i think that this is true love for the homeland, for people and for people, watch on friday on our tv channel.

music, dj, hello everyone, in a minute the hero of our program will take his place and answer your questions: children, are you ready to meet our guest? igor pavlovich, what do you expect from the children you will meet now? i think creativity. what

mood are you in when you go to talk? with the beautiful, promise to tell only the truth, the truth only the truth, then good luck! igor pavlovich, i want to warn you that according to the rules of our program, if for some reason you cannot or do not want to answer, you have the right to refuse a question three times, and be attentive to the questions, at the end of the program you will have to choose the best one, well and... now you have exactly one minute to briefly tell about yourself. time has started. as a rule, lately i talk about myself in this way: i was born in pinsk, studied in minsk, as an artist i took place at the mariinsky theater. this is st. petersburg,

russia. today i am in minsk. this is the city of my childhood, a city of your age. and i use the opportunity that was given to me a year and a half ago as the chief blakemaster of the bolshoi theater. i am happy that i live in this beautiful city, according to the time period of the contract that the theater signed with me. well, thank you, you fit into one minute. and now questions for the adult. let's start with the red sector. hello, my name is semyon. please tell me, what does the chief blakemaster of the bolshoi theater do? hello. well, on the one hand, it's a very, i would say romantic, story, probably, from the very position of the main blet meister of the bolshoi theater, on the other hand, it's just an illusory story, because literally from the very early morning you come and start studying a large number of papers related

to how to organize the process and, of course, the lives of the artists who are with me every day from morning until late evening. so, you don't dance on stage anymore? i dance, i find time, you need to be in good shape, therefore, the stage is not left in small fragments and i do not go out on it that often, but i do dance, of course, dancing will not leave me. igor pavlovich, turn a little to the right, you are waiting for a question from the yellow sector. hello, igor, my name is lyubov. you used to work in st. petersburg. why did you decide to move to minsk? the fact is that professionally i really took place in st. petersburg, and i saw my further growth there, where as a premier of the mariinsky theater, for 25 and a half seasons i served in the theater, probably at some point you understand that you have experience, you still have

desire, so that cumulative process in a completely amazing way turned my interest first of all to minsk, because... at that moment two offers came, one from the bolshoi theater of russia as a tutor, the other came literally a month later from the bolshoi theater of the republic of belarus as a chief barittist, and i correlated for a very long time, so that it would be interesting to me, because first of all the most childhood, this is such a main factor that drives me through life, it is very interesting for me to be here now, and this is very important. we are moving to the black sector, we will have to turn to the right. hello igor, the level of belarusian ballet, and what is it like? first of all, the belarusian school, it has always been strong, today it is the same, but when we communicate with each other from different schools, from different cities we comprehend some common canvas, today the belarusian

ballet is at a very good level, including thanks to this personnel policy, which has been conducted by me for a year and a half, first of all, because it seemed important to me to initiate casting for... in the theater so that the level is maintained, preserved and, of course, raised with each season. tell me, what should we be proud of and what do we lack? first of all, we should be proud of the person, the artist, the number of free seats in the auditorium at performances, there are very few of them, therefore today the interest with which the public looks at the theater, only pleases me, therefore i i think that first of all these are the artists who lead the repertoire, uh, allow people to come to the theater thanks to their high skill, at the moment you will have to turn over, turn over, i said,

turn around, everything is correct, everything is correct, turn to the left, a question from the purple sector, please raise your hand, why did you decide to study ballet, after all, many people think that ballet is for girls, not for boys? the thing is that i did not decide anything in my childhood, chance decided for me, literally, being in pinsk, i was left to my own devices exactly. for the first half of the day, since my sister and i studied in different shifts, in order to share a table at home and have time for everyone to do their homework, i went in the afternoon, and the first half of the day was absolutely free for me, there was a circus studio, and a young naturalist station, and so on and so on and so on, and there was also a studio of suffering dance, at some point my classmate took me to a choreographic... school for company, it was necessary get up very early in the dark, it was autumn, in the dark, go to the other end of the city,

