light, it will play the same spatial distribution of rays, and the viewer will see a virtual object. unlike photography, a hologram is three-dimensional, since it records the volume of an object. i am sure that in the future, such a method of exhibiting will allow museums to exhibit unique objects that cannot be exhibited today due to their fragility. the project aims to introduce belarusians to the rich cultural heritage of the country, as well as to develop the practice of modern museum technologies, including demonstrating the level of holography. in this regard, our the broadcast is over, i look forward to welcoming you to the next day and meeting on the 18th day.

you have spoken to us, father's words, as if from the trees, as from the sun in the sky, dad, this is some kind of strange language, volodka, this is not a language, this is a language, we are starting to board a train of interregional lines.

we have had a great time, we have saved our lives, like the connection of the fathers and the names of the gods, like the holiness of the hell of god, what do we know in life, and perhaps, nay bluffs fly at the price tag, otherwise i will believe ў marara svae, write pra geta adnoichy writer oh edge you, my dear, i love you! let the song of the fifth in the language of the left, and the eyes in the cloud brighter than ever, let this song be heard and let everyone be protected, and will rise to good deeds! those facts: we are immersed in the era.

our ivian tatars still remember the grand duke vitovt when praying, because he appreciated them as great warriors. and invited them here to our lands so that they could help him fight, to say that it is comfortable, no, but i feel more confident, and more protected, it is true, artifacts from centuries of history, real a puzzle for us, as time travelers, this is one of the oldest items that we have in our collection, this is the elcapion cross, which dates back a century, today such a cross... is worn, for example, by the pope or bishops. the task of our guides is to ignite in you the desire to touch the belarusian culture personally. these are the kinds of receptions we love, and we love it beautifully, to greet and treat, it is already possible,

of course, it is necessary, oh, it smells so good, travel together with the belarus 24 tv channel. i say, why are you smiling all the time? says, hai, i say, it's a little annoying, one of the most furious desires

of the unfriendly west to ruin our relations, the first and most important question, for the sake of... what: we don't need luck, we need success, luck is needed by the unprepared, i 've only worked with great masters. vova, i love you very much and want you to develop intensively and fully, and you and people will be fine. our activity began with the word i believe, you can believe it or not, but it's a fact. in total, i studied to be an artist for 8 and a half years, a man. agile, attentive, speaks well, well, at least we saw a russian,

hello, the program say don't be silent is on the air, today victoria popova is with you and i would like to find out, here is today's youth, will this picture get into it, what do you think, is it possible to return interest to that prose with the help of cinema, it seems to me that any work can only get into the heart of the viewer or

reader when it is sincerely filled with knowledge, understanding of what... a person writes, tells or films, if we talk about lieutenant's prose, it has begun, probably from viktor nikrasov, from his story in the trenches of stalingrad, which was published, i think, in 1946, and immediately received the stalin prize, by the way, nikrasov gave all this prize to buy wheelchairs for the soldiers who went through the great patriotic war, and then we know that there were censorship interventions, this story was banned, it was banned for a long time, for a long time only in the eighties it again

found its life, you see how waves, understanding, misunderstanding, collide even around one, probably the most terrible, great event in our country in our in our countries, because belarus, and ukraine, and russia - these were, there was one big. of those who were not listed, one of those unknown soldiers, but who during

this battle, which he led with his comrades, and then alone for 300 days in the brest fortress, they formed him as a person, as a great personality, a person who knows what he is defending. we do not know, we cannot yet predict the audience reaction, but the artists of your theater, yes, who are all busy in filming the movie, they went through the school of a young fighter filming, tell us about it, yes, it's true, we are i am very happy, it was my long-standing dream to make a movie together with the team of our theater from the theater school of oleg tabakov, thanks to timur weinstein, a producer friend, who suggested making this story, than we

are doing it on our vacation between tours, this is very important for the team, which i have been leading for 6 years after the departure of our heavenly artistic director oleg pavlovich tabakov, it seems to me that the team is incredibly viable, it is based on our students. and this story is very important for them, and indeed, before we started filming, there was a lot of work with the director, the wonderful young director sergei karataev, we also have an amazing cameraman, igor grinyakin, with whom i worked on the film "movement upward", in general , such a team has come together.

