the condition of other calcifications. sketches of stage performances, decorations, models, installations, exhibitions of theatrical masters of the month of adzeyannaya arose in the art scene of the high month. there are stages of the stage development of such performances as juno and avos, the three sisters , pushkin's kaskies and many other productions, the exhibition has more than 70 works. in the theatre of today's tomorrow, scenography... is visual direction, in modern theatre there are no clear boundaries between scenography and direction, it is like the interweaving of longitudinal and transverse threads of fabrics artist should be not only, say, an artist and draw sketches, sketches, scenery, costumes, he should also be an engineer, build the engineering structure of the performance, he should probably be a playwright to some extent.

the family of two authors of the project, the winners of the prize, the winners of the competitions , can visit the exhibition until the 27th castor. that's all, more news on our website news.by. welcome to the day.

if you want to instill in your children a good taste in music, listen to belarusian? mussmedia loves creative experiments, you can't force someone else 's shirt on an artist that's not his style. we wear a crown in our hand, it's not the most important thing, to sing well, we really do have a singing nation. the main thing is to be an artist and never include a star, and have we managed to reverse the trend of not paying belarusian artists, when this is not charity, but just understand, i'm saying, i don't want to understand, the twentieth year has become such a trigger that well, maybe it's enough to sing this same song, when we didn't have any music at all until the twentieth year content, there was very little of it, but today each tv channel has its own project, you need to love your own first of all, this is ...

hello, the program say don't be silent is on air, in the studio tatyana shcherbina and svetlana smolonskaya, and today our guest is music producer, deputy director of the music media company tatyana kulakova.

members of our team have collaborated with various artists in one way or another to date, somewhere they consulted, somewhere they helped in organizing some presentations. it turned out that this was an interview, well, yes, plans were initially like that, but grew into something completely different, today we have a company that deals with the full cycle of such artist production, this is music distribution, and video sales, and video content, and

marketing research for the artist and his promotion in the internet sphere, well, that is , well, we have a video, we have a video, we can watch confirmation of your words. oh, you are my new hero, you will be here, i know, you have a usual plot, it prevents you from being with me, sit down, it is late, i dream of you,

people, just a replacement for the blue.

and that's basically what we do, because we hold a lot of different castings , very often we find arrangers and some musicians that we need, so we just organize a casting based on a video application, then we watch, listen to everyone, and i can say that, for example, here's

an arranger with whom we've been working very fruitfully for a long time, we found him exactly... and that's how we met them. tatyana, well, you probably thought then, when you were invited to an interview and wow, went for coffee, they said that there was some group of people who were separately engaged in the promotion of artists, their advancement, and this team decided to unite, well, such a provocative question, but it was not scary to enter the domestic market or enter this market, because you were not pioneers there, and production centers, production companies already existed and exist, you know, it was absolutely.

none of us is going to put any spokes in the wheels, and it seems to me that when you do one common thing, that's why i'm scared, and what your company has, well, so to speak, in slang , a little trick, you know what ours is, in any project the whole team participates, the whole team does its important piece of work, and it doesn't happen at the end that it was me who did this project, and no one else participated, that is, the whole company participates... in this project, each employee understands that for the final, so to speak, acceptance

by the viewer or rejection, we all participated, everyone is responsible for this, so each time we set the bar higher and higher for ourselves above, but this is also interesting, at the same time you understand that you always work in a team, you can’t let your colleague down, but sometimes it happens that in teamwork it just happens... no, we don’t find it like that, it’s just that each employee should have their own carrot and stick, yeah, you alternate or combine, and we alternate and combine in different ways, well, we’ve already talked a lot, you said, you used the word team, your team today is a team of professionals who are passionate about their work, and the team of a music media company this is a team that will make a decent, high-quality event in the shortest possible time. tatyana, how many of you are there, are there 10,

20, 50, well, we have about 15 people, and 15 people can make a project like, for example, a concert for the city day, yes, any task is within reach, absolutely, you understand, that is why i often say about the team that each of us is not afraid of any work, that is, yes, i am the deputy director, but i will never sit down and say, guys, well, i am the manager, and you... solve the issue, i will stand exactly the same way with everyone, do exactly the same work, and it does not cause any kind of rejection , that i should not do this, why should i do this, no, that is, each of us, if we need to sweep the site, then we go sweep the site, no, there is no such thing, well, it's true, i looked at your photos on social networks, and there are many photos of work moments, where tatyana, together with the team or with the artists, sits somewhere there on the steps on the platform.

