a successful happy future, where everyone's contribution to the common cause is significant, and life with others in unity and love, that's true happiness. it's always warm here from spiritual moments. and familiar views, together at the same table. belarus 24, what unites us.

hello everyone, are you ready to meet the guest of our program, but first, according to tradition, our questions, what do you expect from the children you'll meet now? i expect interesting questions.

refuse to answer the question, i hope you won't use it and be attentive to questions, at the end of the program you will have to choose the best one, well now you have one minute to briefly tell about yourself, time has passed, my homeland is nizhny novgorod, there i graduated from school with a silver medal, after school i entered the theater school in the acting department, studied there for a year then i went into the army, served in the army for 2 years, during my service i managed to write works for the preliminary creative competition of vavgik, this is the all-union state institute

of cinematography in the directing department, i i was lucky, i got in on the first try, finished my studies, and after that i was invited to the belarus film studio. to shoot my first film, it was the film "bolshaya lyubov cherednichenko np. i made this film, received the prize for best direction at the international festival of young cinema, alexander kolyagin received the prize for the best performance of his male role, i stayed to work at the belarus film studio, although i was invited to lenfilm, but all these years now..." i have been working at the film studio for 49 years, i have a sufficient number films, more than twenty, i work in the theater and also stage plays, i have a wonderful daughter, i have a very good wife,

a delightful granddaughter, if it were possible to bring her here, i would not ask about it, i would... watch, like, what questions would she ask me now, because she is a very inquisitive, inquisitive person, well, now i am staged two plays in the theater, i just finished, shot a film called waiting list, it is now on screens, and we are preparing a script for a new film, i will tell you honestly, i really like my job, that's it actually, briefly, something very briefly, and i'm quite old, everything fit in so quickly.

so to speak, for some time, until a very demanding medical commission approached, and it turned out that i had problems, with my eyesight and i would never become a pilot, i began to think about what to do next, what profession to make happy, well, there was everything, and

journalism, and the history department interested me, but somehow closer, the older i... became, the more actively i participated in some kind of theatrical activities and entered the first year of the acting department, and from there, when i realized, it became clear to me that there is a much more interesting profession for me personally, which is independent, extremely creative, the profession of directing, i began to think already then, from the age of 18 somewhere, i thought about what was necessary.

belyaev's science fiction about the ichthyander, but it made a phenomenal impression on me then, at my age of thirteen or fourteen, this... their theander, who swam under water, there were so many adventures, so much romance, that i i thought that if i could ever make something like this film about the amphibian man, and somehow this took shape for me as a desire, maybe unattainable, but so close, such, it’s probably, you just asked me this question, and i thought, probably this was something really important for me.

in this same area. times were hard then, it was the sixties, uh, fifties , uh, of the last century, they worked, and i dreamed, so it turned out that no i had no influence, it was a big surprise for them when i came back after the army, there was an invitation to take exams at vgik lying near my house, i went to apply and got in, and it was a surprise for them too, as it was for me. that i managed it the first time, hello, my name is

polina, my mother says that cinema used to be better, and what do you think? i agree with your mother, and why? and it was more humane, it was much closer to what is called the soul, to what is called a dream, to that. what is called sincerity, tenderness, kindness, now the time is much tougher, and cinema is becoming tougher, and much more technical than it was before, even in my, in my biography, the level of technical equipment of cinema, it has increased, as, however, in general , the level of our life, the technical level, but scientists are inquisitive people, they say, from the point of view of technogenic ... our life is becoming much more organized, and humanity for some reason is becoming stupid, and although they are trying

to convince us that we are not much like people on the other side, but we are the same, we have remained the same, and i hope that we will stay for quite a long time, preserving what we believe in and what we hope for. hello, what was the happiest moment of your childhood? i was a straight-a student. and we rehearsed the requiem of dmitry borisovich kobalevsky, a famous composer, and we

went to moscow, to the palace of congresses, this concert where we sang, i remember it, it seemed that i did something good, real, i remember it well, although there were many moments associated with my mother, with my brother, with my sister, well and...