and morally and physically you literally descend into these spaces, since we started filming, here in the brest fortress, in those places where these events took place, now also in mostkino large natural scenery is being built, where this space will be recreated, where we will shoot further, in general this is a huge work of the whole team, and of course, but the center... always the center and in the theater in the cinema is the actor with his living

feelings and emotions, i wanted to remind our viewers that there was already a similar one in the history of a contemporary, yes, an attempt by all the actors to use philism, it is not even an attempt, it was a very necessary film at that time, a bridge was being built, in my opinion, a film from the sixty-sixth year, in which the actors took part. contemporary, let me in, let me in there daughter, she was just here, kholya, kholya, how are we going to live, everything burned down to the last thread, and stop going out!

his actors resisted the director's theater, he said so: i want to raise guys who resist, that is, those people who themselves can be creators, creators, and themselves, that is, they are not performers, silent of someone else's will, when

there is talk about director's theater, i do not really understand this, i ... if you look at the history of the development of the theater, all the great directors, one way or another, were originally artists, they knew what it was like to exist on stage, because sometimes directors come who have never been on stage, they start telling something, maybe even very excitingly, verbosely, maybe partly convincingly, but then... they can’t build a living life on stage, you understand, in general, watching an artist, there is such a concept as watching an artist - this is a very difficult matter, but you, you inherited the artists of oleg pavlovich, they are also accustomed, yes, to his school, to his manner, and now they get used to you, i have never had any contradictions in

creating a performance oleg pavlovich - as soon as i came to the theater, i immediately began to make a performance myself, to provide him with this activity, for me he was the leader to whom i wanted to provide how i see this world, and so that he was satisfied, and he, starting from the first performance, so we had a performance that i made between rehearsals myself, we dragged the scenery from the street, we found some broken bench.

dede, dede, do you want me back, my eyes, glory i will remember, i will repeat again, who told you, who told you, when tabakov. watched, i say, oh, listen, a good performance, play, that is, it was quite dynamic, after that i did the next performance, passions for bombarush, then a fatal number, and he already told me then, that's it, govka, what i then you put on, okay, i will go work as an artist, and you put on, therefore mm, in this sense

it was a blessing, yes, yes, yes, yes, and i, since these performances were going, have been going on for long decades, and the performance requires a lot of attention, it is not a movie, but in any case, the actors in the movie will play well or badly, and the theater is a constant movement, if the performance is not filled with energy, ideas, meanings before each run, if it is not reminded, it begins to collapse, therefore it is ... and near the tabakerka theater on malaya sukharevskaya square, a sculptural composition atom of the sun by alexander rukavishnikov is dedicated to your teacher oleg tobakov. you released to your sixtieth anniversary and the play of the same name, once playwright viktor rozov said about oleg tobakov that he illuminates the play

with his talent, as if he swallowed an atom of the sun, so you have, well, let's say, a recipe for how not to lose this atom in yourself over the years, in general this is a difficult question, and not an easy one in terms of content. choosing the right word, the right action, the right people, the right activity that you are engaged in, therefore

it is very important to find your activity, to find the word that will guide you, goal, and not just a goal, but a goal that is illuminated by meaning, starting any work in the theater or in cinema, i always ask myself and those with whom i work, the question, the first and most important one, for what? if we talk about cinema, in which we are engaged today, over these 80 years there have been many technological changes, technology has moved very seriously forward. and if we talk about a person, he was, so he remains the same as he was with all his passions, fears, love,

hate, discoveries, this incredible paradox, it seems that technology is moving forward, but man does not change, therefore, apparently, art is made in order to balance man with... in the most difficult and responsible moments of life. you dreamed in the film challenge directed by klim shipenko, this is the first full-length film, individual scenes of which were filmed in space, but this film is also dear to us , including because a native of belarus, oleg novitsky, was involved in it, yes, in this regard, two questions: what impressions did you have from the filming and is it right modern cinema, when it goes along the path, let it. carries a lot of components in its

process, not only that the cosmonauts, who, in whom lay a huge responsibility, they took into orbit, just people who... initially, maybe they were not ready for this, it seems to me, a big breakthrough in science and in general in understanding a person, his capabilities, plus, of course, these shootings, everything that you see in the frame, related to space, it was filmed in real space, all the technologies, including filming, they were made for the first time in in this sense, this film is exploratory and absolutely pioneering, if we return to the film that is being filmed now in the press

these days was not listed, we see there a lot of young actors, in particular vladislav miller, whom we remember from the series your honor, he played with oleg menshikov, and we hope that we will be able to talk to yana sex, because she is also one of our favorite artists, where are you from? collective the center of our theater is our theater school, the only one in the world school of integrated education and the earliest training of artists. let me explain, we recruit children from all over the country after the ninth grade, from kaliningrad to vladivostok,

we have a huge selection.

