special events, live broadcasts from the scene, current interviews with famous belarusians, exciting trips around the country, feature films for all ages, in the countries: finland, sweden, norway, denmark. netherlands, germany, france, spain, portugal, cyprus, austria, switzerland, italy , greece, romania, serbia, croatia, poland, lithuania, latvia, estonia. set up a satellite dish express am8 satellite. the channel's signal is broadcast in open form and is available 24 hours a day every day.

what is the first thing that comes to mind when you hear about belarusian folk quality: slutsk belts? no, we are not in slutsk, and today we will not talk about them. we are in mostovsky district in the agro-town of gudeviche, where vera ignatyevna belokos has lived and revived the traditions of belarusian weaving for many years. the folk master of belarus has restored the ancient technology of double weaving, which was even included in the state list of historical and cultural values ​​of our country. let's touch this original craft together. with you alina nevoina and this is a fashion for culture. weaving has always been widespread among belarusians, and it appeared on the territory of our country in ancient times. archaeologists date weaving finds to the second half of the first millennium bc. in the 11th-13th centuries, the level of weaving in belarus was already quite. juice.

the oldest belarusian products were woven bedspreads, tablecloths, towels, shirts, and people themselves grew flax, kept sheep to get wool, everything was processed manually, using natural dyes. women usually did this. there was work for men too, they made machines, quality skills, how to fill a pattern, how many threads. were passed on exclusively from mothers to daughters, winding threads on bobbins, weaving and skeins, watching the balls during warping so that the shadows roll out. by the age of 14-15, young village women usually mastered the basic techniques of making fabrics. in general, the ability to weave was considered one of the virtues of a future bride, as evidenced by many wedding songs. and now in belarus there are those, who preserve. literature and ethnography.

it was created in 1968 by the teacher of belarusian language and literature oles nikolaevich belokoz, at the gudevich secondary school. initially, the museum was located in one room. gradually, its area began to increase. now the museum has four halls and more than 17 thousand exhibits of the main fund. the diversity of the exposition attracts visitors not only from different corners of belarus, but also from abroad. in addition, the museum enjoys authority among literary types, ethnographers, cultural scientists and other researchers. the theme of folk weaving occupies a separate place in the museum, where in the hall of practical weaving local

women on crosses revive this original craft. the gudevichy museum has collected a unique collection of old double carpets, among which the oldest dates back to 1898, a real rarity. double quality is a very complex type of folk art. the folk master of belarus vera ignativna belokos has over 15 double carpets. for her work in 2013 , she received the title of people's master, and in results of 2016 for personal contribution to the revival, preservation and development of double weaving technologies as an element. historical and cultural heritage, she was awarded the grodno regional executive committee prize named after dubko, for creative achievements in the field of culture and art. in 2016, vera ignatyevna was an active participant

in the regional festival of folk art, from great-grandfathers to weaving, the international arts festival slavic bazaar in vitebsk, is a laureate of the republican festival. the clothes are so sweet and gentle, cotton and masculine, all the ladies were engaged in weaving, because

on well, on the sheets there is vykarstoўvaўsya with basic linen, on the top adzenne... already they used linen for the first time, for the war, and then they wore suits for men and women, jackets they called them, we called them sachaks, jean, spadnitsa and sachak, this same cassum, such a tent, woven from linen, and later they began to be bought, the threads were called mountain, pa mountain this weaved the war... the placenka was called, i am the main weaver of the three nichalnitsy, but the simple ones there kuzhali, weaved the two nichalnitsy, i know what they farmed, yes, they farmed, they farbawled the farms, but i know what the oak the punishment was missed, and there was such a ragged

fabric, from the salyansky gaspadarka not skin could afford a certain sum, if you buy these farbs and hundreds of such things, everything went to... the gentry with their own hands were gone, they themselves weaved, linen, guessed and processed berries and wool and threads, and it was all hard work, and from time to time we listened to both the getaga and

the daughters. vera ignatina, you have stood for the production of padvoyny weaving, zakhavanne, all the stories about this affliction, why the menavita of padvoyny weaving. here our people didn’t deal with this kind of weaving since the war, and even more troubles appeared in... in 1932, our tsarka was woven all the way, i don’t know, i didn’t care about any news, menavita with paddouble weavings already our museums have come to an end, ales mikalayevich is rightful to the geturai dyvan, i have learned from the supreme court that the war was fought on exhibitions of the people's dasyagnennya. at maskve ў 1987, and as our museum has become dzyarzhaўnym,

