tv The 2000s CNN January 4, 2025 10:00pm-11:00pm PST
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>> you talk about this band a lot. then you go, oh, wait a minute, you can't talk about the 90s without this one. oh, and this one and this one and this one where there's so many monumental bands, one after another. that's the 90s. so take the photographs and still frames in your mind hang it on a shelf in good health and good time. >> that is a. memories. in. dead skin on trial. for what it's worth, it was worth all the while. it's something unpredictable. but in the end is right. i hope you at the time of your life. thanks for.
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>> video. killed the radio star. >> now, has the internet killed the record industry? >> napster is stealing from us straight up, and i'm going to fight them to the death. >> ladies and gentlemen, the strokes. >> may i have your attention, please? >> you got a moment? >> we're ashamed. the president of the united states is from texas. >> the dixie chicks. i can say what they want to say. >> billboard's top ten singles, all by black artists. >> rappers are the new rock stars. >> i don't please everybody with who i am as a person. >> staccato like stick it. >> i love beyonce. >> that's not a working telephone, is it? hello. >> empty shelves are all you'll find here at tower records. it's now out of business.
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year's eve 1999. >> going into y2k. seeing no doubt on mtv, playing it's the end of the world as we know it by r.e.m. you know the world as we know it is here for the world as we know it. >> i feel. fine it was a very appropriately apocalyptic song for what turned out to be a very apocalyptic decade. >> happy new year. >> so we wake up. it's 2000. we're all alive, and we're still in the middle of teen pop mania. don't wanna hear you hang up the worry boy bands were selling so many albums. i do never seems enough for you. this is the biggest year in pop music history in terms of sales. brandon. brandon. brandon, you have britney spears selling 1.3 million
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copies of oops! i did it again in the first week. oops. i did it again. >> i played with your heart, got lost in the game. oh baby, baby. >> everyone's falling in love with boy bands and girl groups. but then justin timberlake leaves in sync. don't be so quick to walk away. >> it's me i wanna rock your body. >> with his debut album, jt established what his sound would be, and it's instantly appealing to a pop audience and also an r&b audience. now it's your turn to. >> cry me a river. show me a river. >> you know, justin timberlake leaving in sync becomes the model for what can be done. yes girl, can you talk about people who are always going to be bigger than their group? >> that was beyonce. she puts out her solo album in 2003. the first single is crazy in love.
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it's got this incredible sample and that catches your ear. beyonce has even opened her mouth yet and you're already hooked on that song. i look and stare so deep in your eyes. >> i remember being asked once, what do you think, christina or britney? i said, beyonce. it's crazy right now. >> your love's got me looking so crazy right now. >> crazy love. that's how it begins. it seemed like almost overnight, she became a kind of icon. she became a deeply respected figure. beyonce nottingham. >> in the early 2000, the industry was so dominated by pop sensations and booming cd sales that they were totally oblivious to the new generation that didn't think music was something you had to pay for using a pc to download music is one of the hottest of today's computer trends, and that has the recording companies up in arms and heading to court. >> at the center of their dispute is a music sharing internet service known as napster. >> in the late 90s and early 2000, the music industry grew complacent. >> people had come to them and said, you know, you have to
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start investing in the technology that comes after the compact disc. and they just refused to do it. >> some of rock n roll's bad boys are picking a fight this morning with the internet site napster.com. >> the lawsuits began when metallica heard on the radio a song that they hadn't released yet hey hey hey hey. >> metallica was like, what? >> on april 14th, metallica filed a lawsuit against napster for basically encouraging people to steal and trade our music illegally. >> we started this thing called x. metallica fans.org. we're asking the community to completely ban and boycott metallica. >> i'm glad you're an x metallica fan, because i don't want you to be a fan of ours, if that's your attitude. >> i can't speak for the other bands, but i embraced file sharing. if you want to sing along, you know if you have, you know, you got it off napster. >> rock, please.
