but i won't trust the children to anyone, not even to you, stepan ignatyevich, i never had any thoughts of separating you from them, and how you want to take all three of us, you, you are not things, well, i just thought, that is, i wasn't the only one who thought, we decided together, they are there on the landing... we decided that you would live in lyubov savelina's room. lyuba has a cousin who is alive, a lonely, good woman. she would help you with the housework, you could study. i will work. so, you agree? i have to

think about it, yes, of course, i thought that i could do it myself and i was running around like obsessed, even this ad gave in... that i would rent a residential area on any terms, i just had to hold out until saturday, because the newspaper with ads comes out on saturday, now you have come, and i, i am glad, because i, i alone can’t do anything, sometimes.

complete silence, a remote garden, alone with myself, you have to stay, alone with yourself, alone with yourself, alone with yourself, you have to stay, you have to look back over your entire path again, in this song you can’t cross out a word.

sometimes in complete silence, a remote garden, alone with yourself alone with oneself, one must remain, alone with oneself, by oneself. alone with yourself, alone with yourself, you need to stay.

the belarusian pop scene has seen many great singers, such as eduard mitsul adzina in his family, non-paustorns, non-parauns, the first of his people, the idol of the public, the canadian vocal fashion, the ruler of the rare jump i love the voice. what is the musical status of the belarusian pop scene of the 60s , since a year has passed, and nothing like it has appeared in the belarusian philharmonic. love strikes unexpectedly when it

he doesn't wait at all, how did eduard lenardovich manage to hold on?

at the beginning of the 60s, when eduard mitsul settled on the belarusian stage, his name was “bigger concerts at the concert’s nodes held meetings in different halls, and the recordings were constantly heard at the philharmonic hall, the legends about how fantastic eduard mitsul’s success was with

the public, assemblies of the young people, as well as old people, are in full force voice, take out everywhere. and how beautiful the stars are in the sky, they shine brightly in the silence of the night, and as if they were telling me from above that i need, i need only

you in my life, you are the only one i need, this would be a hit, as it were... i went to the belarusian philharmonic in 1989 godse. eduart leanardavich was already retired, and i had a high education as a watcher, as well as a guardian and a fair sharer.

eduard leanardavich mitsul, born in 1999, was celebrated on the belarusian stage. already, the young boys are sleeping in the king’s choirs, and in the local school. pit plowed with the regents, yon atrymau became skills are up to speed. i finished my musical studies at gomel and studied at the canter. being students of the canservatory, they would already be salists. haravoj kapela of belarus ryhora shirma, at the belarusian stage yon papa, in 58 years. i passed from the 59th, well, the elders followed me, and then i already feel that i’m mіtsu, oh, mіtsuy, not the evening, the song of the salauginai, the sertsy’s wake-up call

, with the mitzul i was choking. to deal with a little troubles of the 59th year, many trips to museums, little because this is a spyavak, he is like a chalavek, chalavechny, hell яго ніколі не... не пачуеш ні нейкай вот як другія трошкі прыпадняўся, ён ужо на цябе глядзіць коса, у міцулі гэтага не было, як паявіліся апаратура гэта, ну ў нас была такая яшчэ нейкая самаробная апаратура, гэта 62-і год, and mitsul himself carries these columns, other items, yana well, heta, professor, wherever he is, he would carry this column.

mouths, eyes, it was everywhere, wherever mitsul appeared, even if unrequited, if only to love, if only not without a trace, to walk on earth. in 1965, eduard mitsul was choking

to perform on the extensive concert tour of the belarusian philharmonic hall will be called “150 songs of variety”. special programs for getai were requested by garry goldzi. geta would have been the most aware of the spies that the ussr taught to foreigners. our emigrant, he ... shshinyu arrived from savetsky union in 1947 from china, when he was 27 years old. for some time now she was grazed in ryza, and then she was grazed for a long time, even as her emigrants went to canada in 1972. garry goldi, my real name was hema holtveld, former spy kruner kshtaltu.

and of course, i was asked, so to speak, with the red color of the poster, the color of the program, and the presentation of the belarusian artists at the beginning of mitsul. mitsul and then the musicians, accompaniments, dancers, artists of the arginal genres, and this entire tour of the administration... so modest that he is not in agreement with goldzi, ale mitsul, he was such a nature, he

ledzyachy on your talent , so this entire tour began in november 1964, here in ukraine, died in may 1965, and died in january in the ukraine, in the savetskaya union, and only adzinas have passed before the new year of 1965, and here i am... yana sustracali this new year in minsk.

saint hannah and yahum have been praying for many bastards, asking for god to caress them from the lord's soul. and we are confident about what our people are doing. what kind of unique shrines do slavic churches have in belarus? and that is that the altar and the abras of st. anthony may be the altar, and that the whole thing will be.

