city, thisewarlie rose.ork in nw we play our style of ball, we

did not make up any new s, pressure or anyth e put ourguys to play in situations they were comfortable hey were learnw y wereaying. >> the seattle seahawksea delivered arushing victory ctorover the broncos and super l xlviii last night.vi was 43-8.score stmanning to cmit untimely peytn errors. now come smith was named the game's m.v.p.. in -- 69 yard teterception. sports illustratedelr king ofpei nichols is host os cnn, and jim gray posted last night for glae shows. i am pleased to have you here. my question, i do not know the answer, what happened to peyton

manning and the denver offense? other than the blanket the statement, it was the seattle dense. happenede, two things two t in this game, the seattle , they saw inof advance, number one, they knew when peyton manning came to the line in certain formations, that they had read him and they had done so muchomewor so him, they understood thereer was a vy limited ount of stuff they could do. it was all intermediate stuff. way,did not fear, in any the deep ball of the denver broncos. in my opinion, on a weather-free day, peyton manningning, one ofs st mistakes was not to ngee deep. he only did it one time the game, not to challenge the

. the second thing, they just knew that only had been as physical with their receivers all season as they were going to be with ceivers. kam chancellor, the hardest t hitting safety in tting ll now has taken over that mantle from troy polamalu, and sherman and maxwell both good cover guys but also extremelyalsical.si denver wasn't ready ton'et beat up as much as they got beat up. >> but this is the super bowl. >> yes. >> i mean you are supposed to -- >> but you know them, but when kam chancel when he gets a running start on you and levels you, you can't practice that. that happens and you say, oh, my god, mean, the cobwebs are in

there. so my whole feeling is, richard sherman told me this last week. he goes, i said, well, you know, peyton has got a lot of weapons, you know i look for one of these maybe these gumaybthe bee guto be a big factor in this game and he just laughed and said, we don't care. they thought were really we going we m up. >> they were reading his signals at the lin hey were stealingwe peyton's signytonthe guys said after the game last night theyt was doing on the audibles, and calling it out to each other and midway through the first houghgh they were right most of the time that bravado if you think you y can read the great peyton manning for a book you have tom confidence and you are prepared. >> jim, whatappeneim were out physical, ink them, thy main thing is and peter has alded to it they got peytonthey off his spot. he was sacked times the entiress

hurried him and knocked him down a couple of times early. but they herded him and disrupted him unlike new engm un and these other teams that went in, they didn't get anywhere near peyton manning he was up there against san diego and open season, these receivers were jostled off the line and couldn't get to where they needed to be, it disrupted the timing. >>nd it was peyton's manning in this super bowl what part is the x's and o'e x's and what pap because i don't have to consider the fact that as he has gotten older and things are more t, it is not just more difficult to get it done at 37 years old, physically it is difficult at that age. we see it with brett favre and other people in boards, you tighten up and it means more,t you are smarter and have been through it all. you are aware this is your last chance, maybe, you have to grab it and you have to make in woreo you mess-up and weu aw that with peyton manning. >> that' s why i always think peyton manningpeyton mtter with two weeks to prepare. >> no. >> because i think it is two tmore weeks to obsess. >> to obsess over it. >> is that right? he obsesses and is too anal already. shou nly have a week to prepare because after that, you

know, charlie it becomes spy , versus spy well here is whatlh he is thinking is so this is what i am going to think so this is what he is thinking.ng. just go out and play the game. >> should we think less of his career becau of this? >> this is a gigantic moment because yton manning may not get to another super bowl, so, you know, it is going to affecto legacy, there is no question about it. aall of fame voter thof famad guys have to be retireave r five years before we consider their case. >> because you a>> thinking about it. rk warnererhen went to the super bowl, everybody wants to do the coronation. why? let's everybody calm down. >> i was going to say, he is a great quarterback, i meanbaanba perhaps the best ever, look at l of these regular seasonar records he is set, but if you look back in this thi posit