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>> our band was plucked out of obscurity and given a career because of napster. >> but. as for me, i wish that i was anywhere with anyone cranking out so suddenly i had a platform for sharing my music. to the frustration of the label i was on. >> napster has built a multi-billion dollar business based on people copying files to millions and millions of people they don't know. >> there's, you know, a way that the technology can be adapted to, to benefit all of the parties involved, the artists, the industry and the users. >> napster should have been an early version of itunes. it's kind of a tragedy. it didn't happen back then. >> today, the u.s. court of appeals ruled that napster is infringing on copyrighted music, in essence letting its users steal songs. >> the music label executives absolutely didn't want any kind of itunes style distribution infrastructure that would fit with the internet, because they
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were terrified of unbundling the single from the album. so for a long time they've been able to take one hit song like complicated, tell me what i have to go and make things so complicated. if that song comes out in the late 90s, it's going to move 20 million albums at $10 each. 5 or 6 years later, it's no longer going to move 20 million albums. it's going to move 20 million songs at $0.99 each. so you've just lost 90% of your revenue. >> cd sales have dropped almost one quarter in just three years. that's an awful lot of lost business. >> labels absolutely didn't want this to happen, but ultimately they were powerless to stop it. >> kobe believed in himself at the youngest possible age. >> people who may never even know what a basketball looks like felt his presence. >> he wants the opportunity to make his own mistakes. he's going to end up making them. >> that's when the black mamba
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was born. >> it's one of the most remarkable stories in sports history. >> i don't want to be remembered as just a basketball player. >> kobe the making of a legend premieres january 25th on cnn. >> i wish my tv provider let me choose what i pay for. >> i wish my tv provider let me choose what i pay for and let me pause my subscription when i want. >> what did you do that choosing customize your channel lineup or watch for free. sling lets you do that. let it rain, randy. >> whoa yes that's how you make like it never even happened. happened? >> servpro, now's the time to go back in time and shine a light on the family journey that led to you. learn when they said i do. when they became heroes, how they ruled the school. curious about
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world. >> people are literally walking because of him. >> i wouldn't have missed this for the world. >> super man, the christopher reeve story coming in february on cnn. >> it's inevitable, i suppose, that just about the time that i am becoming aware of hip hop culture, it is literally coming of age. hip hop has been around. i discover for some 25 years now, and during that time it has not only established itself as america's most popular popular music, it has altered our language. >> the oscar goes to. it's hard out here for a pimp. >> you know what? >> i think it just got a little easier out here for a pimp. >> we're seeing hip hop seep into everything, right? it's in soda commercials and it's in soundtracks. it's being used as bumper music in sports and fashion and shoes and everything.
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>> i've never done it with a machine. >> yeah, well, it's easy. >> so how do you do it with a. >> yeah. we in the hood we like. yeah yeah yeah yeah. >> in that moment, a lot of rappers were celebrating what they had accomplished. rappers like jermaine dupri, jay-z. and ja rule were saying to the world, can you believe this? this is about survival and surviving racism in america. and we're going to share this with the world. oh, another episode. do i do everybody that be living it up. >> we say what? >> i do. >> hip hop's no longer sort of the bratty kid on the block. it's actually the predominant music. and then what really takes it over the top is a young rapper from detroit. we're gonna have a problem here. >> y'all act like you never seen a white person before. >> in 2000, eminem puts out the marshall mathers lp. marshall mathers being eminem's real name. and suddenly the biggest star in hip hop is eminem, bar none. cause i'm slim shady. yes, i'm the real shady. >> all you other slim shady are