so, literally 2 or 3 months i held out in this school thanks to the persistence of my classmate, at some point i was selected, two teachers from the belarusian choriographic school from minsk arrived, who found me. the newspaper had a phone number written on the tip of the tongue saying: boy, call, tell your parents to call in the evening, so and exactly in literally a week my life changed, my dad took me to minsk in a kamaz, they looked at me, put pressure on me, i sat down in the splits in one, nadaevi sat down in the splits in the other, so it turned out that i was capable of dancing, and literally exactly a week later i was already standing with the documents now i am looking at this building, in which the school used to be located, every day looking from my office

at this building, i think, wow, how, how could this happen, not knowing, living in a city in which at that time there was not a single theater, neither dramatic, nor musical, i found myself pulled out of pinsk into a completely different, into another microclimate, and i will do this, in principle consciousness, despite the fact that i have absolutely simple parents. different from the usual? as a rule, there is such an opinion that children are ballet, they

do not know at all what childhood is. i do not remember any moments that would be connected except for homesickness, that i was deprived of something. for me it was a usual story, the same football, swimming, cycling, absolutely free holidays, in which the only one of the teachers really wanted us to support some kind of form. we filled out a diary, today i sat uh, with my right leg on the splits, with my left leg on the splits and did 10 push-ups there, that is, this is the only limitation that was somehow uh a limitation, but it is funny to call it that, even to define it, so i remember my childhood years as an absolutely happy child, since i am a village child, both my father's and mother's lines are from different uh places and... half of the holidays were in one village, half of the holidays in another village and i was not deprived of any of the natural moments of childhood. and

did the boys tease you for doing ballet? first of all, no one knew what ballet was in pinsk, and what about teasing? i don't think so, i guess i'm one of those people who prove the opposite, that it's important to honestly do what you're interested in, everything else is discarded on its own, so no, of course. next question, black sector, turn left. please explain how to understand what ballet is about, and if the artists don't say a word. when going to the theater, there is a program in the theater, which contains the libretta, a certain sign language that conveys certain information, that is, well, the underlying meaning. i love you, so today, i basically, i think that this gesture, that i, we even

do this in everyday life, i immediately begin to add hands, as i basically today, unexpectedly for myself , gesticulate a lot, then coming to the theater, you will see these certain gestures that are connected with the convoy of dance, which this or that choreographer has conceived, presenting his work, his performance, and can you please, well, let's guess, children, who is ready to guess, raise your hand, please, maybe, i can dream, absolutely right, thank you, and i thought, what does it mean, i'm going crazy about you, there can be different options, nogra,

i'm going crazy, that would be a temple, the next question: flies into the red sector. is there a ballet part that runs like a red thread through your whole life? there is such a part. in my second year at the khariographic school, a troupe from the st. petersburg conservatory came to visit us in minsk. and an absolutely wonderful person, personality, choreographer, teacher, nikita aleksandrovich dolgushin brought the program of the silver age, anna pavlova, vatsislav nezhinsky. vision of a rose, when a girl comes home from the ball, also sits down in a chair, as i am sitting now, falls asleep full of impressions from the ball, where there was communication, dancing, a certain ghost appears to her, a smell, roses, and a completely complex, incredibly technically complex

, physically complex miniature, where a young man literally depicts... ler smell e from the second year nikita aleksandrovich passed this miniature on to me and literally to the last days, there in the mirinsky theater, this miniature was with me both in the repertoire, and on a large number of tours that were in my life, that is, this is such a part that unexpectedly became a calling card for me, and if somewhere we meet someone, everyone says, ah, and the leading of the rose, such a rhythmic line for me, as well as a forming one...