the same guys who broke the , record before, tom brady with the touchdown record, dan marry with the touchdown record in yards. they did no thee super bowl, they had great seasons and he came in there and they lost so when you are talking about his legacy he is one game under inin the playoffs and in the super bowl i remember the fran dark on . they pay t guys on defense as well. ell.ut are we talking about the art of playing quarterback ong q talking about how much numbers you have racked up and once we get into is it about num is and regular season numbers or winning super bowls?pe >> how should we talk about it? >> well, nobody has done more in this era for the art of playing quarterback than peyton manning, he changed the positiongedd what you do when you come to the line liof scrimmage, he changed the stan, and that is as ant to the discussion as anything else. >> the game has changed. i mean peter can speak to that.e now and the ssnog game, it is

different. mean, it uto be, you know, ing game but now --ut now >> that is more argument thaore s not being the most rtant thing,ht? i understand, tit is right. brees, you look at the nuer with a lot of guys and it a whole lot different than itie was years ago.ago. >> i would make one point about the stuffall the manning legacy, over the weekend i looked up some of the great quarterbacks of all-time and look what happened to them late in their career in the post t season. >> what did you find? >> johnny unitas had some bad post season games rate lson game his career, some bad play-off games, brett favre had some bad post season games late in his career care care ad a terrible game againrible the giants and the cold that day green bay, dan marino, ii mean, so many great quarterbacks et older are really having sort of shaky games when >> what do we say about russellb wilson? >> he is ting old too.ting

[laughter] >> use 2 -- he is 25. what do we saybout his performance? the line of 6'2" certainly if you go inou go the canal of the analysis of him during the almost unanimous ou he might in the nfl but not really a starting quarterback. and now johnny manziel is coming to the draft as a six-foot quarterback. >> schneider and carroll famously said they had this x factor they look for. the will to win. >> that may be peter carroll's best decision ever as a coach and i mean throughout his entire career, when he said good-bye to the $8 million and said i'm going to go wim go russell williams. there was no

way that if he doesnt't do that that this team, i don't care how good their defense is, that they are in the super bowl. wilsonk of this, rll walked onto the campus at e ty of wisconsityd 22 ty days after he appears on campus, --has convinced 16 poachers 16 phe he shhe shbe on that team. at team. t game, i spent 10 minutes with russell wilson talking. and he goes, peter, what we have sure that to mak we re thathis is not thhathly one. he said, i think we are poised for continued greatness.inued we are very young. i think they are if they can keep the defense together. russell wilson will not get fat and happy. i will guarantee you. there is something in him, somei chip inside him, just what did

jim was talking about. seahawks saw in wha him. >> i got to speak to his high school coach. he said theai day the kid walked in there and he met them, he said he was a natural leader. he said he was born to do this. he would rally all of the guys and they did not want to let him down. they did not want him to be disappointed in them. that is how hard he worked. he was getting good grades. and then he is drafted to play ayseball by the orioles and the rockies. he decides not to. he would have been a good second baseman. he goes to wisconsin, now he is sunning a super bowl. his high school coach said there was no doubt, the fact he had learned from his father, he said, this kid wasth dined for greatness here to >> we talk lkt the nning family, russell wilson comes from an extraordinary family. his grandfather was a university president, his gransideher has three different degrees.

ther was an exceptional athlete, also went to an ivywenn league school and also presidean of the class at law school with two sport athlete and tried out with the san diego chargers, his whole family is about achievement and leadership and accountability.untaun he was raised that way and you see it on the field.n >> i left earlier than you did, i left midway fourth quarter because i had to get up earlier than you did. >> what if there had been a comeback, and charlie? li[laughter] >> the person i wanted to talk to was adam gase. what happened? when i got article up that morning, saying this ng a t geni and payton ss the smartest mind i have met in football. all of that thing. cusatory,just wcusad to say, wht happened? ? great mikea

tyson line. everybody has a plan until they get hit. [laughter] then it goes out the window. it went out the windowafter the r thfirst snap. >> i think the general said that about a battle.ab >> i can't quote him. turn to you for that. [laughter] >> you said y when manning looks back on the tape, on te, he wile sick. >> i think will be sick. rushedeic think how much she was really affected his decision making process. she was not as patient going 1, 2, 3, 4. he made quicker decision he has to. peyton manning hates to do that. number two, y know, i believe that no one has the refere he for thisr game and for the history of thehi game g, and hel not say it, but peyton manning can answer any soup or bowl triviaion you will ask him. he really les -- >> mike-and boxing.