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just imitating. so won't the real slim shady please stand up? >> eminem came from a white working class background and those are the stories he told. it just put him on a different level because he brought his own authenticity to the game. dj kick that. >> i saw eight mile in times square opening night. i had to sit in front of the theater. it was one of the most satisfying movie experiences i've ever had. i mean, listen, lose yourself when that thing comes through your speakers at a giant movie theater. that's a big moment. >> the oscar goes to eminem, jeff bass and luis resto for lose yourself in the music. >> the moment you own it, you better never let it go. >> it's not quite purple rain, but it was pretty good. this opportunity comes once in a lifetime. >> you better move. >> in the 2000. rappers weren't content to be musicians. they had to be actors and producers and label bosses themselves. so in the video for in the club, the
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producers, doctor dre and eminem have set up a laboratory. we see 50 cent doing his exercise routine and then it pans into this nightclub environment where he's chatting with models and drinking expensive champagne. so what they're really doing is perfecting the science of the club banger. you can find me in the club bottle full of bub. >> mama, i got what you need. >> if you need to feel the buzz. >> if you have kids now, you know it's probably rap they're using to drive you up the wall. >> and the biggest star in rap now is 50 cent or 50 cent? 50 cent, however you want to say it. >> your grandmother is absolutely getting down to in the club. she's calling it in the club, but she's getting down to it. i mean, that was everywhere. it was in a commercial. >> it sounds like he's integrated his hit into club. extraordinary. >> one of the biggest differences between the 90s and the 2000 in terms of hip hop, is this idea of business.
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>> 33 year old jay-z is the reigning king of rap. he owns his own record label, clothing line and movie production company, generating almost half $1 billion a year in sales. >> allow me to reintroduce myself. my name is h to the o v. >> i used to move snowflakes by the ozone with jay-z as he's going into the 2000. >> you're watching a hip hop artist grow up from telling these sort of street tales to someone who has money, who has fame, who is traveling in very different circles. now, in a piece of paper bearing my name, got the hottest chick in the game. >> wearin my chain. that's right. ho! >> even if he was rapping about some of the same things that everybody was rapping about street life, moving, drugs, it was in such a unique way, you know, that he was almost inventing a new language. i checked cheddar like a food inspector. >> i really love the black album for jay-z to be the first one to get rick rubin to produce in such a long time shows you how special jay is as an artist.
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>> i'm thinking maybe we start a cappella with if you're having girl problems, i feel bad for you, son. i got 99 problems, but a ain't one. hit me. boom! >> right into the first verse. i got the rat patrol on the cat patrol. >> fools that want to make sure my casket's closed. yeah, that's that's money. >> rick rubin created so many classic hip hop records with the beastie boys and run-d.m.c., taking a breakbeat and mixing it with an ac, dc guitar stab that's rick rubin 101. you know. so i pull over to the side of the road. >> i heard, son, do you know i'm stopping you for. cause i'm young and i'm black. and my hat's real low. do i look like a mind reader, sir? >> i don't know. >> well, jay-z represented was the fact that you could actually have real longevity in hip hop. and for the longest time, you know, new york had been the center of the world in hip hop. the south, for the most part, hadn't really made itself heard, you know? and that starts to change in 2000, and you're getting outkast, and outkast
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is amazing. one, two, 123. >> yeah. >> when i stomp the ground. outkast became rap's beatles in 2000 because we found both, but particularly andre, becoming more obsessed with a kind of adventurous landscape of music. yeah, i'm afraid. >> like, i'm scared as a dog. >> serious hip hop already knew about outkast, but then they come up with an album, speakerbox and the love below, and they have this song on there called heya. 0230, i better go mass about it. >> cause she loves me so and i know for show it's barely a hip hop song. >> really. i'm not sure what it is, but it's got this kind of frothy 60s vibe. it sounds like something that, you know, motown might have put out when they were doing their sound of young america. next thing you know, everyone