the directors would be pelakos ales mikalaevich, he is engaged in these and collects the collected berries from the church, from the cathedral, from these fallen duvans, all of them, and all of them on this land that they were traveling yes, paradise peeps, like yanachy and paprasits, if he has learned. we weaved a lot on simple crosses... such flimsy fabrics, and then they began to weave, the workers of the dachshund museum wove, in just an hour, since i weaved them, then only the adzin was taken from them i wove it in two months, you know that there are two fabrics here, so, and for this it is necessary to supply the adrazu two basics, all about this, here we have red, red and black colors, meaning, work new, please brat two threads are red, two threads are black, and there’s no

way to tie them together? and i don’t mean, you are so small, like you are behind these crowns, like you worked on them, everything was right, you didn’t work through the process, there were some problems first, all the time kastsi, we were home, not crazy, as it seems, the mask was coming out, the dust came out and... my father gavar, why did you take this admonishment, there are 10 rubles on the tab, pay for buying

a cap and fixing your spoon, you would not be pleased that i went to the weaving museum, in your opinion, vera ignatina, why is it so important to capture all these traditions, my history, for this reason, this is all, to pass on the items, as it was in the past, to weave everything, in vain, plowing, and... for good reason here and weaving there and hand-made and abrus and hand-woven and everything else that was in the hat and in the hands of our daughters. svayo hand weaving retained its importance in belarus until the beginning of the 20th century, when machine factory production began to win, a variety of technical methods, abusive. selective, openwork, sorting weaving made it possible to create real

works of art that invariably very deeply reflected the worldview, philosophy and aesthetic views of belarusians. according to the patterns and ornaments of ancient towels and tablecloths, we have the opportunity to read the book of life of our ancestors, the pages of which are truly unique and priceless. today we opened another page from the book of life of our ancestors, got acquainted with the traditions of double weaving and touched the wealth of belarusian culture, while that very thread of traditions is alive, thanks to the masters who weave the canvas of history from it, belarusian folk art will live forever, let's create the canvas of belarusian history together follow fashion trends in the cultural life of our country, with you was alina nevoina remember, to be... it's fashionable, see you in a week, until new cultural meetings.

tv channel belarus 24 broadcasts for you around the clock, do not switch. viewers around the world have access to viewing the projects of our tv channel, so what is belarus? business and developing. namely, bright and

festival, generous, picturesque and monumental, sports. team, we tell you not only about significant events, we introduce you to active, energetic and inspiring people, to peck

it you need to see it with your own eyes. hello, dear viewers, on air tv channel. watch us every day, because we we make belarus closer. belarus charmed them at first sight. we were on tour in europe, and we passed minsk, then i was surprised that the city was absolutely clean, everything was in order. every day i... learn something new, something beautiful, something wonderful, and this simply enriches my life experience, and because it is a different country, belarusians are very open, very kind and very polite, and belarus for me is a wonderful country, i can

say, i feel very good here, see the project view of belarus on our tv channel. about five years ago, the word propaganda in our sphere for some reason was considered almost an insult, that is, if it is propaganda of a healthy lifestyle or propaganda of traditional values, it is supposedly good, but if it is propaganda from tv, then it is supposedly bad. i prefer to propagate the truth, so i will say it now, what is called objective journalism in its pure form does not exist and never has. yes, it never existed, the word regime, by the way, regardless of what kind of regime it is, authoritarian or dictatorial, is also a completely normal word, the president's honesty is difficult for those who in their minds in politics rely precisely on the western model, there it is customary to constantly leave something out of the audience if it seems unpleasant to the audience, and to tell people only pleasant things, because

the west does not see people in people, but the electorate, and it is needed to legitimize power for a new term. propaganda of common sense and truth, this is the kind of propaganda that people need first and foremost. author's project by igor turai propaganda. watch on the belarus tv channel 24.

you are watching the news in the studio elizaveta lakotka, hello and briefly. about the main events: when to expect the expansion of brics, what organizations belarus awaits on the eve of the presidential elections, a statement by the head of our mfa. the leader of the hezbollah group may be alive, the movement announces an official statement on his health.