incredible. >> he loves football. he looksbother him back a tape and sees the decisions he made. >> the thing i felt sick, he has done this before. wantedwh you did conversation. he is goin>> s g steve young hase yo been sayingt is about a conversatiout a conv to have. steve yod to dan marino, he has to have the conversation about not winning and peyton manningannin has to e this conversation. that is going to gall him more than anything. >> but i will just say one othet thing, everybody said could thds it? absolutely not. the reason is, he is, loves doit too much. was he overmatched last night? absolutely. r, a lot of teams in the nobodyody said

remembers the loser of the super league, there is a lot of goode things about being number two. >> i do not think therehas been a quarterback who went into a super bowl that eople were not hoping the best for best h, whoever you were. if you are a fan, you wanted the best for peyton manning. >> russell wilso>>waussell the best for him. he loves him. he said that this morning. russell wilson told me this morning that he went to camp, the peyton manning peytohen he hen was 11 years old. >> and payton too> the tih him. everybody likes evyton. he treats everybody well. you can't help, even if you know him from television or his help butce, you can't admire and respect this guy. i think you are right. he will have another chance. you don't send these records and go away next year and be totalld

ctive. >> i want to say a word about pete carroll. he had them poised for this game the super bowl. >> a lot of people thought his rah college style cod not work. of thethe themes m, the way he is excited all of the time. but it did work. thats back to my point. it works with this group. he has a youngheup. average age is 26 yes old. is 64.he >> only one coach in the history of the nba has won the national championship, larry brown. now he joins gary switzerins jimmie johnson and pete carroll. ncaa championship. about peterint carroll. last night i was fortunate to be

locker room when he finally got his team together ng the was talking to them. i said to my buddy at sports is theustrated, i said this usc locker room. he sounds precely like he did at usc. i saw a couple of tapes of him in college. he is mr. energy. gyit is unbelievableunbe he is s 's. ke he is 32. my opinion, pete carroll could be the greatest speechreas maker in the world but if you if yo't have russell william -- russell lson, if y lst have a totalitarian dense like heyou're going to be yelling in the wind. but i do believe, jim, you said it exactly right, and rachel, that he knows his players so well. he knows what gets buyers happy. no repeat friday at practice, he has al this music playing at practice.

>> in the interviewini think that paul allen did, about an hour we had a conversation. what did youwhat dhim? > i thought highly of him. the people of seattle said to. himyohave to keep this team le.s it was because of paul allen. made that a precondition to him ming it. pete,e said to me about in the end, what we liked so mmch, he knew had to communicate to players. he knew had to reach the players. here is my onlyhuper bowlonlyhup story. story.i love being naïve, althoa anguished for peyton manningr pm night and tolast have a super bowl winning coach,

we talked throughout the game. gam>> did he answer your questn about the offense? pretty much what peter said. it was great. wonderful super mos m bowl experience i have ever had. so there is a super bowl winning coach ing next to me and after every play, we did not need television. we had our eyes and one urr. lucky enough to be in seattle in 1978 when the sonics won the championship afte losingsi in 1978. the marvin webster team lost anl got back with lenny wick witand witandton came from the knicksd won and they threw a parade they year theyt. the year they won, thear exploded. . has been all that time, is going to be ansion. just an onslaught of love and affection for this team. thecific northwest has not

had anything like this. there's nothing like a super bowl. tgs e together. who did we see in the stadium? so many people watching on television. elebybody is celebrating. the flyovjust wonderful. you said, this is america. this is an american iment. this is when america comes together. t top five anthems ever.ve ant vemy vorite wl be whitney horight after the gulfe gu war. ng the f war. >> rate to see you.ate we will do it next year. >> pitchers and catchers report in three days. s.e there. backck in a moment. stay with us. ♪