reconciliation, but it lasted for quite a long time, and for me it was a serious test. at the beginning of the program. you were introduced as a director of theater and cinema, and wasn't it difficult for you to combine all this? no, it's not difficult, because in principle, i do the same thing, there was a period of time, the nineties, when there was a lull in cinema, there was no

opportunity to film what i wanted, because there were no funds for this, and the theater saved me then. i was invited to the theater, i began to work in the theater. in principle, this is the essence of the director's profession, to know what you you love what is dear to you, and one way or another in cinema, in the theater i do the same thing, i talk about what is very important to me, i do not do violence to myself when i return from cinema to the theater or leave the theater for cinema, no, it is not a problem at all, not a problem, what in your opinion should be the best qualities for...

the concept of mother, the concept of love, the concept of hatred, as our masters at vgik told us, directing cannot be taught, but this is not very true, not very accurate, professional qualities can be in the end teach, but it is difficult to teach this most important thing, a person learns this all his life, to understand it, to defend it, to talk about it.

in the 18th century in shlov there was a certain zorich, who organized a ballet, a theater in his place , i really wanted to make a film about this theater, but it is a very expensive film, because it is staged, historical, and the story on the screen, it always looks very advantageous, and

especially such a story, because for many, many years on... other ideas, i now have a topic, uh, that interests me, i just made a film about doctors, now i would like to shoot, why i especially willingly came to you, well, to look at you, because i really want to shoot a film about a school, about what is happening to you in this school now, at this

time, i think what could happen, that is, i want it to turn out very interesting, and we turn 180°. and the black sector in the question from there. hello, my name is alexander. teska. why do many directors yell on the set? well, it's inevitable. that is, i'm not trying not to yell. honestly, sasha. limit yourself in this. but sometimes there is just an emotional breakdown. when this is what i was talking about, when a lot of things don't work out. and when it seems that this is the only way to restore justice, to finally make people do something, then people start shouting. well, of course, this is, by and large , an outrage, i agree with you, when you said to yell, not to shout, i realized that you had obviously been on the set at some point. someone yelled at you, yes, it happened, i sympathize, and i apologize for the person who yelled at you, it was wrong, of course, you can't raise your voice at all, and are you a tyrant or

a democrat? well, it depends on what you put into this concept, a democrat, i'm not a tyrant, but i always try to achieve what i know for sure, that's exactly what i want, so some amount of arbitrariness exists on the set, but...

hello, i'm anya, how do you cast actors for your films, on what principle? well, in general, when i read works, i

understand who i need there, let's say i were making a film about how they arranged a program on television called 100 questions for an adult, that's it here i would have a main character who would sit, and then i would think how to make it all more poignant, so that he would feel uncomfortable, so that he... wouldn't lie, but would tell the truth, and i think, i need a girl who has blond hair, so that she would ask him a question so prickly-prickly, bam, and you would star in this movie, that is , i, when i know what i want from an actor, then i or i have already fantasized about the image of this girl, she has god knows what hanging on her chest, red hair, a ring... on her nose, she asks like this, tell me, uncle, but it 's not for nothing and so on, it's, it's all, it's, it's

not a matter of taste, it's either my understanding, as a director, of who i want to see on the screen, or a misunderstanding, then the picture will end, i think, my god, why did i invite him to film, he never coped with the role, i tried and tried, but nothing came of it, what a fool i am. what should an actress show to get into cinema, the ability to love, here's juliet, how old was she, you know, 14 or a deputy, yes,

that's right, 14 years old, how old are you, 16, my god, what age, well, and do you know how to love, yes, very well, oops, i love, i love life, nature, and no, i mean you have a boyfriend. well, yes, you like it, yes, of course, and what do you tell him, and the fact that i love him, that he is the whole world for me, he is like a cloud in which i can lie down, dive in and relax, all the problems will recede into the background, i approve you, thank you, applause, alexander vasilyevich, but if the film is still about our program, then for the role of host. you already have one candidate, yes, yes, yes, yes, yes.