it was so offensive, i bow after the number and could not stand it, went up to the girl, said: girl, is it really so interesting for you to be here now, in front of me is a girl apologized, put it in her pocket, but this made the delight and applause of the audience even greater, that is, we ourselves, in principle, do everything to ensure that either they were and use the opportunity of dance, the situation of failures ... there were none, fortunately, thank you, there was no silence in the hall, as there is none now, we turn 180 °, the purple sector, what is the strangest thing you had to do for the role, i was once invited to a furniture exhibition, where i was asked to plastically come up with an etit on the theme of a chair, at first it didn’t please me

made me laugh, then somewhere it got a little tense, but at some point... when i already felt interest and imagined how it could be done, and it was quite funny, a lot of ideas came, unfortunately, my participation was cancelled, so yes, we turn to the right, red sector, raise your hand, what is the career growth of a ballet dancer, as a rule, everything is quite fast, at first it seems that this is a very long process, a learning process. you reach a certain height, you receive a certificate, in this certificate those points that you have earned, but when you come to the theater, you understand that you are nobody again, you start from scratch to build yourself, your life, the range of your interests, and 20 years fly by, and you are nobody again, because artistically you have already taken place, then there should

be some kind of movement according to your interest or the possibilities offered. or if not offered, as a rule, all ballet artists do not leave the trajectory of dance, that is, it can be pedagogy, it can be choreography, as the master was, in my case i never got hung up on only in the profession, i always thought about what and what if it doesn’t happen, that is, for some reason this question haunted me literally from the first days of working in... the theater, and i always expanded my range of interests, restored furniture, i understood that, in principle, if not a profession, if that very career doesn’t work out, as you define it, then i will always have a craft in which i will be interesting to myself, that is, i understood that life does not end there, that this is

a certain movement in that interest in which i am now, and one more question: did you always have enough money or were there any difficult financial situations? there was a difficult moment in my life, exactly one season later in st. petersburg i got a serious injury at a performance, which... did not allow me to go further along this path to confidently enter the profession, there were exactly two such situations, at the performance of sleeping beauty i got a serious injury, i tore all the ligaments in my left knee joint and, but this was not a stop for me, because i love, and i am lucky, more precisely, in relation to wonderful people around me who always saw a little more in me. and thought of me a little better, as it seems to me, than i really am, so literally a month later i was flying to america to have an operation, and a few months later i

was already on stage again, but i was in a hurry, so a year later i was flying to america in october in exactly the same way, to have an operation again, and the second operation was such a stressful moment for me, when you understand that what? now and what will happen next if everything turns out bad, but nevertheless, human resource, it is inexhaustible, depending on how it is tuned, who surrounds it, and those people who are needed at the moment are surrounded, these were my teachers, alexander ivanovich kolidenko, who will soon turn 90 in april, with whom i was in touch, and those teachers who surrounded me and acquaintances in st. petersburg did everything to ensure that this did not become... life, therefore some moments in my life were primarily key due to injuries, everything that does not happen to

us, it is given, as it seems to me, for something to make us pay attention and perhaps, on the contrary, open our horizons, and not get locked into a particular situation. in our show, participants will not be helped by cheat sheets, this is an intellectual show, i know, a game for those who want to pump up their brains and test their knowledge, is it true that the hero of sholokhov's story? i have not

read this work, alas, i had to guess, answered yes, and how did it happen that you missed a work of russian literature for the eighth grade, here you can only rely on your own strength. calcium o is called the main oxide, because if we combine calcium o with water, we get a base of each. it feels like sofia has been here in my piece of paper here. that's exactly what i have written here, she just voiced a rumor, but we know for sure that sofia did not do this, what is the process of transition of steam into liquid called, i answered the option with condensation, because when a liquid boils, steam comes out of it, then the steam is transformed into liquid, this is called condensation, the recipe for making the dessert elisha, this is a meringue, look, intellectually entertainment project, i know, on the tv channel. our task is to carry out a new scientific and technological revolution in an accelerated format.

state investments in education in recent years alone amount to tens of billions of rubles. new schools are being built , those that have worn out are being overhauled. today, at our enterprises , most of them have branches of departments, leading universities, secondary specialized educational institutions. of our country, we are already taking away actually trained specialists after graduation, exporting our products to this year we carried out in 60 countries of the world, we are opening new countries in the african region, there are also good developments in the latin american region, serious contracts were signed for the supply of equipment mac, amkador in nicaragua, other countries of latin america are also ready to actively cooperate with us. the main topics on the main broadcast. watch on the tv channel. belarus 24.

