on the seven winds, silence, vertical, these and many other films with her participation became soviet cinema classics. she plays as she lives, and lives playfully, a radiant smile is her calling card. you watch films and catch yourself thinking how alive she is, how real she is, what a beautiful woman she is, you understand that only someone who has experienced many

difficulties in life can smile so widely, today my guest is theater and film actress, people's artist of russia, larisa anatolyevna luzhina. larisa anatolyevna, you have given many years to cinema, theater, yes 60 years, you are working now, give a recipe for how to maintain creative form for many years, well... you maintain form only because you work, because if there was no work, you would lose form, because when you meet different people, especially when it is a filming period or when it is a festival period or when the theater, when you play on stage, you still communicate with people who charge you with their energy, so it gives you strength and the desire to live, because if it is worth staying at home for week, you fade and go out and just like a flower, and suddenly your head falls, in general they say that the walls help at home, but... it seems to me that the walls help when

you have something very big outside this house, important for you and for other people, of course, when you live in a family, let's say, then indeed, then you give a lot of attention to your family, but if i live, i have a son living, as if his own life already three children, he lives in another apartment, completely, i rarely communicate with him, i am such a sunday grandmother, festive grandma, as they say, they didn't grow up in my arms, she gave them her attention there from the cradle, probably, i would have a different attitude to these walls, you know, probably, i would rush home faster to see my grandchildren, my son, to communicate with them, and since i don't have this, in principle, i don't have husbands, now i don't have a husband, so i don't really strive for it, although i don't feel lonely, i can honestly say that from the fact that i communicate with people, which happens, that where among people all the time, you communicate all the time, i have to take pictures, talk and smile endlessly, and answer something and...

you know, somehow communicate with people, then i feel so comfortable at home, in this solitude of mine, i am comfortable, i am at ease , i am resting, you are not bored with yourself, i am not bored with myself, yes, larisa anatolyevna, in my youth they said that you could have become a good artist, no, no one told me this, firstly, in our family there were no such creative people, maybe there were, but since i am small left without a father, he was 30 years old, he had already died, yes of course. here is my grandmother, well, i was a blockade survivor, we survived the blockade in leningrad, how old were you, when well, i was 2 and up to 3 years old, so of course i still actually, what am i, i don’t remember my dad at all, yeah, you and my mom were left, my mom and i were alone, my little sister died, a foster sister, as they say, from my mother’s first husband, so she died of hunger, she was 6 years old, and at that time i was three, then my dad was 30 years old, my grandmother was killed there by a shrapnel, a bomb hit nearby the neighboring house, actually, my mother and i...

stayed and of course, somehow my mother was a simple worker, she worked at the red triangle in leningrad, it is now, now this plant no longer exists, so of course, she needed to work, to get me on my feet, but well, we had an uncle, my uncle lived in tallinn and he took us, he was a prosecutor, such an old bolshevik worked in tallinn, he was sent there in the forties to restore soviet power, as they say, to estonia, since he was an estonian, but he was also, he led the department of marxism.

you worked part-time as a model at the tallinn house on the sea, well, you understand, it all happened because i went to enroll, i actually had a very good drama club, first of all, we worked on the theater stage, since he was an actor of russian drama, yeah. loaded on tour, then they gave us children, so we had two performances, we played for schoolchildren right on the professional stage, so i always bragged that from our drama club, 10 people became professional artists and right away except for me, everyone else got in the first time, i didn't get in the first time, i failed the first bench press, i went to what did you feel, well, that was awful, it was of course, well, i felt bad, especially since i was the only one who failed, yes, i don't know, there was a very high competition, of course, my last name just suited me. not on the list, i left, well, back to tallinn, naturally, i thought that i wouldn't apply again, because i'm not a fighter, and i'm so stubborn that no, next year i'll go and apply again, i'll you'll fail again, in general i didn't even go to this famous factory, because i

went to work first at a pharmaceutical plant, worked for a month and a half piecework, very hard, very uninteresting to glue these pills there, then my mother went to work. magazines, newspapers that came, and one day well, it was great there, that you could read i read that a modeling house was opening in tallinn and they were recruiting models, well, i thought, i'll go try it, because that one failed, i thought, but suddenly i decided so, what do you think... that's what they used to call a tongue, it's also a meter from the ground, like a theater stage, i think, in principle, it's the same theater, also different toilets, you go out on stage, you are met with applause, you were different, i know that you were smiling at me, yes, that's true, because for some reason i

couldn't, even though we were taught to walk all the time, strictly like mannequins in ourselves, all in ourselves with such a detached face, i couldn't do it, my face stretched into a smile, and that's what they called me, smiling mannequins.

