hello, the program "life's frames" is on air.

so, today in our studio, as always, we have a very interesting and talented guest who is ready to share with us not only his rich life experience, secrets of professional mastery, but also the personnel he is directly involved with. he was born into a family of a musician and teacher, graduated from a music school and a conservatory, and became a composer. his music is played in films and theaters, and his songs are in the repertoire of all famous performers. of our country , we have a composer, performer as our guest, teacher, honored artist of the republic of belarus, oleg yeliseenkov, i say, well, like lenfilm, a film is widely released in the soviet union, and there is a song, i don’t know, you think, where are my fees, multi-million, this was unusual for me, difficult. it’s interesting, sometimes

unbearable, well, when something worked out, it was such, such, such joy, and it was a shock, so i sat and i thought, this is how, how the director did it, how the song fits, theater and cinema love the wrong sounds, i generally thought that i would drag yermoolenko into hip-hop, you immediately start to be proud of yourself as an instrumentalist, i even want to tell you a lot about how to find this connection with inspiration, how to catch it, how to hold on to it. oleg eliseenkov, born september 21, 1958 in spas demensky koluga region of russia, soon their family moved to molodechno, where his father became one of the first teachers at the molodechno state music college named after aginsky. she graduated from the same school in 1973. then there was studying at the conservatory,

military service, graduate school, participation in various musical projects, for 10 years he was the head of the competition of young performers zornaya rost. 5 years as the chief editor of musical programs of the belarusian television, for many years the artistic director of the grand prix studio, at the state concert orchestra of the republic of belarus. oleg yeliseenkov is the author of many popular songs, four symphonies, chamber music, as well as music for theatrical productions and films. today he is an associate professor of the department of art and variety art of the belarusian state university of culture, member of the jury of various musical.

and they, as you understand, are huge, you know, immediately, you remember the lines of pasternak, to be famous is not beautiful, it is not this that raises the heights, there is no need to start an archive, shake over manuscripts, i am interested, you are such a famous composer, who is engaged in your archives, archives, i am engaged, but i am engaged so spontaneously in the sense that ... if something comes, i try to save it somewhere on some disks, earlier even on cd disks affairs, so that some things, if they are suddenly in demand by someone, and this also happens to me, so that it is possible to find,

to present somewhere, to show something to someone, for example, i got a call from anatoly yarmolenko, he has an offer from a finnish opera singer, she sleeps with him... and you have sung well since childhood, you were not shy about singing, you have charisma, charm, a good voice, and a recognizable voice, why didn’t you

go the performing path, i can say that an artist is not only the presence of a voice, charisma, appearance, it is... i like it, secondly, i think it's useful to have live contact with the public, directly seeing the reaction to some of your things, well, thirdly, after all, when i show, if we're talking about songs, an artist

a song, then i usually make a demo myself, make my own arrangement, sing it myself and there's already a certain version of how it should be performed. still, it seems to me that some songs in your performance sound much more soulful, sincere, and better than how they are performed by professional, as you say, performers. i haven't seen you for 100 years. you, 100 years old, i want to say, wait, but

my heart cries and is silent, although my soul... screams, if i am guilty, let me go, forgive my sins , forgive my offenses, let through the years in your window not...

let my sins go, forgive me. in the nomination of the best composer of the year, oleg eliseenkov is awarded. congratulations. thank you for the nights, thank you for the days that were, that were not, they are ours, for the sun of april will entice in fate, thank you.

the speech is as if the oscar was being prepared yes thank you to kahnovskor to the family there to everyone who helped well edited great touched as far as i know your student symphony number two was bought by the ministry of culture. number three was performed by several symphony orchestras, never regretted that they did not become

an academic musician, well or a conductor, of course, i was always attracted to it, and i asked myself why, everything probably lies in my childhood, the fact is that i grew up in a musician's family, and my dad, a conductor, choir singer, teacher at the molodechno music college on... there were no pop records, there was only classical academic music, but as i say, geolocation of the house - where i lived when i was there 2-3 years old until 6 or seven, here it is, it seems to me, determined my song destiny, the fact is that the windows of our apartment in molodechno overlooked the trans-area, across the road was the city at that time, as they later told me, the city dance floor, from where they sounded: all the hits on summer, spring evenings, and my parents said, then, when i

