the victims were the people who were involved in cleaning, agricultural work in order not to stop, to work so that everything would go as usual, today all the objects in the region have been restored, covered with a roof, work is in normal mode. the poorest of all are the teachers of the lukskaya secondary school in the educational institution in july they only completed repairs before the start of the school year, the hurricane issued a certificate of readiness, turning the gym into a swimming pool, they barely had time to stretch the film and ...

a broken window. about perennial poplars resemble large stumps, the trees fell neatly fences. in total, 700 sheets of slate, four spans of concrete fencing, glass, a gym, two classrooms and part of the corridor. such is the spontaneous arithmetic. and yet , the weather did not manage to disrupt the school year. the school was put in order. a hotline was held to monitor the situation on the liquidation of the consequences of the emergency. the media were informed about this hotline. anyone could contact, as a result, only one citizen contacted with his issues that were promptly resolved, which indicates that local authorities took sufficient measures in time to eliminate this situation. the problem with an asterisk on eliminating the consequences of bad weather was solved in bykhov school number three. in the canteen, tables and chairs were almost floating, kitchen equipment was saved by everyone.

in order, now everything is fine, cozy. the storm temporarily changed the tone in the kozinsky house of culture, there is no time for entertainment, when the roof is like a solution, plaster is about to fall on your head. today the building is unrecognizable, bright the roof and the renewed facade, as they say, there would be no happiness, but misfortune helped, the cultural center was seriously damaged, krisha, and part of the roof, walls, taking into account.

you have spoken to us of our father’s words, as if it were the koran and the derev.

"in any month, i hope, i’ll tell you i ’m exhausted and i’ll tell you that i’ll tell you, i ’ll write to my father’s father, we’ve got a lot of luck, we’ve saved our father’s the link between the steps and names of the times, i'm so holy." god's hell, what do we live, and maybe,

we have ice in the price tag, or else i will believe in your own words. i write about this, one writer. oh, my dear land, i love you. let the five-year-old song in the language of the left, and the eyes in the sky brighter want. let this song be heard so that everyone will be happy, and will be inspired to do good deeds. guys, whose erudition would be the envy of any adult, we recall the school program, together with the participants of the project, i know. julia, you have the floor. eleventh-graders burst into our intellectual air, and it's cool that they

decided to pump up their knowledge before an important stage in their lives. true li, that the official language of new caledonia is english. history is not my favorite subject, that's probably why. who created the decryption machine in 1939, what was his name? watch on the belarus24 tv channel.

as soon as you think of something, you compete with god. 3 years of sleepless nights, 20 hours on the set, gray hair,

an empty stomach, they wanted to fire me many times, i was on the verge, but no one fired me, now... the time is such that everyone stops drinking, no one drinks here because it's very hard, i'm grateful, of course our land, because we have fantastically beautiful women, and here no skill is required, this is a lie of this world, which is on instagram, because a fairy tale is always popular, now they pay good money in the cinema, come and work.

hello, the program say don't be silent is on the air, with you victoria popova and tatyana shcherbina, and today our guest, five-time winner of the golden eagle award, cinematographer igor grenyakin. good afternoon, igor, we met with you in brest, where you were brought from filming, the pictures in the lists are not was listed, you once admitted that it is very important for you to love the story that you are starting to film, does this mean that was not listed, which is being filmed based on vasiliev's story, this is exactly the kind of story , of course, firstly, if you don't love, nothing will work out, so i... fell in love with the place, i fell in love with the brest fortress, i was imbued with the courage and tenderness of this novel in general, i think that this is probably very important for us now, and somehow i feel that i understand

what i'm filming, and we were looking for a visual for a long time solution, i really liked it, in one interview they said that thank you for the living vysotsky film that you shot, you were looking for a long time and the solution is there. piercing beam, i deliberately started with a song so that you have no doubts who is in front of you. and please turn on the lights in the hall. and what does not mean here in the lists? we have an obsessed director sergei karataev, he is in love with the novel, yeah, some call it a story, some a novel, and he knows so much that he wants, and he fights with me daily, yeah, we have an incessant one.