and see the french deputy met with such and such a labor collective or a german one, and i won't talk about the americans, god forbid, you won't find anything like that there, advertising is the engine of trade, and the engine of the economy, it is a very important wheel that starts many economic processes. our common task is to preserve what we have today and move forward, and

for this, of course, we need to remember our history, we need to be responsible for our work. the project say, don't be silent. don't miss new episodes on the belarus 24 tv channel, better get up, smile, watch, the law, it was on the thirty-first.

very modest, but there was an instrument, there was a piano, and of course, when he invited harry goldie, we were very happy with the new guest, because there was someone to sing with, and he taught us to sing in english, tropic night, and it was a lot of fun, he was happy that the whole family was singing, my father took part in this. there were quite famous vocal duets, their recordings could often be heard on radio air, the most popular song they released was

about minsk, which in 1967 became their signature... city, my city, alleys, my blossoming city. he had two daughters, they sounded in their own way, they were not vocalists, their singing was always very neat, they

somehow looked very graceful, so edik took part in this, of course.

and here it’s true, only 40 year olds are allowed into the competition, and mitsul was already 41, adpada, you think, he

’s old, no, he doesn’t like these competitions, he likes people, simple people, he’s deaf aman, to come forward before i was married, i knew about belarusian skin amal.

bssr, і з гетай нагоди зярж-канterт налазіў belarusian artists are on tour in london. at

the warehouse there were belarusian delegates, of course, and eduard leanardavich mitsul. let's go to the galakantsert, in honor of the late mitsul the father of the karaleevskaya opera theater covin garden in london, and draw conclusions. contract with these theaters, you know how much he is dedicated to people, to the public there. well, of course, he is admov, at that time the artists themselves did not grow anything, they raised the dzerzhkanzert, well, mitsul, he was the master of the tuteishy, ​​he himself did not live without this land, but still he then began to talk about this lost chance. he didn't wave his arms as i did to my stylo, and he seemed to be standing, as if all the time, sometimes he turned slightly or

towards the orchestra. but it was immediately clear that he was communicating with the orchestra and with the accompanist, if he was performing with accompaniment, how eduard lenard managed to keep the audience in suspense, you had to ask him, we traveled around siberia together, we had two trips around siberia, in kamchatka the director...

is that true, he then tries, do you know that, kazon? i assure you, well, i already feel it, yes, i already there is such a creeper, here he is at the same time, i have a bagagashchaetsta, like the people, there is a floating base near the sea, well, this is a nice ship, they are selling canned fish, there and barto is moored from the leather side of the five seiner, here this is a large fractional, further kanzert, 10 seiners , 10 offices were booked for us, tomorrow it will be 10. and so in a month there are 300, yes 300 offices, people have a lot of people there at once, and i am admov, and we didn’t go with mitsel, my love is always with me, my love is always with me, years will pass with you alone, i don’t need more happiness, just to be near you.

this is a collection of stories, and this is the archival record of 1998, the first, and, unfortunately, the very few, like the personal life of eduard mitsul. then i was already well over 70, today we look at this archival footage of asablivay nastalgiya, you are more...

i personally have a lot in common, he was born on may 9, i was born on may 8, my father is leonardovich.

a three-armed triumphal arch, its structure, then something similar we can do in the same way as the altars, rounded corners, at the tops of the abaronchaga, they didn’t work like that, here the yans mean evil, and the tops are completed on top of this

simulated muscles. the history of the creation of significant cultural objects in the region. the drake princess melted for a long time, and it was transferred to the 20th century. the new month is the same year, and in the months of the old royal church the temple was built. and the architectural details of the entire building of the abaronnag budynka are familiar to the existing chapel on the side. cultural-asvetnitskiy project architecture of belarus. you can pay great attention to this, well, now a rare element of the same maderna. chuganne lіtstse, s yago dapamogai.

i know five new people who have been in the past his instrumental composition, and what do you think these collections should be called? correct, trees, pines, pines, in

the forest, here bloomed the forest trees. we sang with him the whole section, sang along with his songs , he was like a teacher to us, because he was older, he had a lot of experience, firstly, he always warmed up for a long time before the concert, he warmed up not like we then sat down loudly, dropped everything, and he with his mouth closed somewhere in the corner, like this, always, every time before each concert, that's it, but the most interesting thing is that when my future husband joined the team, he was hired as a stagehand, so for the first time, when we probably left for crimea, somewhere in yalta or somewhere there, in short, they put him in charge of lighting, he lit the stage, and he heard for the first time,