only for our tv viewers, we choose the best routes. friends, it's hard to believe that we are now exactly where the city of minsk once began. where are we going? first , safety, one. where are you going, you're driving, next stop - asersov, let's go, bye, and we set off on a fascinating journey through our country, how this memorial complex was created, the boys of our school, the search engine, the local historian, the history and geography teacher brought a note from

the newspaper, which described the battle on the nameless height, and the settlements were indicated our area. alexander, i understand that your team selection as such does not exist, but if i wanted, you would take me, well, naturally, without problems. open belarus together with the belarus 24 tv channel

. protection of its pests and diseases, watch on the belarus-24 tv channel. hello, my name is kira, who in your

opinion is the most.

but there are still other peaks, i regret that you know little about cinema, we would now list them all for you, simply, well, for now we will limit ourselves to this, with whom in celebrity you personally acquainted, if from cinema, then there are a lot of these people, just a lot, because i say that a huge number of actors have acted with me, but i was acquainted, well with such a person, vladimir semenovich vysotsky, does that mean something to you, this name? vets, an artist,

i was acquainted with him, because he worked in a film by my master, there was such a film, the fourth, he acted in it, and i... was studying at that time in ovgihi, i was living there on the set at the time of its filming, i began to ask him to take me to taganka to the theater where he worked, and taganka was extremely popular then, and it was very difficult to get tickets there, and i came to the service entrance, near which there was a crowd, a crowd of people, and so - i stood, waited for the door to open, vysotsky would look out, everyone... so to each other, vysotsky, vysotsky, look, it's vysotsky, and he looked out, looked around the crowd and said, sasha, where are you, come here, everyone turned around, who is this sasha, and i walked slowly, solemnly,

everyone looked at i had such a friend, i knew bulat shalovich, akudzhava very well, is this a name for you something says, well done, songs, yes. connected not only with my work, not only with my work, but with some other spheres of activity. hello, my name is fyodor, is there a film about which

you can say, wow, why didn't i make this film, oh, fyodor, if you only knew how many such films there are, i really love what nikita mikhalkov did, the unfinished piece for a mechanical piano, what a... magnificent picture, slave of love is a delightful film, it's such a film, it's so close, it i understand, but there is the work of such titans as torkovsky, about which one can only say, as if bow down, because this is real, truly high, genuine art, and there are many such pictures, fyodor, what one wants to dream about. then the yellow sector to your left, please share, would you have any bloopers in your films? well, let's say i had a film about the war, and, that means, there was

a scene, in there in the dugout, my heroes were talking to each other, a man and a woman, when i shot it, i only saw it during editing. there came in this girl from the group, took off her coat, because it was hot, and the coat was fashionable, colorful, hung it up, 1943, hung this coat in the dugout, forgot to take it from there, and we calmly took off this coat, in 1943, this little coat hung like that, but for some reason i was the only one who noticed this coat, i was upset, and then it was in the movie.

what is needed for the frame, and there is a huge number of things, props, costumes, in this sense there were some bloopers, yes, indeed, the red sector is to your left, hello, my name is katya, here is my question: what is more important to you: to love or to be loved? there were times when it was more important for me to be loved. now, to be honest, absolutely honest, it is important for me to love, i have someone to love, it is not only connected, you smiled so much when you asked to love or to be, i understood who you are thinking about, you love, probably, and are loved, so i am happy. for you, and for me it is just everything, i love very much, i love my work, i love my wife, i love my daughter, i love my granddaughter, that's how it is beznoromatichnykh somersaults, when well everything

has passed somehow, and maybe everything is still ahead, who knows, it is also good to love, how did you meet your wife, she is an actress, so i met her, on the set, i was filming a movie called the guide, about a blind girl, a dog, she played the main role there, and work, so to speak, on... brought together and the second question, how does age affect love? well, i don't know, probably, probably some ardor disappears, i made a play about love relatively recently two elderly people, she is 63 and he is 65, and this performance has become incredibly, that is, not that... incredibly, it has become popular, people willingly go to it, because it

tells about how love at all, at all ages is so necessary for people, people want to be loved, people want these feelings to be deep, serious and genuine, so it is unlikely that age takes anything away from love, love itself goes somewhere, someone loses it, but the fact that a person wants to be loved and to love... i am always deeply convinced of this. the next question, we waiting in the yellow sector, you'll have to turn around. alexander vasilyevich, good evening, do you often tell your wife that she is the most beautiful and beloved of yours? well, this question is not difficult, it's simple. yes, i say it very often, because i know that women need it so much, so i say it often , sometimes by inertia, sometimes completely sincerely remembering that... "artists, they somehow understand when you're lying, but i