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is singing this one line shake it like a polaroid picture. here we go. >> shake it, shake it, shake it, shake it, shake it, shake it polaroid picture polaroid was the instant camera and the picture came out. >> and for some strange reason, as the image was was forming, people would do this. they would shake it as if that was going to make it happen faster. so he says that line, the song, and suddenly everyone's doing that. when you have this sort of cultural moment that everybody feels they need to be a part of now, you know, you've really tapped into something and that's what outkast did. >> if you're going to do anything, do it all the way. do it 100%. don't pull the thing out unless you're playing the band. you know, that's basically what it's saying. >> the whole story with anderson cooper is a five time emmy winner for long form journalism. this week, kyung lah on k-pop. the whole story with anderson cooper. tomorrow at 8:00 on cnn. life. diabetes. there's no slowing down. each
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weekdays at 7:00 eastern. >> close captioning brought to you by. book.com. >> if you or a loved one have mesothelioma, we'll send you a free book to answer questions you may have. call now and we'll come to you. >> 808 two one 4000. >> american girls and american guys will always stand up and salute. we'll always. >> recognize after september 11th, we saw this resurgence of patriotism. you know, a real re-embrace of the american flag from country music and the mainstream nashville community. >> you'll be sorry that you messed with the u.s. >> navy. >> toby keith was the ultimate example of all of that, because we have put a boot in your. >> it a american way with all
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the genres reacting to nine over 11. >> the war country was probably the most literal and the most outspoken about it. i pledge allegiance to the flag and if that bothers you, well, that's too bad. >> and you say we shouldn't worry about bin laden, have you forgotten? >> in music, there was no opposition to that message. but when the quote, unquote war on terror began. and we're talking about invading countries, well, then music had a lot to act in opposition to. >> the dixie chicks are the top country touring act of the year. >> despite the firestorm unleashed by their words during the first days of the war in iraq. >> we're ashamed of the president of the united states. >> when natalie maines said, you know, we're so ashamed of our president right now, their career took a severe beating. >> some protestors used a tractor and their feet to smash the group's cds.
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>> if you want to feel some good old fashioned american pride, look no further than the uproar over the dixie chicks and how they can say, i'm ashamed that the president is from texas. >> come on man. >> grow up. right say it. >> they were questioning something that you were just supposed to accept, and it was women doing it, no less. >> i think they are the ditzy twits. these are the dumbest bimbos. with due respect, i have seen. >> these are callow, foolish women who deserve to be slapped around. >> we're going to boycott them for their music. and we're going to boycott you for playing it. if you don't stop playing it. >> well, ma'am, that was the last one. you're going to hear. country radio overnight turns its back on the dixie chicks. >> as a result of statements made by members of the dixie chicks at a concert, two radio networks banned the dixie chicks from their playlists at a chain level. >> in a way, they were more daring than any punk band. >> well, it's great to be back at a shepherd's bush. >> the return to the scene of the crime they took on the establishment that wanted to own them, and they refused to
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knuckle under. i thought i'd say something brand new and just say, just so you know, we're ashamed. the president of the united states is from texas we've asked artists for decades to be barometers of culture and be voices of dissent. >> and in the wake of 9/11, it was just seen as a bridge too far. i waited till i saw the sun. >> people wanted escapism at the time because there was a lot to escape. so we were listening to norah jones and jack johnson and la da da da da da la da da da da da da and coldplay. >> when yellow came out, a lot of the hipster alternative kids were like, i love this. and i was one of them. where's your. >> skin? oh yeah, your skin and