>> there is nothing can do for you, if your mindur m has been e up. you seem toto know the answers o your questions. why do you ask? a knothe answers

to your questions, why ask? are not helpless. helpless.s.aa risks the dark.rk >> tonight, we mark the loss but celebrate the life of actor philip seymour hoffman.. he died in his manhattan apartment sunday morning. he was 46 years old. cause in a drug overdose. he appeared in mor athan 50 films, captivating audiences wi his talent and versatility. he was unafraid to inhabit and ahumanize even ahumost unsympathetic of characters, he was nominated for four academymy awards, he won the oscar for best actor for his role as truman capote in the film capote . he received three tony nominations for his role in "death of a salesman." about philip

seymour hoffman, david denby of scott ofodeer and a.o. the new york times. ased to have them here at the tab so i begin by asking you, just justo think out loud about phip seymour hoffman. >> when i heard the news yesterday, it came a real shock, being as young as he was. prime, recently in "the master," delivered two two extraordinary performances. i fch moersonally by this tfe many celebrity passings. not know him at all. i never met him. we are the same age and i ft like ucation as a moviegoer , and then is a film critic, was linked with his career. the movies that matter to thatn t late 1990's, te independent i

movies, that firinvies, th amern independence in indethem, nights," "happiness," he was in those and he was really inhelible and memorable in those, and then he kept -- he waskeh a wonderful character accharhe had great character parts in big hollywood movies. cinema and the ambitions of directors like paul thomas anderson and others, he was able to become a star, ake on were lead roles that ibly ambitious. often very dark and troubling and there is this kind of honesty in his work that was bry unusual and will be missed. >> it is not a romantic actor or physically heroic actor but he would start from the outside

and work in. you would say that about many ood actors,or but i feel he was opening up all kinds of spheres of rage, less, everything lust, everything. it never stayed on the surface. even in small roles. soulfulnessuggest underneath what he was doing on the surface. truman capote, it was an impersonation but he also got a complete understanding of what a kind kinderson he was. . he could play a basebald manager, "moneyball," with his gut sticking out. elderly manager with a big beer gut. unpleasantthese ympacters sympathetic. whether pa re talking aboutre tal guy in charlie kaufman's "sy

nechdoche" or the chdoal predator in todded solondz's "happiness." be colycoas to this person, to gois pdeep as you could possibly co hat honesty will bring the view.ces your int ofint not necessarily sympathize and believe what you are doing. .ere is enormous credibility in ithe way -- d what did he do in "the >>st it is an amazing movie. it is one ie i will need to wath many more times. it is extremely complicated ando layered. lancaster. is a showman. laying this, hoffman is confident salesman and faith healer and and huckster, er else.what

that perfectly, with cel of e exuberance this guy wod have but he also let you see the loneliness and the pain and the confusion. the spiritual hunger and the theneed to be love to that dris this guy. he does it, i can't say, i could not and analyze what the craft is that gets in there. he is, sometimes it is the color ofis face. ace.the way he he he would flusd laugh or burst into song. amazing, and somewhat unusual, very exuberant and robust andambunctious and showing performance. man, the mso the inner soul in torment. en>> you could take a cu coulp n that movie and in "capote," better thanber anybody. it is a dangerous thing for a

director and an actor to stay in close and hold it. onyou would watch the play ohis face and of couface the e was able.was he was a mastehe wemple. he would really slow things down. there are scenes in "the master" where he pauses and "capote," it is all very measured in everything, without boredom. you still want to fill inn all f those spaces because he is doin so much. don't have to because he is doing so much doing ly with his face. hi voice, it gets into your soul. he must have been an incredibly intelligent and egocentric, i would have the feeling he would look at you and understand he could understand you and play you. he has great people as g the two nerds here. savages "t

