morocco gave an interesting assessment of what is happening today in donbass, when both the orthodox and the muslim are ready to fight shoulder to shoulder against a common enemy, understanding that our common future and the possibility of existing in principle, the connection of religions, which...

from education to laws, depends on this, the most effective way to achieve this is to lower the level of education, make it accessible not to everyone, teach people to think critically and analyze their needs to reduce to physiological food, sleep, reproduction, security, not allowing them to move on to a new one level of self-development and creation. the balon process is not aimed at improving the education system, not at improvement, not at some standards.

to maintain the highest level of science, the highest level of education, the destruction of self-awareness, changing the mentality, the civilized basis of the enemy's society, these are the goals of mental wars, in which we are direct participants today, it is easiest when you understand who you are fighting on the battlefield and what weapons the enemy is using, in a situation with mental warfare is much more complicated. in the deepest sense, an anti-human ideology, which can be seen in the development of the so-called transhumanism. we saw a magnificent reflection of this ideology during the opening and closing ceremony of the olympic games in paris, this is precisely why the atmosphere in europe and since there is no point in moving to

the same country in the european union, because there is exactly the same pressure, exactly the same ideology, in particular, russia is becoming such a significant place. today's ukraine is an example the loser in the mental war, when they artificially replaced, imposed uncharacteristic values, when the very code of the nation was lost, which allows survival to continue the race, hence the attempt to destroy those in their country who turned out to be stronger than steel, stronger than mental technologies, including information technologies, which were actively used and are used now, therefore donbass and ukraine were not on the same path, that is why the ukrainian regime in... contribution to the fact that there are more graves here on the territory of the memorial complex in lugansk. in the forty-second year here the fascists shot jews and communists, throwing their bodies into pits. in 2014 , people from all over lugansk brought the bodies of the dead here, as funeral processions to the cemetery were fired upon by

the ukrainian military formation in the hope of destroying as many separatists as possible. the new war has been going on for over 10 years. during this time, citizens of the european union began to flee to russia and belarus. in search of salvation for themselves and their children, so what is the truth, or is it something else? i was with you, ksenia lebedeva, see you in the next program. the information picture of tuesday will be supplemented by the day

sports. hello! the program starts with belarusian victories. the national beach soccer team has successfully started its performance in the euroleague super final. in italian alghera. in the first match of the preliminary stage of group b, nicolas alvarado's guys met with the swiss team. the opponent was leading 2:0 in the first period, but our guys quickly made a comeback. gapon, gordetsky, rebko and novikov scored. at the start of the second period , the crusaders restored parity. however, the course of the match was then controlled exclusively by the belarusians. gapon, ryabko and in the end, petrovsky scored a double each. and the final point in the match was put by drost, 9:6. the first match, after the flight, specific sand, so close to mini-football, very fast, we tried to do what niko asked us to do, yesterday we conducted a thorough analysis, in principle we fulfilled the plan, the only, the only unnecessary fouls

were picked up yellow cards, and so the main thing is that we won the result and everyone is happy, in a good mood, we are moving on, we have a goal, first place, so. well, we knew that switzerland is a weaker opponent, maybe us, they are not as physically prepared as we are, so we felt that we would play first number, but the beginning of the tournament affected, there was nervousness, tomorrow the belarusians will compete with football players from moldova, the match starts at 13:45, on thursday the team will finish its performance in the first stage with a match with the french team, we will add that in the ei quartet the teams of italy, spain, germany and estonia are fighting in polesie, the teams of portugal, poland, denmark and the czech republic are playing. according to the results group stage will determine eight quarterfinalists, who will continue the fight for the euroleague award. the entire tournament will end on september 15.

