smalas, the avtar of the wrought out vyarnuўsya and svyh vykotў, in memory of the steel life on the abstaral landscapes of the village of rabun, where the kalіstsi itself grew. addresses the family home, where you can arrange several crafts for the use of wood and oil art, a gardener, steel, pads, interior items. over the course of five years, vital supranovic created several hundred arginal products. after the army, i worked in minsk, well, at a construction site, i worked on monoliths. that's how i got some basics in minsk. i was there for a while, but somehow i feel like i'm back home here. my life has passed, i am drawn here in the plans to make a big workshop, good, so that there is everything

there, a paint booth, good equipment, so that it is normal to do business, well, naturally, people will be needed to help, so that there is your own business, a portfolio, oh, you are competing with god, 3 years of sleepless nights, 20 hours on the site, gray hair, an empty stomach, they wanted to fire me many times, i was on the verge, but no one fired me, now is the time that everyone stops drinking, no one drinks here because it is very difficult, i i am grateful, of course, to our land, because we have. no skill is required, this is a lie

of this world, which is on instagram, because a fairy tale is always popular, now they pay good money in the cinema, come and work. hello, on the air is the program "say don't be silent", with you victoria popova and tatyana shcherbina. and today our guest, five-time winner of the golden eagle award, cinematographer igor grenyakin. good afternoon, igor. we met with you in brest, where you were brought to film, the film was not on the list. you once admitted that for you are very important. to love the story that you

are starting to shoot, does this mean that the one who was not on the lists, who is being filmed based on vasiliev's story, this is exactly the kind of story, of course. firstly, if you don't love, nothing will work out, so i fell in love with the place, i fell in love with the bresse fortress, i was imbued with the courage and tenderness of this novel in general, i think that this is probably very important for us now, and somehow i feel that i understand what i am filming, and we were looking for a visual solution for a long time, i really liked it, in one... they said that thank you for being alive vysotsky's film that you were filming, you were looking for a long time, yes, a solution, and there is this piercing beam, i deliberately started with a song so that you have no doubts who is in front of

you, please turn on the lights in the hall, and what does not mean here in the lists, we have a ... retains the power of the statement and some kind of philosophical subtext, for him this is a deep, complex story, very important, so i can say that these colors that

appear with us are sparks of our confrontation, long-short, but they have been found. every day we , so to speak, collide with us, something it turns out, but i understand that you are pushing towards the audience cinema, yes i am pushing towards the audience, the director - feels the novel, is in love with it, is obsessed and wants to leave a lot of words, he does not want a lot of words, but very complex meanings, spiritual, so imagine uh two faces in the frame, the end of the film. and one is destroyed by the dungeon, and the other is beautiful, only one hero, the other is judas, and the viewer must figure out, love,

and accept the hero's path, but this is a very complex statement, in fact, for us it is it is extremely important now, and i respect the courage of the director and the team in general. i understand that this is not happening out of nowhere, and what do you think, is the modern young generation able to feel the events of those years, just like we do, firstly, we have a lot of people now under real bombs and under fire, well, i think they will understand everything, and the rest, the rest, i think,

will love the courage and bravery of the main character. and for you this story is also personal, why? because before the recording we discussed the events of today, and it is dear to you the city was shelled, what do you - when you read the news reports from the set feel? well, i realize that the enemy is at the gates, i feel that strength is in unity, i feel that our grandfathers could and we can, i understand that... only courage and love for the homeland will win, all of you, when you set vikings, it seems, a super task, you said that it would be good if people who watch it immediately ran to the temple, yes, here in

the lists it is not indicated what the viewer should take away when he watches the film, men should be courageous, and women gentle and... probably, this is the most important thing that brings victory, for me, for me the combination of courage and tenderness is. probably, the main color, the main meaning and the main feeling, no matter what, we must remain who we are. have you ever felt that now there is such an existential battle, a battle of light and darkness? it seems to me that it is always going on, it’s just that now maybe everything has become more acute, so as a cameraman i feel this battle every day in all the pictures, not only in this one, in this one, perhaps especially, because we are always we work. with the idea, if the idea is pure, then

the procedure is always the same, reality resists, it does not want it to happen, but if you are persistent, it is like a test, then the next step is help from above, a strong one comes... you are the creator, you are sure that you will endure, you say, of course, i came up with this, well

then let's try, and it seems to me that at this moment the tests begin, without these tests, you cannot go, it is impossible to go further, and i think that this is a clear indicator that we are on the right path, we have tests every day day, obstacles, obstacles, it is clear, the brichans know that you are not here for the first time the same.