he is a university intellectual who was frustrated and bitter. >> to keep his misanthropy. play with greatlay s "mission "miss impossible,"ossi thebig blockbusfilms. >> and in the movie, in "charlie wi war," he was laying cia operative who keeps going into john flattery's office, swearing up a blue streak. it is like he is talking aaron sokin dialogue but he is doing it he is inventing it. >> he took on tom hanks. > who played charles wilson. >> as he did with meryl streep in "doubt."

a battle of chnique. the prplex bho is a predator isb also a benevolent guide. theoint is to hold you in at ambivalence without really knowing rer sure. meryl streep ows for sure b we do not know. him andooking at watchingwatc him, you can go ony y the other way. it eps you in that state of suspension. >> i don't want to read too much into this but then someone whone knew him said look, you sa't do what he did bywhting so deep in to the characters he played without it, withouthout it a price. the mentafort it requir, and the craft. >> they said that about jazz musician 60 years ago. y were exposing y eir soul as s the craft. what you could name jan sneezy

use si -- you could name jazz musicians that live into their eir's. robert deniro, al pacino. i do not know how to read this. it is just desit ig in a way. >> it is. there is something, at least there is a risktwhen you are go ofese regions psychic darkness. it has to hurt. youay need to try to make it make ithurt. > if you do it as well as he did it, to get as close as he did, you areid really -- >> takes a lot out of view. i think he would have d.nt tracked ve trier.have triple he would hve been in a big-budget ie, independent films. >> he could get them made. heater.the t

through the central roles, willy lomans. he might have come back and play tyrone. >> exactly. >> i mean, it is endless. have four pages hf credits for a man who was 46. >> 50 films. he was part of aheatre company and he was inspiring play rights -- play rights to- hts work. you can't explain this kind of genius. itmes along once in a eration and it leaves a big s a bihole. >> st in the last 24 hours e la so, you begin toou b realize hog the hole you figureyou he is going to be around, he is going to be is he

stage, forever and then you realize how much he hase h accomplished and how special he was. i don't think there wayone who quite had that combination of intelligence an iraw talent, ent andng a kind of control of his phyntrol bearing inand his face. the ambition and discipline. >> he also had comedic skills. >> yes. >> " nights." s." it is both. it iseen as one of the most heartbreaking. weepingthength car after mark wahlberg has rebuffed his advances. likeven inad movie ameamee polly" with ben stiller, a movie no one should ever see, but you sld see the scenes where philip seymour

hoplaying the wacky best fri d of benst frid d trying torious, hil tool him and had to be aan player and get the ladies. >>ars ago he was in "the as thed mr. ripley," hedonist and fornicator. playingt imagine hime that kind of a role, but he is funny and it. d is on to matthe is damon. he had a premature gut, but it did not mattdi it never mattered. whenever i would see him, he was here many times. there s a kind of rumple ness about him. his hair was never perfect. he d nohe have a tie. sometimes a beard. >> he did not care.he manould use thatas many actors

could not. >> he could also, hee coulul wao sostidious as truman capote. and anoth gray row, they -- lebowski.", "the big role there one moment, one thatat -- >> it is hard to pick it out. talking on the ing apart in"happiness."in profoundly unpleasant movie. how dp goes into the unhappiness ofhat character is something that haunts me. i think of that and i think of hour," where he is playing one of the friends of the main character, who is a

schoolteacher who has a tour one -- a terrible cr-- a of his young students. he is playing another nerd. t know what it is. those are smthments in those fms, i probably have noproben years.mn 10, 15 1 but there they are. there he is.th th>> it is remarkable. a "capotein," his truman is master of the social scene. ne.the suggestion of deep hurt d when hewhen meets y, one of the blood,rom "in cold he recognizes that fellow sufferer and there is a bond between them. hoffman lets you see that. him.d when they kill si without losing wi own specialness and his distance from this psychopath. awn ambitn. guy.e way he will t use that