the minsk dynamo hockey players suffered their first defeat in the new regular season of the khl in moscow in a match with spartak, the zubry greatly disappointed their coach dmitry kvartalny. they failed to hold on to a two-goal lead, failing in the second period of the game. comments from the commander-in-chief and details of the meeting in the story by alexander yakubovsky. they started the season quite brightly at home, not letting in a single goal in the matches with amur one puck. 3:0, a dry victory for the belarusian team. in a good mood, the zubry went on their first away tour of the season, although they understood that it would not be easy with spartak. well, the condition is normal, in general, a little bit, probably, after all , the game tone. the team has already played three games against the opponent, we are alone, there was such a break, well , we'll see, i think, physically normal, a little game practice, but we need to get going, the first period is important, the guests started. quite boldly, in the eighth minute dylan dube will open the scoring, five more minutes later roman gorbunov

it might seem like it would make a good start in the majority game. the author of the goal, gorbunov , will be the first belarusian to end up on the penalty bench in the second third. mikhail maltsev will reduce the gap for tripping. vadim shepachev will also get two minutes of rest for a team penalty for violating the number of players and josh brook for pushing his stick.

we had a technical defect today, you know, if you look at the reception, the pass, these are the goals that were missed, you know, there are more of us, there are fewer of the opponents, a pass is made, a throw is made, well, you know, a little bit. such a complete disappointment. tomorrow, the zubry will continue their away series with a meeting with vityaz. live broadcast on the belarus 5 tv channel at 8:50. on friday, the match with borys will end the first round of the season on sunday in moscow, a derby with teammates from dynamo. dynamo head coach andrei mikhalev, after the regular season match of the mhl against krylia sovetov, praised the personal actions of captain matvey shedlovsky, goalkeeper.

the winners also scored once bogdan belkin, ilya lakhnov, nikolai saleigo and alexander yatsenko. this success was the fourth in a row for the black-blues after the start of the new championship. always the second game, than today, the main factor was when we played in the majority, and missed a counterattack at 1:0, yes, and prokhar saved, saved, this is probably the most, probably, the most important factor was, tomorrow the bobruisk team will play the last match of the first home.

sports in the night edition of the program in the studio worked kristina kamysh. see you.

shametka lyubov grigoryevna in 1942 became a liaison of the partisan cavalry raid group, and was also a member of one of the underground groups in cherven. the girl carried out very important assignments. through other underground fighters who worked in the police, hospital and other institutions of the occupiers, she got weapons, medicines, salt.

she did not betray any of her comrades in the struggle. on march 6, she was shot. what meaning do modern icon painters put into their works, and so that all this was not in vain, so that it helped people to pray, so that it helped them repent, to become churched, as today there is training in sunday schools, one lesson on spirituality, the law of god, one

lesson on creativity, one lesson on music, and for the older ones, that is... an assistant in such a sin, which many, many people encounter, this is the sin of drinking wine, this particle of relics, which arrived to us from greece, the answers to these and other questions in spiritual and educational projects on the belarus 24 tv channel,

a historical moment, as the belarusian government called the conclusion of major deals with partners in central america, signed a contract: more than 85 million dollars, it is not only about the supply of equipment, but about the creation of assembly plants, with a view to sales throughout the region, while distance is not a hindrance, if there is mutual interest in equal partnership. minsk bakeries are increasing export deliveries, production lines operate 24x7, about 40 tons of high-quality fresh bread roll off the conveyors per day. naturalness, original recipes, experiments with form, packaging are also appreciated for every taste. plus production. history. this year, the vasilkovy festival broke all records. it was attended by 7.0 people from 42 countries, half a thousand journalists covered more than a hundred events of the forum during the week.

about 11 million internet users from 120 countries followed their work. news, analytics, expert comments and interesting facts. watch the program events. on thursdays on the belarus 24 tv channel

. in my own way, and i treat musicians as i would in their place, do you take advantage of this official position? conductor, he lighter, he must light the orchestra music.

hello, on the air is the program say don't be silent, in the studio svetlana smolonskaya and victoria popova. and today we have. as a guest the artistic director and chief conductor of the national orchestra named after mikhail finberg, maxim rasokha. hello, maxim nikolaevich, thunderous applause, thank you, yes, but recently we had a guest the young soloist of the orchestra irina reshonok, and we received a lot of feedback and responses from our viewers and subscribers, the most active left their wishes, offer invite all the soloists to visit us in...

creative, because after all, the team has its own traditions, its own foundations, its own views on work, on creativity, it used to be like this, that's what they always tell me, that