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bones. time to something beautiful. >> it felt great. it's like, here's radiohead and u2 put together in a pop friendly package that's catchy rock music. >> i want to run through the house of my skull. >> i wanna scream at the top of my lungs. >> john mayer was this virtuosic guitar player who wrote these kind of sentimental love songs. and if you want love, you make it. he was huge. he. of blankets. >> you biden's wonder. i will lose my head in the 2000. >> rock itself becomes numb and weirdly apolitical. for a time when the country was at war post nine over 11, some believe familiar music will sell well this holiday. >> and i've been wrong. >> i've been down to the bottom of every bottle. >> nickelback. they had bigger
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hits than anybody. >> everybody's welcome in the nickelback club. we got we got a big club. yeah. >> get a lot of rock. is not really doing what it used to do. and it's almost like it. it lost its will to fight. unless you're talking about green day. i don't want to be an american idiot. >> you can't undersell how shocking it was that the definitive statement on george bush's america came from green day. welcome to a new kind of tension all across the alien nation. >> everything is meant to be. okay. >> it was kind of like a rock opera. you had to listen to it from front to back, because it told the entire story of what was going on in the decade. wake me up when september ends. the fear of terrorism, the media, the wars, people being sent off to fight. here comes the rain again. rock wasn't all
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that surprising in the 2000. so when you got something like american idiot, it was, wow, this is unexpected. this is shaking things up a little bit. wake me up. >> when? september ends. >> cobi believed in himself at the youngest possible age. >> people who may never even know what a basketball looks like felt his presence. >> he wants the opportunity to make his own mistakes. he's going to end up making them. >> that's when the black mamba was born. >> he's one of the most remarkable stories in sports history. >> i don't want to be remembered as just the basketball player. >> kobe. the making of a legend premieres january 25th on cnn. >> are you having any fun? what are you getting out of living? who cares for what you've got?
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if you're not having any fun? are you having any laughs? are you getting any loving? if other people do. >> why can't you have a little fun and. have some, have a little fun? >> i still love to surf, snowboard and of course skate. >> so i take magnesium to support my muscle and bone health. >> quinn ewers high absorption magnesium glycinate helps me get the full benefits of magnesium. >> cunard line the brand i trust. >> dear doctor k. i used to think i was never meant to be beautiful. i was teased because of my teeth. i didn't like the person looking back at me in the mirror. i never thought i could afford dental implants. you and your team work within my budget and help me feel confident in the plan we made together. i love my new smile. thank you.
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>> the bounce. coming up. >> in the early 2000, we come to recognize the idea of producers as artists. they're no longer relegated to the background. >> one of my favorite timberland moments is watching him playing jay-z dirt off your shoulder for the first time. >> oh, man. oh, that's that. >> was the best there is. you got that? >> timberland really pushed the envelope. it's very much black futuristic music. come on. >> is it worth it? >> let me work it. i put my thing down, flip it in, reverse it. it's your minute. >> that music. a lot of it was space age driven. >> i'm bringing sexy back. yeah, the don't know how to act. >> odd sounds that reflect his
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own inner ear vision. i said it's too late. >> to. apologize. it's too late. >> timberland was a little more technologically dense and ethereal, whereas pharrell wasn't as out there. he did like dance tracks. i said, it's getting hot in here, so take off all your clothes. >> i am getting so hot i wanna take my clothes off. >> it was a little more gritty. it was very, very intricate, but very rhythmically driven. oh, this my. >> all the girls stomp your feet like this. >> pop stars figure out that you need hip hop cred. and you need a hip hop producer. cause there ain't no hollaback girl. >> there ain't no hollaback girl. >> the most interesting thing about the 2000 was that you had a grouping of hip hop producers who were crossing over into topping pop charts. >> kanye is another one. you know, he's producing and working with jay-z and alicia