returned home, went up the stairs in the evening, i sang all these hits on the stairs with my ringing, businesslike voice, from which parents, were simply perplexed by what he was singing, why and where from, this is what determined this, maybe, my musical duality, on the one hand - this is in... pop-song creativity on the other hand my deep love worship of classical music and yes, i am glad that i wrote some works, including symphonies, which really sounded here, in moscow, and this only pleases me, i always try to write music for theater and cinema, not pop music. the composer has seven notes and 300 songs and how

write a new one, how not to repeat yourself, how to create a new piece from these seven notes? well, it's more difficult not to repeat yourself, but most importantly not to repeat others, that's what's always more noticeable, i thought about it, how should i be, try to be more diverse, more interesting, i find a way out in two. things, it seems to me, and i consciously emphasize: the first is that i, as in quotes, collect performers, i have always been aimed at collaborating with as many as possible. performer, even when my creative career began, there at the beginning, the end of the eighties, the beginning of the nineties, i consciously, i saw belarusian artists, and i understood that i wanted my song to be sung by all the significant artists of that time, well, they say that composers talk to space and

all the melodies come from there, i have the impression that all the music was composed a long time ago, in this sense... maybe everything was written a long time ago, but not everything has reached us earthlings yet. as a real man, did you serve in the army for a year and a half, where did you serve? in 1982, yes, i i was drafted into the army, i served in a military orchestra, near minsk, in a military orchestra, the conductor came so, so, lips, now show your teeth, yeah, i think, what is this, trombone.

i got a two, and since the school was in the building of the music school, then in an hour my father will know everything, and in the evening there will be a showdown, and i didn’t know what to do, fortunately for me one of the girls who wrote the song, she says, i can’t sing it, and my teacher, on eliseenko all the notes, go learn it, now you will perform at least her song, i began to look at the notes, somehow some melody to me seemed dull, awkward. i try to plug my ears with my inner ear, i can't sing , i realized that i'm lost here , i can't even do that, yes, and stupidly, and my gaze fell on the verses, suddenly i started singing these verses, it started playing its own melody and it was so interesting, and yes, and i, as they say , immediately remembered it all, for some reason, suddenly with the chords, and i say, i wrote it, well, i

took up the gram, she says, let me write it down in the notes , hand it in, and i handed it in, i realized that i had done the work, a month passes in a commotion in the music industry school, it turns out it was a competition, i don't remember now, regional republic, who what from minsk i received a diploma, i became a laureate of the children's composer competition, you are often called a producer of young performers, but a producer is someone who invests money in a performer and then starts making money on him, here is which of the belarusian singers brought you the greatest income, i started doing this back in soviet times. when i just started doing it and e such a singer, as many know him, alexander soladoukha, here he is e in one interview said that i was his first music producer, i really led him by the hand the first steps, where i brought him to the radio, because they took my song, they said: oleg, please, we will record

your song on the radio, who would you like this song to be spanish? i say: here is an unknown singer alexander soladoukha, they told me, no, well, i say, i want, well, since you think so, i also brought sasha to the first studio, we recorded the song "enchanted fairy" to the lyrics of oles badak. enchanted fairy, in dialects people, enchanted fairy, not like that, i'm more beautiful, pass by me again, i won't talk, enchanted fairy, i'm now. any composer is pleased when his songs continue to live, regardless of who performed them first, that is, young performers pick up on it, they are interested in it, it means the song is close, it means it is modern in the end, so i want us to look at the following shots,

enchanted fairy, with people in tow , enchanted fairy. well , they say that a hit is what the people sing, what, as you say, sounds from every iron, on your point of view, these are the songs that people sing, well, in different years in different ways, there was a period when...