's what it used to be like, i say, that's what it used to be like, now we're going a different way, as if along the same rails, but a little in the other direction, that is, there were some clashes with prickliness, well , that's normal, you know, if you read the biographies of great conductors, and many wrote, then many... burned out, let's say, yes, that's it's very difficult, very difficult, because the team, you see, they're used to one thing, there are people who are already old and something is new, well, to the extent that they have their own worldview, then another person comes with some emotions, with some plans, thoughts of a completely different format, concerts, views on these concerts, completely new programs that the orchestra has never played before, and for them it's like...

i'm moving forward, no matter what they say, someone is behind my back, well, there are very good people in quotes many, all creative people, and like to talk behind your back, but as you know, as that recruit in a caravan, he goes. goes there

the dogs bark, and the caravan goes, as vladimir spevakov says, so you just need to go, when you look back, you will see the result, and you will see the path that you have taken, and those dogs that barked, they will already be far away, so if you, god forbid , react to them somehow emotionally or somehow in your soul, then accordingly you are a little bit even weak, but you thought for a long time or in principle this proposal you are flattered, you know, it was unexpected, firstly, this offer... secondly, they talked to me, whether i was against it, as i see it further, in principle the issue was somehow closed, somehow a month, probably or however long passed, i think, well, maybe they have already appointed someone, well, silence, and they call me tomorrow for an appointment with the minister of culture, and i came, actually, the offer was made, well , accordingly, as it were, well, that is, they did not think at all, you if i did not think at all, you have a challenge, are you ready, yes, well, i am creative man, and for me creativity is the most important thing and probably the meaning of life, yes, that is

, as if. speaks from the point of view of philosophy there is a creator who created the whole world, the whole earth, us, people, and, music, even in the end, yes, by the way, saying that music is the only thing left from paradise, yeah, we don’t see it, yes, that is, and this is music that through the soul, we perceive music with our ears, well, but our soul reacts to these emotions, which really remained from that, like the garden of eden, when, which existed on earth, that's why i think that if people are divided into creators, who are like the creator, who create, and not creators, there are people who use this, this is a use...

a feeling that there is something else above you, and what is not unknown, with reason, you cannot understand it, only somehow feel it, well, if you understand that there is some higher power that gives you some clues, sometimes, that leads you somewhere, if you analyze your actions, analyze the time that has passed, what happened, to what this leads, then you begin to understand that there is something in this, it means that someone in hell does not have music, i think that no, no, i think there is heavy rock, this combination of hellish music? because there is none there, you see, in general, if we talk about music, music, music is a sound, and a sound is a vibration, and any, let's say, body, any object has a vibration, here are flowers, a table, the earth has a vibration, that is, a certain tone, they speak in nu tefa, by the way, i don't know how, that is, what we hear, what we do not hear, we have a certain range, what is accessible to us, and the rest we do not hear, but this is music, vibration, that is, the singing of birds, music is imitation, the creaking of a swing, yes, i agree with

you.

national, academic, yes plus we also have pop pop music, all the directions that exist in music, we cover it, we perform it, and there is also such a fact that mikhail yakovlevich started at 40 years old, he had no titles, nothing, he was just mikhail finberg, and already 20 years later, he was honored, people's, and state the award, and the union state, and the deputy, if we compare, then i am starting now, my path is just beginning, i am also not honored yet, nothing, therefore, partly sometimes. some resource is enough, authority in this sense, that people know by deeds, by actions, by creativity, well, this musical environment knows, others, well, who? well, yes, well, concerts, well, what, well, this is not yet, i

think, with time, that is, that is , a name, yes, yes, that is, i continue, but i am starting, as we, it turns out, i am going through this path, not again, no, that is, our task now is to preserve what mikha has worked on, it is a lot, to preserve what we have preserved, this is the most important thing, to continue working further, that is, the work does not stop, we perform music that the orchestra has never performed before, this is academic music, we rely on academic music, we literally recently had a concert at the town hall, on august 24 we performed two piano concertos by chopin for piano and orchestra, timur sergey played, the pianist, that is, for us the orchestra actually debuted as a symphony orchestra, this is the direction you are moving towards, yes, towards symphony. we are developing this direction, we have a very well developed direction, like jazz pop, esrad art, yes, our, one of the best musicians of our country works in our orchestra, who know how to play this jazz pop music, they do it, and adventure, this was the orchestra's strong point, always jazz, that's all, our orchestras,