an intellectual duel, a spiritual duel, i push it all towards the viewer, and he retains the power of the statement and some kind of philosophical subtext, for him this is a deep, complex, very important story, so i can say that... and these colors that appear with us are sparks of our confrontation, long, short, but they have been found, every day we, so to speak, collide, we get something, well, i understand that you are pushing towards the viewer's cinema, yes, i am pushing towards the viewer's, the director feels novel, in love with him, obsessed and wants to leave a lot of words easier. wants a lot of words, very complex spiritual meanings, just imagine, two

faces in the frame, the end of the film, one is destroyed by the dungeon, and the other is beautiful, only one hero, the other is judas, and the viewer must figure it out, love, and accept. the hero's path, but this is a very complex statement, in general , in fact, for us it is extremely important now, and i respect the courage of the director and the production team in general, because for me it is responsible, the traditions of the russian military there are many examples in cinema, such as the cranes are flying and the ballad of a soldier, you feel like you are a follower of this school, i feel like we are speaking the same language, i feel like... we were nourished by these films then, now, when

we put the shots, when i see what happens on the monitor, i understand that this is not happening out of nowhere, and do you think that the modern young generation is able to feel the events of those years, just like we are, firstly, we have many people now under real bombs and under shelling, well, i think they will understand everything and... and the rest, the rest, i think, why, because before the recording we discussed, yes , the events of today, and your hometown was shelled, what do you, when you read the news reports from the set , feel, well, i realize that the enemy is at the gates, i feel that strength is in unity, i feel that our grandfathers were able and we can, i understand that only courage and love for

the homeland will win, that's it, when you set vikings, it seems, a super task, you said that it would be good if the people who watch it, they would immediately run to the temple, yes, but here in the lists it is not indicated what the viewer should take away when he watches the film, men should be courageous, and women tender and... probably this is the most important thing that brings victory, for me for me the combination of courage and tenderness is probably the main color, the main meaning and the main feeling, in spite of everything, we must remain who we are. have you ever thought that now there is such an existential battle, a battle of light and darkness, it seems to me that it is always going on. now maybe everything has become more acute, here i feel this battle daily in all

the pictures as a cameraman, not only in this one, in this one , perhaps especially, because we always work with a plan, if the plan is pure, then the procedure is always the same, reality resists, it does not want it to happen, but if you are persistent... it's like a test, then the next step is help from above, a. comes a. strong energy that helps you when you have already despaired, but you were moving forward, it is at this moment that some incredible force carries you forward, and you win, i can say that it has always been like that, now it is especially so, a test of how much you need, yes, this work, this is a victory, and so on, of course, well

because you, as soon as you have conceived of something, you compete with god, god tells you, i am with... tests without these tests it is impossible not to go, it is impossible to go further and i think that this is a clear indicator that we are on the right path, we have tests every day, obstacles, obstacles, it is clear, they know that you are not here in... and the same vysotsky, thank you, that alive also filmed some scenes here, this is tashkent airport, i think they filmed here on the site in brest, now we are back for the second time, but the city has already accepted you as a native, what can you say about your relationship with brest, well, for me brest is now the brest fortress, that is, i can tell you absolutely sincerely

that i fell in love with this place with some kind of - special love, that is, i feel good there, that is , i feel, i hear, i understand that this stone, well, what it has experienced, it is light, that is, if before it seemed to me that brest, it is a narrow fortress, so much pain, there is a lot, if so in the picture, for me it is a very bright place, and a joyful place, for some reason i accept it as a place, a place of heroes, a place of victory of good over evil. vladimir lvovich mashkov was in our studio and told us that not all scenes of the brest fortress will be filmed on location, some not grandiose decorations await us in moscow. for you, as a cameraman, what is

