fuerguson earlier this month. >> come on, let's tgo. >> that's what's happening here. >> the lieutenant who threatened and pointed an assault rifle at protesters also retired this weekend. a third officer in a nearby city was fired after making what his chief called very inappropriate facebook comments about the protests. i'm brianna keilar in new york. "the sixties" begins right now. stand by. here we go. >> take one. >> watch the tv. >> the average time spent watching television is five to six hours per day. >> holy residuals. >> there's a reason for calling it the boob tube and idiot box. >> let's change the channel. >> here is the news. >> we must give the american viewer the kind of television

they both desire and deserve. >> let's try again and see what comes out this time. >> television has grown faster than a teenager and now it is time to grow up.

♪ the tv was the center of the house. i don't remember a time without tv. >> by 1960, essentially every household in america had a television. it was a new way of bringing the world to you. >> when something big happened on television it really did happen to the entire country and impacted the entire country at the same time. >> keep an awakened eye on the world. >> suddenly television was the main event. everything else changed even the way you went about the business of getting someone elected president. >> sold out. >> we didn't have cameras. >> sold out. >> david, would you hit the one-minute button, please? 30 seconds and the cut, please.

>> in 1960, the nixon/kennedy debate was the first in television. a lot of people were watching that night and it introduced a lot of people to kennedy. >> would you let me see the tight shot on camera one, please? >> can you hear me now? speaking. is that about the right tone of voice? >> good evening, the television and radio stations of the united states and their affiliated stations are proud to provide -- >> when the networks offered a debate, kennedy immediately said yes because he was sure he could do better than nixon. >> i think mr. nixon is an effective leader of his party. i hope he would grant me the same. the question before us is which point of view and which party do we want to lead the united states? >> mr. nixon, could you like to comment on that statement? >> i have no comment. >> if you are live on television and there is a camera right here there's really no place to hide. once you see a guy sweating when asked a question, are you sure he's the leader for you?

>> that's the question before the american people and only you can decide what you want, what you want this country to be, what you want to do with the future. i think we're ready to move. >> if you saw it on television, clearly kennedy won that debate. >> gentleman sks thank you very much for permitting us to -- >> it was the begin of a new form of political craftsmanship. you could structure the message appropriately for the tv camera and you could have a huge impact, and if you couldn't, you were toast. >> i'd like to now give a real tonight welcome to the senator from massachusetts, mr. john kennedy. [ applause ] >> may i ask you a tough question so i don't look too naive, a tough question right off the bat? >> whether i'm democrat or republican? >> people recognized television was now the medium that mattered. it wasn't before 1960 and it was

every day after 1960 in those presidential debates. >> let's not watch that. try to find a western. >> all right. >> once everyone had a tv set in their living room and advertisers got a grip of how effective a way it was to sell products, the very definition of what you were doing was to create entertainle that would appeal to as many people as possible. >> beaver, eat your brussel sprouts. >> i can't. >> no excuses. >> "leave it to beaver" was something that a lot of families understood. it's the first show that was ever shot from the perspective of a child. >> beaver. >> most people have had a lot of the experiences that the beef or beaver or wally had and everyone in their life has an eddie haskell. >> hey, wally, some dumb kid fell on his soup. >> good evening, mr. cleaver. some poor unfortunate child is trapped up there. >> everyone has that moment when they were so embarrassed and

thought they would never get over it, but they did. >> tonight's special report, from the scene of the 1961 emmys. >> whether it's a situation comedy or western or drama, i think it's the quality of the show, itself, that's important. >> "the andy griffith show," mayberry is a kinder, gentler place. it would be hard not to want to live there. >> the core of the "andy griffith show" was this rock at the center of it. a calm wisdom. >> i have taken the best parts of myself and people that i've known all my life and put them into andy taylor. i hope there comes a time when you have to stop the play acting and tell the truth. >> don't you believe me, pa? don't you, pa? >> people appreciate emotional honesty. they appreciate it more than laughs.

it's great if you can achieve both simultaneously, and the "andy griffith show" actually did that very often. for a sitcom it shows unexpected depth. >> we think of the new format, the second dance number should come before the big sketch. >> gee, i don't know. >> i like it. >> now i like it. >> me, too. >> i like it, too. >> what do you know? look at that tie you're wearing. >> i only wrote what i knew about which was my life. and if you're writing about that, nobody can say that's not true. it is true, i'm living it. >> on the "dick van dyke show" we could believe the actions of the characters because we could relate to them. this wasn't a genie in a bikini in someone's bottle on their mantle. these were real people. >> women are more -- >> honest and direct? >> no. they're more -- >> courageous? >> we all have the same needs, feelings, relationships with husbands and wives.