academic music, it was, but nearby, basically it is belarusian music, not going beyond the framework of our culture, now we perform music by absolutely world-famous composers and... we are now preparing a program called bachiana, it will be presented at the town hall, also within the framework of the classics at the town hall, where we will present the works of bach and composers who dedicated their works to him, this is villa lobos, a brazilian composer, this is arva pärt, a modern composer, so the orchestra has never played this, orchestras, no, not at all, you understand that we have a completely different history of mikhailovich, a large symphony orchestra, no matter how we we claim, we have a completely different one.

grigory shirma, who also created this group, actually, it was absolutely logical that the orchestra is relatively, it is a relatively young group, if you take it with our other state musical groups, then of course mikhalich created it, it is his brainchild, in fact, all his strength, health, emotions of all of himself he dissolved in this orchestra, of course he is worthy of the orchestra bearing his name, and now we have always said, finberg's orchestra was like that common noun.

words to the orchestra and its artistic leader, the head of the orchestra, maksim mikalevich rasokha.

well, maybe in vain you drag them into symphonic music, look how good, the good old orchestra of fenberg, but you noticed that the pop part of the big band of the orchestra played here, the strings in this number were silent, that's why the strings do their string business, the brass players do their business, and there is also a pop big orchestra, where our vocalists sing with them. this is a whole still have to do their own, that is, we have

three directions, pop-song, jazz and academic, then in principle, probably there are no more, well then we will watch another performance of the orchestra, this is the concert leonid gaidai 100 from the cycle hits for all times, forgive me, how are your marfa vasily, should we be impressed, just tell me, how do we take. quiet, happiness suddenly to silence, knock on the door, really, you to me, i believe and do not believe, snow fell, dawn floated, autumn drizzled, so many. years, so many years, where are you

wore, suddenly, like in a fairy tale, skryknulave, everything became clear to me to you, so many years i have my own this all, all somewhere, i know, it was expressed. well, who has not sung this happiness and how many times, but every time you listen and the soul unfolds and then does not curl up, well, for artists it is happiness to see such a reaction of the audience, to what direction will we attribute this concert? and this concert is very interesting, i have long wanted to do something of this kind, i am interested in creating something ... it has not happened before, yeah, i think, my favorite gaidai

director, the music is wonderful, just in time for the centenary of lenit gaida, i think we need to make a good program, but just take the music of the movie, people will come, they will hear again these songs from the movies, which the artists perform, some music, the video sequence is cut, well , nothing new, then - the idea came to me that we, with the help of, let's say, technical moments, separated all the voices. the artists singing in these films, the diamond hand of the orchestra, were removed from the recording, only the voice remained, and the orchestra accompanied these voices live, that is, we went exactly along metronome, on click, and also all the chases, there when here are the famous gaidai chases, the orchestra voiced exactly in a second with a second, as it should be on the screen, if the horses are there, that is, you were the orchestra of cinematography with sergei skripka practically in fact yes you can say, but our project was called cinema with an orchestra and that's it.

jazz and moreover this year last year there was the first such pilot project, but i want to say that it caused a great resonance, and in time a large number of people came, somewhere around one and a half thousand people in 2 days we collected, this year there was even more excitement, that people somehow delivered chairs, and well, that's great, we realized that jazz

we got, you know, how we got into our theme and we are already planning a continuation of our jazz festival, i'll tell you more at the slavic bazaar several.

naturally, they go for it, because no one else will offer something like this, everyone offers different groups, yes, we will perform this program, and we are specially preparing for these, let's say, concerts, where you can show something new, we are preparing something new, this year we had shapen and bach, two programs that you will never hear in exactly this format, it was a rainbow, plus we have such a project together with the minsk city executive committee culture department, it...