i heard that in ballet all dancers are on a diet, do you limit yourself in anything to stay in shape? my biggest diet is that i do not have time to eat, because in the morning i don't want to eat, and during the day i don't have enough time, literally if i have 5 minutes, i go down to the theater canteen and have lunch, uh. for me it was never a problem, because every person has their own physiology, and it so happened that throughout my life i have never been on any diet, uh, since my parents are quite slim, uh, and in this regard i was lucky. and the second question: why do men in ballet use cosmetics? well, today, i am sitting here in front of you, in front of everyone in in principle, tinted, because, "i want

to look good, and of course, the current red face will not be interesting to anyone, and since we are primarily engaged in physical labor, after the performance many lose a fairly large number of kilograms, someone two, someone three, because a lot of fluid comes out of us, looking at the tired face of the artist on stage is not interesting to anyone, this is that ..." moment of the profession that creates a holiday for you when we go out on stage. thank you, turn to the right and the yellow sector. hello, me name is vasilisa. is it hard to do a support? of course, it requires more preparation , not even physical, but technical, because there is an opinion that the ballerinas there are always heavy, the guys have to be strong,

this is not always the case. on the one hand, something is really difficult, because it takes time and preparation, on the other hand, it must be done as if she took off, as if by herself, but this must be a coordinated action, have you ever chased a partner? yes, and this proof is spinning in certain internet networks, a small fragment of the 2000 performance in amsterdam, when i had a succession... the performance was evening-morning, that is, in fact, a double, and i danced with different ballerinas, they did absolutely different robes, at that moment, when my leg went past my hand, a rather large trick movement happened, which in fact still terrifies me, but to what extent was - uh, the element of human self-preservation recorded, when regardless of where you are, you are obliged to definitely stay need to be alive, on the one hand i look at...

it's like a comic element, because in principle i always try to bring some humor to any situation, does a ballerina's weight matter? a ballerina's weight is absolutely irrelevant, although sometimes there are exits beyond certain standards that are allowed in our profession, to a greater extent , importance is always attached primarily to the technical component of support, i speak primitively, in principle, how to lift a barbell, but this is not entirely true, but... technically we must understand about that in order to get a certain support, several factors must be combined, specific positions, joint movement in one direction or another in order to make a support. what is the maximum weight you have lifted? since i am well trained in our choreographic school, i have never thought about how many kilograms i lift, for me, first of all, support.

were a manifestation of dance and delivery of the plot component conceived by the choreographer. i weigh 30 kg, can you lift me? naturally, go here, let's try the support. come here, stand up, now we'll show rabesque, lift your left leg back. it was beautiful. huge applause, please. that's it, in one second the girl became a professional ballerina, the girl first, perhaps, will go, be looked at at a school, college, gymnasium, college, we 'll choose everything there, perhaps, how old are you, 11, everything is still ahead, so come, let's applaud and turn to the black sector, it's on your right, the next question, from there, hello, my name is arina, and is it true that ballet dancers do not have days off or vacations, they dance every day, in

fact... this is not entirely true, although there are situations with mobile days off due to the fact that in the theater there are unpredictable situations, such as, for example, an unexpected concert that requires preparation... for this there is always either a postponement, or such an unspoken rule before the premiere performance, when the theater is preparing the premiere, there really are no days off a month in advance, but not in minsk, in minsk there is a very strict system of trade unions, i would of course like to change this situation with postponements a little, because there really is a need, and in a theater, for example, it is not even... i gave up - last season, my first job with coming to the theater in this capacity was the same situation, in which i, for example, without knowing about it, was already sure that if we have a premiere on wednesday, monday is a day off, that it

will not happen, that is, it was not even discussed, because this is a general process, and such moments, they knock you out a little, so my next example in the theater, it is with its competitors, the thing is that i, i will repeat myself again, i have never fought with anyone except myself, i have always moved not according to career growth, but according to the interest that the theater offered, the repertoire policy, the theater, the director, how i