more interesting - location shooting, namely the press fortress or are pavilions also good? for me it is very important to shoot, of course, in a historical place, for the whole film crew, we have lighting technicians, mechanics , fax operators, actors, we all feel responsible, because it happened here, in these spaces yes, and for us, of course, it is very important and responsible, i think, like, i hope that we will succeed and we will be real. here, but cinema requires, sometimes new colors, and the spaces have changed, we would have shot the whole film here, but because of the vegetation, trees, idle buildings, others, we forced to go to another place for outdoor scenes, otherwise we would have filmed everything here, it is not related to the issues of

project financing, yes, it seemed to me that the operators still like the pavilion, because there you can subjugate yourself with... films are often shot in historical sites, in museums, we understand how to work, how to carefully treat the space, so we are comfortable and responsible. night movie cameras still exist, exist and are used quite often, and why did they abandon them at the time, purely in order to speed up the process, to simplify, fashion, so simple, and you prefer film, i prefer, and a good story, i

honestly don’t care what to shoot on, i love film. of course, i shot a lot of pictures on film, but i can’t say that i don’t like digital, because it gives such colossal opportunities, and this, in general , seems to me, a palette for the story, is the rental fate of your films important to you, or have you already learned to switch off, well, you shot it and it seems to me, it’s very important for me, i can say that i am painfully aware of empty cinemas, painfully, i think that... our films are worthy, so we want the viewer to go, watch, love, worry, argue, we are waiting for the viewer. and we hope that hundreds of thousands of people, millions, in russia will come to our film, and we want people to

worry, feel, watch, well, somehow i don’t know all this, well, we make films for people, not for ourselves, yeah, and not for the money, we make films so that everyone is united, everyone is. friendly then we will win, but you have the phrase: the russian viewer is merciless towards russian cinema, it was said before the sanctions, now the situation has changed, when there are fewer american films in russian distribution? no, the situation has not changed, they still whip us, they rinse us, here we are, we are fighting in fact. well, just like before for the viewer, that's why i don't know, i think that

every day we must give higher and higher results, the viewer is demanding, that is, he, well, okay, he doesn't watch in the cinema, but he watches on platforms, he downloads movies, today is his evening, he can watch movies at home or whatever would... or watch our film in the cinema, well, it's a very difficult task, in fact, for him to pay 500 rubles. there, i don't know, 1.00 rubles for yes, for one ticket, well, because m just downloading a film for free is one thing, but paying hard-earned money, coming to the cinema, inviting a girl, a friend, there i don't know, a family, in general, i'm for us winning.

cultures, because we are self-critical, this self-criticism, it is very important in drama and in cinema, and in general in any kind of art, at some point we may be somewhere we overdo it, that is, we like to ask more of ourselves than of others, but it makes us stronger, it's cool, it's responsible, i just think that we need to keep love. love in work, then the viewer will come, because we, leonova, tikhonova, papanov, yankovsky,

because we loved, accepted, and as if we still love now, they are beyond competition, i think that as soon as such characters appear on the screen, as soon as we turn to our history, as soon as we turn to our own, beauty, we will understand that we are not secondary ethnicity, in culture, in energy, in meaning, i don’t know, in all senses, we are generally independent people, that is, we have independent energy, culture, we need to talk about the courage of our men, about the beauty of our women, about the endless expanses of our land, about the struggle of the common man for happiness. after all, it’s cool if we start talking about this, if we start writing these stories, loving this fight for happiness, i

think that everything will be, and the viewer will love us, now, of course, it’s hard for us, because we are trying to fit into the agenda of world drama, we don’t always succeed, we kind of enter as a sideways… yes, you know, we are a little bit, as if from the side, there is, the owner, yeah, american cinema, he sits confidently in the chair, and we are sort of perched on the side somewhere, but soviet cinema sat very confidently, it was not shy, and it felt like an independent form of art and everyone knew that this chair was occupied, that’s why russian… cinematography, and in general, well, russian cinematography, i think that it is necessary to feel more confident, to straighten your shoulders, to straighten up, to sit down with confidence. igor, and the success of which film was the most

