maybe you could tell me where we're going and why? no, no, great, well i tried, what is this, what is this?

let's play some good music, everyone has arrived, and you're not going to get out? we need to follow him, see where he goes, so stop, you've got something mixed up, i'm not... personally taking you home, you shouldn't have put you in there at all, so get out or i'll call the police, the driver, so either you get out or i 'll call the police, i'll say that i caught a failing student, well i'm sick of all this, no, please, i need to know what to know, this is my dad, he said that he was going to work, apparently he has a good... "you don't know him, i have

the best dad, he buys balloons when i'm sad, well yeah, that's certainly an indicator, and where's your mom, let me take you to your mom, she's on a business trip in another city, it's bad, nobody needs me, so let's go home, hey, wait, where are you going?" "

honey, you have a screwdriver, honey, that's it, no need, i'll do it like this. you don't eat anything there without me, okay honey, you're alive there, when is your bus, you still want to get rid of me, and women, people say fickle, why the hell are you hanging around here, are we strangers, friend? people, ex-

wife, closest relative, seriously, the wallpaper in this apartment, yeah, you can tell right away, there's no man in the house, where did you get that from, you 've lived here for 3 years, you haven't lifted a finger, but it's fixable, can you do it more carefully? who's going to be the floor then? i'll do it perfectly, like everything i do, if you remember, i remember that you haven't screwed in a single screw in 3 years, i remember that, give it to me, no, what are you doing, it's a man's job, i i'll do it myself, i'll do it, i didn't drag this can here for you to smear everything here, i told you, so not a single screw. you're a real moron, fedya!

hello, the program "life shots" is on air, which means that today in our studio, as always, we have a very interesting and talented guest who is ready to share with us not only his rich life experience, the secrets

of professional skill, but also the personnel to which he has the most direct relation. he could become a builder, a theater director or a manager from culture, but from childhood... ear to the table, pressed to this scenario with force, somehow studios ignore you, probably, they were friends with the wrong people, yes, yes, they were friends with the wrong people, who is that person who

watches them and does not let them, lie, lie, began to understand, to feel the untruth, in films, in films, they sing some songs. the song itself is good, and neither here nor there, something is constantly laughing all the time, it's not funny, in general, there should be no laughter here, your curiosity about life, your sense of beauty, it is what distinguished you from - all the rest, probably teenagers, because this restlessness, curiosity, desire to look beyond the horizon, it is what drives a person in this life, i left the performances to valentin. in the urals in novopolotsk i was always staging performances, that is, you can say that you are an acting director, i mentally imagined this student or this student coming to the studio, what awaits them, if there is falsehood, i try

not to allow this, no swearing, no shouting, only subtext, text, nuances of half-tones. in no case gently, softly, not in in no case shouting, but softly, but harshly, but harshly, yes, we live on the same planet, everyone seems to believe in the love of god, love of humanity, to remove from the souls, from the hearts of these, hatred, cruelty, intolerance, vitaly dudin, was born on september 6, 1943. year in the village of ashuryata, perm region. in 1960 he graduated from the construction school, then the moscow state university of culture and arts, perm cultural and educational school and for 16 years worked as the head of drama circles, director and director in houses of culture. then there was study

at the belarusian state theatre and art institute, higher courses for scriptwriters and directors in moscow, in nikita mikhalkov's workshop. since 1979 as. hello, vitaly andreevich, i am very glad that you are a guest of our studio today, i hope that the footage that we have prepared today will be interesting not only to you, but also to our tv viewers, i have the first question, perhaps such an unexpected one for you, tell me, when was the last time you were in your homeland, i was in my homeland the last time when i was filming the movie farewell tour, in in 1992, at the funeral, saying goodbye to my mother. well , you understand that it was not by chance that i asked this question, because i watched your film,

a summons to court, i am very impressed by this picture , it is your autobiographical picture, and it seems to me that this is one of your best works, the most sincere, the most heartbreaking, and the most terrible thing for me was to decide to write and then make a film, that those who are alive, dear, close, they will see and how they will perceive, will endure, will not endure, will i offend, will i not offend, will i insult, will i not insult, in the end it worked out, thank god, mom, whom, by the way, i never called mom during my life, brother ivan, whom lesha boltakov played, watched this film while in ltp, and says, watched, blushed, lednil, no one knew that this film was about me, why did you send 50 rubles?