that was the kind of comedy we did. the problems of living. >> honey, how much do you like that baby? >> oh, rob, don't tell me you're jealous already. >> the season-opening episode for the 1963 season was seared into my head. >> our wife had a baby in the same day and the hospital was very busy, mr. peters. what am i getting at? >> they thought they got the wrong baby from the hospital. so he calls the parents of the other kid and thinks you know, we may have your kid and you may have our kid. >> hi, we're mr. and mrs. peters. >> come in. >> mrs. peters, won't you come in? >> it was beautiful. absolutely beautiful. here they're tackling a subject

without tackling it. >> why didn't you tell me on the phone? >> and miss the expression on your face? >> the network worried about the fact that the african-americans might be upset by it. the network was always a little behind. there is always somebody back there who doesn't have b-a-w-l-s. balls. >> in the hollywood, the co-writer, carl reiner, "dick van dyke." ♪ >> i wish somebody had told me. i would have worn my hair. [ cortana ] next time you talk to caroline, i'll remind you. [ siri ] oh no, i cannot do that. oh, and remind me to get roses when i'm near any flower shop. sure thing. remind you when you get to flower shop. i can't do that either. cortana, it's gonna be a great night. [ beep ] oh wow! thanks for the traffic alert. i better get going.

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>> there was only three networks, there was only one late night show, really, jack parr -- >> they don't understand what -- how we do this show. we just keep talking with no script. >> i know, it is agony. >> jack parr invented the late night television talk show. >> you feel confident? there is not a man in the world to beat me. i'm as good as liberace. >> jack had in his corner his personality. his fabulous, complex, frightening, neurotic, but in other cases, enthusiastic, informed personality. it made for great television. >> how much time have i done? >> i don't have a watch either. how much? has it been charming? i'll quit now, then. >> here's johnny!

>> johnny carson inherited "the tonight show" but he made it his own. >> it is going to be wild tonight, i can always tell. >> he hosted a nightly party. >> are you married? >> oh. >> and if his buddies came, and they started playing together you felt like what it must have felt like to go to vegas at 3:00 in the morning and have the rat pack come on. >> no, but where is the guy you talk to? >> it was a beautiful thing to watch a guy working at his best. >> okay. bingo. get your axe and let's go. [ laughter ]

>> if you watch it closely, he is gauging how much longer he can wait to let the laugh die before what he says will be irrelevant to what happened. and he gets it just on the nose. it is beautiful to watch. >> i didn't even know you were jewish! >> johnny was the best audience in the world. and he loved comedy. >> the woman is watching him from the corner of her eye and says to him what are you looking at? the guy says i'm looking at that ugly baby. that's a bad-looking baby, lady. >> johnny was there listening for you. he wanted you to score. and when you scored, he scored. >> i said now calm down. he said madam, the pennsylvania railroad will go to any length

to avoid having differences between the passengers. perhaps it would be more of a convenience if we rearranged your seating. and as a small compensation, if you accompany me to the dining card, we'll give you a free meal. maybe we'll find a banana for your monkey. [ laughter ] >> i'm dick cavett, funnier than credit hutley, taller than mickey rooney, and pure and honest as newark, new jersey. >> the show was amazing. you could get people like norman mailer and woody allen. >> my only new year's resolution this year, i think i'm going to try to sleep through the nixon administration. >> you have authors on there. heavyweight boxers. >> there were conversations. >> when you mentioned the national anthem and talk about playing it in any unorthodox way, you immediately get a guaranteed percentage of hate mail from people who say how dare --

>> that is not unorthodox? it isn't unorthodox? >> no, no, i thought it was beautiful. there you go. >> i just thought anything that is interesting ought to have a place on a talk show rather than young pretty actresses who use the word "excited" in every sentence. >> you're not frequently seen on television. is that by choice? >> well, of course, it is the most impressive medium of all. it's the nemedium that's going save america or send it down into demise. there's no question. >> i'm getting out of it myself. >> really? we'll be back after this. >> what you do is book the best possible guests from different kinds of businesses, maybe not everybody in show business, some politics, some newspaper people. get them all on the stage together and hope something works. but it's a great show, a great platform for people who have something to say. >> the point is they take these scripts out of the drawers. they change the things around. maybe it doesn't work on "green

