on the seven winds, silence, vertical, these and many other films with her participation became soviet film classics, she plays as she lives, and lives, playfully, a radiant smile and her calling card, you watch films, you catch yourself thinking how alive she is, how real she is, what a beautiful woman she is, you understand that only someone who has experienced many difficulties in life can smile so widely, today my guest is a theater and film actress, people's artist of russia, larisa anatolyevna luzhina. larisa anatolyevna, you have given many years of a...

and cinema, theater, yes, 60 years, you are working now, give a recipe for how to maintain creative form for many years, well, you maintain form only because you work, because if there was no work, you would lose form, because when you meet different people, especially when it is a filming period or when it is a festival period or when it is theater, when you play on stage, you still communicate with people who charge you with their energy.

in your life there are already three children, he lives in a different apartment, completely, i am rarely with him i communicate, i am such a sunday grandmother, a festive grandmother, as they say, they did not grow up in my arms, if i had always given them my attention from the cradle, i would probably have a different attitude to these walls, you see, i would probably rush home faster to see my grandchildren, my son and communicate with them, and since i don’t have this, in principle i don’t have husbands, now i don’t have husbands, that’s why i’m with you.

there were no such creative people in our family, maybe there were, but since i was little and was left without a father, at 30 he already died, here is my grandmother, well i was a blockade survivor, we survived the blockade in leningrad, how old were you, when well i was 2 and a half there 3 years old, so of course i still actually, who i don’t remember anyone dad at all yeah, you and mom were left mom and i alone little sister died adopted sister, as they say. first mom’s husband, she died of hunger she was 6 years old, and at that time i was three, then dad left at 30, grandma was killed there by shrapnel a bomb hit the neighboring house, actually that’s it my mother and i were left alone, and of course my mother was simple, she worked at the red triangle in leningrad, it is now, now it no longer exists, this plant, so of course she had to work to get me back on my feet, but it was good that we had an uncle, my uncle lived in tallinn and he took us, he was a prosecutor.

a bolshevik and they sent him there in the forties tallinn in tallinn worked such an old man to restore soviet power, as they say in estonia, since he is estonian, but he also led the department of marxism-leninism in leningrad in tallinn art academy, they didn't have any actors there either, and i just by myself somehow at school there was a good drama club, i went to this drama club at the house of pioneers i went to the drama club by myself i just wanted to. apparently, i myself wanted to take part in this way, your debut in film, it was a very small role, a cabaret singer in the film uninvited guests, you then, well, i read that you worked part-time as a model at the tallinn house of mo everything happened that i went to enroll, i actually had a very good drama club, firstly we worked on theatrical stage, since he is an actor of russian drama, when the theater went on tour, they gave us children, so we had two performances, we played for the audience.

suddenly i decided that the podium, that 's how they used to call the language, it is still a meter from the ground, like the theater stage, i think, in principle, it is the same theater, also different toilets, you go out on stage, you are met with applause, you were different, i know that you were smiling at many. something i couldn't, although we were taught to walk all the time, strictly, like mannequins, in ourselves, in ourselves with such a detached face, i couldn't do it, my face stretched into a smile, and the smiling models called me that, well, by chance, here i am saying again, fate, of course, here it is fate, this is, because 3 years is still

for the same girl who is to be an actress, this is a big loss, this age limit existed, there was 17 years old, they took you to the acting department at 17, well, a director from leningrad came here, the film director herbert morisovich raport, who was such a famous director and he began to shoot a film, people don't know

sun in rain in sun started filming and he invited me right away to one of the main roles there, but the negative role was a waitress in a restaurant, who has lovers there and lives off of it. so to speak, she doesn't want to, well, she works as a waitress, but it was already a rich role, suddenly a telegram comes and i'm invited to a screen test for musfil they pay for the ticket he pays for it he puts me up in the ukraine hotel, it's the one that is now well-known to everyone, the ukraine hotel, and gerasimov lives in the same house, only on the other side from the embankment, he says, well then let him come to... home in the evening, i listen to her, he started asking me what i do there, are you skiing, i say, no, i can't ski, i can't swim either, i say, i fly, and i did gliding, so, i was a dos instructor in gliding, i say, well i fly, he says, well we don't need to fly, but to swim

