mikhail yakovlevich, our projects, but we have new projects, one of such projects, for example, jazz in the city of en,

it has been going on for 2 years already, these are two jazz summer evenings in july, within the walls of the radzivilov castle, that is, in the courtyard there is a large, huge stage, and the open air project is completely filled, ordilovsky castle, yes, in nesvizh there is a jazz festival, and this year, last year was the first one...

well, i joked once, i say, you know, in front of the orchestra after the concert, already at the rehearsal, when the concert was already played, everyone had already forgotten about the concert, they started preparing another program, and i went to the console and said, you know, they say there were a lot of musicians at our concert, i say, they probably came to show off, it didn’t work out, so it’s very good.

belarus for a long time, at first you worked as an artist of the presidential orchestra, later as conductor of the orchestra, the question is, what experience have you gained from our team during this period of your work, and how do you implement it in your new job, already being the chief conductor of the national concert orchestra of belarus, and do you miss us? thank you, vitaly kulbakov, our beloved is also a conductor and a guest of this studio. yes, well, i want to say that vitaly grigorievich and i, firstly, in addition to being colleagues, we were also friends from

our studies and. at the music school we studied together on different courses at the academy of music, therefore vitaly and i knew each other very well in informal settings, we were friends, we went out into nature, so our friendship was very close, yes, and what will i start from the end, yes, we didn’t miss the team, of course i miss it, because one of the most important stages of my work, my development as a person, as a musician, it happened in the presidential orchestra, because i spent 10 years after i graduated from the music academy , the next 10 years i worked in the presidential orchestra. and of course i gained a wealth of experience, as a musician, how i would like it to be treated me, that is, my task now is this, i treat musicians as i would in their place, as i would like, as my manager would treat me, and what tasks he would set for me, how important this was, how creative it is, how everything is at what level, high or low, that is, i do not want them to sit and grimace like that, so that it is always professional, always creative and

something that unites us. why do you have these outbursts of anger, an outburst of anger gives birth to another anger, why, as it were, that is, with us musicians everything is absolutely like this and in a good way, we want it to be family-like, homey, creative, and what if, as many musicians say, maksimich listens to us, he will still do it his own way, well, at least i listened to you, and if something from this really suits me, i will use it, well, it doesn’t suit everything, as if i would still do it my own way, but i have my own vision, and of course, to understand that i need

to do it this way for each musician, you understand, it’s hard to explain when you’re sitting... 50 people, you’re not on your own for each one you can't tell him what you want in a language accessible to him, and you can only at some group rehearsals, somewhere ask for something, you'll listen, but that's why you have it written here, to give them a chance to give in or vice versa, that is, these things are as if absolutely in a creative impulse, absolutely good-natured, i'm generally a kind person, i don't like conflicts, i try to avoid it, the maximum is that when sometimes a musician says something there, i'll joke about it, i'll make a joke and... that's it, that is, no stone remains in my bosom, the most important thing is that yes, we move forward, well, you know, like, well, i write it down, i have a good memory for these things, but nothing goes unnoticed, this is the most important thing, musicians should pay attention to this phrase, i write it down, and we 'll take a break for now, for a little while, i remind you, we have a telegram channel, say don't be silent, subscribe, ask questions and suggest guests, we are in touch.

thank you, thank you very much, i won't let you down, really, i believe, why did you pretend to be a beggar, i wanted to tell marina a lot, but she rushed to save me so furiously that i, honestly speaking, even a word can not be put in words, yes , she is, after all, who told her about me, i am a grave, maybe ...

a pagoda on a new place in the neighboring village, and already on the site of the old tsarskva a memorial temple was built. and its architectural monument, all this is arboretum. to go, i love to ride bicycles, but of course, riding in the forest is a special pleasure, the route is built in the program, we are going on a trip to belarus, it is also called because of its mountainous terrain, a city on seven hills, friends,

today i am planning my route through the volozhin region, the belarusian polesie, how much is contained in these words, a long history, a unique culture, a real natural wealth and... foster palishuks for adventures along the left right boulevard neatly a girl with a manger, my god, how cool you are, can you extinguish it with an apple, you will be an apple, so of course it will be oh, positive emotions, oh, this is a compass, show me, take the compass yourself, cool, it's a pity that the tv does not transmit this aroma, friends, you can go crazy from this pleasure, in the garden,

artistic director and chief conductor of the mikhail finberg national orchestra maxim rasokha. maxim nikolaevich, well, by profession you are a musician-oboe player, do you take advantage of this official position of yours and can we say that now the oboe is the first violin in the orchestra. of course not, of course i very rarely pick up the oboe, but i pick it up, we perform together with the national orchestra, in particular, literally here at our town hall on saturday september 7 is.

school, you chose the second, but how do we we understand your stories, you love the cuisine of the peoples of the world, but i generally love to eat delicious food, so that it is delicious, not just food, but food is some kind of art, and accordingly i rarely cook, unfortunately, now on weekends i can afford to cook something, i really like to cook babka, potato babka, i fry lard with onions or minced meat, babka, on top you know, such a trick as a life hack, when it is almost ready, i take a piece of cream.