acres" but on many of these shows, that's why night after night you turn on these serials and seem like they all came out of the same bread box. >> that's true. >> back then you had lots and lots of copycats. you've got "the addams family" and "bewitched" and then "the munsters," and then "i dream of genie." fantastical hit, we're going to do that. >> now, is that considered a crime? >> i'm afraid not. there are not laws to protect us against bad tv shows yet. so you're safe. >> well, thank you. >> what i'm surprised by are some of the shows i can't even imagine the pitch meetings for. like "hogans heroes." >> it's a story about american prisoners of war in a nazi concentration camp which doesn't sound like it's exactly a funny comedy. >> why don't they trust us, schultz? >> that shows you how weird the '60s was right there. >> there is another one of our

fine shows for this year. pit stop. moving story of an effeminate ration race car driver who was really an astronaut for the mafia. 9:30 eastern time, 8:30 central time, quarter after 2:00 pacific time. ♪ life-changing decision. at university of phoenix, we know going back to school is a big decision. that's why we offer students new to college a risk-free period. so you can commit to your education with confidence. get started at riskfreephoenix.com say "hi" rudy. [ barks ] [ chuckles ]

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cbs presents this program in color. >> i didn't have color

television until i was 16 years old. yes, i lived like an animal. >> the following program is being brought to you in living color on nbc. >> getting the color tv was huge because suddenly we could watch walt disney's wonderful world of color on sunday nights. which was just an acid trip of a show. we just could not believe it. tinker bell going bing, bing, bing, and it was like special effects, par excellence. ♪ the world is a carousel of color ♪ >> it also happened just coincidently at the time when what we think of as the mod '60s came in, colors were all over the place just as tv could start to take advantage of them. >> hi. >> well, glad you could make it. >> i remember saying stay tuned for "gidget" next, in color.

>> wednesday night, september 15th, in color on abc. >> it was a big marketing thing. >> color tv was a huge step forward as far as the technology went. and yet, i think of "lost in space." "lost in space" started off as a black and white show and went to color. it didn't get any better when it went to color. >> dr. smith, you're alive. >> of course, i'm alive. do i look like a corpse? >> the period has a reputation for it have as a kind of candy. it sometimes felt like there was this really aggressive innocence to it. >> you are only to blow that in an emergency. >> this is an emergency, you're standing on my foot! >> "gilligan's island" made no sense whatsoever logistically. >> that will make the spiders run. >> how was the professor able to build all this stuff but not build a damn raft? it makes no sense if you pull any single thread on it but it was just the kind of show designed to live forever in syndication. >> who are you looking for?

>> a none, who else? >> are you kidding? >> "flying nun" is a crazy show. like, what is that about? >> look, it is very simple. you see i only weigh 90 pounds and the combination of my cornet and the wind lifts me. >> which was just complete nonsense. let's face it. it was the height of the '60s, and everyone was eating granola and dropping out and doing god knows what else, and i wasn't. >> hello, central? i'm switching to my eyeglasses. put a hold on my wallet but keep my shoe open. >> television more than ever in the '60s was a place to escape to. >> let's go. ♪ >> seemed like it was sort of almost a willful respite from the stuff that was going on in the world and in real life.

>> here is a bulletin on cbs news. there has been an attempt as you perhaps know now on life of president kennedy. he was wounded in an automobile driving -- >> in the early '60s, television years was by if large seen as something as a back water to print journalism and even to radio. but the kennedy assassination was the moment that television journalism came of age. >> continue full-day coverage of the presidential funeral. and the final procession -- >> more and more people were depending on television to give them the headline news of the day. >> 330 americans were killed in combat last week in vietnam. but the number of wounded, 3,886, was the highest of any week in the war. >> most of the 1960s, the contrast between what you saw in your entertainment and what you in the news was, you know, planetary. >> never has this dissent been as emotional, as intense.

>> in the '60s, it was one thing after another. each year it was filled with important events. >> governor wallace has ordered 500 alabama national guardsmen into tuscaloosa. at the moment, they are under his control. >> whether it was the civil rights movement or it was the kennedy assassination or the space race, when there was a huge thing that happened, it happened on tv. >> the witness to the violence, said it seemed to be unprovoked on the part of the demonstrators. >> television became the fire in which the whole tribe gathered around to listen to the elders telling them what was going on. >> police reinforcements moving down the street now. [ chanting ] [ chanting "the whole world's watching" ] ♪