in one of the main roles there, but the negative role was a waitress in a restaurant, who has lovers there and lives at the expense of, so to speak, she herself does not want to, but works as a waitress, but is rich in any, this was already a role, suddenly a telegram comes and i am invited to a screen test, to musfil, they pay for the ticket, mosim pays for everything, puts me in the ukraine hotel, she is the one who now well... what am i doing there, are you on skis, i say, no, i can't ski, i can't swim either, i say, i fly, and i was engaged in gliding

sports, i was a dos instructor in gliding, i say, well, i fly, he says, well , we don’t need to fly, but swimming there , you need to pass all these standards like... there skiing, swimming, he says, well, okay, well, go ahead and read, i started reading something, if you remember, we had this, well, we had this hit called lily of the valley, lilies of the valley, lilies of the valley, svetlo maya, hello, yes, then for some reason it was treated very negatively, that it was a vulgar song, that it was philistinism and all that, gerasimov hated this song, lily of the valley is sold, and i had a poem, it was called lily of the valley they are selling, i say, here is a poem lily of the valley they are selling, what lily of the valley, those lily of the valley? i say, no, these are not those lilies of the valley, these are different, i read the poem, apparently not very successfully, i feel that somehow he likes it, well, i intuitively feel that he doesn’t like it, and i say, the last moment, i say, let me read a monologue from the unfaithful larisa dmitrievna, and just as the film was over, he says: well, read,

and i sat down on a chair, my legs wouldn’t hold me up, i sat down on a table next to the door, and i burst into tears of self-pity, i have tears streaming down my face, but i am reading a monologue, well, yes. how did belarusian yogurt win an oscar? turn on belarus 24 and you will find out. it is some kind of star among yogurts. why do dairy factories work non-stop? we work the way cows are milked. how homemade milk differs from store-bought. tasty, sweet, like milk. has belarusian done it? this

saturday we will hold a master class, we will show how it is done, who and how helps to make our lives better, what scientists are working on today, they are literally in our pockets with them we learn important things. news and become closer to each other, they are misleading, tear us away from reality and yet we are immersed in this web for hours every day. is it true that a person creates an alternative personality on social networks, and if so, how does it relate to the personality that actually exists? social networks are not a society, in fact, because there is a lot of false information, but for ... then no one is responsible for the lie, and this is very convenient, so a new way of introducing oneself to others has appeared

man, complex things in simple language, and also the most interesting facts: it was thanks to him that ancient people were able to survive in harsh conditions to continue their mouth, because he, in spite of everything, literally forced them to get up and go on. i am talking now about a chemical substance that our body produces. about dopamine, what is dopamine in general specifically in psychiatry? dopamine has a wide range of important functions, such as behavior control, cognition, movement control. watch the project: science nearby on our tv channel. then it was already on the seven winds, and then he took me to the course, i was already living there, that's all, and

then it was on the seven winds, because gerasim was filming people animals, a film series, there was a film, and he took almost everyone there , our entire course, our course was directing and acting, we had 15 actors, 15 directors, and he took everyone on the film there, who helped, there was a two-part film, somehow i didn't get into his clip for some reason. so he wanted to settle me, he needed me not to hang around, he had to be away for about 6 months, practically did not teach, they also went to the cubes to film, and he was the artistic director of the gorky studio named after gorky, in this in this art in this, well in this workshop, well in this, what is it called , the artistic director of the association, yes, in this association was just rostotsky stanislavich and he you he started filming, and he offered me, he says, well, you're at the screen test, he says, listen, and i have a girl.

how did you feel in the cans, when you went together with such an iron, iron hatred, when no one was allowed anywhere, we had nothing, we had nothing in the shops, everything was empty, you couldn't buy tights or pretty underwear, a woman couldn't, there was nothing in principle, we lived at all. in the morning we had tea there, which was called white rose, because it had already been brewed several times, several times the tea had already been

light, white roses, that's what they called it, well, how bad, well, we lived in general, you rarely get to nothing, suddenly i get on my first trip immediately po chic, of course, of course it blows your mind just blows from that magnificence, then what we see now on our screens in these shop windows, we have never seen anything like this and it was just a fairy tale. of course, a fairy tale, and of course, it was, it, it needs to be seen, and then it was also difficult, that we had certain conditions, we were put in a framework, that we were not allowed to go anywhere, not to talk to anyone, basically,