50 rubles is not money, you play benefactors for yourself, you see only the bad in every action of mine, well of course, when they can’t come to the funeral, they send 50 rubles or... a toy, do you remember how they buried grandma, why are you so vague, you remember grandma, vaguely. and me!

and my late mother couldn't fall asleep all night, just like i couldn't fall asleep myself, for the first time in my life she hugged me like a mother, the first and last time, like a mother, i felt the warmth of her embrace i'll come, go, i 'll come soon, go, i'll get an apartment and come,

take me with you leave me here, open the door, i'll go with you, mom, and i read somewhere that every director in each of his films frees himself from some kind of guilt complex, you can say that this was also a kind of purification of you, when you filmed this movie? that you also freed yourself from some feeling of guilt, i still have it, vitek, my dear, don't leave me alone, go away, go away, who am i telling you, go away, yes, go away, go away, when my grandmother died, i lived with my grandmother and uncle, and i felt like

an extra, six grades, in the seventh grade i was expelled at the beginning of the seventh grade, expelled from school, i hung around, where, what, how to earn some money, but first i went to a construction school, graduated from it. what problems? i want to be a bricklayer. in my opinion, we have already staffed the masons. marina, yes, give me the statements. yeah, please, a concrete worker, a mechanic, a carpenter, a mason,

well, why a mason, because nothing else will come of me, i'm sure, i tried. if you hadn't become a director, you would have become a builder, but i was surprised by one phrase there, when he says: i dreamed of building my own cities, and to build typical high-rise buildings, and i projected this onto you, this is your biography, in principle, i thought, you probably did it so cleverly that through your hero spoke about yourself, that you, probably, coming to the profession of a director, dreamed of some... amazing films, in the end you made films, well, what were given, what were the opportunities, and did not realize yourself fully in the profession of a director, and you shifted this to the hero of your builder, yes, there is a share in this, and you, you were never written off, you were written off and

more than once, it can't be. the first time your parents wrote you off, you know this, the second time school, you also know this, then, then i lost count, but what about abroad, cherry trees built, in developing countries, so what's wrong with that? i dreamed of my own city, warm, cozy, humane, and spent my life on tying other people's projects to the area, i saw a movie for the first time, when in a wooden house, we, boys, settled down on the floor,

hung a white canvas, an adult behind us, on stools, on chairs, a train drove towards us, i jumped back in shock, like the lumieres, i didn't tell anyone that i would be a director, not even my wife, not my son, no one knew that i wanted to be a film director, although i studied directing, well, amateur, there is a school cultural education. moscow university of arts, fee-paying in soviet times, the first, theater and art in minsk, everything is at the level of such, amateur performances, amateur performances, that's when i entered, here i announced, when i entered the higher directing, yes, you study in moscow with nikita mikhalkov, yes master course, yes,

torkovsky gives you lectures, which of these masters is closer to you in spirit? torkovsky, andrei rublev, the sacrifice solaris, i recommend watching. let's watch frames from the film, which was the first to come out, we have on film studios with your participation, as a director. have you ever seen this number? no, for the first time. how was it for you to work, for example, in the film ivan with papanov, who had already played in all these cult films, they say he had a difficult character, hey,

fly-by-night. stake, tasya stake, mother of yours, so, you see what it is today, hurray, everyone was against those on whom it depended, because he would be able to, build, make jokes, make jokes, yes, and i... in him i felt that peasant strength, he endures, endures, endures, endures, but if they bring the limit, then he maybe...

the main prize for the best role, but he was grateful to you later for this work, of course, i brought him this main

prize from alma-ata, a suit, kazakh, a diploma, the inscription was received here in minsk at the all-union review, the week of young filmmakers of the ussr, eighty-first year, and he received the main prize, a debut, an official debut through the state cinema, and he could not be filmed, they did not give him a full-length film, they did not let him near, mash, how can you not understand, there must be human pride, my god, he still talks about pride, i said i won't go, so i won't go, i've been a fool enough, i won't go to you, i won't go to you, i won't go to you, you impetuous devil, don't make me lose my patience. ugh, i've only lived as a human being for one day, well, look, after all, what a system was built, here i finished my course and

i definitely had to film it, my debut, and today the students are finishing, no one promises them anything, after all, the soviet union was a system, all the money with the wallet of arrival, ivan, arrival. come to the studio, they're already carrying you in their arms, what do you want to film, vitaly andreevich, you are our pride, aren't you? on the contrary, my road was blocked, and i was forced to leave for odessa to film, they didn't let me film in general, they didn't let me, yes, but i didn't join any opposition, yes, that's why they were squeezing you, you weren't friends with those you needed to be friends with, i can't live a day without work, i'm starting to get sick, and you have 11 years of downtime, i can still understand if you taught at the academy, lived at your wife's expense, at your wife's expense,

