we have forgotten how to enjoy the little things, to be surprised, to feel the connection between times and generations, to simply notice, but every day is made up of traditions. today, a year or a century ago, everything that is considered ancient was once new, we ourselves, without noticing it, pass on knowledge and experience through generations, it is in our smile, the wave of our hand, in such a familiar look.

real traditions are made up of simple happy moments, we are proud of the heritage of our ancestors, we value the past for our present, belarus 24.

hello, the program kadry zhizni is on air, and that means that today in our studio, as always, we have a very interesting and talented guest who is ready to share with us not only his rich life experience, the secrets of professional skill, but also the personnel to which he is directly related. he could have become a builder, a theater director or a cultural leader, but since childhood he dreamed of making films and persistently pursued his goal. his... he believes that he could have done an order of magnitude more. our guest is a screenwriter, playwright, director, vitaly andreevich dudin. i couldn't resist, i took him in his office by the ear to the table, to this scenario pressed with force. somehow you are ignored by the studios, probably with the wrong friends. yes, yes, friends with the wrong ones, who is that

person who watches them and does not let them lie, began to understand the lie, to feel the untruth. in films, in films, they sing some songs, the song itself is good, they are neither here nor there, something is constantly laughing all the time, not funny, in general, there should be no laughter here, your curiosity about life, your sense of beauty, it is what distinguished you of all the others, probably teenagers, because this restlessness, curiosity, desire to look beyond the horizon, it... in the urals in novopolotsk i was always putting on plays, that is, you can say that you are an acting director, i mentally imagined this student or this student coming to the studio,

what awaits them, if there is falseness, i try not to allow this, no swearing, no shouting, only... subtext, text, nuances of half-tones, in no case any, softly, in no case shouting, but softly, but harshly, but harshly, we live on the same planet, everyone seems to believe in love for god, love for humanity, to remove from the souls, from the hearts of these, hatred, cruelty, intolerance, dudin, was born on september 6, 1943 in the village of ashuryata, perm region. in 1960 he graduated from the construction school, then the moscow state university of culture and arts, the perm cultural and educational school and worked for 16 years as the head of drama circles,

director and director in houses of culture. then there was study at the belarusian state theater and art institute higher courses for scriptwriters and directors in moscow, in the workshop. nikita mikhalkov since 1979 as a director he begins his work at the belarus film studio. his feature films have repeatedly received awards at national and international film festivals. hello, vitaly andreevich. i am very glad that you are a guest of our studio today, i hope that the footage that we have prepared today will be interesting not only to you, but also to our tv viewers. and my first question, perhaps such an unexpected one for you, tell me, when was the last time you were in your homeland? the last time i was in my homeland was when i was filming a farewell tour movie in 1992 at my mother's funeral, well you understand that it was not

by chance that i asked this question, because i watched your movie, a summons to court, i am very impressed by this picture, it is your autobiographical picture. and it seems to me that this is one of your best works, the most sincere and the most heartbreaking, and the most terrible thing for me was to decide to write and then film, that those living relatives, dear, close, they will see and how they will perceive it, will they endure it, will they not endure it, will i offend, will i not offend, will i insult, will i not insult, in the end it turned out... thank god, my mother, whom, by the way, i never called mother during my life, my brother ivan, whom lesha boltakov played, watched this film while in ltp, and he says, he watched, blushed, turned pale, no one knew that this was a film about me,

why did you send 50 rubles, 50 rubles is not money. are you playing benefactors for yourself? do you see only the bad in every action of mine? well , of course, when they can’t come to the funeral, they send 50 rubles or a telegram. do you remember, how did you bury grandma? what's wrong with you? like that? vaguely, you remember grandma, vaguely,

and me. and my late mother couldn't fall asleep all night, just like i couldn't fall asleep myself, for the first time in my life she hugged me like a mother, for the first and last time, like a mother i felt the warmth of her embrace.