professional stage, in general, these are the people who, this year we had our first graduation, the children study for 5 years and receive a diploma of higher education, now 11 people have graduated, you see, it is not easy to enter us, and it is even more difficult to stay, if a young person does not show his desires, aspirations in the first year, we we just send them back to school for our own fault.

about 10%, i think it's bad, due to what circumstances, due to different circumstances, i'm talking about a person, this is a profession with practically zero guarantee, it's very difficult to guarantee a person success in his life if he himself does not take part in it, if he himself does not develop, therefore, returning... to vlad miller and to all the guys, the majority of our theater is made up of actors and guys who graduated from theater school, these guys, constantly developing, moreover, they already they themselves are teachers, i attracted them to this activity, this principle of teaching, i learn, it works very clearly in our theater holding, so i let go... to act in

films, they are in demand there in this sense, but they know that their main place of activity is the theater, if they do not violate, i let them go our internal disciplines, if a person decided that somewhere is more interesting to him temporarily, then we always let him go forever, well, this is then, that you are still that theater director who is good at himself established himself in cinematography, and you understand what i'm talking about. yes, yes, well that's why i, it seems to me that here are the guys who come to us, here are 11 people, but these 11 people, all are settled in the theater, all who are not settled in the theater, work in cinema, these are young, competitive artists, and we 'll take a short break for now, i remind you, we have a telegram channel, say don't be silent, subscribe, ask questions and suggest guests.

the program say don't be silent is on the air again, and today our guest is people's artist of russia vladimir mashkov. vladimir lboyevich, when did you pull out the lucky ticket? well, when did you realize that yes, i had succeeded in this profession. well, you know, i pulled out these tickets so many times, which seemed to me.

the greatest artist of the puppet theater, he not only worked - behind the scenes, behind the scenes, he appeared live, as they say, in the puppet theater, why was he the leading actor, in this... atmosphere i, uh, lived - despite the fact that i liked to study biology and entomology, but nevertheless somehow i was so drawn to this activity, my first admission was unsuccessful, i applied to krasnoyarsk, but they didn't take me, and then i went to the novosibirsk theatre school and they took me because there weren't enough boys, then i quickly got my bearings, then i came to moscow, they took me, then they kicked me out again, and then tabakov came and took me again. in total, i studied to be an artist for 8 and a half years, and to talk about a lucky ticket, here you

know, uh, in this activity, counting on luck, it seems to me, is wrong, although it is partly somewhere. ask yourself questions only then in cognition yourself and the life around you and there is this movement, movement forward or upward, it seems to me,

this is also oleg palovich, of course, he, well, you said it yourself, took it back, also decided, yes, he is the godfather after all for many artists, well, of course, of course, i, and when i went... to apply to tabakov, in this sense, you know, theater students, applicants apply to all theater schools, i hope for luck, yes, i will show myself to this one, to this one, well, this is how it is accepted, here, and i passed the tests quite successfully, to others, to gitis, to pike, in a splinter, vovgi, that is, i had such a range of offers, because i was already... you know, a seasoned applicant, life-killed, and we all knew oleg pavlovich as the greatest teacher who takes a very responsible attitude to this profession and

extends a hand to the young, and i made a choice in favor of tabakov, although i had no guarantees that i would be accepted to him. now you can already consider yourself as a mentor to a young aspiring artist, a rising star? you know, in the entire history of mankind, in in theatrical terms, there is no such thing that a young man of 15 comes and says: here is a genius, a star, this is excluded, we can see some data that were given to him by his father and mother, by god.