was seen, how i was introduced into certain performances, to a greater extent, i will say, i was really lucky, they saw more in me than i saw myself, for example, the part of desire, we were preparing at the same time with another artist, and me, i always went to other people's performances, i'll say this, i was interested in it, but i was interested from the side, how interestingly this or that artist managed to come up with, than me, if i understood that it was much more interesting, i looked for a problem in myself, and i think that in principle this is my strong point, if you are fighting not with someone, not with circumstances, but with yourself in the proposed circumstances, this path is more honest and you will achieve some results faster.

that when you come to the theater, your whole life, to a greater extent of a time interval is located precisely within the walls of this or that theater, in my case it was a buffet, laughter and interest in each other, gradually, which turned into a relationship, well then already for twenty-two years of marriage, we turn to the right in line red sector. tell me, are you a calm person in life? i am a restless person in life, very quickly getting excited and rising to various kinds of adventures in terms of creativity. in

ordinary life, i am an absolutely calm person, who, in principle, probably needs little today, in terms of some outbursts, both... both emotional and everyday, if it weren't for the profession, probably , as expected, two seasons earlier, i would now be living near veliky novgorod, in my village, in principle, i saw this future for myself quite calmly, realizing that a lot has already been done as an artist, a lot has been tried, it's hard to name countries in which i haven't been and haven't danced, therefore at that moment i... saw this story for myself as such and didn't suffer in any way from that, that theatrical life will end someday, that is, i am an analytical person who understood that it means that there must be a stop in order for something to appear later, that is, i calmly move

from one state to another psychologically, but in my work i consider it necessary to be a restless person, because when there are 115 ballet dancers nearby, if i... come to the theater in an omnivorous manner and mumble something to myself, i will hardly interest anyone, so i am not asocial, i accepted the invitation to be here with great pleasure, because i am sure that after some... this time, you will definitely come to giselle, to the illusions of love, and so on and so on and so on, and we will become friends, and this will be, especially since i am sociable in social networks, i communicate, i answer, for some reason it is in belarus that this is a very surprising moment, i will tell you a story, i was in vitebsk several times last season, in navis, some two women followed me, there was no one in the museum in principle and two women walked. something i will move away, they will move away, i whisper, i

i'll walk away, they'll walk away, i'll whisper, after a while they come up to me and say, you're not a game, i say, you were playing, that means it's true, i say, it's true, well, why are you sociable, i say, well, we 're talking, no, well, as a rule, you can't approach, i say, i mean , you can't approach, i say, why can't you, i say, i answer on social networks, i answer, i go on all sorts of shows there, because i think it's a necessary part... of the whole profession, tell me, what can make you lose your temper? and not professionalism, because i'm one of those people who clearly understand that everyone has their own starting point in the profession, including, but if you see that a talented person, you will be patient in order to get a result after some time, that is, in this regard, i am patient, in terms of, if you see that a person is gifted, capable of nolinchai, i, unfortunately, am intolerant of this.

or purchase, reminded me very much of pinsk, uh, places in the area of ​​the village where i spent my childhood, with the same name with the same family name kolby, where my entire male and paternal line was born, unfortunately, i have today there are no parents, no grandparents, and i really wanted to create this line of reference, so that it would also be very important for my son, so that he would understand where he was from, we went to the kolby, where

i realized that i wanted land, and returning to petersburg, we began to ride around the suburbs, nearby cities, in one of the places near veliky novgorod, i saw for myself the history of my childhood, and i really wanted it to have a continuation, so for 10 years i arranged this patch land on the river bank and... every time i wake up there, first of all i return to my childhood, thinking about how i once woke up at my grandmother's in the morning, because i had to take the cow out to pasture during the holidays, meet with a bucket in the evening and the first fresh milk, that is, this is all the history that nourished me then and it returned to history, so i think that i would have minimally interacted with the profession, if two such proposals had not happened, which shook me a little with an electric shock and... at that moment i was completely confused, i did not understand, where to move and what next, and such