there you need to pass all these standards, like skiing in swimming, he says, well okay, he says, well go ahead and read, i started reading something, if i remember if. remember we had a hit like this lily of the valley lily of the valley lily of the valley bright may hello yes then for some reason it was treated very negatively that it was a vulgar song, that it was vulgar dreaming there was all that gerasim hated this song lily of the valley they sell, and i had a poem called lily of the valley they sell, i say, here is a poem lily of the valley they sell, what lily of the valley those lily of the valley are the best, i say no, these are not those lilies of the valley, these are different, i read the poem, apparently not very successfully, i feel that somehow so well i feel intuitively that he doesn’t like it, and i say, the last moment, i say, let me read a monologue from the unfaithful larisa dmitrievna, the film had just finished, he says: well, read it, and i sat down on a chair, my legs couldn't hold me up, i sat down on a table next to the door, and burst into tears of pity for myself

, i had tears streaming down my face, but i read the monologue, with these tears, that's it, he listened, then says, okay, that's enough, i'll take it, he said about you, and he also took me on the course, that's after this monologue. the heroes of this program chose life outside the city, my personal life is that plants, i take care of them, they are fun, a lot has changed, i graduated from university, hurray, i have another park, i made such a reform in the old park, that is , before there were more annuals, now on the contrary, all perennials, to make it easier to take care of the bees, i also dreamed of having an apiary since i was little, i have my own, there they see more opportunities and use them to the maximum. natalie, in 2016,

you said goodbye to the city forever, you are restoring the apple orchard, yes, the orchard big, yes, 16 hectares, opens up in the sun, closes up in the shade, and what's that - a red stem, green, amazing, some kind of radish, what is it, visually looks like beetroot, but this is mongolia, i try to live such a life as... my name is dmitry uksusnikov, i was born in the city of kazan, i have been living in minsk for 2 years now

and am a leading soloist of the bolshoi theater belarus. syria is my homeland, i love it very much, but it so happened that i decided to go to belarus, get an education as a cameraman. and every found something for myself here. i think that the bolshoi theatre of belarus is the best place where i could be now at my age. i... am happy that i ended up in another country, each hero has his own unique story, his own view of belarus. i have been living in belarus for 19 years, i love belarus very much, and i am happy that i am here, and as for minsk, i really like that the streets are very wide, i like the pace of life in minsk, that people are calm, i constantly feel... at home, everything, this, this is my land, watch on the belarus 24 tv channel,

then it was already on the seven winds, yes, then he took me on the course, i was already healing there, and then it was on the seven winds, because... gerazim was filming people are animals, there was a film series and he took almost everyone there , our entire course, our course was directing and acting, we had 15 actors, 15 directors, and he took everyone there who helped, there was a two-part film, somehow i didn’t get into his circle, he wanted to get me a job, he needed me not to hang around, for about 6 months, he had to be away, i practically didn't teach, they also went to the cubes to film, and he was...

to film, but they still approved me, i was filming there, that's it, thanks to sergei polnarovich, shame on you, men, who were you afraid of, who, the prince has arrived, yeah, yeah, big deal, he's cross-eyed, cross-eyed, this prince, a fool, cross-eyed, fly away, do you hear, before they shoot you down, fly away, kurac, you won't get there anyway, it doesn't matter how

badly you feel in can, well, we lived, in general, the flight was enough, no, suddenly i get on my first trip, immediately into a chic steam, of course, of course, my head they demolish, they just demolish, from that magnificence, that now we are still.

banned, and here we have, we have what they banned, we have the music turned off, we have those same people pulled out, they turned off the lights, so that only the music would not play twist, in general rock and roll everything was banned, and this very thing, well, everything, and i was invited by such a journalist to a banquet, when after the screening of kulidzhanovsky's film, we had a banquet, our film was out of competition on seven winds, here banquets are suitable this is like a student, you

must be able to do everything, well, i once pushed me out as if i just went dancing. but i danced very modestly, but this journalist, he immediately brought some latin american, who started doing such things, at that time you were filmed, and this got, naturally, first, and i was immediately crossed out of all the trips, i said that it was my fault, then she said, okay, okay, let him go, i was included in the delegation to korolevvar, and so i went further along all the poessniki you offended, no?

