i understand that the victory that my team won in the heavy palatine barrage was given to the current government of belarus due to the crisis situation that has developed in our republic for the abyss bastards. we know how unbearable the life of the simpleton is to the people, how deeply our life's social injustice has affected us, how the paths to exit from this place have been laid out. this does not frighten me as an assabist, nor my young team, we are full of strength and ready to work without distraction, without giving up strength so that our people will have a lighter life, if our belarus has become increasingly fragile.

the palace of the rumyantsevs and paskevichs near gomel, the ancient crown, which once removed the grandiose mots of the impossible russian empire, the palace is tied to the son of the great dzyarzhavy conqueror, record output on... the most famous buildings and landscapes are added to the crown of the imperial architecture, the architecture of belarus. in 1775, godze katsyaryn ii made a ruskaga pachatku ў daluchana. with this,

the empress seized her dignitaries created in these monuments of palace-park ensembles from this development on the edge of imperial cultural traditions. the start-up capital for the future luxurious residence is 100 thousand rubles. the other one has palove. for hundreds of years , these pennies first exceeded the total sum of the gadavog perishnaga donation from the whole of the siberian province, and i, darechy, amassed a lot of millions of zhikharov. the palace was decorated with the highest imperial luxury. gomel regions, which are the clocks of rachy paspalitay in magiliouskiy farming, insanely owned by meat magnates. these were the ancestors of the so-called family. the water of the chartaryskih, yak, darechy, and

padzelau rachy paspalitay were added patrons and madmen, did not hesitate to jump into a new settlement, there was no torture for katsyaryna, and this was against the earlier gaspadars, this is where you will earn your skills, rich in your new favorites. veragodna, the layout of the palace plan has a direct connection with alexander’s smelter of the new laura, the taurychnaga palace and the kazan city.

not significant, large-scale, not great very pure, not abyssal and any folded forms, you can take a very simple form, know some elements and what are here on the facades are simple primordial elements and simple ones. pauvats, a simple adzin element, some kind of plaster, not such a folded plaster, the gomel palace is built in classical style, for that time there was a new architecture, based on the rules of absolute jumping, a kind of demonstration roman style, peramozhtsian style. and again, the gomel palace adzin with... from the presentation of

the classic palazian pabudovs, two-paved arches on the high tsokali budynak, the center of which is the belvidere, covered with baths, these styles are laid on... imitation of the architecture of the italian country houses, which were on the sight of antychnykh syadzibs. the external decor of the palace was carved in the style of early classicism. the galloping façade is made up of ports of the karynfsk order, four-column front doors and chassis-columned parkas. throughout the entire perimeter of the building there are two square square window openings, which give the palace a great monumentality. on on the high first cover , the ceremonial memorials were softened, on the other - yellow packs, and the foundations were dug out for gas supplies and softening the service. the chosen architecture of the tsokal building is of symbolic

significance. this is the so-called piyano-nobel, a visual understanding of the marriage, like the region and the rulers themselves over the land. akramya tago, palace may vyyazny. carriage ramp, which is very unusual for belarusian architecture and the right front door is turned off. the european union, it is itself exhausted, like nato, they should close, because there is no democracy, no help, there is, here you are not you dare not say anything at all about russia about belarus.

foreign cooperation, contacts between people, which from my point of view is a gross violation of all existing conventions within the osce, the council of europe, the european union, we nevertheless, on the contrary, show our openness, come, look, in latvia i saw a sign that says that you take a risk if you come to belarus, because you may not get out of there to return, yes, it is really possible, because you may like belarus so much that you will not want to leave here.

the floor-to-ceiling side of the façade and the exit. the corners are ragged, they are torn, and there are rays that protrude from the plane of the painting. this is an absolutely baroque architectural style, which allows the sun to shine on the façade throughout the day. the front part of the façade, which is turned upside down and stuck out in front, has the same shape as the columns, the scenes are decorated. chandeliers of the karynfsk order, large parts of the jumping windows, memory, placed in the summer season , the enfilade is created, this meaning, settled in such a way, with this reminder it was possible to move on to the present and beyond. my boss,

i think there was something here that was not there, not only in belarusian architecture, but also in russian architecture, we were then. and this palace, as it turns out, was a racial empire, and there was no such racial empire. there's a galley room at the syarezine, well... the suckers of the emperor at your face, there was a ball, there was a large flat of land, there, i think, it was more than 200 square meters, and it rose up and the very top of the walkway and the belvider, and i was bathing. open, and there was an akno, which gave light to the beast, the fact of that atrium, which is at once... we are at the city's little houses, when we rise to the top of the monastery, we go