a kind of purification for you when you were filming this movie, that you too were freed from some kind of feeling of guilt, i still have it, vitek, my dear, don't leave me alone, go away, go away, to whom am i telling you, go away, yes go away! go away, when grandma died, i

lived with my grandmother and uncle, and i felt like an extra, six grades, in the seventh grade i was expelled, at the beginning of the seventh grade i was expelled from school, i was hanging around, where, what, how to earn some money, but i ... at first i went to a construction school, graduated from it, what problems? i want to be a bricklayer, in my opinion, we have already staffed the bricklayers, marina, yes, give me the statements, yeah, please, concrete workers. a mechanic, a carpenter, a bricklayer,

well, why a bricklayer, because nothing else will come of me, i'm sure, i tried, if you hadn't become a director, you would have become a builder, but i was surprised by one phrase there, when he says: i dreamed of building my own cities, but i build typical multi-story buildings. my builder, yes, there is a share in this, and you, you have never been written off, written off and

more than once, it can't be, the first time my parents wrote off, you know this, the second time school, you also know this, then... then i lost count, but what about abroad, i built cherry trees in developing countries, so what 's wrong with that, i dreamed of my own city, warm, cozy, humane, and i spent my life to the location. the first time i saw a movie, when in a wooden house, we boys

settled on the floor, hung a white canvas, adults behind us on stools, on chairs, a train drove towards us, i jumped back shocked, like the lumieres, i don't tell anyone. that i will be a director, not even my wife, not my son, no one knew that i wanted to be a film director, although i studied directing, well...

which of these masters is closer to you in spirit tarkovsky andrei rublev, sacrifice offering solaris, i recommend watching, let's watch frames from the film, which is the first came out at our film studio with your participation, as director. have you ever seen this number? "no, the first time, how did you work, for example, in the film ivan with papanov, who had already played in all these cult films, they say

he had a difficult character, hey, fly-by-night!" save the stake mother of yours so, you see, hurray, everyone was against those on whom it depended, because he will build. to make fun of yes, but i felt that peasant strength in him, he endures, endures, endures, endures, but if they already bring the limit, then he can grab that cart and beat the gates of the former policeman, carry the refrigerator, and before that

he had a heart attack before filming, for some half a year, maybe he's getting tired. "well, live, you're all smart for ivanov, but wait, now the hostess will set the table, at the all-union festival in alma-ata, to anatoly dmitrievich popanov, the main prize for the best role, but he was grateful to you later for this work, of course, i

brought him this main prize suit from almaty."

they finish, no one promises them anything, he has to film his debut, and today the students after all, the soviet union was a system, yes, all the money with the wallet of arrival, ivan, arrival, you arrive at the studio, you are already carried in their arms, what do you want to film, vitaly andreevich, yes, you are our pride, or something, on the contrary, they blocked my way, and i was forced to go to odessa to film. they did not allow me to film at all, they did not allow me, yes, i did not join any opposition, yes, that's why they suppressed you, did not befriend. you are with those with whom you need to be, i can't live a day without work, i start to spin, and you have 11 years of downtime, i can still understand if you

taught at the academy, lived at your wife's expense, at your wife's expense, of course, but basically saved what you had, lived modestly, yes, with the beginning of perestroika, artists have more freedom, so you shoot your autobiographical... wonderful film, you receive an award for it again, you shoot a film under the blue sky, a tough drama, how was the film received, who saw it, the belarusian republican review competition in the officers' house, the film jury did not award, did not note, did not note, then i shoot already producing... the film bes po varfolomeev, suddenly a notice comes from moscow to your photo for the venice

festival. well, i went, turns around and applauds, i see fellini, federico fellini. the next one next to him is sitting, mastroianni to my right was sitting with me. with a carcesi, but the most important thing for me, of course , is that federico fellini came to us film and such disgusting quality, he sat to the end and applauded, and for me the highest award, the chairman of the state cinema sir yermash congratulates telegram after the venice festival, from the studio, from the union cinematographers not a word, when i arrived... in minsk, then again in this festival again they take for viewing for the competition, as in that

last year they did not mark, venice marked and now you invite again, i no longer have the joy of that, that vase, this vase, but the film is certainly tough, tough film, alberto crespi said, he says, i am the first, the most terrible death. it seemed to me that budrattis, who plays one of the main roles here, was voiced by smoktunovsky, maybe muktunovsky voiced, exactly, exactly, on kentiy mikhailovich

maktunovsky, and how did he agree, i offered him to play a role, he did not agree, he came and said, in vain i did not agree to act, but he voiced, a request, we must go to alexey to pass on. here is this, and why not ourselves, i can’t go there, but i can, that’s enough, i’ve been once, this will help him, this will calm him down, what do you mean, calm him down, kill him, or what, take it, under the blue sky there is a golden city, with transparent gates and a bright star, in that city there is a garden, all grass and

flowers, animals walk there, of unprecedented beauty, now anna yanovskaya is a famous director theater, cinema and... last year she came to us with her documentary and received the grand prix for the best documentary, and i saw you in the hall, yes, as she invited you specially, yes, well, how did you like her work, you liked it, good work, yes, i watched it on culture, then some other ntv channel, i was happy with my films. high quality, good quality, good quality, they showed it about a month ago, 2-3 months.