how is it, is it connected with some kind of monetization, it's hard for me to say, because i, i like to see these figures, but

it's hard to explain something to my wife, different people, already a father, good pains, different people were fathered. you know, i was always intrigued by this connection between a composer and a poet, for me it was always a mystery, until i directly encountered you in my work, when i asked you to write a song for our series of my country's cinema, and of course i was amazed then, it was worth it to you only to give... verses, literally the next day you came and showed the finished song,

it was recently, it was a long time ago, we watched with delight not my film, let it pass, flew by a hundred years., i suggest you buy a ticket again, for not my film, not my film, it was recently, it was a long time ago, cinema is a fairy tale, an illusion, but how magically, captivate the body, how many i met in the cinema, i am wonderful. people from whom my world became fuller and kinder, plunging into the airy shadow theater,

we compared the actions of friends with the screen, i also like this song, it touched me in general, now this video, it seems to me, here in this case we had a very successful experience with you, but another example, inspired by your talents, i suggested that you write another song for another documentary, unfortunately, we suffered for a long time, in the end the song was not included in the film, but i ... i would still like it to sound in our program, and for you to see how it would be could have sounded in this film, if we

had inserted it, that our life, a short moment, a fire lit for a moment. time rushed by, it died down and only the logs burn out, how quickly everything is, how vain, you don’t have time to look back, there is no way back, we can’t go there anymore. no way back, beautiful, it’s a pity that it didn’t fit, in general, the fact that the song may not fit into the film is quite common.

at the cherished otla, for it was not the time, the war separated, it was not the time that separated us, the war separated us, it was not the time that separated us

time, the war separated us, whirled us around, scattered us, and fate is the same for all, good times, i have goosebumps, because it really feels like this is a song from the war years. i don’t even associate myself abstractly with the fact that i am the author of the music for this song, the arrangement, your collaboration with cinema is long-term and quite successful and that’s why i want us to watch a fragment of another film now, and i know that the song from this film is also already performed on the stage.

winter has its own laws its own harsh star on the front the battalion leaves and friends leave forever he said see you soon hiding his tears with his visor.

i noticed that you had a particularly close collaboration with lena turova, our wonderful poetess and director, you voiced more than one of her animated films, and you have a collaboration with her in a feature film, i even sang myself in one cartoon, on turkish fields, there is nothing to grow there,

it went in... i don't remember which cartoon, but i had such a cry of despair, which was then called peni, well, and i would like that we remembered the film new year's attractions in june and there the music was completely recorded by you, and i liked the song of this halovirus, yes, yes, halovirus, yes, hunger, hunger.

which develops throughout the film from a simple sound to symphony. this is a melody, it would seem, so lyrical, so heartfelt.

my class, where i teach at the university of culture, it is on the floor where the accordion class is, so i often walked, and they - no, there was not enough space for everyone in the class, so the girls went out to the corridor to play, i walk, walk at i was somehow captivated by this accordion and the beautiful girls, and suddenly i got mixed up with this theme, which also seemed to me that the songs from the film, as you say, stepped somewhere, so i think, as an instrumental music, which i think i contribute to my golden fund, i consider my creative success, how to give it a new breath, but i ... i came up with it again just by chance, based on the location , what i saw to do with accordions, naturally in such a remix style, look how slender and beautiful they are, i i pull these bellows with my left hand and my right hand, i just

pull them up, i'm standing there all wet , i have no strength left, i'm starting to choke, they are calm, besides , look at my accordion, it's smaller than theirs, and they have huge machines, and still standing, after all, standing, you just play okay, you pull the bellows up, you 'll immediately appreciate these beauties and talents? for many years you have been connected by friendship, creativity with alexander soladoukha, well, of course, friendship is friendship, but tobacco is apart, who owns the rights to the songs that he performs, the work was written by me, belongs to me registered by me in the national center of intellectual. own republic of belarus, that's where the answer to all questions is, yes, any artist can be given a song, can be sold, but now in the legal dictionary it is called to issue a non-exclusive license, this is the right to

perform, but a song is two authors, yes, and the same permission is taken from the author of the words, on torn jeans the dust of the roads, i spent so much ... on the road, but i could not forget you, forgive my angel save, let god love you, then clips were in fashion, this is the nineties, and the clip really went on, as the central television used to be called, yes moscow, on our channels, one of the best such works.