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good evening, ladies and gentlemen, tonight, live from new york. >> from hollywood. >> from beautiful downtown burbank. >> here is the star of our show, bob hope! >> variety was the backbone of television back then. one year, there were like 18 different variety shows.

everybody had a variety show. ♪ >> everyone was different because of whom was helming the show. ♪ >> dean martin was just so loose he acted as though he was doing the whole show drunk without a rehearsal. >> this is a real international show, now, where else could you see a smooth italian and a slippery pole? >> he was funny, he was really, really funny. ♪ >> he always looked as if he was a bit lost. people thought that it was

because he was tiddly. but that was part of the charm. >> here he is, ed sullivan! >> thank you. >> no matter who controlled the tv set on the other nights, on sunday night at 8:00, you were going to watch ed sullivan. >> now, ladies and gentlemen, a very -- >> ed sullivan was a phenomenon. he was a powerful force. >> quiet, please. >> the beauty of the sullivan kind of variety show is that if you didn't like something, something else would be around in four minutes. >> no, johnny, no. >> why? >> why? it's very difficult. >> easy. >> advertisers wanted everybody. and so they got everybody. a little kid and his grandparents to watch the same show. >> they would have an elephant on, and then the next thing somebody doing shakespeare, and the next thing, a comic. there would be an acrobat and then an opera singer the next bit, which was true variety.

♪ go downtown things will be great when you're downtown ♪ >> anything that was current was on "the ed sullivan show." >> a young richard pryor. joan rivers. >> rodney dangerfield. >> everybody wanted a showcase. if you got on sullivan you could talk about it. did you see sullivan? >> my whole life i don't get no respect, no respect from anyone. >> as a performer you couldn't get a better place to sell your product. >> when i started out they would say variety is a man's game. it's dean, milton berle, jackie gleason, but variety is what i know. i felt it was in my genes to do this. >> she had been so good on the garry moore show, she always

knew she could sing and dance and be funny. >> on my show, i would do prat falls and jump out of windows and get pies in the face, and it was heaven. >> i think it is -- >> you know, i still see a rerun of carroll burnett show, and i say god damn, they're funny. there's never been a better three-wall sketch show ever. >> and the best in bed, too, remember? >> you never went to bed with -- >> well. >> not supposed to curtsy, you're supposed to bow. well, i get dizzy when i bend over. >> when tim conway came on his goal in life was to destroy harvey. >> here's tim with our own harvey korman as a new dentist with his very first patient. we used to have a pool back stage, not as to whether harvey was going to break up, but how

far he could get along in the sketch before he broke up. >> novocaine. okay here. novocaine. take a firm hold of the hypodermic needle. right. >> they never knew what he was going to do. but they knew it was not going to be what they expected. >> when they did the dentist sketch none of that was rehearsed. >> yeah, be right with you. >> poor harvey was helpless, tears coming down. and tim swears that harvey wet his pants during that sketch. >> i don't know why that worked so well. watching two actors break character and just crack each other up. should not be as entertaining. but somehow when it is tim conway and harvey korman doing it, i could just watch that stuff forever. >> i just thought if we have fun, the audience will.

we're going to go out there and do what we do best and it worked. >> you can plan it and write it and rehearse it. you hoped for magic. it was carol, carol, the magic of carol burnett. you start at point "a" and spend your time working hard to get to point "b". and "b" could be here... or even here. but for you, "b" is not the end. capella university will help take you further, because our competency-based curriculum is designed for your profession, to move you forward to where you want to be. your point "c". capella university. start your journey at capella.edu.

are you saying he is a tv addict? >> well, perhaps he has been staring at this electronic blessing, the television set for so long, that his life has become his. >> yeah. >> and he's reached such a stage of confusion, he no longer knows whether he's watching the action or participating in it. ♪ >> you unlock this door with the key of imagination. beyond it is another dimension. >> there was desire on the part of writers and producers to push the envelope and stretch the medium. you certainly saw that with the "twilight zone." it was a very cinematic show. >> this is not a new world, it has patterned itself since the every dictator who impretint on the pages of history since the twinning of time. >> rod serling who created "the twilight zone" realized he could through a lens of fantasy or science fiction he could tell stories about racism, he could

tell stories about fascism. >> tonight, i shall talk to you about glorious conformity. >> it was a way to deal with a lot of the issues that america was starting to go through at that time. but in a fantastic setting so that there is some divide between you and the show. >> they sent four people, a mother and father and two kids who looked just like humans. but they were not. >> "the twilight zone" had these little oh, henry like little twists and was allowed to have happy endings. >> they picked the most dangerous enemies they could find and it's themselves. now six months a fugitive, this is richard kimball with a new identity and for as long as safe, a new name. >> "the fugitive" was a somber character study. >> beware the eyes of strangers, keep moving. >> everybody wanted to see what