i think that the audience will go, you always have faith from the ship to the ball, show off, that would be the honor is offered, and as for me, it's high time to have a snack for the success of our hopeless enterprise, what is this work dear to you, it's about the theater, about the fates of actors, in this film you have again gathered the stars of the soviet screen, today many complain, directors, that producers are imposing.

victoria dmitrievna, you are exactly what we were missing here. i call, gurchenko. gurchenko agrees, we will film, she will be ready by the end of the shift, perhaps. a call from gurchenko reached the studio, vitaly andreevich, i can't, why? i'm flying to china. exactly 3-4 minutes later i find myself in the film studio, the actress asks me: so what, vitaly andreevich, is gurchenko coming today? i say: he won't, what should i do, how? i say, are we going to film? how? there are four actresses in one compartment, we need to film it so that there is an effect, that all four of them are present, communicating. he throws out

a line, emotional lines there to perceive, we will film, to himself, so i have everything already written down in the director's notes according to the views, but i mentally imagined it, i throw out a line, off we go, they filmed the whole film without gurchenko in a compartment, then gurchenko arrives from china, she films the entire film alone, without partners, without partners, we throw for a partner, yes, she won’t stumble under a notary, she won’t hit the sky with her finger, like an old circus horse, i know that usually directors are often with authors, because they rewrite the script for themselves, but nowhere in the credits are you, except for your

autobiographical... i’m reworking, you started out as a theater director, even in folk theaters, but still you staged and staged a lot, and i’m wondering when you had these long periods of downtime, you didn't want to go to the theater, try everything in the theater, well, i was invited twice, i staged plays, well, in general, in the theater of belarusian drama, my play ran for about 15 years, adele, let's

look at the next frame, let's remember another picture: at the first national festival of belarusian films, the prize was awarded to the script by yevgeny grigoriev for the film "birds without nests", which was filmed by director vitaly. since the release of the film, and this was in 1996, our viewers have not seen it anymore. it was possible to say goodbye to life already, that is, well, there was the order to wash off, i was registered as a nationalist, the nationalists shouted

shame in the writers' house, it turns out, one is not good, the other is not good, that is, they got into the millstones. so what after this picture, a simple 9 years, at the festival in brest they gave the main prize, yes, and the actress was also awarded for the best female role, yes, russia, this conglomerate of the golden horde and byzantium, in moscow , the jews rule everything, not minsk, but minsk, minsk, minsk.

my child, we are europe, we were always outposts of the deccan, barbarian asia, understand, the vremya kino program, on for, well, 30 years, probably, she covered all the premieres, all the film sets that were then at the belarus film studio, let's watch another story from our program vremya kino, about the filming of your film. around the world , television finances the lion's share of film production,

we have seen some progress, and although bt is short of film, there are plenty of unemployed screen artists, so they agree to less prestigious and less paid television cinema. an experienced director was invited to use the last film stock left over from time immemorial. the director of photography on the film is petr krivostanenko, production designer alexander katkov, in the leading role is the famous belarusian theater and film actor, alexander tkachonok. we say the art of living, well, to put it bluntly, this film is about, about art, to live the last days of your life, about art, about art, maybe to die, with dignity, this is most likely, in general, a psychological

drama, or rather it will be so, but without despondency, the question of... eternal, to be or not to be, that better, what is wiser, either to endure blows, stones, arrows of furious fate, or half an hour on the sea of ​​troubles, to defeat them with confrontations, how would you answer this question yourself, how to die with dignity, and i think about it every day now, what would you do if just like... the hero of your film learned about the death sentence, continued to live, did not change anything, well, and the fact that it is worthwhile to leave and not be a burden, i think about this every day, each director gravitates to his own