offers do not come so often, and you need to make a choice, i could not do it on my own, and the head of the bolshoi theater of russia, makhar kasanovich vaziev said that you should definitely try to come to minsk, and thus, from those uh dreams that were supposed to make me a farmer uh near novgorod, they made me the main choreographer of the bolshoi theater of the republic of belarus. thank you very much, and we are incredibly happy about this, it's true, we are moving to the red sector, turn left, tell me, please, you look very stylish, who picks out your clothes? i pick out my clothes myself, i pick them not according to some trends or currents in fashion, rather out of comfort, what i feel comfortable in and what i think suits me, so i don't have any... but nevertheless i have

a large number of friends, buddies who do this, and so some of the things come to me just like that, i have to use them, tell me, what would you never wear? it's hard to say what i wouldn't put on, vision, as well as i am a choreographer, i work with artists, i force them... for the next question: how do you dance in everyday life, for example, at a friend's wedding or at a disco? the thing is that friends' weddings have become less and less frequent, so i don't dance at them at all, there is not enough time at a disco, but i always dance in life, i can't not dance, so for me it is

a certain splash, firstly after a working day, so i do it with pleasure without any embarrassment, literally not then... sound, body, voice, movement, it was a very funny situation for me, and yet, i think that if i hadn't done it, i probably wouldn't have ended up as a leader, so i always dance, i dance everywhere, under any circumstances, in any situation, even when i'm in a really bad mood, i probably

dance more precisely because of this, because of fatigue, because of a bad mood, and this relieves me, makes me calmly... breathe and move on, and can you show me? yes, easily. igor pavlovich, what are you do you prefer to dance? to something good? let's hear something good.

and have you ever wanted your son to continue your business, or go to ballet? i had such a thought, because it seemed to me that it was much easier, since we are both in the profession and we have a theatrical family, but it so happened that nestor categorically refused, that is, it was such a moment again of chance, a series of chances, when there was a casting for a little one at the mariinsky theater...

perhaps it would have been easier for him to choose where to move in life, nevertheless, my child has nothing to do with dance at all, didn't have, or rather, until, probably, last year, since i'm not only the main bolist of the bolshoi theater, the open art festival has been in existence in veliky novgorod for four years now, and today nestor is one of the team members preparing for... the festival, so he has no direct relation to dance, but nevertheless he is my assistant in the organizational sphere, which we are engaged in in parallel. did you help your son in choosing a profession? this is practically impossible, because

that in our family everyone moves according to their inner urges, interests, but at the same time we listen. the first thing that probably pushes me, well , i'll call it that, to any of the adventures, is to any of the interests in my life, this is of course, yes.

to earn the right to be called a primo ballerina by the evening, this is of course,

a process when it is built for this or that ballerina, so that it is convenient for her, the number of performances, and accordingly the financial component of the number of performances, we will not hide anything, this is a certain status, financial status and so on, everything that dictates in this direction, this is in our theater, let's say, we moved with a certain comfort, from experience in the paris opera, this status is always preserved, well, it is preserved anyway, it has been preserved for me, as the premier of the marinsky theater, it is always the same salary. component i for life, that is, when you finish dancing in paris in the grand opera, these are

strict limits, exactly at 40 years old, you say goodbye to the theater, to the public, you leave the theater, regardless of what shape you are in, then this is harsh, but on the other hand i think it's fair, you have no illusions about the fact that you are beautiful, young, you can still dance, but this does not mean that you cannot dance everywhere and further around the world under... your personal contract, of course, the higher the status, the more privileges, we move on to the yellow sector, igor pavlovich, to the left, everything is correct, hello, hello, my name is sofia, do you have your own office or do you work at the ballet barre? i work everywhere, i would say, literally with i wake up in the morning, i'm already working, because i don't have time to exercise at the moment, in the morning i warm up in my apartment, where? - without any machine, i've never had one, i'm always on the move, i work everywhere,

even here i was just dancing, in order to be in shape, you don't need any emergency conditions, in principle it's enough to be able to do the splits somewhere, do a certain number of push-ups and that number of necessary elements that keep you in good shape and in good shape, therefore in in my case always in the office including... i also do something when i prepare for a production or a rehearsal, in order to be ready when i cross the threshold of the hall, because i really value the time of the artists who come to the hall not to talk, but to hear, reproduce, search with me. red sector, turn left, why do you love your profession, and are there any factors that you don't like about it? i love my profession because without...