academically, that is, classical music, the numbers got together so much that there were so many numbers, after that they made one big concert, it was held as part of the musical and tourist season at the town hall, in the open air in may, so this year, let's say, the state the institution minskconcert and the director of the palace kipal anatolivich received, well, let's say, were awarded a grant from the special fund of the president of the republic of belarus for the support of talented youth to carry out a project called we are the musical future with we traveled to all the regional cities, presenting our work, and we also attracted children from those regions, talented children from those regions where we performed, i will also say what you have in common with finberg, you also scribble like a machine gun, listing all

the projects of the orchestra, the tempo rhythm is exactly the same with you the same, the point is to go beyond the orchestra to the conductor's stand, this is the very last stage. the stage of project preparation, before this you need to think everything through, the theme, how it will be formatted, and the notes, arrangements, prepare everything, build how it will be - with vocalists of the tonality, that is, here you already come almost entirely with a finished product, let's do it, then like you brought a cake, let's try it, but until you cook it, they won't try it, so musicians, they already see flowers, they don't see when it grows, well, you've already revealed it to us all your secrets, let's take a break for a while, i remind you of our telegram channel say, don't be silent, subscribe, ask questions and offer us new interesting guests, we are in touch,

the most current events from the world of sports: 25 medals in total were won by the youth team of belarus in track and field during the match meeting against the russian team. work and discipline give results. this is the principle by which bobruisk works this off-season. hard training exciting competitions. yes, you lift cup, for the very first time, this is probably the most emotional moment. it is clear , but now there is a new season, we need to prepare, to defend this title. exclusive interview with athletes. a lot of people love hockey. in general, i think the results we show in it are quite good, the sport is developing and being cultivated in our country in order to get children off the street, as much as possible, so that the maximum number of children are engaged in some kind of sport, this... they were born in different parts of the world, i

tarakanova lyudmila, i have been living in belarus for over thirty years, i came from russia, from the ancient city of ryazan, tiria is my homeland, i love it very much, but it so happened that i decided to go. creating clothes, and it makes me so happy, i am happy that people use my beauty, use my skills and appreciate it. each hero has their own unique story, and their own view of belarus. belarus gave me the awareness of my. dignity as a person and eventually gave me love, i constantly feel

yourself at home, all this is my land, watch on the belarus24 tv channel. on air again say don't be silent, our guest is the artistic director of the mikhail finberg orchestra, maxim rasokha. maxim nikolaevich, here is 50% that worries me, which you have not yet fulfilled, maybe these 50 % are for national music, to which mikhail yakovlevich himself devoted the lion's share. well , the issue of national music is being resolved more or less well, and we create programs, even academic programs, you know, here is one of the latest programs. melodies of the peoples of the world in the works of belarusian composers of the 20th century, it turns out that our belarusian authors wrote music on hungarian, romanian, moldavian, spanish,

gypsy, jewish, russian scandinavian, finnish themes, used melodies in their work, the fact is that i spent a lot of time, let's say in the archives in the belarusian archive of literature and art, and in the national library i was looking for something, in the personal archives of composers, i collected a large layer, but ...

they are slowly being glued and if they are not performed, if they cannot be adapted, even to make some applications or something else, i will give an example, for example, i made a collection of melodies

of belarusian cinema, let's say, a collection of music by the people's artist of the soviet union, evgeny glebov, our belarusian composer, professor, and this music, film music, it is only in a handwritten version for different compositions, for pop, for symphonic, for chamber, and accordingly to perform it, it is necessary to take it, adapt it, well, this is a process that is unrealistic. what i did, i took these scores, adapted them in such a way that it became for the flute from the piano, that is , for the solo voice and a compliment to the piano, so you can take this collection and make it for any instrument, for any composition, it is much easier, that is, i made the task easier for many who are interested in glebov's music and even what we do not hear, what can only be heard in films, yes, i came across the fact that many people say, so we know this music, we remember it from films, but had no idea that this is our composer, yes if ...