uy. i belie uy best portrait of a writer in all of his wily ness. >>seems, from what we have read, it may r been a heroin addiction and if it turns out to be true, in a room alone with ae needle it just, it drivest dr you crazy as to what happened, because of so much talent, a man who was poised to all of these esgreat roles, the theatre had o offer or any great director had to offer. you wake up one day and there ia somebody saying have you heard the news?news? you say, someone had so much that he could do, and had a remarkable ability to crawl inside someone else and have you understand what that person, who hoat person was. >> and was very much admired and

loved by the people he worked with, byh, his pe by othe pe actors. couric someone came to se this, it was cademy awards speech for "capotef." his mother was there. she had raised him. he requisitell of o f it wbout his moth he said we are here together. showed h ht motook him to his first place. >thank you very much, david. great to have you here. we will wil now show you from te appearances on this program, philip seymour hoffman talking about the craft that he loved and did so well, acting.

>> will you be watching? do you want meou w t >> i would like to have a friend there. >> ok, then i will. >> we continue our appreciation of ph mour hoffman with ben m miller, a director who has known him since they were kids and directed him in "capote" and "moneyball." here he is talking about his friend and collaborator. how do you directou dect him? >> well, it is interesting. years. point i had known phil there were things we learned learnedout each other once we gt

into a room and began dealing with the material. i think we boti ve ai ve a very anguished, unforgiving procenfoi and seeing what he needed t --r t did he need to get th>> he needed to go to a dark place and feel profound vulnerability and experience level of despair thatmaybe people who do not know him would be uncom le with. onset, from the outside looking appeared a littletle bit fierced it did not have to apolog to each other about very forward. are we there yet oe e not, but because ve known him so up before,, he would call me

ld go off on a play. two weeks be "true " west," hugh called me up and he would say, i am nes. i think my career is over. ' don't know whatt kn i'm doing. i'm going to be revealed to be the fraud i really am. i would go opening night and he is a genius.is a when that began to happen with "capote," i had been there before. i think we knew had to give him the space and allow him his despair. whatyond findingnd findi despa, else, tell me how you see this performance. what is great about it? ay the criti i are saying that. >> i think it is great. what is great about is it is

not some kindnot t of mimickg f g ofuman capote. playing this role.cal aspect of th voice, the physivolity, all of the weight he lost. there is nont thathat onsciousness about kid. cplay what was beneay w it. capote, iemories of think it belies the truth of who this cha was and in many ways the flamboyant see of the obstac to get an is an past. you have to do it. you have to communicate through all of that. at.at is what he does. he is a complex person and i think phil ed to reach through that.ugh

isyou said the shootingshooshol like doing a ldlife documentary. her r actorsother marks. ks.il iher terestedher finding the light. he plays away frhe phe camera. >> right. that's right. he is unpredictable. earse for sofor so time, but we would ando a scene whatever the truth of the ituation is in that moment, will undo whatever preparation if it is in conflict. you, he prep i think more and morend m m deeply or as deep anybody epssibly could has a great b has a geally can do sector script, a story,

and a character. those are not the things that a great actor. what makes himwhreat actor, i is his ability to tune into the frequency of the moment and find he truth in it immensely sensitive person, who has a character iasa real it's oen think the case people with charisma, and he has charisma, have thing going on behind the charisma. a very sensitivery s person wl , almoste and despite his preparation, his gok, his analysis, can let

and be with the moment. >> we conclu wppreciation of philip seymour hoffmanoffmana look back at his appearances onr this program. he talked about many inks, but especially the craft of backing. here it is. >> acting is a weird thing. ,, acting is at day-to-day thing. that is why dointheatre is to important to me.an >> what does that mean, day tom day? >> you are only good as wha are doing right then. acting is not something on a canvas you can put on a wall. it is really what you do when that day. thatthat is when i am sati i am as good as what i am showing you right now. the theater will humble yod bad as you can be.ou will be as