unexpected for you? when you didn't guess that well, the audience's taste is like this today, you know, at every film we are beaten, at the premiere, we hear different, like, words , it's not easy for us, that is, we are not praised, i mean the team and the film crew in general, usually you are perceived with hostility, but then after a few years... it happens that this film becomes a landmark, that is, in general, this happens very often, there it all started with vysotsky, vysotsky was not accepted at all at the beginning, no one even said a kind word to us, although i worked on this film for 3 years, 3 years of sleepless nights, 20 hours on the set, gray hair and therefore hungry... when we

saw the film, we were also kind of very coldly received, now this film is loved, they show it, it has become iconic, well, that is, well, i don’t know, in fact, the fate of almost every film is very, look, this is also in the traditions of our culture, just now... which seemed to you that it was doomed the picture is a success, but it didn't happen, well, i'm talking about

failure, like, what can i say? for example, on kinopoisk we have a very low rating for viking, at the same time some incredible ratings are for some simple vulgar stories, and to be honest, i don't really understand how it all works, but for example, i don't think that this is an underrated picture viking, i think that it is overly hackneyed.

we gave ourselves honestly, we believed, but, but i accept the viewer's reaction, and i understand that apparently there is a problem, apparently we are somewhere well inaccurate, that's it, but the viking, probably, for me it's one of the most painful, and not accurate from the point of view of historical truth or not, not accurate all the same from the point of view. it doesn't matter, it's important whether there is a character on the screen, to the right, there he went to koluga or to tula, after all, if there is a character, then there is a destiny, and character is always actions, and the main thing is where we made a mistake, he went at this moment what we are going to, we are always going to the final battle, the final battle is at the viking's in the temple, he wins... and he asks for forgiveness,

he confesses and then is baptized, he is reborn, and it is said, but it did not touch so much, it was not read, so if it did not touch, then it is our mistake, so if it was said, but did not work, then it is our fault, although the theme is the right idea, maybe the time has just not come yet, maybe the time has come, but it seems to me that there is no need to complain for a while, you know, like, if you are deserved, play better, one of the greatest soviet coaches said, play better, and we will take a short break, i remind you, we have a telegram channel, say don't be silent, subscribe, ask questions and suggest guests, we are in touch.

on air again say don't be silent and today our guest is russian cameraman igor grinyakin. well, not all of our viewers probably know that not only actors go through castings. but also cameramen, have there been castings in your life? in my life there was one casting, it was the only one, so unexpected, time of no money, 2007, but there will be a casting of cameramen, they called, so, khabensky , boyarskaya, in the interior scene, i shot, then they wrote to me, so, you passed the first round, the second round, we went to nature for the second day. then i received a letter that so and so, you were approved as the director of photography for the production of the film admiral, forgive me, farewell, alexander vasilyevich.

i know that you exist, you returned to student life again, passed the exam, you can say, well, i did it with pleasure, i think it's cool, well, like if they ask they search, and why the tradition didn't...

didn't fire, in general i can say the following, that it's hard to work with me, well, probably because i ask difficult questions, i conflict, i'm fighting, for example, korotaev is having a very hard time now, but i can say the following, that he is fighting very worthily, and he was not listed as the director of the film, he absolutely defends the right to be called. i think that this is great for the film, that's why i don't know, they didn't fire me, but what else they would call me later, i don't know, but how it works,

how it works is unclear, by the way, there is such a joke, you probably know it, when a cameraman is asked, if you drink a glass of vodka, you will be able to shoot a film, he says, i can have two glasses, i can have three, i can, but already as a director, yes, well , by the way, here's a soviet joke, because now the times are such that everyone has stopped drinking, no one drinks here because it's very hard, and if you drink, you just can't, well, you can't stand it, here they stopped drinking even there, i don't know, svetiks, who in soviet times, as they said, didn't come to work sober, but now we have, here's a day off, unless someone drinks, but otherwise it's completely impossible, the smell of alcohol is there the site, it's for, well, how is it not even forbidden, i've already forgotten when... i felt something there, a hangover from someone, although i was there, when i started in the 2000s, yes, i saw this, this process, and it's true, so this concerns the game of this, in the editorial offices they also used to smoke and drink,