well, just thanks to the departure of that eventuski, which until the twentieth year went on all the channels, to all the concerts, in the same suit with the same song, there was such a thing, i absolutely agree with you, at that time this was what caused the most, when all this was happening, and i looked, so to speak, and the internet space, this was what caused the most bewilderment, that is, how much... how ungrateful can people be, well yes, they were caressed and then they spit outright, that is,

it was such ingratitude , so much so in the bible there is not create for yourself idol, and here it was like i'm my own idol, that is, when well, it caused misunderstanding and such a disgusting, just some kind of such feeling, but you just understand, before those events, this is their... often says that it's good that the twentieth year happened, in principle, and indeed, it's good, because we

always talk about the fact that you need to love your own and you need to value your own, belarusians are creative and talented, and we can create and build, but for some reason we always live with an eye on someone, probably this twentieth year , yes, and we silently agreed with this, yes, well , there they go, sing, and the attitude towards the artists was, well, what is there?

there is someone to look at, there is someone to listen to, yes, so, you understand, it is a party, it, roughly speaking, it moved into the event sphere, which was, let's say, outside of television, outside there, it also did not let anyone in there, there is no danger that now from those who are now actively working, one day they will also become bronzed, so to speak, occupy the stage, it seems to me, that right now our honored ones are quite... not easy, because there are so many television projects, which each time some new name gives, here is factor and factor 60, it would seem, it would seem, yes, people are already retired and you constantly need to prove that you can, that you are still in the game, that look, here is grandpa as a factor, here he gives, and you can, and it seems to me that even for them

it is more difficult now, all the same, the youth, it is more like that, somewhere someone listens to advice, as it should be. and the concept was precisely youth performer, that is, the youth segment, up to 30 years old, well, we didn’t have a single, let ’s say, headliner, well, if seryoga as ours can be considered a headliner, that was seryoga, all our other young performers, the square of people were all dancing and

there was no such thing as who is this, and what is he singing, yeah, people come out, cool, what cool performers we have.

the most important thing is when you see how your artists who work for you are received, and well, probably when my artists perform, i am most happy for this, when i can see right away that the audience is not listening and you are worried at this moment behind the scenes yes yes or in the audience for example or behind the scenes or in the audience, but i am worried, it always makes me

anxious, but let's remember your colleague, the director of the first production company sergey minsky, who is engaged in the promotion of the finalists of the beltelecompany factorby project, when he was visiting us, he said that he admitted that because of his brainchild he sacrificed the money that he had saved for buying a home. that is, he invested in show business, but he said that now everything is fine with him, we we called each other before recording the program, that everything was fine, but you must admit, the risk was great, the risk is always great, yes, well, what are you ready to sacrifice for the sake of promoting young artists, or what sacrifices did you have to make, well , really, sacrifices, well, i can say that i am with my artists 24/7, so naturally my family is a little short of me. let's say so, and sacrifices, well, i can't say that these are sacrifices, these are just such sacrifices, when you love your work and

your business, you don't think that it is a sacrifice, you you just do it, you understand that you yourself get pleasure from it and you don’t need money or anything, you’re happy with this fatigue, well, and how does the family feel about it, after all, time is the most priceless resource, it passes and the family in 10 years can. say don’t be silent, subscribe, ask questions and offer us new interesting guests, we are in touch, don’t be silent on the air again.

because i, for example, prefer one music, i listen to it, and my son listens to something completely different, to whom i always say, god, what kind of nonsense are you playing, that is

here not always, well he is a teenager, it is something of a protest perhaps, yes, as a teenager, i as a mother of a teenager also understand perfectly, because my son is a teenager also listens to other music, tries to write something similar, not very, as i say , high-quality, but...

they somehow haven't boiled over yet, it's not as painful as with us, probably, that's why i would like to say that yes, we will grow up, but i think not soon, well we will try,

let's listen for now, it's spinning, i meet the pink evening, who cares, who cares what i have for breakfast ate, well, even in this short video we saw diverse artists, this is pop,

a group...

they fit into these images, and you understand, they don’t even need to be included, because both sing in a folk manner, they have absolutely folk vocals, different in sound, in fact, we never reflect, but if you look, when folk music sounds, even if somewhere in the city there is some kind of party, and it just sounds somewhere, i see in people, how people even standing in line they start to dance there somehow like that.

we have, and this, well, this is ours like dna, and we can’t get away from it, so everything is simple here, yes, it’s clear that of course, since, for example, there grandmothers sing there in polesie, of course, not everyone will listen to this, but when you pack it in a more modern package, here you go, a folk song sounds and the song of the year, and the longevity of the presence on the stage of the ensemble of the white television company byaseda proves this.