to the top of all these roofs, on top of the balustrades, you can look at the beast yes, and from this balustrade we can papas and others well, here on the other side of the geta it was, and as the cover of this 200 km calanada, i gave the pastavits nezhe ў syeredzіne memory of two apores, and thous meters, which we think, how the per... yans are changing the geta flights, everything becomes significant. the architecture and external monuments gave it the status of a palace. the campasian centers became a high, covered bathhouse , square in the plan of the hall, which was framed by sheerages of kalons made of piece marmurs. architectural decoration includes molded cornices, fillets and entresol balustrades. perspectives that reveal enfilades

of ceremonial memorials, all this sacred space and prices, great adventurous spaces and urachies. gety menavita budynak velma nagadvae temple. kali jumps in the section, so, there is a respectful group, which is a great activity at the cathedral. navat the ramp itself, the chamustsi step. more, well, let’s put it this way, it would be great for the temple. from now on , we'll do a lot of remembrance, right? in may, it has a round shape and is arranged on the way out, as if it were at the altar of the right-hand temple. the calanada itself and, let’s say, the kanstruktsy velma guess what the beast of the roof, so, the very plan of this house, and the idea of ​​​​using and scanning the defect. this is a secular temple, like a memorial temple, a temple of peramose nad turkami, all

magchyma are like this in place of the class of architects here. there are three large entrances from the hall of the illustrious vestibule, on the tanks of some forests, which hang on the other tops and yellow packs. in either side of the hall there are perspectives of holy column galleries and the jannage order. unfortunately, due to the end of the budget, the blushing ones do not wipe out the gift of service and health. residents. the palace was returned to the dzarzhava, and in 1834 the palace resident paskevich bought it for 800 thousand rubles. in the past, the polish architect adam icko was reconstructed in a similar way. they also created a park for the city. the architect of the perabudov palace is from the wing.

the palace was laid out on the next page. well, for insignificant pennies of money, absolutely insignificant pennies of money go to the squandering treasury, the squandering treasures of the russian empire. dze yon and a packet of the 30s were bad, apparently, on the balance sheet, well, then adshukaўsya new gaspadar, caress the ablaskans. ulady, getim for centuries there will be a new military leader, we can here introduce some historical logic, that gomel is given to the peramazians, and if pyotr rumyantsa would be to the peramamogians of the asman empire, then here in the 19th century we can pray peўny paўtor. the carpus were surrounded by galleries, flanked by square pavilions. on the bottom wings there would be threads on top. the internal layout has been changed, and from the façade the portions and orders have been changed.

statues and iron balustrades appeared on the halls of the building and galleries. interiors of the night pavilion jumping polyasters, which lyapnina decorated in the form of masks and garlands. the day's wings would be dismantled. in the last month of іtskіўўўўўўўўўў ўtірохавярхувь i have a height of 30. i have chalked the gadget mechanism on the back cover, and also the veranda with balconies. getaya pabudova, who stood out from the agul architecture, was created as an asabishna...

we’ve forgotten a bit. the highest level of damage to the complex was the four-tiered vezha. yana and at the same time serve the organizing elements of the campasian park. yae façade. the polasters are opened, the tiers are formed with wide stripes cornice, high narrow windows grouped in groups and stained glass. on the fourth tier there are cast-iron balconies and finished to look like a jagged parapet. in the interior of the memory, the closed three-march ladders are turned on. from

day to day, the screened veranda is floating, the front of it is spread out... in 1919, the palace was built in the balshovskaya pasture, called the savetsk historicography.

childhood curiosity, sincere interest, did you play truant as a child? lessons or were you like a boy? did any of your fans fall in love or did they do any interesting or unusual actions. and did you dream of the world stage? absolute honesty and genuine emotions of the heroes. do not be afraid of growing up and old age. it depends on you what kind of old age we have, what kind of old age will be, this means that your whole life will be

harmonious both physically and professionally, here i am sitting bald, but it 's okay, i loved my first selflessly. i have a hard time watching television interviews and programs, when i am invited, you need to put your heart into it and be very frank talk show in which famous people answer tricky questions from children, what do you expect from children in the studio? i'm afraid of them, tell me please, did your classmates give you any offensive nicknames and what to do about it? did i find it in the songs?