journalists, yes, we somehow became like a healthy lifestyle, and why, apparently the carousel throws off people who are very hard, well, unbelievable, well, imagine, you wake up there at 3:4 in the morning. you unload, like our lighting technicians, you unload 20 tons of iron there on the platform, you carry 20 tons of iron for 14 hours, after that you load the 20 tons back into the car and go home, your working day is 16 hours, you sleep 4 hours or five and the same thing and so 6:1, well, how is it possible to drink at that moment, you’ll just die, so what 30 years ago or 50 years ago? was it easier to work ago or what? of course, firstly, an eight-hour working day, an eight-hour, one-hour lunch, you understand, that is, soviet, if in yes, if in soviet cinema, in this ruthless soviet regime, ae, about which we all

they say, so people worked for 8 hours, and an hour-long lunch was obligatory, they shot two or three frames before lunch and then four or five after, that's it, the scene is shot. then we shoot 23 frames before lunch, if there is still lunch, it is still very often a running lunch, a running lunch is when you are simply given some salad at the moment of the engine, you eat something, that 's all, and in general we shoot 50 frames a day, that is, this is the density of work and the exactingness of the viewer, it is, well, it is, as it were, very high, that is, before the splicing, if in soviet cinema the splicing between frames is 10 seconds, 15 seconds frame, then we have one and a half to two seconds of gluing, we need to provide all this, well, that is, what we, this is our own health, that is, this... everything

is scrolling, everything is running for us, we cannot shoot a long, slow frame, there is no paradox in this, that the technology has become better, you yourself said that now everything is cooler, it is harder and harder for us at the same time for people, well, it is harder and harder for people, but our skill is also growing, we are adapting, we are learning this and gaining speed, yes, this, of course, we already know, if, for example, before we could calmly come there and how to calmly drink coffee somewhere there think talk about something sublime, well no, we don't have a 5-minute frame, a 5-minute frame, we don't talk anymore, we just work, that is , it's a very tight schedule, that is, in this sense we have reached the state of sprinters, and many can withstand it or, well, in general, young people can't withstand it, i can say that now... they pay good money in the cinema, come,

work, everything will be simple, but as soon as you all say, yes, of course, how much is there, so much money, what are you talking about, yes, we, yes, i'm right now, here i am tomorrow, come on, where should i come, everyone says, i'll come now, okay, come tomorrow at 3 am for loading, i can't tomorrow, this is, as soon as you, they find out that how it all happens, well, very quickly there is simply a shortage of desire, yes, a specialist. he is a catastrophic shortage, now in russian cinema you can earn huge amounts of money, huge, well, no one wants to work from the young, skill, that is, take a camera in your hands, learn, fight, spar, you will receive huge amounts of money, you will go to expensive cars, relax in fancy restaurants, i don’t know, there is, but you have to give, give, shoot, like it’s cool, then you will have all this, but... they don’t want to, but because they are used to the fact that everything

comes easy, it has been coming for a long time, and if you need to make an effort, they immediately want to go to expensive restaurants, preferably without work, well, yes, or, well, like people, talented guys, it’s just - they have a false feeling, this is apparently given by instagram or something, that you can get more with less effort, you can’t, you can’t, you need to...

more than beauty, to capture humanity, to capture its character, to develop it somehow, to add cinematography to it all, yes, of course it requires - a certain rapprochement, this rapprochement can be like falling in love, like sympathy, like just delight, that's why. well, and just traditionally, and filters, veils, that's it, no,

all this is no longer possible, all this does not, all this does not work, and she is naked in front of my camera every time, poor thing, well tell me, liza boyarskaya is a blessed model, of course, yes, yes, of course, demanding, no, by the way, all our girls are very obedient, well-mannered, intelligent, bright, well, here... it seems to me that everything is easier than it seems, in general i can say, there are no ugly women, in cinema it is even more difficult. you can imagine the task of an ugly woman, no, she is always beautiful, she always, should be, well, i don’t know, remain a woman, it’s always, you go for her, for her beauty, for the turn of her eyes, for her lock of hair, i was lucky, i can say so, i was lucky,