of course, but basically you saved what you had, lived modestly, yes, with the beginning of perestroika artists have more freedom, so you shoot your autobiographical wonderful film, you receive an award again for... it, you shoot a film under the blue sky, a tough drama, how was the film received, who saw it, did not notice, did not notice, then i shoot a producer's film demon according to varfolomeyev, suddenly a notice comes from moscow in your photo for the venice festival. well, i went to turn around to applaud, i see this feline, fedorica felini, the next one sitting next to him,

mastroian, to my right sat with me with corzesi, but the most important thing for me, of course , is that federico fellini came to us with a film and such disgusting quality, he sat to the end and applauded and for... i have the highest award, the chairman of the state cinematographer's office sent a telegram congratulating him after the venice festival, from the studio, from the union of cinematographers not a word, when i arrived in minsk, then again in this festival they take it again for viewing for the competition, as if they celebrate with a good vase. and i, in my simplicity, reproached everyone, i say that they did not celebrate that year,

venice noted and now... you invite again, i no longer have the joy of that, that vase, this vase, but the film is certainly tough, a tough film, alberta crespi said , he says, i see the first, the most terrible death in the history of cinema, this lena burns herself with boiling water, this is the main heroine, the main heroine, yes, this scene, it's horror, of course, when i watched this film, it seemed to me that budrattis, who plays one of the main roles here, was voiced by maktunovsky, maybe maktunovsky voiced, exactly, exactly on kentiy mikhailovich moktunovsky, how did he agree, i offered him to play the role, he did not

agree. he came and said, in vain i did not agree to act, but he voiced, a request, we must go to alexey, pass this on, and why not ourselves, i can’t go there, but i can, that’s enough, i’ve been there once, this will help him, this will calm him down, what do you mean, calm him down, will it kill him or what? take it under the blue sky there is a golden city with transparent gates and a bright star, in that city there is a garden, all grass and...

lights, animals walk there, of unprecedented beauty, now anna yanovskaya is a famous director of the cinema theater, last year she came to us with her documentary film and received the grand prix for the best documentary film, i saw you in the hall, as she invited you specially, well, how do you like her work, did you like it, good work? yes, their life in polesian villages and agro-towns, contrary to all stereotypes, is bright and rich. in childhood, when we ran along these trampled paths after the rain barefoot and drove the wheel in front of us, it was such happiness, the height of bliss. at the eighth

class i understood. "i will be a belarusian writer, i understood, you can write here too. hard work, resourcefulness, passion, the main quality of these people. well, in the swamps, of course, there was a lot of all kinds of vegetation, the poleshuks knew their land well, their lands, they used them well in their lives, and my favorite pastime was to take a holey cat, they would walk like this on the grass, small crucians would get there, they became famous."

put your heart into it and be very frank talk show, in which famous people answer questions programs, when i am invited, i need tricky questions from children, what do you expect from children in the studio? and i am afraid of them, tell me, please, did your classmates give you any offensive nicknames and what to do about it? here in the pesniars i got a nickname, i can even voice it snake, when people see on

tv. opera singers often do not change the channel, what is the reason for this, what do you think, do you do the same, watch the project, 100 questions to an adult on the belarus tv channel. i watched on culture, then some other ntv channel, i was pleased with my films, high-quality, good quality, good quality, they showed them about a month ago.

there was a meeting with a creative group, this director remembered ivan from anatolya's films. they buy them to the berlin film market, here the distributors bought them from the former ussr, so i think the audience will go, you always jump off the boat to the ball, be loud, so the honor would be offered, but for me it's high time to have

a bite to eat for the success of our hopeless enterprise, what is this work dear to you, it 's about the theater, about the fates of actors, in this in the film you have gathered again. stars of the soviet screen, today many complain, directors, that producers impose actors, that the director has no right to choose the actor, in your time, when you were filming, who dictated to you which actors to take, which not to take, only i decided myself, and the artistic councils, well, the artistic council did not approve, i insisted, and i brought you a traveling companion for the set, oh...

a call from gurchenko: vitaly andreevich, i can’t, why? i’m flying to china, exactly 3-4 minutes later i find myself in the filming pavilion, the actress asks me: “well, vitaly andreevich, is gurchenko coming today?" i say: he won't, what to do, how? i say, we'll film, how? there are four actresses in one compartment. we need to film it so that there is an effect, that all four of them are present, communicating, throwing glances, lines, emotional lines there, we'll film, to myself,

that means, i have everything already written down in the director's notes according to the looks, but i mentally imagined it, i throw out a line, it's off, we filmed without... the whole film in the compartment, then he comes to his place, that means i have everything already written down in the director's notes according to the looks, but i mentally imagined it i also imagined, i throw out a line, it went, they shot the whole film in a compartment without gurchenko, then gurchenko arrives from china, she films the whole film alone... without partners, without partners, i throw out lines for my partner, yes, he won't stumble under the notary, he won't hit the sky with his finger, in the credits, except for your autobiographical