from the fact that we work with this director, we don’t work with this one, we work with this artist, we don’t work with this one, with this one we work as an arranger, no, never, we always proceed from the situation, from... a contract, be it an artist, be it a composer, and you can work, you work only with our company, with all the others you either have no right to work, or your fee, they should pay you higher than we pay, well, so that

others actually no longer have the opportunity to collaborate with this person, you don’t have that, no, absolutely, well, you know, after all, the united states is a huge country, and we are quite small, and as i say, you can’t be friends to do badly to a friend, yeah. there are cases when they left, they need a shake-up, like any creative person, because well, it happens that everything is taken away, but thank god, for now they listen, well, and they take away, well, that is, they put forward some conditions that are not impossible to fulfill, there is some kind of

special rider for them, or still the producer deals with some issues of fees and no, the producer deals with this, here it is still taken away, this is when such a bit of a star turns on and...

such a choice, then the degree of your involvement and awareness of what you i like the analysis above more than you are limited by something, yeah, well, it seems to me that you are popular everything, maybe because we really have everything of high quality, yes, and there are no failures, so to speak, yes, that somewhere in some of the genres there is a sag, therefore the performer.

the program say don't be silent is on the air again, today our guest is music producer, deputy director of the music media company tatyana kulakova. tatyana, well, you have said more than once that television in belarus plays an important role in promoting a artists. of course, we, as tv people , are very pleased to hear this. television does

the most important thing, especially in our small country. for example, i am not a fan of social networks, because you can simply turn them all off. which you organize, the first question is always asked, who will be your host? and they immediately say: we need a media person, yeah, not just this boy who we had there, who hosts something cool, we need a media person, that is, someone who is on tv, someone who is on tv, well, we even know that among

our colleagues who left their jobs in 2020 were exactly those people who were not even embarrassed to openly declare that... a producer, it is unlikely that you, as a child, spinning in front of the mirror at the age of 5, said: will i become a music producer? but no, i didn’t say, but you know, life is such an interesting thing, it brought me back, it just made a circle and returned me back to point a, let’s say so, because i graduated from the university of culture and

arts, just producing, it was one of the areas that i studied and this then... there was such a first course, i worked in the minsk concert hall, and we organized concerts of visiting artists, and our artists, and many of our artists, i still remember when they were not undeserved, nor holders of the order of francisco the fast-bound and they were just like beginning artists, and then somehow another sphere, i wanted to try myself in another sphere, but i have been such a student all my life, and i received... additional education, which is also very important for a producer, as it turned out, so the puzzle came together, i received both pr and communication, a second higher education, then i studied.

the opportunity to get the education there that i wanted at the very beginning, yes, the family there was poor, so i had to earn my bread early, so of course it was possible to probably become an artist to try to earn money there, but i was better at helping others than singing, in your case, well, in my case i sang, sang quite well, but since i say that i am also such and an internal samoyed. since i did not study professionally, i still understood that somewhere i do something not as

joseph says, yes, organizational skills are better than vocals, that is, somewhere in the archives we can find your recordings, yes, well, maybe yes, share, and i, probably, well, have something, last year, speaking about the already mentioned highest musical rise and new projects that are designed to help the young.

today, each tv channel has its own musical project, and this is good, well, this is an indicator that life is going on, everything is developing, each performer musical, especially in our country, can really take part in any project and be successful in it, the main thing is to work, tatyana, well, we talked about your wards, about your artists, and how many of them are there now, how many of them, let's say, were there at the beginning, maybe?

and retro women - it was our idea from beginning to end, and we took, we were not afraid of three such, so to speak, seasoned vocalists, who already had some kind of their own solo career, and of course it was difficult to unite them, because well, these are girls, so that well you managed to do it, they look harmonious, well , well, in the second part we talked a little about how you conduct, you said castings, but how...

when she was visiting us, she told us that you basically took her under your wing in moments of deep depression, which happened to them after the covid story, and how did it happen with the kuzanostra group, that is, we were familiar with them, when the star path project was created, we needed a vocal teacher for the team, and andrey guzel suggested other options, there didn't agree with the options that he suggested, i say, listen, i say, well, i say, i'm friends with such a group, i say, there's a soloist there, i say, let me just call her and ask, somehow i'm glad she said, yes, let's try, she says, well, i'm very afraid, then somehow, at some point in time, we started inviting the guys to events, i already understand that they call me about organizing concerts of the cosanostro, that is, people somehow, at some kind of

internal level, began to associate them already in any case with us. then we sat down with the guys, talked, because well, people are adults, so many years in the market, that well , let's help each other, yes, let's try together, but it turns out, well, in conclusion we have a traditional rubric, a surprise question, attention to the screen, let's this is very interesting, good afternoon, dear viewers, good afternoon dear hosts, good afternoon tanyusha, i would like to fantasize suggest.

they vote for russian and other artists, so i would like this fantasy to become a big reality, when people are happy they will come to the belorusy art group, to the aura group, to victoria oleshka, to irina darofeyeva, and they will stand in line and ask for another additional concert in this city and not just one, this is my big dream, and i...

thank you, love yours.