genre, what do you gravitate to more, to psychological drama, although you have filmed and comedies, you did a good job, worked hard, thank you, yes, at your age you need to be more careful, i would say, at ours. apollo, i'm dying, i can't, you have the right to love at any age, to be loved, not to look at anyone, not to look back, not to be considered there. what

about you, what will marya alekseevna say? exits 2:2, or break up, or kill, who, him, no, sasha, don't kiss, i wanted to do artificial respiration, but tell me, well, you personally were happy in your family life at home, here you are... leaving your family to study in the army for 3 years with

i was left with my son, i suffered so much, i was so worried in my absence, out of 52 years of life together, i was not in the family for 15 years, my son, my wife, these are the first after the lord god who helped me to carry out, to endure, to endure, i so miss the moral support of my wife ... and a feeling of remorse i repent every day, although my wife forgave me all my sins, but i cannot forgive you, i am sinful, sinful, sinful, i ask forgiveness in front of everyone, in front of whom i said something wrong, did something wrong, i am ashamed, i ask forgiveness, many documentarians me ...

and came to the urals filmed in novopolotsk, especially actively, well, did you film at the belvadio center? i am a follower, a consistent person, and i have despised traitors all my life, all my life, to be honest. i am not yet used to talking about my father in

the past tense, on business or visiting, you probably managed to film the younger eremenko, literally before his death, no one expected, of course, that he would leave so quickly after his father. but if you remember, then, of course, if it were not for my father, i probably would never have become an artist, my father in his time, more precisely in sixty-second year, starred in a film by a great director, teacher, teacher, i must say that gerasimov is very good.

directors hint to me that you were asked for money to be released from the cinema, i did not have such a thing, but a hint, there were hints. there were hints, but i did not go for it. let's look at another story from our program vremya kino, where i worked for many years, dedicated to your film, so you collected so much that oh-oh-oh, well done, you tried already tried, come on well done, who

allowed you to leave at the press conference, i you were not allowed, we quit, that's it, give a resignation of your own free will, in the nomination of feature film belarus.

i didn't believe it, but when they handed over the studio, well , now i believed that thank god, the film was noticed, it is still a drama, a drama, for everyone there is a breakdown in the process from the ideal to disappointment to hope, the ideal, well, i myself was such an idealist, a romantic, and then life twisted and turned, little did you look at these same things differently, you love your homeland deeper, you love even more, so even more you suffer, you worry even more, these guys got into such a situation, and it's still a drama, doctors, faster, doctors,

good work, it was very well received at all the festivals i was at. where it participated, what do you think is the success of this picture? i tried to tell the viewer through death: don't be so cruel, just kill a person just because he has his own opinion, and really, if you have your own opinion, maybe listen to this opinion, it will be to your advantage, to your plans, you you will be the best. because you got the idea, and it seems to me that these are people, the viewer feels it, therefore they perceive, during the festival on the main square of anapa every day absolutely free for all

comers, no less than a thousand people gather, they show. i know that your grandson, unable to bear your

creative suffering, decided to give you the opportunity to stage a play, bringing you together with the right people. yes, yes, yes, well, well, and what came out of this project? i watched five plays for the audience, on different stages, the hall was filled, the performance was accepted, and i said goodbye, thanked them, and what next now, i don’t know, what thoughts were you pursuing when you made such a decoration, and in general what is the performance about, at least in a few words, tell me, personally i took on and staged and thought shakespeare’s tragedy king lear, this is a deceived hope, the daughter, this lena, infinitely trusted her mother, especially her father, the doctor with... mother decided to, well, roughly speaking, castrate her, her father agreed to this and

deceived her, for her the tragedy is, as for king lear, the daughter, a deceived hope, she i hoped for a miracle, for a child, for a daughter, when she learned this truth, for her it was a tragedy, a deceived hope, tell me, if you were recruiting a directing course today, what would you warn the guys about first of all? well, i would tell them that life is very, very, very hard, very, very bitter, it requires sacrifice very, very much, it can be lack of money. it can be despair, it can be loneliness, it is possible to lose

hope, you graduated from a construction school in your time, you studied to be a bricklayer, but you built at least one house, at least for with your own hands, several houses, two workshops at a chemical plant and a concrete plant, never regretted that you did not go into the construction profession and would probably already be, i don’t know, there, well, not a foreman, probably some kind of boss of the largest construction trust, and you would earn good money and you would never have a downtime, did not regret, did not regret, despite everything that you endured in your life as a director, no, did not regret, today, considering... the fact that you are still old, considering the fact that filming any films are health, nerves, it's a huge

