complexes in greenhouses, the feeding system works a little differently than in real field conditions, since there is no solid substrate, soil in which plants grow, mineral wool is used as a substrate, most often, so the nutrient solution is prepared in a completely different way, there are four containers where a liquid form of each type of fertilizer is made, nitrogen, phosphorus, potassium and ... the fourth container is where acid is used to balance the nutrient solution in acidity, later this the nutrient solution through the system of dropper tubes is given to each specific plant. yuri konstantinovich, thank you for such a detailed lecture. i believe that my first step into the science called agrochemistry was very successful. after a bad harvest

, you need to sow - said the roman philosopher sineka, although, given the fruits that scientists in agrochemistry have brought a bad harvest for our land, this is rather an exception to the rule, since in this matter science, and ours, belarusian too, is nearby.

i am an artist-decorator who sees beauty in the world around us, and i am an art coach who can reveal and see creative abilities in every person.

i have been drawing since childhood, that is, it is some kind of natural state for me, to draw all the time, i began to collaborate with various publishing houses as a designer, printed products, and worked like that for about 15 years, my books even took prizes in the belarusian book competition, i had to work, well, like with such very interesting, profound authors, and this is such an additional... stress, that is i kind of liked my job, i was good at everything, but it wasn't paid very well, at some point in my life , circumstances developed in such a way that i had to earn money myself, when the question arose that i needed to earn money myself, well, and i started to look for some options for myself, like in the mainstream of all the same fine art, yes, some fine art, to find some slightly more commercial, so to speak, outlet for myself. it

was at that moment that we had market, it was about 12 years ago, maybe 13, stained glass paints, stained glass materials, at that time practically no one was doing stained glass works like that, that is , batik was popular, there was decoupage, and there they worked with leather somehow, so no one was doing stained glass materials at that time, my illustrations, my own images that i drew on paper, came up with. i just started transferring them to glass, painting them with these stained glass paints and making something like souvenirs, and it started to turn out very impressive people. this

i really liked it, and this is really when it started to bring me income, when i do it, i get carried away, i am happy in it. 13 years ago i was actually the first one who actively. brought here stained glass paints from kiev, from moscow, because at that time there were not even any on the minsk market, that is, there was a very limited, so to speak, quantity, yes, and i was such an enthusiast of the development of stained glass painting, and why, because at one of the moscow exhibitions i met such an artist from kiev, vyacheslav rode, who had a whole school of stained glass painting in kiev, i went, that's just...

to understand that we can really sell all over the world.

100 brave guys gathered in our studio, each of them has a question for an adult. hello everyone, in exactly one minute a hero will come out to us who will answer everything. the feelings are wonderful, i am in the mood for a wonderful conversation, friends. at the beginning of the program, the host called you a silver soprano. can i find out what that means? it's nice, because silver, gold - these are precious, semi-precious metals, and if such a characteristic applies to the voice, it means that it is a beautiful, wonderful voice. the heroes of the program will have to open up to the audience. the main task is to honestly

answer all the original, and sometimes uncomfortable questions. if you put three of your favorite things, a time capsule and sent it all into the future. what three things would you put? probably something tasty to eat, black croak, i don’t know who likes what, watch the project 100 questions for an adult on on the belarus24 tv channel, about five years ago the word about... propaganda in our sphere for some reason was considered almost an insult, that is , if it is propaganda of a healthy lifestyle or propaganda of traditional values, it is supposedly good, and if it is propaganda from tv, then it is supposedly bad. i prefer to propagate the truth, so i will say it now, what is called objective journalism in its pure form does not

exist and never existed. and the word regime, by the way, regardless of what kind of regime it is, authoritarian or dictatorial, it is is also completely normal. the president's honesty is difficult for those who in their minds in politics rely precisely on the western model, there it is customary to constantly leave something out of the audience if it seems unpleasant to the audience, and to tell people only pleasant things, because the west does not see people in people, but the electorate, and it is needed to legitimize power for a new term. propaganda of common sense and truth, this is the kind of propaganda that people need first and foremost. igor turai's authorial project propaganda. watch on the tv channel belarus24,

since it is really hard to sit and draw in the studio all the time, i want to communicate with people, but with people. at home with my own hands, alexandra, my wonderful one, me in this, so i worked with a designer for a very long time, including with glass and somewhere, that is, our interests with lada in this intersected, but we met when i was mostly engaged in photography, yes, we had such a symbiosis, by the way, that is, i started making these pots, and alexandra, that's when we met, she did a photo shoot these pots, lada pulled me in, firstly, to create this course.