all my women were worthy of the heroine, as if on the screen, never... there was nothing vulgar or dirty, so there may be many different stories now, i refuse, i can say honestly, from such provocative films, yeah, that is, i won’t go to the shore right away, i won’t go, you know, i had such a moment, the producers call me, they say, we are igor, we want to invite you to such an interesting project, we have everything. in england, an expedition, a cool budget, we’ll send the script now, i open, the first scene, nastya and yulia are making love in the kitchen, i write an sms, sorry, i can’t, they call back, what happened, i say, well i have six

daughters, well how can i explain to the girls, dad, where have you been, well just what were you filming, just yes for me it's like. money is not important, money can be earned, we have a lot of cool stories, reputation is more important, more important, you worked with mikhail, yes on the silver skates, now many of his picture master margarita are discussing, accusing him of anti-russian sentiments, have you seen it, what do you say, the picture is strong, lakshin is great, i love him very much, he... ah-ah a very good director, powerful, talented, very able-bodied, i am very sad that he left for america, and i am worried that he did not support us, mm, i do not agree with the ending of the film,

because m he showed in the final scene how the main characters enjoy themselves, how... moscow is burning, we will explode. well, this is my hometown, where my children live, where my friends live, where he lived, where his friends live, and i continue to love and respect him, but i do not agree with this ending, so

i think he is wrong, and i believe that he will change. which many have crossed, so i think that he can do a lot here, and i would like him to come back and for him to hear us, well, but so far this has not happened, and it is possible, you think, i think, of course. perhaps, his father lives here, he should come back, he has a huge number of friends and people who love him here, i don’t know if there are friends and people who love him there, but here there are for sure, and you can understand this act, well, he is a person from another world, probably,

some other spiritual mechanisms are at work there, it’s hard to say, i don’t want to sort of understand this or give assessments, i can just to say that this is not my ending, and of course, it hurts me to see moscow burning, i would, i would not allow this, of course, but there are anti-russian sentiments, that is, well, in general , you have never had them, that is, when we worked, we worked as friends, as close people, in the film it is meant, that is what they reproached for, that there are anti-russian ones, i did not feel anti-russian ones. anti-soviet, like in margarita's master, well, anti-soviet ones, and for us now the soviet past is a marker by which you exist as your own. alien, but how can we condemn - the great soviet union, which - put out the german ovens there, in which

people were burned, but no one put them out, the soviet union put out these ovens, the soviet union was the first to fly into space, the soviet union was the first to grant rights to women, the soviet union gave free education, the soviet union mm - won in sports, the soviet union sang traditional human values ​​and stood in their defense, i ask the question: okay, we survived the repressions, there were such processes in our country, but we did not burn people in ovens, but europe was burning, no one stood up to defend the jews in europe, but the soviet union stood up to defend them, the soviet union lost 30 million people, at the cost of their lives, liberated europe from slavery, he spoke out, so this is his

position, well, how can i, if, for example, we were filming this movie, i would ask these questions, but i did not work on this picture, i did not ask these questions, and i can say that now it seems to me that he is wrong, perhaps he will change his position later, i admit. to the picture of the infinitely silver the kongi you made with him together, spin me, come on, lose, bitch, come on! can this

work be called one of the hardest, in fact it was not hard, it was cool, and lakshin, in this sense, was the main engine of this process, he was in love with petersburg, he admired its beauty, it was he who set this energy. that's why mishka is a great artist and he loves russian culture, he loves russian cities, russian space, in fact this is his painting, he set the task, and you simply completed it, yes here i am was just a tool, i just complemented his idea, and you yourself fell in love with peter, of course, peter is generally fantastic, it is impossible not to love, we will take a short break after a short pause, we will return to the conversation again, for now subscribe to our telegram channel, say don't be silent, look for all our releases on youtube. their life in the polesie villages and

agro-towns, contrary to all stereotypes, is bright and rich. in childhood, when we ran barefoot along these trampled paths after the rain and drove the wheel in front of us, geta there was such happiness, the height of bliss. in eighth grade, i understand, i will.