amount of work, if you were offered to shoot a feature film now, you would take it, if the material suited me, i would take it, but what about my heart, what about my health, and i shoot films every night, i shoot films in my sleep and i'm just as nervous as in reality. sometimes i scream from impotence when i suddenly come to the set to shoot, they don't have anything ready there, it's a director's horror, yes, yes, that's why i shoot in my sleep, i'm nervous, then during the day i don't worry about the fact that the years are passing, time is passing, my head is working, do you still see this material? you feel,

in my studio i have a yalf, in the yalf an object, a riddle for you, how would you comment on it? in the warehouse, that means, in the sixth grade we whiled away the evenings doing this or that. besides classes, and lyonka once offers me this triptych, take it, will you open it or not, here is the knife in this state, i press with great force, how is it, i won’t open it, bang, i opened it, and my finger flies along the knife, along the blade, my finger, all my life i have half a finger... a scar, here it is, a scar, yeah, here it is, blood, here is one

life lesson, there was another incident, only this time with with an axe, from the cold, from forty degrees below zero, they brought an axe with a white one for a frozen one, lick, lick, lick, i think there's a problem, came up, licked, my tongue stuck to the axe, they barely tore it off, i ran home, vitaly andreevich, we still have a lot of questions, but unfortunately, the time of the program is limited, so as always at the end we have a quick survey, a short question, a short answer, are you ready, well, please, your zodiac sign, virgo, your favorite dish, tvorok, your favorite drink, coffee, your favorite place in minsk,

tsinyanskoye reservoir. your hobby: walks, in any weather, all year round, your main flaw? i don't know, but i have many flaws, your main advantage, i don't know either, do you have a motto in life, what you have in mind, keep quiet, do it, then i declare that you do not forgive people, and now i forgive ? everyone, what do you think is the meaning of life? and i don't know, there seems to be continuation of the family, there are films, but i don't know, what is vitaly dudin's happiness? well, my happiness was the happiest birthday of my son, in creativity,

presence at my film... federico fillini and applause addressed to me turned, this is the highest award for me. thank you very much, thank you for your frankness, thank you for the footage that you gave us, and i want to wish you health, strength and maybe still some luck to make another film. according to the tradition of your program, i give you alexander davzhenko, thoughts at the map of the homeland. it seems to me very relevant, very modern, his film stories and his reflections are written, i read it 50 years ago, bought it, and reread it before your program, i give it to you because it is relevant in relation to the land, to the homeland, to poetry in life, thank you very much, thank you.

thank you, thank you for this rare book, this is a rare book, i know, thank you very much for giving it to us.

we follow the sports life of our country. swimmer igor bokiy opened the account of belarusian medals at the seventeenth summer paralympic games. we approached this world championship very well, considering that we have a young team, this year.

our level remains high, and if we continue to prepare, prepare young people technically, tactically, psychologically, then there will be no drawdown. all this in sports projects on the belarus 24 tv channel. they are dedicated to their work, ready to share knowledge. modern technologies are developing so quickly, today artificial intelligence rules the world, probably, in 50 years the museum will look a little different than today, no matter how modern the technical capabilities are, people come to the museum, after all , in order to touch a genuine historical, artistic literary artifact, our mission, i believe,

preservation of historical... in order to preserve this wealth, it must be protected from pests and diseases. for more than half a century, we have been guarding the protection of forests, our main concern is the health of the forest, the protection of its detachments and diseases. watch on the belarus-24 tv channel. getting to know belarusian enterprises and the outstanding results of their work. without compliance with the required characteristics. products will not come out if we do not apply modern knowledge, modern technologies, then we will have no future, and i assure you, we have a future, we make a very amazing and rare product, not only in

the country, but in principle in the region, because there are not many companies that make watches, directly do production, an approach to business that everyone needs to strive for, when we release something, it is a big burden. and we need to maintain the brand, so our mood is responsible and fighting, i can say with confidence that our team is a team, the overall result, our common cause depends on the contribution of each, and we try to bring it to each worker, that everyone is important and needed. watch the project quality mark on the belarus 24 tv channel

. the president with students of

engineering and technical universities. negotiations instead of deliveries, most germans want the ukrainian conflict to end.