rarely lie, so, yes, i say it often, very often, hello, my name is arina, and my the question is: your wife acted in your films, is it hard to work with relatives? no, it's not hard, my daughter acted in films too, i got great pleasure from the fact that she is such a nurse, she played a nurse in several films, no, i don't at all..." it's hard to work with relatives, because we have an agreement, there are roles that i invite my wife to, and there are roles that are not for her, it happens that she is not busy in this film, so there are no problems, she treats this quite soberly and consciously, that's why there are no conflicts on this matter, and we are moving into the red sector, i'll have to turn around, when you became a father, did your worldview change, no, honestly... i'll tell you, i really wanted to have a girl, we are still with her, she

is already an adult, we are still very friendly, i regret that i don't have children yet, it just happened, i would like to have many of them, because this is not pranks, but this is really the meaning, this is the future, you are the future, dear ones, and you are reading yourselves a good father? no, not really, but my daughter thinks that i'm a good father.

hello, my name is alexandra, i wanted to ask you about...

feelings, but that we must understand the degree of responsibility of the time in which we live, we must understand what can happen to us, and behave accordingly, i mean... in relation to our homeland, in relation to those feelings that are called patriotism and so on and so forth, in general, that's why war films are timely now, that's why they, they they won't disappear, they won't stay, then this is our history, and the heroine of our country in the

previous war, she is so obvious, and they are trying, so to speak, to cover up this heroism , to take it away from us, and this should not be done, and we with...

tell me, do you like modern cinema? artyom, i'm trying to make films, here is my latest film, a list of expectations, i'm trying to make films about what is happening to us now, i 'm trying to make films about real problems, real problems in our society, in our relationships, in the events that are happening to us, and to me...

that's why i don't know how many people dream of getting an oscar, well probably a lot, but do you dream, no, i don't dream, i'm saying this completely sincerely, because firstly, i will never get it, so i shouldn't be disappointed, because we no longer have the opportunity to participate in these voskorod festivals, it's unlikely that

anyone from our circle will get it, then, well, for me now this is not the most important thing, and what's most important i told you, you took part in many... projects filming cinema, this is the project you can proudly say about, this is my best film, well, to be honest, i have several pictures, let's say, i really like what i did in the assassination attempt, there was an eight-part version, i really like what i managed to do in the sniper, i think, that is, i achieved something there, i achieved what i wanted, not to the same, not to the same degree, that in the superlative degree: ah, i outdid myself, no, this... hello, my name is vika, now more and more in different spheres of life artificial intelligence is used, and how do you see the use? of artificial intelligence in your field, you know, if it is possible, if there is a need for it, in the past, even in

the recent past there lived extremely interesting artts, and whom we will no longer see, someone did not have records left about someone, there were no fragments of films left about someone, and if, if already on this edge. technology, that it is possible to recreate this or that character for work in a new film, and i would really like to see this and i would like to somehow say so to feel that the possibilities of this kind of yellow sector, please, hello, my name is anya, i have a question for you: does the director focus on the target audience when he shoots a film? well, no, there are such directors who i him, i shoot this film for women after. ko5ti and this one no, well, such an audience really does exist, here is the abundance of melodramatic stories that

some of our channels show, where melodramas are shown, endless, this is exactly the same audience, to be honest, maybe this is wrong, but i am not very focused, i knew that this film, which i made a waiting list, would be watched by doctors, but i am very pleased that it is not only doctors who are watching it, professional or age? i have already lost many people whom i loved, who lived, and the greatest fear is losing those whom i am now, who, who are dear to me,

especially, whom i love, without whom life, of course, will be much drier, i do not want to lose these people, this, this is my fear, but i am not afraid of such a thing about myself, i am afraid for these people, black sector, please, to what time would you move if did a time machine exist? i would probably have visited the 15th century somewhere in italy, i would have met leonardo davinci, easily, in the 17th century, in the 17th, certainly in the 19th, at the beginning of the 20th century i would have been happy to visit with interest, in general history is incredibly interesting, so much happened there without us, we didn’t... participate in anything, we never lived there, and they did such things, it would have been interesting