in the subconscious they keep that they will earn money from this further, well, or as

an additional income, so here is such a fine line, to someone i directly tell that well, it is not worth it, as they say, because you will simply spend a lot of money, so to speak , effort, yes, and the result will be, and to someone on the contrary, i say, yes, the very best things and so to speak, i take as how to say it, well, as partners. no, partners, well, alexandra of course also immediately became my partner, well the person is very, well, yes, by the way, about teaching, i haven't taught before, vada and i met a year ago, she matched me with teaching in a design studio, to be honest, i was very afraid, i thought, oh my god, what will i tell them all, but somehow it turned out that i have such a volume of information that is interesting and useful, that now... and i want

to say something else that i like, alexandra has an approach to teenagers, in fact, when i listened to how alexandra teaches two-point design, it was just fire, how does it work, they just follow her, by the way why, it's very cool, interesting, to communicate with young people, yes, their brains are arranged a little differently, and what about me, what about lada, what is our approach? well, without looking at this, yes, but to prepare as much as possible, to reach a certain professional level only then take on some serious task, and this very often lets us down, because it seems to us that we are not ready enough, we are not good enough, yes there is such a thing as self-criticism, it is internal, yes, and teenagers, they most often do not know anything, nothing, they take and do, and you know what, they often succeed, creative people are people without age, creative people.

in general, all this, that creativity is really a joy, there is no age.

every time i sit down to make a new collection, well, like a new collection should imply something original, something interesting, some new finds, some something, well, because in order to sell your works, so that they are in demand, the technique must be such that in general it should have been unclear how it was done, so in order to achieve this, you need to master or invent some kind of complex author's techniques, so that it was completely unclear what it is, how it is, that's why every time i sit down in front of, well, another mill, so i sit down in the fall,

there in october i sit down to make a new collection, there for a month or two i make a new collection. the technique is really complex, by the way, why is it not very popular, that's the question, why yes, because it is very labor-intensive, that is, it is such you need to have a certain type of character to sit and deeply immerse yourself in it and spend hours drawing, that is, yes, not everyone can handle it, not even that not everyone, that is, these are very specific features of my character that i can immerse myself in a topic so much that i can spend a whole month in the studio and sit for hours and make new and new works, these

are some of the tricks, and at the same time, how can i say it, these materials are quite... equipment, in order to come up with something new, you need something expensive, when you come up with a new one a lot, well, don't spare materials, don't spare, that is, pour varnish, pour paint there, mix it all, i really like it, that's why i don't spare money to buy these materials in order to freely, like , all this stuff, this chemistry, in my these... there is such a goal of anti-stress, that is, just to entertain a little, to distract from some everyday life, but often people come,

by the way, not professionals, but they paint so much, so...

that when you start thinking about how to save materials, it is always to the detriment of would work, and art therapists are more psychologists who professionally, well, it’s like a subdivision of psychology, that is, they study psychology and like a course in psychology or even psychotherapy, they study art therapy, i just use creativity to switch people from some of their negative fixations, so to speak, to such... joyful fussing with paints, that is, i just teach them to enjoy themselves and switch from some of their problems, through paints, so to speak, from my point of view it's even much more effective, because it's such a simple joyful action, a person simply gets pleasure and he switches from his problems, i

called my course, by the way, simply creativity in pleasure, that is, just get. learn to get pleasure from such a buzz, i have students who are more successful than me, there are some, uh, it touches me a little, in fact, i can't say that i, i, i can't say that i am indifferent to this, recently, by the way, my students, who have been with me for years five years ago we were studying, a mother and daughter, and recently they sent me some very artistic works, yes, and i looked at them and somehow... i was a little shocked, what the hell, i moved, yes, i would never have thought of such a thing, they even came up with such an interesting candlestick design, that is, my first thought was, well, yes, so i... i feel a competitor, yes, but then i pull myself together and say: "lada, you will do better."

belarusian cultural figures talk about how their lives developed, they lived modestly, and with the beginning of perestroika, artists more freedom appears, here you are making your wonderful autobiographical film, you receive an award for it again. you are making a film under the blue sky, a tough drama, how did they accept the film? the jury did not award the film, they did not

note it, they did not note it, they share the secrets and nuances of their professional activities, all your films are not just video pictures, they are films with a good script, with good text, dramaturgy, don't you think?