for me it is a very bright place and a joyful place, for some reason i perceive it as a place, a place of heroes, a place of victory of good over evil, we had vladimir in the studio. levovich mashkov and told us that not all scenes of the brest fortress will be filmed on location, in some not grandiose, decorations await us in moscow, and for you, as an operator, what is more interesting, location shooting, namely the press fortress or pavilions, also good, for me it is very important to shoot, of course, in a historical place, mm for the entire film crew, from lighting technicians, mechanics, fuxpullers, artists. we all feel responsible, because it happened here, in these spaces, and

for us, of course, it is very important and responsible, i think, like, i hope that we will succeed, and we will be real, well, but cinema sometimes requires new colors and the spaces have changed, we would have shot the entire film here, but because ... if before we could only work in pavilion, now we can work in the interior. films are often shot in historical

sites, in museums, we understand how to work, how to treat the space with care, so we feel comfortable and responsible. do film cameras still exist? they exist and are used quite often. and why would there have been a refusal from them in their time purely in order to ... speed up the process, simplify, fashion, so simple, and do you prefer film? i prefer, and a good story, i honestly don't care what to shoot on, i use film i love it, of course, i shot a lot of films on film, but i can’t say that i don’t like digital, because it gives such colossal opportunities, and this, in general , seems to me, is a palette for a story,

is the distribution fate of your films important to you, or have you already learned to switch off, well, we shot and it seems to me that for me it’s very... it doesn’t matter, i can say that i am painfully aware of empty movie theaters, painfully, i believe that our films are worthy, and so we want the viewer to go, watch, love, worry, argue, and we are waiting for the viewer, and we hope that in our hundreds of thousands of people will come to the film, millions in russia, and we want people to experience, to feel, to watch, well, somehow i don’t know all this, well, we make films for people, not for ourselves, yeah, and not for the money, we make films so that everyone is united, everyone is friendly, then we will win, but you have said

the phrase: the russian viewer is ruthless towards russian cinema, it was said. every day and we must give higher and higher results, the viewer is demanding, that is, he with well, okay, he does not look in in the cinema, but he watches on platforms, he downloads movies, today is his evening, he can watch a movie at home or at and like an american one or watch our movie in the cinema, well, the task is very difficult in

fact, for him to pay 500 rubles there, i don’t know , 1.00 rubles for. yes, for one ticket, well, because, just downloading a movie for free is one thing, but paying a lot of money, coming to the cinema, inviting a girl, a friend, there, i don’t know, a family, in general, i am for us to win, and this is criticism in relation to its own, it reigned for a long time in belarus too, now it’s somehow better, the situation is changing a little, but where does it come from in us? well , first of all, the peculiarities of the mentality or what? well, look, once my friend, one director told me why russian culture and literature has become one of the greatest world cultures, because we are self-critical, this self-criticism is very

important in drama, in cinema, and in general in any kind of art. at some point we may go overboard somewhere, that is, we love ask yourself more than others, but it makes us stronger, it's cool, it's responsible, i just think that we need to keep love, love in work, then the audience will come, because we loved leonova, tikhonova, papanov, yankovsky, we loved, accepted, and, mm, like, we still love them now, they are beyond competition, i think that as soon as such characters appear on the screen, as soon as we turn to our history, as soon as we turn to our beauty, we will understand that we are not a secondary ethnic group, in

culture, in energy, in meaning, i i don’t know, in every sense, we are... generally independent people, that is, we have independent energy, culture, we need to talk about the courage of our men, about the beauty of our women, about the endless expanses of our land, about the struggle of the common man for happiness, because it’s cool, if we start talking about this, if we start writing these stories, loving this fight for happiness, i think that... everything will be and the audience will love us, now, of course, it’s hard for us, because we are trying to fit into the agenda of the world. drama, we don’t always have it turns out that we somehow enter there as a tank, you know, we are a little bit like from the side,

there is the owner, american cinema, he sits confidently in the chair, and we are sort of positioned from the side somewhere, but soviet cinema sat very confidently, it was not shy and it felt like an independent art form and everyone... everyone knew that this chair was occupied, that is why russian cinema, and in general russian cinema, i think that it is necessary to feel more confident, to straighten its shoulders, to straighten up, to sit more confidently, igor, and what film's success was the most unexpected for you, when you didn't guess that well, the audience's taste is like this today, you know, at every film we are beaten, at the premiere we hear different, so to speak, words, it's not easy for us, that is, we are not praised, i'm talking about the team and the film crew in general, usually you