he is given a task, but he does not fulfill it, this is called paralysis of the will, then the person lets go, well, so as not to fool, not to explain

to him that dear, but this is your profession, you must work very much and selflessly on yourself and ... on everything that surrounds you, in general, an artist must read a lot, observe, in general, observation is one of the most important features of the artist, so to speak, that's a star. i think it's close to failure, let's talk about remakes, did you think that the film the crew by nikolai lebedev, in which you played the role of commander leonid zinchenko, managed to repeat the success of the film by alexander meta, well, as far as i understand, a remake is actually a literal retelling of the material, in this sense, the film the crew, except for the name , has no similarity with that wonderful

great film by meta, an absolutely independent story with its own heroes, by the way, meta was a consultant on our film, you know, i remember very well when the film the crew came out and what queues there were and how people watched this film, well, on... at that time there wasn't much choice in general and i'll tell you this, if you knew how it was criticized when it first came out, how critics criticized it, how pilots criticized it, in general - that sometimes happens with films, yes, but the audience liked it for its kind of inner heroic component, even... the most complete blockheads,

like filatov, you know, what's the difference between theater from cinema, global, in the center of cinema is photography, there are simply many of them, photographs, in the theater it is a living artist, here now existing with absolutely. others, another degree of interaction with the viewer, here is a living artist, another technique of existence, in cinema, it is based on even greater verisimilitude, because the camera comes close, in this sense, this very change in the frame of the artist is this miracle, this is what i pay attention to.

grows, learns daily, in cinema they do not learn, in

cinema, there is no time to teach artists in cinema, time few, they take, as is correct, filmmakers, those who are somehow ready for this work, there is no opportunity to work with a person for a long time, for this shooting you sometimes need to simply deceive the artist, stuff him with some energy and so on and so forth, therefore if the artist is not prepared, he begins to broadcast the same thing in the film, well, that is , himself, broadcast, broadcast, and sometimes not the best version, here are rare directors who allow themselves to work very carefully with the artist, rare directors, but there are such, such...

of our theater, he is an actor, playwright, screenwriter, he worked a lot in this sense, you see what a spectrum, now he is, that's why we wanted to shoot this story, here we were born, this is the vision of these three fathers, mm, which we thought to take our teachers, and somehow she was so sincere, frank, i take to the left, i have a roll, began to level out, level out , level out, didn't level out, we are getting closer, i see, my speed is above the limit, and the distance is critical, i turn on the engines, brakes, then suddenly there comes tragermetization, they knock on my porthole, they point to the clock, but that means time

has started, that's it, stop, well, who knocked on your porthole in outer space, who knocked, i'm asking... the filming was leaving, we started filming, i'll tell you again, in march, i looked outside every day, we had to go to the village to film, it was already spring outside, the nature was leaving, gone, gone, irrevocably gone, we bought, i

remember, almost two train cars, some materials similar to snow, a thirty-centimeter layer of snow, good luck , that's it, success, exactly success, because for luck we didn't calculate, we prepared, and i call sasha borovsky, the artist, the paintings, i say, sasha, you looked out the window, he says, i

'm looking now, and we went to shoot, and everything there is covered with snow. and it started to drip on the last day of shooting, it started, so it held out, we were shooting - these street scenes, in my opinion, for a week, a little, all the time this was snow, this is what, apparently, up there they also understand that we are probably kind, let's help, a new year's tale, well, that is, you believe in some kind of mysticism, that's it.

by the way, he describes it this way, he says, i already assigned volodya a place as a leader in his first year , but he persistently climbed onto the stage with some sketches.

i literally have this book lying around a few days later, i open it again and realize that the pages on the first page are stuck, so i tore it off once and realized that there was an inscription there, a message to me, which stuck, i was stunned, and there is this phrase of his, that vova, i love you very much, and i want you to develop intensively and fully, and you and the people will...

the team around me, we will tear ourselves apart for a while, after a short break we will return to the conversation again, for now subscribe to our telegram channel, look for all our releases on the belarus 1 youtube channel, today we are in brest talking with the people's artist of the russian federation vladimir mashkov. we argue a lot in belarus, including about these unions, are they needed, are they not needed, what to do with them, what do you think, does the union of theater workers need a reboot, well