to see this, to participate, i agree with you, was your path difficult, director? difficult path, yes, of course, it is always difficult, because the environment is such, in art, it is not only in the director's environment, it is quite difficult. you have to, so to speak, break through, not necessarily push with your elbows, but you constantly have to prove that you are not in this profession by chance, that you can do something, and there is more than enough mistrust in you in this sense, especially in the first years, it was not a walk, rather it was like climbing a very high, very high mountain, i am not talking about the fact that ... i achieved unimaginable heights, but simply what i achieved, it

was not a gift for me, this signal means that the time for questions to the hero is over, alexander vasilyevich, now you have to choose the best question of this program. i really liked polina's question, she talked about her mother, and it seemed to me that it was very nice, that they talk to her and talk about things. very serious and for me personally very important, i would call polina's question for me not just interesting, but very important. polina, according to the rules of our programs, the author of the best question gets a special gift from the guest, come out on the stage. it is unlikely that it will save you from life's troubles, everyone has them, but at least believe that. i sincerely hope that everything in your life will be fine. thank you very much. alexander

vasilyevich, now you have the opportunity to ask the children your question. very. well, even the music you listen to, many people simply insult you for this, in fact, some people close themselves off because of this, they have a lot of problems later this comes out very negatively. it seems to me

that an integral part of school life is first friends and first love. regarding the problems of schoolchildren that can be shown in a movie. most likely, this will seem like some kind of too common and devalued topic, but many people who enter, they have huge problems with motivation, they just don’t know what to do with it. most likely, many can somehow romanticize it, think, like, well, not feeling anything, it’s so great, no problems. this is absolutely not true, so if it appears in many films, many can see some common features in it themselves, and many can agree with it, i agree, thank you very much, alexander vasilyevich, it's time to say goodbye to our audience. people's artist of belarus, theater and film director, alexander vasilyevich efremov is a guest on the program 100

questions for an adult today. alexander vasilyevich, i'm waiting for you at the entrance to the site. alexander vasilyevich, i'll ask you to stay here. alexander vasilyevich, tell me, which of the questions asked today was for the most difficult for you? well , the question about fears was very difficult, the question about parents was very difficult, but they were just very emotionally daggering, let's say. was there a moment when you just wanted to run away from the studio? no, what surprised you about our audience today, they are inquisitive, they really want to know, it was important for me to answer some of their questions, maybe it was not exactly what they wanted to hear, but i was sincere, it seems to me that today you managed to answer 57 questions, will you come to us again, to beat my result,

invite me, i will definitely come, now i am addressing our audience, do you think that... the hero today was maximally open and honest, who thinks that yes, raise your hands, i think that the hero of our program was very honest with us, because sincerity was visible in his eyes, he thought about his answers for a long time , carefully chose his expressions, words, and at some points memories flooded him. what honest eyes cannot deceive, that's briefly, that's how it is, to me it seems he was very honest, and especially in the matter of his work with such, with such trepidation and warmth, to talk about the work of his life, i think it's very cool, and i would also like to find myself

and know what to do, so that... children, who of you thinks that our hero today was a little disingenuous, cunning and did not tell everything, raise your hand. there is no such person, you have absolutely won over the children, alexander vasilyevich. well, that's great, alexander vasilyevich, we have such a thing rule: the last word is always for the hero, sum up the conversation that took place. but i, i did not expect anything else. so i tried to be sincere, because i understand that these people can never lie about anything. theater and film director alexander vasilyevich efremov was a guest today on the program 100 questions to an adult. see you in a week.

the guys, whose erudition would be the envy of any adult, recall the school program together with the participant. broadcast, and it's cool that they decided to pump up their knowledge before a responsible stage in his life. is it true that the official language of new caledonia is english? history is not my favorite subject, so perhaps that is why new caledonia is an island state, if i am not mistaken, it is located in the ocean, whose wife was barbara radziwill? segismund ii had three wives.

garadok davidov, a look at the project of the search on the belarus 244 tv channel.