there were many hairy ones, that's when this black bandage, which at that time was worn by igor tolkov, a super popular moscow performer, so i suggested sasha, sanya, it will suit you too, and let's have it so that in belarus and tol talks about with a bandage on his forehead, with a bandage on his forehead, his with a bandage on his forehead became a salada and he immediately became recognizable even before this surname became on everyone's lips, carousel, carousel will take you away for 39.

at some point i suddenly decided for myself that it was important for me that my songs were liked by as many people as possible. who was in charge of your image, who picked out your costumes, who did you consult with? no, well , it was my wife, of course, tatyana, she was my - then she was also the director, and now she’s called something like that, yes, that is, the financial director, image maker, so she picked out my costumes, clothes, watched, i’ll tell you a secret, even today, when i was getting ready for your shoot, she asked me what you would be wearing, and before i looked at the exit, firstly, she is a member of my artistic council,

so when a new song or i have written, i try to consult with her, it seems to me that she has some kind of natural intuition, i always want her to turn off some of her personal, benevolent attitude towards me, she was very critical of this, sometimes she succeeds in this, so many years together, what do you think is the secret of this long-term union, and what do you value most in your wife, i value her openness, her sincerity towards me, even when i don’t need it i like it, here she is, she is the kind of person who, you know, like the parrot in the famous miniature, the truth is the mother, as she thinks, yes, she molds, well, in general, she is a person who, as it were, wants to make comfort, here is the oppression for her family is a nest in which she wants to make everything better for me, how can i say it, here... eh, it is necessary - if there is an opportunity

to cook a delicious dinner or it is necessary to buy me, here i need some, for example, winter slippers and that's it, for her it is a problem for me to have chic winter slippers, she will rummage through all the sites, all the shops, but for me to buy slippers, which well, okay, if i like them too, but he thinks i need them because they are warm, well, and you, you, probably, are also looking for something on the internet in response to her, what? i get up when we just woke up, i go and make her coffee, which is more important than searching on the internet, because she is still sleepy and like that, coffee, and i understand that i need to get up, but people will understand me, first - it's meat for the cat, then not coffee, the first cat, he starts to learn so much, harmfully, yes, pesteringly persistently, the wife says: you have one cat, also a female cat, but the female cat is calm,

tolerant, and this black one is like a negro, harmful immediately demands, we have already said that your songs are sung by almost all popular belarusian performers, almost, but not only belarusian performers sing.

programs of russian television, you immediately

begin to understand what time it was, what position you took, well, of course, thank god it was not like that with us, but the spirit of that time in many ways, it seems to me, many felt, in general, i ended up there quite logically, because before that, for many years, i was in the creative group of such a project as zornaya rostani, as they later called it: the predecessor of the star factory in moscow, a belarusian one, the first such, as they would say now, musical project, of young performers, so i was the musical director for many years, and maybe - considering this experience of mine, i was then invited to head the musical editorial department, we are now a union state, russia, belarus, why is it so difficult for a belarusian performer, for example, to organize a tour in russia, this is show business, this is business as well, where our artists become then,

as they say, move forward, when they become part of, enters into russian show business, explain to me how buinov. alexander, found your song, which brought him huge popularity, because he actually begins all his solo albums with your song, in the wind, i live, in the wind, so i will probably die in the wind, in life i succeeded in something then, when the wind blew through, long-burning the wind was blowing like a flyer, i record...

how to study, having graduated from an educational institution, only then do you begin to row yourself, predict or, let's say, guarantee a creative path, especially since no teacher, no educational institution can provide a long creative path, maybe in the 2000s,

somewhere like this, i'm sitting there, watching tv and there was a world football championship. and it sounds, the nigerian national teams were playing there with someone, and the nigerian anthem sounds there, i think, what kind of familiar music is this, i remember, it's the seventh year, i have a student from nigeria, his diploma work on the arrangement, he comes to me and says, this is how it was entrusted to me in my homeland, here are folk melodies and i need to write a piece, this is a very important task. there is some african tu-tu-tu-tu-tu, some of these, i remember, i start this first, i have no harmonization, it is not subject to from my point of view, then some chords, and i, dad, did it in unison back and forth, back and forth, we did everything, great, he says, you can’t imagine, teacher, what a great thing you

did, this turned out to be gi, we, i rode, participated in the creation. let's say as a co-author, organizer, of the national anthem of nigeria. i. making my way through your archives, came across a song, and i would like us to now recall the footage of this performance. it's time for me to leave your eyes, my soul is again

anxious, the world has not met the beautiful you, but i know, our happiness is impossible, impossible.