naturally they wrote about this, like belarusians they write about belarusian music, belarusian themes, we managed to collect musical material, for a whole disc, we recorded it, this is heinrich wagner, eddie tirmant, olevevich, composer, vasily zolotarev, and many other composers who wrote music on jewish themes, a person who can't help but do it, he does it, yeah, it doesn't matter where you work, you know, i had such a period in my life from the sixteenth year, i left the orchestra,

stopped being a performer, worked for 10 years in the presidential orchestra. that's it, that's how it happened that i invited, we would like to come to us, they offered me, i think, since he offers, but you have to, you have to try, you have to go , it won’t work, you’ll leave, in any case, then you offer something else, then the period of teaching at the academy of music, i also had a long period, i had a brass band, with which i managed to do many projects, which basically gave me an impetus to the fact that

if it had happened to me, for example, that they offered to lead the orchestra 5 years earlier. national, it would have happened, perhaps i would have refused, the path that i passed in 5 years and came to the national orchestra, i realized that 5 years gave me a wealth of knowledge, a wealth of skills, which i came to the orchestra, i realized that i have something to tell them, i have somewhere to lead them, you know, when you are confident in yourself, then you know, that is, 40 years is the ideal time to lead such a group, you know, moses led for 40 years too, he also led a group, led it for 40 years, then it is possible yes, you know, there you understand, that is, you go through that path, such as an experimental creative laboratory, where you from communicating with people, quarrels, resentments, you go through everything, you understand that this is nonsense, you shouldn't do it that way, you learned this, you learned, for example, to make arrangements, you learned to conduct concerts, by the way, i conduct most of my concerts myself, you learned to understand music, you do it differently, you learned to speak , to do it in such a way as to spend a minimum of time,

but to have a great maximum of results, i ... i use this, i came to this, and i am often invited, i am friends with the gomel city concert orchestra, all the time even i worked there as a guest chief conductor at the polstayevka, i even went to gomel, so we continue to be friends with this orchestra, we make programs, i offer them a program, they say great, let's go, i go there to relax, i conduct concerts, we make a program that, but with all this omnivorousness of yours, such curiosity , it may happen that you will be invited somewhere else, and you will gladly go after the fenberg orchestra, you know, when they call, i will think. but if i don't call, then it is not necessary, but well, you know, i haven't fully realized myself here yet, yeah, but let's say it this way, i can't say that this is my orchestra now, probably time will have to pass, maybe a generation will change, maybe, you know, it should settle down, that is, everything should somehow grow in, put down roots, that is, now i'm in my third season, 2.5 years of working and

still a newbie, yes, for no, well, as you understand, that already roots. what will you have in six months, i'm resting now, no, you're doing one, i'm already thinking, i'm thinking what we will have at our annual projects, minsk jazz, these are three jazz concerts, a hit for all times, also three concerts in a row, three new, three new concert programs, they are needed.

for me it is important what i want to tell with this concert, for what, that is, the program has some integrity, the program has development, the program has its own specific tasks and my task: the building is satisfied, yes, it was delicious, or, well, i expected something more, yes, that is, an option, that is, my task is to make it so that people, when they hear what i tell them, then we confirm it with music, i will say, yes,

it was, yes, it was cool, here we want, they ate, accept, they were charged with emotions, food is a charge for the body, energy, emotions, a charge for our soul, that is, it is like a phone, it also needs to be recharged, and this is a live performance, yes, you know, you can put on a disc, listen to good music about... they should play, this is a concert, why not music, that is, here it

turns out that the vision is more important, that is, you take attention to yourself, you communicate with the audience, you you ask her some questions, and sometimes there is some, it is always improvisation, you understand what you will talk about, yes, but there is improvisation, because someone said something, or someone behaved somehow, and you start working with him already with this person, the emphasis is on him, the audience feels that... i am involved in the concert, i am also in the concert, maxim nikolaevich, we got our hands on your fresh performance, here on august 24, this performance in the town hall, we will watch a small fragment, but i will tell the audience that at this concert maxim nikolaevich was also a stand-up comedian, he told about what would be in the program, he said, we are playing two concerts, you do not clap after the first, well, yes, it is just that the audience is clear, they are on emotions, a three-part concert. traditionally, you can not applaud between parts, parts go without a break, but our audience perceives the concert very warmly on saturday evenings, they applaud after each part, i say, it is not recommended to clap, well, let's watch a fragment, how

it was.