film, i haven't seen you anywhere, is this your modesty, or is this your principled position that you don't interfere with the work of the screenwriter in a calm... i remade it for myself there with varfolomeyev with mereshka with well with everyone i well, i'm ashamed. my play ran for about 15 years, adele. let's

look at the following shots, let's remember another film. at the first national festival of belarusian films , the script by yevgeny grigoriev for the film birds without nests, directed by vitaly dudin, was awarded a prize. birds without nests is the first feature film about representatives of the belarusian migration, about those people and facts that have long been hushed up in our history. this acute social drama is based on fate. since the release of the film, which was in 1996, our viewers have not seen it again, it was possible to say goodbye to life already, that is, well there was an order to wash away, i was recorded as a nationalist. nationalists shouted

"shame" to the writer in the house, it turns out i am not good for those, not good for others, that is, they got into the millstones, yes, so what after this picture, simple 9 years, at the festival in brest they gave the main prize, yes, and the actress was also awarded for the best female.

she covered all the premieres, all the film sets that were then at the belarus film studio, let's watch another story from our program vremya kino, about filming your movie. all over the world the lion's share of film production.

the art of living, but if we say so roughly, this picture is about, about art, to live the last days of your life, about art, about the art of maybe dying, with dignity, this is most likely... such, in general,

a psychological drama, or rather it will be so, but without despondency, the eternal question, to be or not to be, what is better, what is wiser or to endure blows, stones, arrows of furious fate? or half an hour at sea of ​​troubles to defeat them with confrontation, as you yourself would answer to this question, how to die with dignity? i think about it every day, what would you do if, just like the hero of your film , he learned about the death sentence, continued to live, did not change anything, well, and the fact that it is worthy to leave and not be a burden, i think about this every day, each director gravitates to his own genre, what do you gravitate to more, to

psychological drama, although you also filmed comedies. "you did a good job, worked hard, thank you, i did not expect this, at your age you need to be more careful, i would say at ours, apallon, die!" wow, you have the right to love at any age, to be loved, not to look at anyone, not to look back, not to be considered there, what about you, what will marya alekseevna say

, there are two exits, two, which ones, either to break up, or to kill, who? my little belly, no push, sasha, don't kiss, yes, i wanted to do artificial respiration, but tell me, well, were you personally happy in your family life at home, were you understood, your successes were monitored, you were supported, or did you still exist autonomously, in no case, now the ninth year, as i left for another world my wife, elena pavlovna, i thank the lord every day for allowing me to get an education, a specialty, to make films, stage plays, write a script, plays. if it weren't for angelina pavlovna, i might not have gotten an education, a specialty. i had to leave, to leave my family to study in the army for 3 years with my son

, she suffered so much, she was so worried in my absence. out of 52 years of life together, i was absent from the family for 15 years, my son, my wife, this is the first thing after the lord god, who helped me to realize, to endure, to endure, so lacking moral support from my wife, and i feel remorse, every day, i repent, although my wife forgave me all my sins, but i cannot forgive you, sinful, sinful, sinful, i ask forgiveness before everyone, before whom, somewhere i said something wrong, did something wrong, i am ashamed, i ask forgiveness, amazing people of our country,

the purpose of this hall is to distract children from the street, attract them to boxing, so that they spend their free time and ... watch the belarusians project on our tv channel. many documentarians

dream. to make a feature film, but feature filmmakers rarely go into documentary filmmaking, did you have experience filming documentary films, you were there with a camera, you filmed nikita sergeyevich khrushchev in debrecen in hungary, leonid brezhnev in berlin, pyotr mironovich masherov in rossony in novopolotsk, as an amateur filmmaker, documentaries participated in festivals, that is, you have experience in documentary filmmaking... even before the higher directing courses, yes, i started filming in the army, i made films for 2 years in the army, and i came to the urals and filmed in novopolotsk. especially actively, well, on belvideocenter you filmed, i am a follower, a consistent person, and i

have despised traitors all my life, all my life, honestly, i am not yet used to talking about my father in the past tense, on business. or visiting? you probably managed to film the younger yeremenko, literally before his death, no one expected, of course, that he would leave so quickly after his father, but if you remember, then, of course, if it were not for my father, i probably would never have.