, that's what we are doing, in 2 years there will be the 150th anniversary of the union of theater workers, this is an organization that was conceived as society for helping artists, and i don't know of any public unions like this that have existed for... offers me something in return, that's the point, so yes, you criticize, offer, offer, do, so this position about

what is not needed, no, it seems to me, it is absolutely senselessly hostile, i know many adult actors who have spent their lives on this activity need help, help is needed for young people who are just coming out, yes, that's why we are thinking about holding festivals. guys and educational programs, which are needed by those who are entering life and those who continue to work, take the belarusian union under vladimir lvovich's wing, so come to us with pleasure, you know, now we will probably sign a cooperation agreement with kyrgyzstan, with the union of theatre workers, and of course, if belarus joined in, especially since we... such fraternal peoples, so understanding of each other, my life has been connected with belarus for quite a long time, and i

have worked with different groups, you have here great masters, and there was such a picture, a hunt for a piranha, what do you need, buy a machine gun, how much will you throw a thing? we won't give you more than 500 rubles to get dressed, well that's normal, come on in, we filmed in karelia and belarus, there were the brightest shoots, i remember them all my life, now we are working with your masters, and i hope that in december we will come to our theater, theater... tabakova will come on tour, while it is being decided what performance we will bring, i already wish, yes, we

really want to come, let's discuss hollywood a little more, having got used to it. because well, i can't help but ask you, you are just one of those few actors who stormed it successfully, we had very good relations, maybe in the 2000s, yes, with america, with the american, at least it seemed from the country, something happened, how do you think, why did they stop being so friendly towards russia and belarus? well, it seems to me, you are not particularly deceived here? especially american cinema has always somehow defined enemies, with whom they should fight in big cinema, who these enemies, well, russian, of course, and if you

say, they became good to us, no, they understood that, if we talk about how i got there, i didn’t go there, it just so happened that i was invited, the film “the thief” came out, which was a huge success all over the world, was nominated for an oscar, faster, faster, and you, seryoga, this one beat, and you, climb, leave me alone, then... in the mazh who said, well in the mazh, more, more, well, beat, more , beat, well, porozh, porozh, i said, well, beat, well, that’s

it, that’s it, that’s it, calm down, that’s it, let’s go, that’s it, after this film i immediately received invitation to film there, they saw in you the ideal bad russian, well, in any case they saw a russian, for them it is very important how popular the person they invite is in the country, in their own, because this gives them the opportunity to sell this film, to the big market of belarus. territory of russia and so on and so forth, that is, they immediately give, instantly then they gave the opportunity to work there, yes, they give a work visa instantly, that is, for them it was just the time when it was necessary, we are like that, yes, you see how well they treat us treated, and we were like, yeah, no, they were doing

their thing, they were shaking things up little by little, for me their mentality, their existence was never an example of a space where i would definitely want to work, yeah, yeah, everything was clear on the set, i didn't experience any difficulties at all. are you kidding? in this country, being a killer is a profitable business. edward burns, robert de niro and vladimir mashkov, in the film 15 minutes of fame. i couldn't spend time there for a long time, i was just tired of this world, but they are different people, that is,

completely different. i won't even. i was so surprised, that is, they tell children: smile at a stranger right away, but why? well , that is, if a stranger is walking, a child is walking, you need to say hello to him and smile, then this villain, if he has something in mind, it may seem to him that you know him, will stop him from doing something,

crime prevention, well, in general, yes, but this is what he says. and uh, as soon as a picture appeared that i would like to make in russia in moscow, i immediately left, that's what happened, and there with the picture, and dad, like an idiot, showed up, then liquidation, this is all that pulled me out of there for a long time, you name the films, and i think it is because moshkov starred in them, they are so popular, or because you know how to choose? the material or the timing was just right, in general it is not clear how the formula works here, why do all the films in which you participate subsequently become the audience's favorites? well, this is a conversation about

choice, then talented choice, i choose or talented directors choose me, i have only worked with great masters, this is already and the material that each work of mine... no one ever forced me and i never did it for financial gain, this is all that i wanted to do, in each picture i can tell you exactly whether it was successful or not, but at that moment i did everything i could at that moment, and also about the great masters in conclusion, you have repeatedly admitted that it is a great honor for you to be a trusted person of vladimir putin, and political... such the most important award of russia, the order of st. andrew

the first-called, well, the relationship of our leaders, they are known, these are very friendly, warm relations, despite all the difficulties, it seems to me that this close friendship, which periodically it is very strong, well, this is probably one of the most furious desires of the unfriendly west, to destroy our relations, which were cemented by a long life and cemented by the blood of our fathers, grandfathers and great-grandfathers, our leaders, in particular vladimir vladimirovich and alexander georgovich with the fact that they are so consistently moving towards creating a common in this kind of

common feeling, divided by borders, you a separate state, we, but these two states that understand each other.