music, went to music, but in music i like to cook, as i say, any concert, any well it so happened that there was a choice, i chose the program - this is cooking, this is preparation, yeah, so after such a difficult concert like at the town hall, two parts of shapinyan there. we go home, sit at home, let's say, celebrate a little, perhaps, or just go somewhere to sit, just chat, discuss, just sit in death, just breathe out, in general it's all the same what to order, yes, yes, here it doesn't matter anymore, here it's important just after the taste of this concert,

because you do it, you realize that it was a success and you understand that well it was cool, you enjoyed it, people in the hall, people applauded so much that it was just, and you say that to exhale, and what are you worried about before a concert, no, i never worry... there is no such thing at a concert, there is not that slight anxiety, that is , you know, as an artist, here he is, he has a bunch of problems, that's all, everything, he got dressed, went on stage, everything, no problems, he plays a role, a musician - these are emotions. when musicians enjoy the stage, as do the audience, for me this is a big indicator, well, yes, but this is very it's hard to achieve, i don't know how you achieved it, maxim, well, you know, like a conductor gives emotion to the orchestra, the orchestra gives it to the hall, that is, there should be such a cycle, if a conductor came out, you know, like richard strauss, he conducted like this, oh , i looked at my watch, a little faster , that was the joke, yes, that's why the conductor lit up, he should lit up the orchestra, sometimes at concerts i say, look, i don't know here, how i'm going to do what, i can do it in different ways. they're waiting and i'm here, that is, exactly

here, to me earlier, that is, this is a moment of live performance, that is, learned, yes, but in moments you somewhere at least felt the air, took a breath, and somewhere later they played a note or something else, that is, the musicians are waiting, watching, this is the most important thing, that is, there is a live performance, they just learned it, there is no need for duty, it is learned, but still there is a share of some kind of live performance, which you, maksimich, well, you said, remembered a joke with us?

it goes well, because really knowing the format, understanding what is needed, that is, you know, like just cook, no, you understand, for example, what is needed, you must learn everything from those who will consume your product, you need to please everyone, and you must know their preferences, that is, you need to study. where can we listen to, hear your

orchestra in the near future, in what programs, you know, in the near future we are planning such programs, they are traveling, unfortunately, they are not in the city of minsk, but they will be in minsk, literally numbers, on the day of national unity we are going to the city of lubań, where our festival is taking place, it is called polesian meetings, we have two concerts, a concert of academic music by belarusian authors, and an esrad concert, that is, this is our festival, which we always go to with great pleasure, and literally right after the festival. we get on the bus and without stopping in minsk, we go to the city of moscow, where we take part in a gala concert dedicated to the day of national unity, in the diplomatic corps of the belarusian embassy, ​​such a very important concert for us that we will be on wheels all night, we arrive immediately to the concert in the evening, and this complicates the tasks a little, but that is the task to make it cool, it is interesting, we are bringing an interesting program, and naturally national music, well, in minsk after all maxim nikolaevich, in minsk we, well at least, when i know we have. it will be possible to hear, on november 18

we will give a big concert in the philharmonic, which is called music for all times, where we will hear absolutely popular compositions, both academic, pop, song direction, that is, here is popular music that we know, love and literally on november 24 we are preparing a new program, which is dedicated to the outstanding russian composer, world composer alfred schnittky, he celebrates his ninetieth birthday on november 24 and the program is called music: we are also planning new year's concerts, a lot of interesting things, as if we have a calendar on the site, you can always go in, see what the orchestra is waiting for, what the orchestra is preparing, always come and listen to it, well, maxim nikolaevich, thank you very much for coming to our studio, you you tell it so deliciously, but we understand that of course it is better to listen to your performance and see it live than these small fragments that we showed in our program today, so we will wait, we will look at yours...

perhaps they will take our places in the future and continue to carry our belarusian culture further to the masses. maxim nikolaevich, unfortunately, we don’t have any notes in the studio, but we do have this beautiful picture that artificial intelligence painted, and i will ask you to leave us an autograph and some wishes. let's go, first of all, you already have the notes,

now yes. good music. what meaning do modern icon painters put into their works, and so that all this is not in vain, so that it helps people to pray , so that it helps to repent, to become churched, as is the teaching in sunday schools today, one spiritual lesson, the law of god, one lesson of creativity, one lesson of music, and for

the older ones, that is, adults, there are already lectures on subjects, well, there is already, so to speak, more serious preparation, what is mercy? this is probably the food in which we always we will need ourselves, and this is the food of god, which is born in the heart of a compassionate soul. what unique shrines are kept in belarusian churches? here we have the holy relics of the martyr vanefaty of rome, and vanefaty is a patron helper, this is the sin with which many, many have stood up. this is the sin of drinking wine, this is the particle of relics that arrived to us from greece, the answers to these and other questions in spiritual and educational projects, on the belarus 24 tv channel. today the ukrainian authorities are ready to fight with everyone, if only be on washington's payroll and fulfill

the suicidal dream of joining nato, only nato needs ukraine as a springboard for a war with... the other day, alexander lukashenko also stated that ukraine is not ready for peace, the reason was an incident in our airspace. why ukraine needs this, i don't understand, we clearly defined ourselves with them and conveyed this information to them that any provocations will not go unanswered. we are closely monitoring the situation and are ready to respond. to any changes in it, stop provoking us, stop pull our pigtails and check the possible reaction. it is worth reminding our neighbors that the red line begins where the border of one state ends, ours, belarusian, begins. ksenia lebedeva's authorial view on the policy of double

standards in the project is different. watch on the belarus 24 tv channel . live main news at noon, in the studio sergey lopanitsyn, hello, watch in this issue. not to leave in a difficult situation, more than 20 tons of cargo, the belarusian union of women sent.