when mitsul came out and sang the song, coachman, don't drive the horses, i'm telling you now, i got goosebumps, he, he still remembers how his hair stood on end. when he sang that song, so subtly, so clearly, like a direct hit to the heart, you understand? after the gloomy gloom will come the day is wonderful, because in this day you are, always my love with me, sometimes it happens, you come back late from a tour, from a concert, nothing to eat, hungry, like students, but mitsel always had lard with him, always, he always carried lard with him, he... did not let us die of hunger, he always treated us, invited us to

his place, treated us, he pitied us, he loved us, he is just like our dad, he treated us so sweetly, very tenderly, the girls, he protected everyone very, very much, it was great with him, but once i remember there was one incident such, but not very much, maybe, for me, for us, for good girls, in altai, when after the concert they arranged a reception for us here, well... work and we are having fun, the soul sings,

he told us several times, it was useless, well, he had to get up and so in one fell swoop all three of us, they fell silent, i have such an offense here, i got up, that's it, i'm quitting tomorrow, i'm going home, well, tomorrow we talked with him, or rather he talked with us, well, of course, it was all funny, well, well, such a thing never happened again, of course. maybe there, along the shady alley, my girlfriend goes, of course, it is not known that he was a very good fisherman, he loved nature very much, he knew the voices of birds, he brought.

leningrad spring around the chestnuts bloom, not high blue, he was never involved in any scandals, if he came from trips, friends always came, with whom he shared the products that he brought, and he could bring fish from kaliningrad.

zdravtsa artists called him a hole in the fresh air, that's how it was. he had not slept for a long time, the packs in magilevo did not come up with festival "zalati shlyager". and all the way back in 1995, eduard leanardavich rose, tending the feather, the top stage, and i was at this office and i remember well what kind of work he did with his performance. let's look at the public, he's singing aleg charkun's song sen young, we've

all been singing, all the artists of the philharmonic, i 'm singing to her now, i've become so popular, but i'm working, i'm healthy, i'm just healthy, tsoi, young hay, kasia's father, kasia's me, and the two of us together, at home raneytsy, senam... young, my dad dried it, i dried it, and we dried it, the two of us, he kept it until his last days, always, with him... no one knows how, but his voice sounded amazing, why didn’t he sing, but no one i didn’t invite, my dearest friend became a request for a concert tour for eduard mitsul, the old robbers who had to deal with

their former colleagues on the stage, neliy baguslauskaya, mail kaplanov, viktor sinaisky and aleg zhukov. i 'm on tour. for the shit of the bastard artists i know hellishly to work and a new burst of interest from the side of the watchers. time i go somewhere i forget my suitcase somewhere, i forget my suit somewhere, all the time i'm on so that's how long i haven't worked, and i still don't want peace for you, heart, how good it is to live in this world, heart, how good it is that you are, thank you, heart, that you can do this, the bear

then told me, the voice began to hum... for hours i myself am crying, why such a hum, i think, what is better than that of young bastards, so glad that i took the money and the latest entry by eduard leonardovich mitsul on belarusian radya, and it was so, 96, i worked then in the music editorial office of the belarusian radya, and i came to the same place as the ensemble of the belarusian radio television, all the way to the republic of belarus who...

will i be a professional, because i have traveled so much for border, and everywhere, i do not conquer the land, i do not destroy it. sennya eduard mitsul amal no longer remembers anyone, the hour

of belly scenes, from the memory of today, is a bright image of the getag of the unique spevak, the belarusian family. song stage on an incredible escape abstavina yon happy day and year with bulatam akudzhavay on may 9, 1924. geta is only simple supadzenne. yana was not a known assabist. if akudzhava is in the mood for his own baking, then eduard mitsul has his own chargu ўvasobіў ў in his own mind the most flattering thing that was ўlascіva ўіm. and first of all, their unimportant philosophies, which help them live and thrive, are a happy conscience. mitsul, the patriarch

of the belarusian stage, an outstanding artist and chalavka, who made an invaluable contribution to the belarusian musical culture. thank you very much for remembering me old man, it happens so rarely, don't cry, don't be angry, we've known for a long time. that we can't leave each other, better get up,

smile, let's see, outside the window, where the mitotka palina i'm beating. spinning, spinning, the fluff of the fields, remember how in our youth among the alleys, we swore to one road, to walk through life with you.

only for our tv viewers, we choose the best routes, we also decided not to look at... the poet wrote 17 poems here, which were included in two cycles: old belarus and the place, and two poems: veronica in the village. only in 1871

a temple was built on this site, later consecrated in honor of the intercession of the holy mother of god. ancient iconostasis and rare icons. st. nicholas, intercession of the holy mother of god. she has been protecting the city from various misfortunes for many years. watch the program "cities of belarus" on the belarus. 24 tv channel!