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keys and ludacris and janet jackson. but you know, in there he wants to be his own star. so he releases his first album, the college dropout. yo g, they can't stop me from rapping. >> kenny, the first single for college dropout was a song called through the wire. i spit it through the wire, man. kanye west gets into a car accident in los angeles and in the hospital with his jaw wired shut. he records the song i drink a boost for breakfast and. >> pancakes. i just sip this. >> it is essentially just him rapping about how bad he wants to be a rapper. >> god saved my life. so he has me here for a reason. >> jesus college dropout was a cool first album. >> i told her to drive over in your new whip. >> there are some great singles on there, but late registration to me is when it all came together. that's an incredible record. i gotta testify, come
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up in the spot lookin extra fly. >> he did what the rock stars used to do, which was to indulge his narcissistic fantasies through the medium of music for the day you die, you gon touch the sky. rappers weren't really doing it. they musically, it was brilliant. look, what is the narrative of the 2000? well, it's the backpack wearing, dork like mark zuckerberg who becomes a billionaire and kanye west is the music industry version of that. my greatest pain in life is i will never be able to see me perform. >> so you are welcome to know a pleasure that i will never have. >> kanye was a rock star, but he also makes it safe for rappers to be vulnerable. >> it's positive rap. >> he's not cussing every other sentence and he's not talking about shooting people up. he's talking about real things. >> what kanye does is sort of bringing a new generation of hip hop figures, and you can
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see the difference going forward. oh. i said, i said, i said, baby, you my hating you all that we can do it real big. >> bigger than you ever done it. >> drake took the kanye west blueprint. i'm going to bare my soul and my feelings on a record. best i ever had, best i ever had, best i ever had. >> it wasn't just hip hop, you know, r&b had been doing this for a long time in a really kind of personal way. these are my confessions. >> just when i thought i said all i can say, my chick on the side said she got one on the way. >> usher's confessions was deeply personal and relatable. he just laid it all out there. i'm gonna tell it then i gotta tell it. >> tell it all. >> he has the moves and the style, and i think that he is a big hope for people at that time that like, here's a brother that's really doing it. i think that you should let it burn. >> we had trey songz and chris
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brown, usher, but the superstars of r&b are the women. absolutely. i keep on falling in and out of love with you. alicia keys, uber talent uber oh, my god, sings, composes and plays. oh, she's a total package. no one, no one. >> no. one. you're getting way of what i'm feeling. >> later, r&b becomes much more rhythmic. they're not written as flowing as the traditional r&b songs. all the single ladies, all the single ladies and beyoncé understood better than anybody how to make r&b for a hip hop generation. now put your hands up. >> up in the club. >> i feel like everyone remembers where they were when they first saw the single ladies video. you know, it was like, oh, my god, how do i learn the dance? i can't learn it fast enough with the shoulders.
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>> yeah, kind of kind of pop it a little bit. >> pop it. oh yeah. okay. pop it. you bring your hand up like, stick it like a thing. >> you should have put a ring on it. 000000. >> you know, she was a woman speaking for other women. and that was so welcome. it goes one by one, even two by two. >> everybody on the floor. let me show you how we do it. >> rihanna comes along and she's much more r&b than she is pop. she's got this sort of caribbean feel in her music, and there's something really fresh about her. it's a thief in the night to come and grab you. >> if some creep up inside you and consume you. >> rihanna had this incredibly ambitious idea of what pop music was. disturbia to me, used to what you life and kept redefining herself as the edgiest, nastiest, most sophisticated pop star out there. now that it's raining more than ever, know that we'll still have each other. >> you can stand under my umbrella.