if i offended you, change something, maybe

it is better for us to change each other, maybe it is better for us to each other, sorry, to be honest, i have recently more and more. pleasure from the songs that sebry performs. do you remember, we used to write to each other, in the mailbox, throw envelopes, wait for weeks, handwritten answer, send paper letters again, do you remember, we used to call each other at the telegraph office, go on weekends, chat in glass booths and...

a new song, really, which was written quite recently, how much he felt how these are not traditional sebras, everything was so simple, everything was so important, where did it all disappear one day, after all, it's not about old, obsolete things and not about nostalgic ones times, we all changed, strangers suddenly began to communicate with each other. completely stopped hanging out in accounts of different networks serve as an example for our children, so you can

imagine that i met them in the distant 1988, and he was interested in the song, there is a mother, mother, now we can try to be, now we can try to be. with the prodigal son again, and i go to the world, but the grace of your heart, mother of the heart strengthens everything , all right, alleg, alleg elisenkov, your countryman! thank you very much, thank you to the ensemble, friends, thank you, my dear countrymen, my

young people, i venchu ​​you. with the saint, and today that not a year, you have a new song, it turned out that we even had a year when we even had an album released, where kalina mixed, received for this album the union state prize, to award the union state prize in the field of literature and art for 2015-2016, to the authors' collective of the album where kalina blossomed in the composition.

i cherish the land of red kalina the smell of mown grass, i cherish the land of red kalina the smell of mown grass. we have a tradition in the yaof studio. in yaof, the subject is a mystery for our hero. why did i bring this particular subject? studio, so let's take belarus, ukraine, lithuania, kazakhstan, mongolia, yes, that's where the songs were played, yes, china, japan, yes, the united states of america, yes, they were played, germany, israel, africa, we can go on, but i'm

interested, how many countries have you traveled to? there was no round-the-world trip, there was a trip around europe, and a sea voyage, a month-long cruise around europe, we left st. petersburg on a motor ship, an ocean liner, went around all of europe, entered through the black sea, then to odessa. you know, at the end of the program, as always a quick survey. short question, short answer. your zodiac sign, virgo, your favorite dish? yes, it's french meat. and your favorite drink? probably, still ordinary water, your favorite place in minsk? well, in general, my favorite place is my home. the country that impressed you the most. so far , it seems to me that it is italy. your hobby? my hobby and profession somehow, it seems to me, coincided. your main flaw? you should

ask your wife about this, this, this is not for me. the happiness of any person is just happiness live, thank you very much for our conversation, thank you for the footage that you gave, for the songs that the whole country is singing. thank you very much for your sincerity, for finding the time to come to our studio, i want to give the program footage of life a collection, it came out this year, not so in the spring, you said that you are a fan of the sebry ensemble, the publishers almost guessed, a collection of songs came out, anatoliyko and the sebry ensemble sing, but here there is also a compact

disc, especially mp3, where there are pluses of these songs and backing tracks, where you, dear viewers, or your employees can watch these songs, like something, learn, listen, if you want to sing, i want to wish you creative success, to all of us a peaceful sky above our heads, thank you for your kind words, thank you for surprising me with your shots.

my home is a reliable pier carried me away my life the river never lost its banks.

vegetables for the body and also we develop our territory for the soul, so i think that this is true love for the homeland for people and for people, watch today on our

tv channel, acquaintance with belarusian enterprises and the outstanding results of their work, without compliance with the required characteristics - the products will not come out if we do not apply modern knowledge, modern technologies, then we will not have a future, and i assure you, we have a future, we make a very amazing and rare product - not only in the country, but in principle in the region, because there are not many companies that make watches, directly make production, an approach to business that everyone should strive for when we do something we are releasing, this is a big...

good afternoon, live on the air news, in the studio lyudmila kazak about the main thing at this hour: to develop a program for.