to go to hell, here this journalist comes to the banquets, who was pestering me all the time, here he is already around people, he invites me, and as if i say, no, i don’t i'll go, suddenly forcefully, come on, you should be able to do everything, you're my student, my pupil, you should be able to do everything, well, i once, so he pushed me out, as if i just went to dance, but i danced very modestly, but this journalist, he immediately brought

some latin american, who started doing such things in general - i didn't feel that there was any envy there, but i don't know, i myself have never been particularly envious of anyone, listen to you. all the roles, they somehow came to you themselves, they came themselves, well, you understand, well, they came, because well invited, i don't know, come, but i can't say that i have ah, how good, you think to say these roles, as a creative destiny, i'm not very happy with my creative destiny, yes there were good roles, but they were just good roles, and to turn around, there was some role for

which you had to fight, well no, well fight in the sense of how to fight for a role?

special, you understand, well yes, mountains, that's a crucian carp, we are all grateful that the film was in our destiny, we are actors, because i would never have ended up in kobordino-balkaria by my own free will, i would never have gone to chiget, or to vulei, or to elbrus, i would never have gone by my own free will, there was life, and that was all, this is what we, the actors, are also grateful for, that we saw this beauty that not everyone is given the opportunity to see, you see, to feel what mountaineering is, what kind of sport it is, which already... you see, we felt all this during the 5 months that we filmed the movie in kavardino-balkaria, here at delbrusiya. what

is it? catch on the harvest. and of course, thanks to songs, because volodya was banned then. he was not allowed to go out anywhere, not on stage anywhere, he could only gather with his friends there, sing in apartments somewhere, it's just a miracle that stanislav sergeyevich somehow managed stanislav sergeyevich was already familiar with him and was friends, there will be no vysotsky i will not shoot the film, and since the situation was already such that it was necessary to have a bad one, that okay, let vysotsky shoot, only so that there were no songs, they said, that's how it is, okay, agreed. stanislav left for the mountains for 5 months all five songs were written, the songs were first heard legally, and volodya became everything, all over the soviet union already known, his grievances, it seems. a person forgets time, and my sadness, like eternal snow

does not melt, does not melt, well, admit it, you were incredibly good, and in your circle at that time there were not only actors, there were also poets, and composers, and musicians, and of course you were shown signs of attention. i did not have four husbands, you understand, i would live with one, and since i even have one of minsk, yeah, vladimir gusakov, please, he is from minsk, and where was the film shot based on his script, well, i think that it was his mother who helped him write this script, i shot three films here on belorus film, what was my first film, it was after i think the seven winds, the man does not give up, then the second film uh. meeting at the end of winter, so i introduced him to vladimir gusakov, eighty something year, here is the film, well, here is a small episode was very funny, this is the hunt for the gouleiter, so i minsk

as if i know the belarus film studio itself well, tell me, the 60s, well, that's why i say, vlyubchivay, you say, that's why i was probably amorous, that's why i was ruining my life.

i've already forgotten what she called herself, well, somewhere nearby love passed by, but she didn't hook me, that is, such love as the classics describe there, on a ruptured aorta on madness on some kind of madness on some kind of pain, passion there i don't know, tears, on joys, happiness, i didn't have that, because if i had it now, i i would now remember each of them with some kind of aching feeling, i would have something there that would be hijacking me, i don’t have any hijacking at all, yeah, really only one of them.

i didn’t grow up in other people’s hands all the time, either with my mother, or with some other friend, he stayed, someone else, someone else, you understand, he was always somewhere here for 2.5 years in a boarding school, he taught me, lived with me, well, and studied, well, only on saturday, sunday he returned home, but still i didn’t give him enough love, as they say, the fact that many creative people really are underloved children, it's completely natural, we don't have a son about this, we we treat each other very well, probably love each other.

mystical and that means this is the very thing i think i was surprised why suddenly me, because the picture was already being filmed, they had already filmed half of the first episode, there was still no heroine, and he had already tried some actress from czechoslovakia and their german ones there, why didn't he like something, then i found out that achim febner himself, the director, told me that they were sitting at home with his wife in the evening, watching television, watched a film, they showed it on seven winds, and he said, i need this, that's it. good morning, my dear, fräulein eva, martin schlüter, i need this, good morning, my dear, i don't want to talk to anyone, i don't want to, i don't want to.

therefore, of course, the meaning of life, in life itself, this was the meaning of life for larisa anatolyevna mujina. globalists have set the task of dismantling the usual world order based on national states. and

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live news in the studio olga kalairova, hello and briefly about the main thing, while diplomats are talking, guns.