they demanded money for letting you out of the cinema, i did not have such a thing, but a hint, hints

there were, there were hints, but i didn't go for it, let's watch another story from our program vremya kino, where i worked for many years, dedicated to your film, so you collected so much, that it's great , well tried already, let's do it, great, that in the nomination of feature film belarus was represented this year by vitaly dudin's film cadet. this is a film about the first very difficult post-war years in the belarusian village. about the dramatic relations that developed between the official authorities and ordinary people. peasants, young people, many of whom fought for their homeland in partisan detachments, tasted.

so i didn't quite believe it, the studio also came officially, until no one congratulated me, i also didn't believe it, but when they handed over the studio, well, then i believed that thank god, the film was noticed, it's still a drama, a drama, for everyone there is a breakdown in the process from the ideal to disappointment to hope. ideal, well, i myself was such an idealist, a romantic, and then life twisted and turned, broke, that

you look at these same things differently, you love deeper homeland, you love it even more, you suffer even more, you worry even more, these guys got into such a situation, and it's still a drama, doctors? faster doctors, good work and it was very well received at all the festivals i was at where it participated, what do you think is the success of this picture? i tried to tell the viewer through death: don't be so cruel, just kill a person just because he has his own opinion, and really, if... you have your own opinion, maybe listen to this opinion, it will be to your advantage, on your plans, you will be the best, because you

got the idea, and i...

i know that your grandson, unable to bear your creative suffering, decided to give you the opportunity to stage a play, bringing you together with the right people, as i understand it, yes, yes, well, well, so what came of it?

roughly speaking, castrate, dad especially dad, the doctor and mom, decided to her, well, agreed and deceived her, for her it is a tragedy, like for king lear, the daughter, a deceived hope, she hoped for a miracle, for a child, for a daughter. when she learned the truth, for her it is a tragedy, a deceived hope. tell me, if you were recruiting a course for directors today, what would you warn the kids about first of all? well, i would tell them that life is very, very, very hard,

very, very bitter. it requires sacrifice very, very much, it can be without money, it can be despair, it can be loneliness, it can be losing hope, you graduated from a construction school in your time, you studied to be a bricklayer, yes, you built at least one house. at least for yourself, with your own hands, several houses, two workshops at a chemical plant and a concrete plant, well, you never did not regret that you did not go into the construction specialty and would probably have been, i don’t know there, well, not a foreman, probably some kind of head of the largest construction trust, and you would have earned good money and you would never have had a downtime, did not regret,

did not regret, despite everything that... considering that you are still old, considering that filming any movie is health, nerves, it is a lot of work, if you were offered to film a feature film now, would you take it on, if the material suited me, i would take it on, and what else? and what else health? and i shoot films every night, i shoot films in my dreams and i'm just as nervous as in reality, sometimes i scream from impotence when i suddenly come to the set to shoot, and nothing is ready there, this is the horror of a director, yes, yes, that's why i shoot in my dreams, i'm nervous, then

during the day i don't... worrying about the fact that the years are passing, time is passing, the head is working, and also, do you see this material, do you feel it? in my studio i have a yalf, in yalf there is an object, a riddle for you, how would you comment on it, in folding, it means, in the sixth grade we whiled away the evenings doing this or that, except classes, and lyonka is alone. offers me this triptych, take it, will you open it or not, here is the state of the knife, i

press with great force, how is it, i will not open it, bang, i opened it, and my finger flies along the knife, along the blade, my finger, i have had a scar on half my finger all my life, here is the scar, uh-huh, here it is, blood, here is one lesson in life, there was another case, only this time with an axe, from the cold, from forty-degree frost, they brought an axe with a white one for a frozen one, climb, climb, climb, i think, what's the problem, did it come up? i knew, i have the tongue stuck to the axe, they barely tore it off, i ran home. vitaly andreevich, we still have a lot of questions, but unfortunately, the time of the program

is limited, so as always at the end we have a quick survey, a short question, a short answer, are you ready, well, please, your zodiac sign, virgo, your favorite dish, cottage cheese, your favorite? drink coffee, your favorite place in minsk, snyanskaya reservoir, your hobby, walks, in any weather, all year round, your main disadvantage, i don't know, but i have many disadvantages, your main advantage, i don't know either, do you have a motto in life, what you have in mind, keep quiet. do it, then i declare that you do not forgive people, yes i forgive everyone now, what is the meaning of life in your opinion, and i don't

know, there seems to be a continuation of the family, there are films, but i don't know what vitaly dudin's happiness is. it was the happiest birthday of my son, in creativity, the presence of federico fillini at my film and applause addressed to me, turned around, this is the highest award for me. thank you very much, thank you for your frankness, thank you for the shots that you gave us, and i want to wish you health, strength, and maybe still some luck to take it off.

his thoughts, i read it 50 years ago, bought it, and reread it.