to be honest, well for me it's all stanislav sergeevich govarukhin himself about this understood everything perfectly, therefore, if it were not for the songs of volodya vysotsky, the film would not be about, it would not have sounded at all, that is, it would have been forgotten in two weeks, that's all, well , you understand, you were there, vladimir semenovich vysotsky was there, stanislav sergeevich govarukhin was there, that is, we just got sotsky,

they even say the film would not have been a blur, if it were not for vysotsky, and you are our new doctor, right? scary, no, and how about you, larisa, very nice, and me too, it would have been a normal, ordinary film, there was nothing special there, you understand, well, yes, the mountains, that's it karasyata, we are all grateful that the film was in our destiny, we are actors, because of my own free will i would not have ended up in kabarzinobalgaria, i would never have gone to chiget, or to vulei, or to elbrus, i myself would not have gone of my own free will, there was life, and that was all, this is what we are all actors.

what is necessary ho, that okay, let vysotsky act, only so that there are no songs, they said, that's how it is, okay, stanislav agreed, we went to the mountains in 5 months ...

here in the belarusian film what are my first there was a film, it was after i think seven winds, a man does not give up, then the second film,

a meeting at the end of winter, so i introduced him to vladimir gusakov, eighty something year, here is the film, well here a small episode was very funny, it is the hunt for the gauleiter itself, so i know minsk well and the studio itself belarus film. tell me, here are the sixties, well yours, that's why i say, in love, you say, that's why i was probably in love, that's why i ruined my life, by the way, i ruined the life of my second husband, because that i already had a child, a son, when i left him, got married high, you, he was 10 years younger than me, of course i ruined this man's life, we broke up, when you moved from one marriage to another, it was hard for you to break up with your previous husband. it was hard, i don't know how hard, but it probably wasn't all that easy, because the third time, when vladimir gusakov left me, i left, and he left, he fell in love, well, i

was always on the road, and he sat at home, practically did nothing all the time, that's why of course he has a handsome guy, poor, and that's it, of course it hurt me, that here are four husbands, and now you are alone, you consider this a personal failure, or or it's like... there was no love, i did not have love, probably, as i played some kind of performance, it was called, love, i have already forgotten what it called itself, well somewhere nearby, love passed by, but it itself did not hook me, that is, such love as that which the classics describe, there on a ruptured aorta on madness on some kind of madness on some kind of pain, passion, there i don't know, tears, on on on joys, happiness, i didn't have that, because if i had it now, i... now i would remember each of them with some kind of aching feeling, something would be horrifying me there, i don't horrify anything at all, yeah, it's true that only gursakov is left, i've already buried the rest,

like, well, ex-husbands, that's it, but for me, so to speak, it means, love passed me by, that's all, that's why, probably, i kept looking for this love, but i didn't find it, how does it turn out, for the sake of creativity, did you have to do anything at all sacrifice in life, like that seriously, if we talk? "well, probably i didn't give him enough love for my son, that's what the sacrifice was, because i had to, he grew up in other people's hands all the time, sometimes with my mother, sometimes with some other friend, he stayed, someone else, you know, he was always somewhere in a boarding school for 2.5 years, he taught me, lived, well, studied, well, only came home on saturday, but still i didn't give him enough love, as they say, what many people have creatively." i love him very much, he is with me

too, but we didn't have heart-to-heart talks, we didn't get to that, that's what i missed at the time, you know, that's because of creativity, because of my work, not because of creativity, but because of work, you know, that i had to work, i had to act, because i had to refuse everything, since i refused. we got there on this one, i was surprised myself, i don't know how i got there, i seriously don't know, it was later when i was suddenly invited to gorkov studio and they said, larisa, here's the script with five of these

series. i tried some actress from czechoslovakia and my german ones there, why didn't he like something then i found out that achim fiebner, the director, told me that he was sitting at home with his wife in the evening, watching tv, watching the film "on the seven winds" they showed, he said, i need this one, i need a girl like this, like svetlana, like mine, he was looking for eva like this, yeah, that's why he offered me to star in this film.

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who of the children will not be a princess? you can sleep as much as you want, eat delicious food, go to meetings, and no one will say a word to you, how is it possible to have such an admovism, as it was revealed, so. there was our historical brother-in-law, who was pleased with the princess, but chose a different path. in 1104, the zhygars of the slavic city of polack magli observed the heavenly

sky. the sun melted in the stake, and the pasyradzine stake of the roofs, and the pasa kolam two suns paabapal, and the panad in the sun, the arc of the horns for the beginning. the executioners wondered what this muggle meant, there were different versions, the end of the world, the earth coward, the plague, the war, the correct order did not give anyone. it's been a long time since the end of the day, and the most venerable fever of them is over city ​​of all hours.