the biggest problem for an artist is of course, there are injuries that take away a lot of time, opportunities, and as my teacher said in one of the programs about me, about the biggest shortcomings in my, he named, and i later understood why, he said that the biggest thing is my injuries, because they took away the opportunity to do more than you could do, we move to the yellow sector, turn to the right, the microphone as high as possible,

look at the world, which is perhaps less interesting to me, but through their eyes i looked at it from a completely different perspective some standard moments, i just admire the current generation, which is not ready to sit still for the sake of achieving the goal. igor pavlovich, we turn 180°, purple sector,

please, microphone, as high as possible. anastasia publishes on instagram. eliminating the information that i need, so for me social networks are an important component of today, let's, maybe we can write down together on instagram, definitely, children, how lucky you are, who wants to get into the main account ballet dancer of the bolshoi theatre, come out onto the stage, don't be shy.

and now applause all together. thank you. this signal means that the time for questions to the hero is up. igor pavlovich, now you have to choose the best question of this program. a question about the emotional component, what drives me first of all. excellent, please introduce yourself. what grade are you in? i am sergeyenka mariana, i am in the seventh grade of the thirty-ninth gymnasium. according to the rules of our program, the author of the best question receives a special gift, thank you. and naturally, tickets to the big theaters for the performance. congratulations. igor

pavlovich, now you have the opportunity to ask the children one question: since i have chosen a question today to a greater extent about the emotional component, raise your hands, who is in love now, try to keep this wonderful state in yourself as long as possible. honored artist of russia, chief lyricist of the bolshoi theater of belarus, igor kolt, is a guest on the program 100 questions for an adult today. igor pavlovich, tell me, which of the questions asked today was for you the most difficult? the question of the stereotype about why men put on makeup on stage. great, was there a moment when you just wanted to run away from the studio? no, of course not, i got a huge emotional charge, and now

i am ready to go into my working day in a good mood. what are you today? was embarrassed to answer, explained everything to us, smiled very broadly, he was not afraid of us, well , like an audience, he always answered honestly, the truth, probably, you could see in his eyes that he was speaking from the heart, and that he was really sincere with us and ready share your story with the whole world, with

us, the younger generation. pavlovich, we have a rule: the last word is always for the hero. summarize the conversation that took place. for me , harmony with oneself is an important moment. and i would like to wish the guys exactly this, because when you live in harmony with yourself, honest, first of all with yourself, any obstacles are not obstacles, so guys, be happy first of all, everything else is such trifles in your future wonderful life, chief bulletmaster bolshoi theatre of belarus igor kol was a guest today on the program 100 questions to an adult, see you in a week. it is already obvious that the task of the ukrainian leadership is the utilization of the ukrainian population and

the liberation of areas, including agricultural land, which they will then give to blackrock and other american companies. our task is to preserve this essentially chinese transit, because it guarantees in the region. the only thing that saves from war, that will restrain from attack, is our military power, understanding that we can strike at the decision-making center. there is a danger in the presidential elections that a number of our citizens can be used in the dark to organize some provocations. the west is constantly writing for belarus to russia with...

live news, with you lyudmila kazak. hello in this issue. features of the electoral campaign preparation own

standards in the palace of independence heads of the central electoral bodies of the cis countries. economic partnership, strengthening work on the protection of motherhood and activities. what other important topics will be discussed at the eurasian women's forum in a live broadcast , we will find out. in latvia, a rapid rise in prices is expected, economists warn, coffee has been added to the rank of expensive goods, it is already being marked with sound sensors.