are perceived with hostility, but then after a few years it happens that this film becomes a landmark, that is, in general, this happens very often, it started with vysotsky, vysotsky in general. they didn't accept us at the beginning, no one even had a kind word for us he didn't tell us, although i worked on this film for 3 years, 3 years of sleepless nights, eh, 20 hours on set, gray hair and therefore an empty stomach, that is , no one spared themselves, there was simply a war for life and death on this film, mm, when did we see it? the film also seemed to have a very cold reception, now this film is loved, they show it, it has become iconic, well, that is, well , i don't know, in fact, the fate of almost every

film is very, look, this is also in the traditions of our culture, just now mashkov told how mita was beaten for the crew, yes, and then this picture became the golden fund of russian cinema, apparently... we accept the new, yeah, well, since you asked about success, we can't ask about failure, there were such films, pictures, which seemed to you that the picture was doomed to success, but it didn't happen, well, i'm talking about failure, well, what can i say, for example, on kinopoisk we have a very low rating for viking, at the same time some incredible ratings are for... stories, to be honest, i don't really understand how all this arranged, but i, for example, do not think that

this is an underrated picture of viking, i think that it is overused. and i am offended, because the group worked great, we gave ourselves honestly, we believed, but i accept the reaction of the viewer and i understand that apparently... there is a problem, apparently we are somewhere well not accurate, well, but viking, for me, probably, this is one of the most painful, and

inaccurate from the point of view of historical truth or inaccurate all the same from the point of view of dramaturgy, because in this sense it does not matter to us how where we made a mistake, he went to this moment to the right there to koluga or to tula went, it does not matter, it is important. is there a character on the screen, because if there is a character, then there is a destiny, and character is always actions, and the main thing is that what we are going to, we are always going to the final battle, the final battle at the viking in the temple, he conquers passions, and he asks for forgiveness, he confesses and then is baptized, he is reborn, it was said, but it did not touch so much, it was not read, it means, if it did not touch, then it is our mistake, it means, if it was said, but did not work, then we

guilty, although... the theme and the idea are correct, maybe the time has just not come yet, maybe the time has not come, but it seems to me that there is no need to complain for a while, you know how - if you deserve it, play better, one of the greatest soviet coaches said, play better, and we will take a short break, i remind you, we have a telegram channel, say don't be silent, subscribe, ask questions and suggest guests, we have connections. say don't be silent again on the air and today our guest is russian cameraman igor grenyakin. well, not all of our viewers probably know about that not only actors but also cameramen go through auditions. have you ever had auditions in your life? i have had one audition in my life,

it was the only one, that's it. it was 2007, there was little work, and they called me, my friends said, listen, they're filming a movie here, they're looking for a cameraman for a second unit, but there will be a cameraman audition, they called, so, khabensky, boyarskoye, an interior scene, i shot it, then they wrote to me, so, you passed the first round, the second round, we went on location, the second day, then... i received a letter that so and so, you have been approved as the director of photography for the production of the film admiral, forgive me, farewell, alexander vasilyevich, i know that you exist.

returned to student life again passed the exam, you could say, well i did it with pleasure, i think it's cool, well, like if they ask they are looking, and why the tradition. filmed, well no one else tested you, that's the question, that's the question for them, it immediately came out well, stalker torkovsky changed several operators, seven, if i'm not mistaken, just not that, not that, not that, not then, have you had such departures from the project, departures from the project, they wanted to fire me many times, i was on the verge, but no one

fired me. in general, i can say the following, that it is difficult to work with me, well, probably because i ask difficult questions, i conflict, i fight, for example, korotaev is having a very hard time now, but i can say the following, that he is fighting very worthily, and he was not listed as the director of the film, he absolutely defends the right to be called a director and...

because now is such a time that in general everyone stopped drinking, no one drinks here because it's very hard, and if you drink, you just won't be able to stand it, they stopped drinking here, even there, i don't know, svetiks, who in soviet times, as they said, didn't come to work sober, now we have a day off, unless someone drinks, but otherwise it's completely impossible, the smell of alcohol there on the site - it's like, well, not even forbidden, i've already forgotten when i smelled something. there's someone's partition, although i caught it, when i was in at the beginning i started in the 2000s, yes, i saw this process, and it's true, so it concerns igor everything, in the editorial offices they also used to smoke and drink in journalism, we somehow began to lead a healthy lifestyle, and why, apparently the carousel throws off people who are very hard, well, unbelievable, well, imagine, you wake up there at three, you carry 20 tons of iron, after...