happens to "the fugitive." >> the question is, how long is it going to go on? will we ever find her? >> i'm about to give up. i'm tired. >> when it ended, it broke the viewership records set by the beatles on ed sullivan. it was one of the first tv shows that actually went somewhere. >> you know, youngstown is not exactly on our course. >> in a lot of ways, television was showing slices of the world that people may have never seen before. "route 66" was an innovative show because it was actually filmed on location. so the audience was exposed to things that just weren't part of their local orbit. >> space. a final frontier. >> you know, there is a little bit of the mayberry aspect to the world of "star trek." that's going to sound like an odd analogy, but follow me here. people want to believe such a place can exist. the idea of a future in which a lot of the biases and the fears of the past has evolved out of us. >> where i come from, size, shape or color makes no

difference. >> there's one episode where some of the members of the crew were taken over by these mental giants. >> this psychokinetic power of yours, how long have you had it? >> they've forced captain kirk and lieutenant ohura to kiss. it was the first interracial kiss on television. ♪ >> nbc asked me if i would do my own special. and i had always adored harry belafonte. we decided to do one duet called "the path of glory." it is an anti-war song and we both felt very strongly about it. i just touched his arm. the sponsor went crazy. my star doesn't touch a black

man's arm. >> petula clark said, i'm not doing it over, and it is my show and it's going in that way. >> we weren't having any of that nonsense, no way. so it went out the way we wanted it to go out. i didn't really have any other problems with sponsors but that sort of gave me a taste of what could happen. ♪ ♪ a car that's moving fast and clean and strong ♪ ♪ get the leather seats you can't go wrong ♪ >> in the tv business, the '60s was probably about the last decade during which the sponsors had a really iron grip on content. >> brought to you by dash. >> even if they tried to keep tv this white homogenous whole milk product, the world found its way in. it just had to. >> what's the trouble, driver? >> can't you ever remember to bring a silencer?

>> it ruins the liner in my suit. >> with "i spy," robert culp and bill cosby were equals. cosby is this pioneer in terms of a black male lead in a drama. he made race a nonissue. because he's undeniable. >> the winner is bill cosby. >> bobby and i tried to put forth an example of the way it should be, racially, in this country. we need more people in this industry to put forth that message and let it be known that the bigots and the racists, that they don't count. thank you. >> as television changed, it was helping all americans to understand that this is what america looks like. >> frankly, you're not exactly what i expected. >> no?

>> no, not from what i read yet. >> did you expect me to be older or younger? >> julia was going to be the first time a black woman starred in her own television show. >> has mr. colton told you? >> told me what? >> i'm colored. >> what color are you? >> she was a young black woman who had been educated raising her son alone. it has a universality that is just something new. >> and you keep out of mischief. >> i'll just watch the old tv. >> good. >> in the '60s, america was exploding in a way that needed to be reflected on tv. ♪ >> stand still. >> "dragnet" came back in the late '60s and friday was now in a very different world than he had been in in the black and white days. and suddenly there were the damn dirty hippies. >> i'll make you a bet he was

dropping the acid we've been hearing about. >> jack webb would lecture you about the dangers of marijuana smoking and crazy drug culture. >> they're trying to deal with the counterculture but they don't understand it, so it's just basically their stereotypes of what the hippies were like and it plays exactly like that. >> keep your nose out of my purse. >> keep yours out of the acid. next time i will. hey. i'm ted and this is rudy. say "hi" rudy. [ barks ] [ chuckles ] i'd do anything to keep this guy happy and healthy. that's why i'm so excited about these new milk-bone brushing chews. whoa, i'm not the only one.

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nbc presents -- ♪ >> our country would be much better off with a strong leader. >> i hope, but sinatra can't do everything. >> when laughing came along, we'd never seen anything that was kind of like grown-ups acting goofy and hip that way, you know? they had girls dancing in bikinis, they had the joke wall. >> who's in there with you? >> cool hand luke. >> it was nothing but jokes. >> i was at the hospital. >> anything serious? >> a black widow bit me. >> it never would have happened if you had been a gentleman. >> we took it to the network and the network said, what the hell is this? this makes no sense. i said, right.