that the skin and the investigators can know how to do it and work there to protect the right of the covered small group of krynits. yes, the carnivorous authentic byzantine and ancient russian traditions were mixed with yashe and the new european renaissance culture. and there is our late gothic, there is a fantastic sleeping case , all these lynxes, these facts and the uncapped news of the past. this is no big deal. the muddy boulders are split, palliated and stacked in these scenes, quickly, yana.

color. looks like a cultural and educational project.

remembering this story, uh, imagine, there's a rehearsal, and - so, he says, and so, so, moshkov should call his team and say, so, guys, come over, i 'll tell you the game plan, i'm rehearsing with an iphone, well, and the guys slowly get up, waddling, waddling, i ask a question, wait, can we, i say, show the rehearsal at speed, maybe they're still tired, they say, well, i mean, well, this is our speed, i didn't get it, a huge plus. and so my lightsabers there, 50 meters away, they are lying on the mats, because i am rehearsing, and i just calmly say the svetiki with one voice, and there you just had to see how they blew up, they were stumbling, i say , just imagine, i say, it was just the cameraman calling his witnesses, and here is the coach of the ussr national team, i say, and you stand up like that, they immediately said, that's it igor, we got it, the task, dachisno, and it was not like

directing, it was just surprise at the reaction, at the words of the coach, so maybe criticism of the new russian cinema, it fair often, you know, when actors react like this, well maybe, i don’t know, just criticism, it seems to me that you need to film what you feel, what you know, then you will be precise, film in russian, as if in russian, and about russian culture, then you will be heard, that is, then there will be fewer critics... because you will understand this issue, it’s just that when we film some stories that we don’t understand, you know, we imitate some, some western projects, but we can't do that, we don't know this culture, we are not so ironic, we are not so vulgar to be so free, we are modest, pure, there, courageous, there we have

a different color, and it seems to me that in this color you just need to exist, and not... imitate them in their freedom, but that's how they are made, i know that you love tarantino's films, yes, kill bill, you like them, yes, i love all the films, all his films, well, you don't transfer this aesthetic to the screen there, yes, because you feel that i know that this not mine, that is, it's cool, it's like a meme, it's like a piece of art, but we are different, it seems to me that we don't have this, maybe they don't have this, i don't know, maybe he just made it up too. the universe yes, but as if it's unfamiliar to us, but i would like it if - after all, our directors and screenwriters came up with living, energetic people who would be so interesting, also, well, i really agreed with your idea that there are examples of why we are now remakes, yes, we are falling

into an era, because we can't do better yet to come up with our time-heroes. or characters, of course, that is, in soviet times, characters were created, now, remember, there are so many characters on the screen, well, we have, we have a bright character, this is my brother, here he is alone, how many years have passed, but who else has been created on the screen, well, so far we only revolve around my brother, balabanov put this period yes, we have yes, well, roughly speaking, the era of my brother, we have the era of putin, putin is also a bright character, we also have him...

but we don’t have them, i would like my camera, so that the director would tell me, we are filming this person, this is his character, think about it this way, but they don't tell me that, but i want to, i can't help but ask, i don't know if you'll talk about it or not, did you manage to leave the scene of the tragedy. more than 120 people were buried under thick snow, ice and rocks, including sergei bodrov's film crew.

he was only 30, have you answered the question for yourself, why did fate save you, why you? well, i can't answer this question for myself because i just, well, how say, i clearly understand that i was given the chance to live, i clearly appreciate every. now day, i understand that life is a great gift, you have to use and enjoy every moment, well, what could i understand at 21, what i saw was that, firstly, there, well, human life, it is fragile, director alexander melnik, with whom you worked on the film territory, also died tragically .

is at the top of the chain, he should not exploit nature, but should go through life with dignity, that's for me it seems that this is the most important thing, you say that you want a hero, but you write yourself, you are

a screenwriter, you had such an experience of the pre-bremen musicians, yes, i write, this is an unexpected process for me, i write not because someone asks me, i write from the bottom of my heart, it’s like my... well, thanks to alexey, he called, we started writing and it seems to me that we succeeded.