you load 20 tons back into the car and go home, you have a 16-hour workday, you sleep 4 hours or five and the same thing and so on 6:1 well how is it possible to drink at this moment you will die just like that and what 30 years ago or 50 years ago it was easier to work firstly an eight-hour working day an eight -hour lunch you know that is advice if yes if in soviet cinema in this ruthless soviet regime and about which we are all told then people worked for 8 hours and an hour-long lunch was obligatory. they shot two or three frames before lunch and there 4-5 after that the whole scene is shot, then we shoot 23 frames before lunch, if it still exists, it is still very often current, the current lunch is when you are simply

given some salad at the moment of the engine, you eat something there, that's all, and in general we shoot 50 frames a day, that is, this is the density of work and the demands. it is, well, very high, that is, earlier, the splicing, if in soviet cinema, the splicing between frames there is 10 seconds, 15 seconds a frame, then we have one and a half to two seconds of splicing, we need to provide all this, well, that is, this is what we, this is our own health, that is, this acceleration, this is the demand of the time, of course, well, of course, we just have instagram, we have tiktok, we scroll everything, we run everything, we can't shoot a long, slow frame, is there no paradox in that? the technology has become better, you said yourself that it's cooler now, everything, it's harder and harder for us at the same time for people, well, it's harder and harder for people, but our skills are also growing, we are adapting, we are learning this and gaining speed, yes, we, of course,

already know this, if, for example, before we could calmly come there, but how would we calmly drink coffee somewhere, think there, talk about something sublime, well, no, we don't have... 5 minutes frame, 5 minute frame, we do nothing, we don't talk anymore, we just work, that is , it's a very tight schedule, that is, in this sense, we have reached the state of sprinters, and many can withstand it or, well, in general, there are, young people can't withstand it, i can say that now they pay good money in the cinema, come, work, everything will be, but as soon as you all say, yes, of course, how much is there. as soon as you they find out that how it all happens, well,

the desire disappears very quickly there is a deficit, yes, a specialist, but not that it is catastrophic deficit, now in russian cinema you can earn huge money, huge, but no one wants to work from the young, skill. that is, take a camera in your hands, huge money, you will drive expensive learn, fight, spar, you will receive cars, relax in chic restaurants, i don’t know, there are, but you have to give, give, shoot, as if cool, then you will have all this, but they don’t want, and because they are used to the fact that everything comes easy, it was given for a long time, and if you need to apply efforts, they immediately want to go to expensive restaurants. without work it is desirable, well yes, or, well, like people, talented guys, it's just - they have a false feeling, this apparently gives instagram or something, that you can get more with less effort, you can't,

you can't, you need to go through fire and water, then you will earn, no, this is all a lie, this is a lie of this world, which is on instagram, because a fairy tale is always... because we have fantastically beautiful women and here skill is not required, so that, well, i'm telling you, it's like once it's easy, here, but to be, as if to catch

contact, to do something more than beauty, here to catch humanity, to catch her character, to develop it somehow, to add cinematography to all of this, yes, this of course requires a certain rapprochement, this rapprochement - can be like falling in love, like sympathy, like just delight, that's why a simply traditionally, and filters, veils, this is no, all this is no longer possible, all this is not, all this does not work, and she is naked in front of my camera every time, poor thing, well tell me, here is liza boyarskaya - this is a blessed model, of course, yes, yes, of course, demanding, no, by the way, all our girls are very obedient, well-mannered,

intelligent, bright, well here it seems to me that everything is easier than it seems, in general i can say, there are no ugly women, in cinema it is even more difficult, it is difficult to imagine the task, an ugly woman, no, she is always beautiful, she always should be, well... i don’t know, to stay with a woman - it is always you who follow her, her beauty, the turn of her eyes, her lock of hair, to me i was lucky, i can say so, i was lucky, all my women were worthy of heroines on the screen, there was never anything vulgar or obscene, that's why maybe now there are many different stories, i refuse, i can say, honestly, such

