there was a time when it was not allowed to be loved the way mulyavin loved, that is, before that it was allowed to be loved on cymbals, on accordions, but he suddenly fell in love with it on guitars, and even at that time it was somehow scary to say drums, well, he convinced, won, showed that such music, too, maybe, can also be loved and not only in belarus, but throughout the soviet union, and even... i will say this, to love

belarus, our dear, to understand what belarus is, what it is, what it represents, just listen to the songs of singers, and everything will become clear. songs of the partisans.

many years ago, menavit vladimir mulyavin revealed to belarusians the richness of their native songs, which the singers recalled from everyday life and enthralled with them our entire land, all of us. these.

edge, my light trace, keeps the memory of the land, this was. it is those who follow us, streets, streets, call our names.

what is the first thing that comes to mind when you hear about the belarusian national quality: slutsk belts? no, we are not in slutsk, and today. we will not talk about them, we are in mostovsky district in the agro-town of gudevichy, where for many years has lived vera ignatyevna belokos is reviving the traditions of belarusian weaving. the national master of belarus has restored the ancient technology of double weaving, which was even included in

the state list of historical and cultural values ​​of our country. let's touch this original craft together. alina nevoina is with you and this is a fashion for culture. weaving has always been widespread among belarusians, and it appeared on the territory of our country in ancient times. archaeologists date weaving finds to the second half of the first millennium bc. in the 11th-13th centuries, the level of weaving in belarus was already quite high. the oldest belarusian products were woven bedspreads, tablecloths, towels, shirts, and. people grew flax themselves, kept sheep to get wool, everything was processed by hand using natural dyes, women usually did this, there was work for men too, they made machines, quality skills, how

to fill a pattern, how many threads were passed on exclusively from mothers to daughters, wind threads on bobbins, weave issemochki, watch the balls in... initially, the museum was located in one

room, gradually its area began to increase, now the museum has four halls and more than 17 exhibits of the main fund. the exposition attracts visitors not only from different parts of belarus, but also from abroad. in addition, the museum enjoys authority among literary types, ethnographers, cultural scientists and other researchers. the theme of folk weaving in the museum occupies a separate place, where in the hall of practical weaving local women on crosses revive this original craft. in the gudevichy museum has collected a unique collection of old doubles. 1898, a real rarity. double weaving is a very complex form of folk art. the folk master of belarus, vera ignativny belokos, has over 15 double carpets. for her

work in 2013, she received the title of people's master, and according to the results of 2016, for her personal contribution to the revival, preservation and... dubko committee. creative achievements in the grodno regional executive committee of culture and art. in 2016, vera ignatyevna was an active participant regional festival of folk art from great-grandfathers to weaving, international arts festival slavic bazaar in vitebsk, is a laureate of the republican festival of national cultures in grodno. and the museum staff also call vera ignatievna a walking encyclopedia.

where, on the contrary, all the whiteness, and the upper adhesions were woven with your own hands , on the whiteness, on the sheets, it was woven with plain linen; well, that's how men's clothes were worn and... they called night jackets, we called them sachak, zhanochy, spadnitsa and sachak, this would be

the same, such a ward, woven on linen, but then they began to buy, the threads were called goran, pa gorin we weaved war, and this was called the placenka, iago ў main weave ў three nіchalnitsy, and the simple ones there kuzhali, weaved ў two nіchalnitsy. i know that they farmed, yes, they farmed, they farmed farbs, and i also know that the oak carcass was spoiled, and such ordeal fabric was wasted, the salyan gaspadar could not afford a certain sum if you bought these farbs so many hundred of them, everything went to the gas park, from the gas park, it means that when the pot was grown for burning, then for this... there was a need to buy and equipment, since the farmer was already there, the plow, and the ram, it

was helpful, and fall, and in all respects this was a labor of love, and the slave tried to say the same in the family, so that the magchyma, the ladies with their own hands, died themselves, they themselves weaved, linen, guessed and appraised berries and valakna, yes... and this was all hard work, and at the same time they had to deal with their mothers and their daughters. vera ignatina, you are gone for the extraction of paddouble weaving, zhavannya, all the stories about this travesty, why do we use paddouble weaving? here we are, we are not engaged in paddouble weaving, we are paddwain. there were a lot of troubles, in 1932

our tsarka would have been woven by all the dyvants, i don’t know, i didn’t get any news, our museums have already begun to weave with paddouble weavings, ales mikalayevich is rightful to this heavenly land, i am supreme bachyla padvoyny divan. at the exhibition of the people's gaspadarki in maskva in 1987, and as our museum has become dzyarzhainy, holektaram pelakos ales mikalaevich, he stuck with these, and collects the collected berries from the church, from the cathedral, these fallen wars, all of them, and these on this stage, then they rode and the paradise peeper, like yana adchey and paprasil. once i got the hang of it, we weaved on simple sleeps in such flimsy fabrics, and then

they began to weave, the workers of the museum wove, in just an hour, since i wove them, then only the last thing was woven from them in two months, you know you know, there are two fabrics involved here, so, there, and for the getag treba snavat adrazu dzve asnovy, vos raskazhytse ab hetym zadrabyazni, uh-huh. here we have red, red and black colors, which means that in order to work out the basics, we need to take two threads of red, two threads of black, and lay down the hell just as quickly as we can tie them together. and i don’t mean, you are so small, like you are behind these crowns, like you worked on them, and everything was addressed to you, they worked for these crowns, and there were some battles, first of all, all the way and the criminals were home, not adrazu, as it seems, maskva was possible, exited and little bits and pieces, and not everything is smooth, but not quite

a little bit, that’s what happened to us, and how did the greedy people learn this getam? to our own self-righteousness, which goes on with you and says: “vera ignatina, teach us? the oldest dachshund, to me my father gavar, why did you take care of the getae addiction, there are 10 rubles on the tab, please buy a cap and save yours.” i wouldn’t be happy that i went to the weaving museum. in your opinion, vera ignataina, it is so important for you to acquire eight these traditions, their history, why do we pass it on to our children, as it was for women in the past, to weave, to sew, to make a family, and to weave there both

handlooms, and tassels, and davenports, and postils, everything, so that everything was in the house and ... the aesthetic views of belarusians on the patterns and ornaments of ancient towels and tablecloths, we have the opportunity to read the book of life of our ancestors, the pages of which are truly unique and priceless. today we have opened another page from the book of life of our ancestors,

got acquainted with the traditions of double weaving and touched the wealth of belarusian culture. as long as that very thread of tradition is alive, thanks to the masters who weave the canvas of history from it, belarusian folk art will live forever, let's create the canvas of belarusian history together follow fashion trends, the cultural life of our country, alina nevoina was with you remember, being cultured is fashionable, see you in a week, until new cultural meetings!

boris alexander mikhailov, participant of the great patriotic war, hero of the soviet union. in 1940 he was called up for service in workers' and peasants' red army since october 1940. finding itself surrounded, the battery repelled all german attacks, destroying five machine tools, two

assault guns, two armored vehicles, more than 100 enemy soldiers and officers. broke out of the encirclement at nightfall. by the decree of the presidium of the supreme soviet of the ussr, on conferring the title of hero of the soviet union, the general, officer, sergeant and private personnel of the red army, boris aleksandrovich mikhailov was awarded the high title of hero of the soviet union. everything you wanted for...