you canrealize, i always have to -- >> you are using past tense. as good as it might have been, it feels like that ishere i wasterdaway. i was not that great yesterday. way, tolevant in aant , .s. an artist. ck to itthere is something, yout over, like a painting. >> youre proud >> you say maybe i could be better tomorro maybe no , r one moment, there is something i will be proud of. ou very proud of it. >> it is great for the lazy side of myself. >> are you saying there are mts in which the performance of "true west,not good? i am saying in satre reyou dshows a week and do it ove ur and a half, five hal at a time, sometimes evens

long you are in a position you can be better. lo what dohat you look for, in terms of gettingside of the character, gettingaracter, gettg charac what it? >> i look for the thing i do not want to find i keep asking questiout the cracter and about myself, back-and th. i know, to get at some type ofry truth that i feel is the center of the person's engine, if that makes any sense at all. it is kindnd of getting at something that hopefully will somethin in that catapult whoever you are playing into action. it is a hard thing to do. sometimes you don't find it. pepper -- process on on paper or is it a mental exercise? >> novery mental. it is work.

it is a lot of tng th get them the story. at oneays that to carry point. i' re to entertain you. i'm he to read this book. it is in the movie isd you get it very clear, he has justified all of his action. it is a classic trageda cl i don't think don'nderstands where the story is ultimately rolling toward aroll think he is fighting it and he is fighting h off and it is inevitable he's going to have to ke a decion between the book and watching these two people die. >> he is rolling towarisment nthich the end of his book, they have to be executed. that is right. i >> doese want them to be executed becauseexecantso end thstory and finish they and anand move on?anan likeike it if you wo

be c feelwill be crushing. meaning, he is willing att someone's death that ultimately when they die will cause so much grief it will crush them those two things can't go exist together without causing severe damage. tnkltately, that damage, the tragedy in this film. tautended -- an incredibly way. that is what is compellingt cot it. i did not accept this film to play trimmed capote. i accepteds film to tell that story, because that story, i'm gettingm georny' it is about life. it is about those decisions where youshould i go tre, there, i these things that are so opposite battling with each other, coexist exc d ho fficult that ifficult this is an incredibly extreme example of that human

dilemma.that amon and greed in l n alof these things will bring . >> which makes it a story beyond capote. it is about human life >> ambition, celebrity, journalism. >> iould talk about oulder flynn in the present. not just because you do not want to give it away. fill those things i th his history is intertwined with to be the center thwho doesa i of the community. he wants pexcited to come to where he works. he wants it to be the center of thought and debate. he thinks and wants this. but he is also part of that hierarchy.

he is on the top of it. is n think that is not very progressive. you know what i mean? a progressive guy, ing right up against something that is not he is a part of. he is not willing to give up yet. to put it in simple terms as ms aap i feel like that is how i t tha about the film.abou on it, comparing -- i kept paring it down. i felt like we would go down to the simple ments of the life of the man. that is what it was about. is, it is about a man's life. ioa say it is about s aboa lot of peoples livesof pa man who realizes ultimately everyone is the lead in their own story. this kind of realization that comes to him. but utltimately about a person who is trying, you are watching a person trying. and then eventualnd tis life

ends. you never get there. you never figure it out. are you everar fulfil all of thosquestions arise. >> the poetry is in the journey. y.>> and because he is an artis. he is trying to approach the an artistic piece, and he is very close to these issues soeople may keep away. ♪

>> this is "taking stock" for tuesday, february 4, 2014.ruar am pimm fox.m fox. we are going to focus on rebooting.oting. microsoft looks to do that as they move a new chief executive officer.ficer. what he has you wh help builddid the technologyiant.gygy not all marriages have happy nealities of divorce and how one reboots your life afterward. l famed attorney alan dershowitzns