provocative films, yeah, that is, right on the shore, i won't go, i won't go, you know, i had such a moment, the producers call me, they say: "we, igor, we want to invite you to such an interesting project, we are filming everything in england, an expedition, a great budget, now we will send the script, i open, uh, the first scene, nastya, makes love to yuliy in the kitchen, i write a text message, sorry, i can't, they call back, what happened, i say, well, i have six daughters, well, how can i explain to the girls, dad, where have you been, well, just what were you filming, just yes, for me it's like , not even looking at the locations and the fees, money is not important, money can be earned, we have a lot of cool stories, reputation is more important, more important, yes. you worked with mikhail zakshin, yes, on silver skates, now many

are discussing his painting master margarita, accused of anti-russian sentiments, have you watched it, what do you think, the film is strong, lakshin is great, i love him very much, he is a very good director, powerful, talented, very hard-working, i am very sad that he left for america. and i am worried that he did not support us, i do not agree with the ending of the film, because in the final scene he showed how the main characters enjoy themselves, how moscow burns, explode.

well, this is my hometown mm, where my children live, huh? where my friends live, where he lived, where his friends live, and i continue his love respect, but i don't agree with this ending, so i think he's wrong and i believe that he will change, and you remain friends or is it already impossible, of course i remain, i respect him, i love him, he hasn't crossed the line, that's the one. and many, i think that he can do a lot

here, and i would like him to come back and for him to hear us, but so far this hasn't happened, and it's possible, you think, i think, of course it's possible, his father lives here, he should come back, he has a huge the number of friends and people who love him here, i don't know if there are friends there and... it's hard to say, i don't want to sort of figure it out or give it an assessment, i can just say that this is not my ending, and of course, it hurts me to see moscow burning , i wouldn't have allowed that, of course, but there are anti-russian sentiments, that is, well,

in general, you've never had them, that is, when we worked, we worked as friends, as close people. do you mean what they reproached us for, that there are anti-russian ones? i don't felt anti-russian, anti-soviet, here in margarita's master, well anti-soviet, and for us now the soviet past is a marker by which you exist as one of our own or someone else, but how can we condemn the great soviet union, which put out the german stoves there, in which... but no one put them out, the soviet union put out those stoves, the soviet union was the first to fly into space, the soviet union was the first to grant rights to women, the soviet union gave free education, the soviet union won in sports, the soviet union

sang the praises of traditional human values ​​and stood in their defense, i ask the question, okay, there were repressions, there were such processes in our country, but we did not burn people in ovens, but europe did, in europe no one stood up for the jews, but the soviet union stood up for them, the soviet union lost 30 million people, at the cost of their lives, liberated europe from slavery, he spoke out, so this is his position, well, how can i, if... for example, we were filming this movie with him, i would ask these questions, but i did not work on this picture, i did not ask these questions, and i can say that now i think he is wrong, maybe he will change his position later, well - i confess my love for the painting of the infinitely silver cone

that you made together, go away, spin me, come on! one of the hardest, in fact it was not hard, it was cool, and lakshin in this sense was the main engine of this process, he was in love with petersburg, he admired its beauty, it was he who set this energy, that is why mishka is a great artist and

he loves russian culture, he loves russian cities, russian spaces, in fact it is his picture. he put the dacha, and you just did it, yes, here i was just a tool, i just complemented his plan, and you yourself fell in love with peter, of course, peter is generally fantastic, it is impossible not to love, let's take a short break, after a short pause we will return to the conversation again, for now subscribe to our telegram channel, say don't be silent, look for all our releases on the belarus 1 youtube channel. on air again say don't be silent our guest today is a five-time winner of the golden eagle award, cinematographer igor grenyakin is he always on the set for you is the director just a director or have there been cases when this is such a hindering factor? no, the director is always a locomotive that

pulls its carriages forward, so in this sense we are assistants, of course we just help and... and we move as if behind him, well, there were cases in the picture, i like this story of moving up, again, remembering this story, imagine, there is a rehearsal, and so, he says, so, so, moshkov should call his team to say: so, guys, come over, i'll tell you the game plan, i'll i'm rehearsing with an iphone, and the guys slowly stand up, waddling, waddling, i ask a question, wait, can i, i say, show the rehearsal at speed, maybe they're tired? and i just calmly, the lighting technicians in one voice, and there you just had to see how they got excited, they were stumbling, i say, just imagine, i say, it's just