completely by chance, through broken watches, here i came across such an author's mosaic, what is called. that is, i either use some of my own broken products or make them myself, that is, i directly cut the glass into squares, i paint some of these myself in the colors that interest me, so i make such an original mosaic, by the way, i also use some old broken cups, and some ceramic products or broken ones, or i even specially bought myself these tongs. in order to make some kind of shape, so to speak, special tongs for mosaics, you see, but they can only bite ceramics, glass you can't bite with them, you can

bite ceramics with them, you can make some shape that i like, things like that, then i started to pick some more, for example, i buy tiles, small ones like that, these are mosaic tiles, discounted tiles, they are inexpensive, but for my, so to speak, they are also very good, for my purposes, that is, the entrance is, actually, everything that resembles a mosaic, or what i make by hand myself, i get this interesting effect, i first glue pieces onto a ceramic pot, i choose a color scheme, which one i like, well, here i like this mediterranean one, i glue it with glue, and then i coat it all on top. with gypsum plaster, the same can be done with fugue, well, in general, with some building materials that you have at hand, this is how you get such

an interesting effect, my customers, they like my work, precisely because it brings in, well, such a bright spot, something positive, so to speak, decor, precisely in the interior, i want to be recognizable all over the world and what... and it's high time for me to go to large formats, and i feel that i will feel even more free, cool, that is, i want to go into monumental art.

that's when you understand that you are creating something so original, something so unique and that finds a response, well, i'm still there from time to time, even if i 'm alone there, i'm always posting on instagram and i see people's reactions. this, this, when this exchange takes place, that you came up with something, and what is the effect cool, i show it, and you see that people immediately react, also like, wow, how cool, this is such an exchange of energy, which immediately , well, pushes you to come up with something else, in general for artists, to break out of the state that you need to listen to the customer's taste all the time - this is happiness, and now, when i do what i like, just for my

collection, and then just, well, as it were, show people what i did, buy or take my taste, look, this is such freedom - this is great happiness, thanks that i am a creative person, i don't get bored with life, that's probably the most important motive that runs through my life, i'm never bored. in general, we have quite original names in our family, mine, my sister, for example, is called marianna, yes, my mother is zoya, well, that is, my niece is varvara, well, that is, we have such, we love exotic names in the family, that's why my mother also, so to speak, was a little original, the fact is that at that time the song "grumritsya ne nego lad" was very fashionable, there was such a song, such and such a roll of some kind, well, in

general, such enough. earning a song, firstly, then, at first, my mother caught my ear with this song, and then she read, who is lada, what is it, it turned out that it is a pagan goddess of love, and in old slavic times the word lada was a household word, in the film sadko, there is such a phrase, there sadko addresses a girl, and says: "lada is mine", that is, it is like my beloved, that is, it happened like this thing. that i was born in the sixty-eighth year, in the seventieth year the car is a zhiguli, that is, 2 years before, if my parents hadn’t done it, of course, well, here i am in 1968, and the zhiguli car was renamed in 1970, my whole childhood was spent under the flag of the fact that the lada is a zhiguli, the same kindergarten, elementary school, in short,

not enough experience yet and so on, so i had some complexes, but here is such a dream - inside i lived about joining the union of designers, only when i left printing for my own author's works, for glass, for teaching, i decided, i asked what was needed for this, it turned out that for this it is desirable to have an art education to make a good

portfolio, that... original works from glass and plus teaching activity, it is also , that is, printing, the baggage of printing, then it is considered as a design activity, then i made a very cool portfolio, i had a video presentation of my three types of activity, now i was accepted into the union of designers, what am i happy about? the fact that with age, by the way, i became much more free, internally, more open to the world than i was 10 or 15 years ago, that's really cool, because when we have an open mind, what's called an open consciousness and such a more open view of this gives the opportunity, well, like, to constantly improve, to meet today, to constantly meet some interesting people, to constantly learn some new tricks for

myself, well, that is... that's what i really like about myself now, that is, that i have become, well, much more open - and i understood that i need to study and discover for yourself new? more comfortable, happier, internally freer and so on.

lena mikhailovna, do you have paroxysmal ventricular tachycardia against the background of myocardial ischemia?

hemodynamics in itself, but also really threatens the transition to flutter, ventricular fibrillation, in which coordinated. ventricular contraction with stops, this means cessation of blood circulation, and in the absence of resuscitation measures, a sudden transition to osistol, osistali. rhythmic death, sasha, you always, you

always were a very polite boy very - delicate. now i ask you to simply tell me when this can happen at any moment elena mikhailovna.