>> they acknowledged the hippy generation, yet the hosts were in tuxedos smoking cigarettes. they were still wyour parents bt the other people let loose on the show were this kind of young vaudeville. >> must be time. >> hey. she socked it to herself. >> we knew sock it to me didn't mean sock it to me, right? so we thought, oh. >> sock it to me. >> sock it to me. >> sock it to me? >> it was not as subversive as it sounds. yes, it was. it was -- it was fun. >> sock it to me? >> it was the first time presidential candidate had ever appeared on a comedy show and that may have got him elected. and i've had to live with that. anyway. >> the family that watches and

laughs together needs to pray together. >> seems like it's happening right now and it's about right now. that was the greatest thing ever. there was a fusion of politics and comedy and everything else into one television show. >> when we take over, i'm going to look out for you. >> the subjects, we don't talk about these things, were starting to come up in tv and because it was well executed, it changed everything. >> this is the smothers brothers comedy. take one. >> good evening and welcome to the smothers brothers show. >> if rowan and martin and the smothers brothers are the new stars of tv comedy, it is the comedy itself rather than the comedians which is more often in the spotlight. these two programs have consciously tried to influence people by comedy techniques that break through the traditional song and skit routines and by subject matter that is often on the cutting edge of what is new.

>> our government is asking us as good citizens to refrain from traveling to foreign lands. >> okay. all you guys in vietnam, come on home. >> times were changing so quickly. and the '60s. and we didn't change them. >> we just reflected them. >> what are you doing? >> getting ready to go to college. >> cbs gave the smothers brothers that show because they were clean-cut folk satirists. they wore blazers. they could sing well. they were funny. >> mom liked you best. >> you lower your voice. >> mom liked you best. >> they told us what they thought we could do and what we should do and it was totally wrong. tommy came in saying, i would like a show where we could be relevant ♪ i'll be the first to go but until then mr. mcnamara ♪

>> people in the counterculture started making these shows and they don't want to play by the rules that other people did before then but who would expect the smothers brothers of all people to be the ones raising this much of a fuss? >> a good script. >> i held my breath every time they did the show. i knew the network people were befelling their trousers with fear. >> nothing funny in this. yeah, boys, we're through censoring your show. >> they said that the social subjects we touched on were not appropriate for the 9:00 family viewing hour. they came up with any excuse to make it difficult. >> and i came up with any excuse to push it. >> yeah. ♪ cbs would like to give us notice ♪ ♪ and some of you don't like the things we say but we're still here ♪ ♪ oh, yeah we're still here >> they were going to speak truth to power. and they were not compromising. >> you have something important?

>> something very important to say on american television. >> a lot of times we don't have the opportunity to say anything important because on american television, every time you try to say something important -- >> well, whether you can say it or not, keep trying to say it. that's what's important. you get that? >> there's no way in the world if anything is meaningful and truthful that you're not going to offend someone. you've got to be able to say what it is. say how it is. and take the consequence. >> cbs announced today that the smothers brothers comedy hour will not return to the cbs television network next season. network president robert woods said it became evident that brothers, quote, were unwilling to accept the criteria of taste established by cbs. cbs news efforts to reach the brothers for comment have been unsuccessful. >> i was angry.

but we never regretted it. we never did regret it. >> what do you think television, honestly, do you think it's good? >> yes, i do. i think particularly for what it is. for the amount of hours that it gives you for enjoyment, either in education or pure entertainment. it's remarkably good. >> what television did in '60s was to show the american people to the american people. until then, we did not truly know much about each other. we knew only what we had seen, which was very little. and what we had read, which was even less. >> a few years ago i thought it was the end of the world. >> no, it's just the beginning. >> i think people looked at television for answers, maybe. that world is just confusing. it's going to hell all over the place. maybe something on here will help. >> there was no denying the shift and attitude toward sex, toward race relations, toward politics. it was all televised. >> that i will faithfully execute the office.

>> that i will faithfully execute the office. >> when it works, television conveys impression and evokes memories. when it works well, television makes us feel. >> good morning. it's t-minus 1:29:53 and counting. >> television created the sense of national unity around cultural events. >> okay, neil, we can see you coming down the ladder now. >> you could turn on a machine and be somewhere else. >> you're looking good here. >> television changed absolutely everything. >> beautiful view. isn't that something?

supreme national effort will be needed to move this country safely through the 1960s. >> across the world, soviet missiles are aimed at the united states. whatever the president does, he risks nuclear war. >> lines are now drawn. >> ships are on way. >> no way of knowing whether a western civilization will live or die. >> i think unless something is done, humanity will destroy itself.