the cameraman calling his lighting technicians, and here is the coach of the ussr national team, i say, and you stand up like that, and they immediately said, that's it, igor, we understand, it's clear, and it was like it wasn't directing, it was just surprise at the reaction, the words of the coach, so maybe criticism of the new russian cinema? it's fair often, you know, when actors react like this, well, maybe, i don't know, just criticism, it seems to me that it is necessary - to film what you feel, what you know, then you will be precise, to film in russian, as if in the russian language, and about russian culture, then you will be heard, that is, then there will be less criticism, because you will understand this issue, just when we we shoot some stories in which... we don't understand, you know, we imitate some, some western projects, but we don't know how to do it, we don't know this culture,

we are not so ironic, we are not so vulgar to be so free, we are modest, pure, there, ah, courageous, there we have a different color, and it seems to me that in this color we just need to exist, and not imitate them in their freedom, well, that's how they are made, i know that you like. tarantino's films, yes, kill bill, you like them, yes i love all his films, all his films, well that's you don't transfer aesthetics to the arts, but we are different, it seems to me that we don't have this, maybe they don't have this, i don't know, maybe it's also just made up, but it's like it's not familiar to us, but i would still like our directors and scriptwriters to come up with living, energetic people. who were so interesting as well, well, i really agreed with your thought that there are examples, why are we now remakes and falling

into the era, because we can't come up with better heroes of our time or something it is the characters, of course, that is, in soviet times the characters were created, now remember, look how many characters there are on the screen, well, we have, we have a bright character, this is the brother, here he is alone, how many years have passed? well, who else have we created on the screen? well , so far we only revolve around the brother, balabanov put an end to this, right? yes, well, roughly speaking, we have the era of the brother, we have the era of putin, putin is also a bright character, we also perceive him clearly, but who else do we have, what have we created, pushkin, that is, well gagarin, gagarin, on the screen, well, a bright character, like this, so that he, so that this was the cover, so that this was. but like, for example, jack sparrow in pirates of the caribbean, yes, this is a created character, well, in

soviet times, how many tikhanov - 17 moments of spring, a fantastic character, this is a whole world, he was created by lioznova, that is, yankovsky, remember, he is a mechanic at the plant, a fantastic character, in love of his own free will, fantastic, like afonya, the same one. in 2002, a glacier came down from a mountain slope, under more than 120 people were buried in layers of snow, ice and rocks, including

sergei bodrov's film crew, he was only 30, have you answered the question for yourself, why did fate save you, why did you, well, i can't answer this question for myself because i just, well, how can i say it, i clearly understand that i was given the chance to live, i clearly value every day now, i understand that life is... a great gift, you have to use it and enjoy every moment, well, what could i understand at 21, what i saw, that firstly, there is human life, it is fragile, director alexander melnik, with whom you worked on the film territory, also died tragically at a waterfall, not far from narilsk, he was picking up for himself. for filming fell off a cliff, alas, do you believe in mysticism in the fact that well, perhaps, so to speak, not all the secrets of nature are worth it, no, i don't believe it, i

believe in humanity. and character, i believe in the beauty of the soul, i believe in courage and tenderness, that's what i believe in, and - i don't believe in anything else at all, it's complete nonsense, yes, of course, that there is not what nature took, came closer to the secret, looked into the abyss, looked into the depths, no, that's it, no, of course not, nature is open, it mm, exists independently, i think that, well, we were on the potorana plateau, i... felt the energy, i know about the myth, the hyperbore, i kind of realize all this, but for me it's all the same, i probably, maybe, was brought up in soviet times, i think that a person at the top of the chain is, he should not exploit nature, but should go through life with dignity, it seems to me that this is the most

the main thing is, you say that you want a hero, but you write it yourself, who are you? eyebrowed musicians! we are not respected because of your valerian! we do not have a bright leader! i will make you get out of this scale! we are starting a music festival! this is my group! you and one fan! this is the same boy who charmed everyone with his

songs. hello! in general, it is cool to create something, because if the idea, again, if the idea is pure, then it is doubly pleasant, well, and what kind of story do you want to write, i have many stories, my grandfather raised me like this, what sows reasonable, kind eternal here is the main instruction, especially as a father of six daughters, actually nothing else, no other thoughts and do not visit, well for some reason we believe in your success, because ... that you are really cool igor, thank you very much that in your schedule, which you told us, which is monstrous, which is so frightening to young people, you found an hour for this conversation were very glad to get to know each other closely and wish you good luck, and we tatyana shcherbina and victoria popova say goodbye to you for today, goodbye, goodbye, igor grenyakin is speaking now: love russian cinema,

come to the cinemas.