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>> umbrella? i mean, i don't think there's probably a person in the whole world that doesn't know that song and wasn't walking around going, ay, aye, aye for like months at a time. stand under my umbrella. >> ella, ella. hey hey hey. >> and so towards the end of the decade with artists like rihanna, the danceable riffs of hip hop bled into r&b and pop and hip hop became bigger and bigger and bigger. my umbrella. it became pop. >> everybody's looking for a hero. >> chris wanted to change the world. >> people are literally walking because of him. >> i wouldn't have missed this
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for the world super man, the christopher reeve story coming in february on cnn. >> hi, susan, honey. >> yeah, i respect that, but that cough looks pretty bad. try this. robitussin, honey. >> the real honey you love. >> plus the powerful cough relief you need. >> mind if i root through your trash? >> robitussin with real honey and elderberry. >> covid 19. i'm not waiting if it's covid. >> paxlovid. >> paxlovid is an oral treatment for adults with mild to moderate covid 19, and a high risk factor for becoming severe. it does not prevent covid 19. >> my symptoms were mild now, but i'm not risking it if it's covid. paxlovid. >> paxlovid must be taken within the first five days of symptoms and helps stop the virus from multiplying in your body. >> taking paxlovid with certain medicines can lead to serious or life threatening side effects, or affect how it or other medicines work, including hormonal birth control. tell your doctor about all medicines, vitamins and herbal supplements you take as certain tests or dosage changes of your other medicines may be needed. tell them if you have kidney or
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you. really? >> now i'm trying to save my marriage. >> could you call me closer to tip off? >> if you know you know. let the champagne pour till it overflows. >> i think you owe us 42 grand. my cable issue got a fun story you could tell your grandkids. bookie streaming exclusively on max. you can't stop that. >> all through the 90s, if you were a band from new york, you could count on getting laughed out of the room. pretty much anywhere else in the country. new york was just a place where rock n roll was thought of as dead. >> in the 2000, the predominant music generally is hip hop. and that's the case in new york. no one is thinking about new york as a center for interesting rock music anymore. but after nine over 11, you've had all these bands who were kind of bubbling beneath the surface, who start popping up, and it really starts with the strokes. last night, she said, i'll never feel so down.
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>> so you tell me. >> after nine over 11, the city was burning. it was smoldering. i, i vulnerability, anxiety. all this became how the country felt. we needed that sense of defiance, that hubristic sense of possibility and promise that young kids and bands can deliver. >> right now, they're the most important band in the world. for what they may inspire other people to do. last night, much in the same way that nirvana was the spearhead for grunge in the 90s, the strokes really helped usher in a lot of other acts. >> she can't read. >> she can't rave. she can read, she can read. she's bad. she can't read, she can't read, she can't read. she's blind. >> the first ones to break after the strokes in terms of new york artists, is interpol. and yes these are strange people. they're countercultural by nature carano. she's this violent,
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swaggering rock boy, and this heartbroken, teary rock girl pack up. i'm straight and maps is one of those tracks that launched a thousand young female singers in their bedrooms somewhere, they all love me like i love you way. >> they don't love you like i love you. >> so you have this resurgence of rock, but you also have this resurgence of brooklyn and indie music. >> please welcome tv on the radio. the first time i let me, i want you lay your hands on me. >> a mirror, my tv on the radio. >> they were a multi-ethnic, multi-racial band coming out of the brooklyn rock scene. you know, there were scholars of music. i'm going to play the proper way to get to know you. >> you never. know unless you go. so let me show. >> they made very proggy, but also very punky rock that sounded like nothing else that
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had ever been done out. without punk is playing at my house. >> my house. >> lcd soundsystem is maybe the most brooklyn band that has ever emerged from brooklyn. i'll show you the ropes, kid. >> they were a huge success, partly because of james murphy's ability to make pristine electronic music that still had a soul in it. where are your friends tonight? >> where are your friends tonight? >> what you start to see is not a genre of music or a trend. it's a scene. and though they were not a new york band, arcade fire seemed connected spiritually to that moment. sheltering. wake up. >> hold. your. >> mistake up. arcade fire was this big, anthemic rock band
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that, you know, made these songs that you just wanted to holler along with. >> gazprom drew caputo like. and to me, it felt like the moment that indie rock crossed over into something bigger. holiday or holiday and the best one of the year. it's the first time that you had indie bands soundtracking commercials for mainstream, multinational products, in part because everyone is trying to figure out how do i make money now that no one will pay for my albums? >> one, two, three take my hand and come with me, because you look so fine that i really want to make you mine. >> you know, historically there had been some wariness about selling your music to advertisers. it was seen as selling out in the 2000. that totally disappeared. ride with me. >> ride with me. >> there's all of these songs that became iconic primarily through their use in ipod commercials.
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>> 1234 tell me that you love me more now. >> indie culture was cool and you could market yourself as part of this new global indie community. glamor. indie rock and roll is what i want. you get the killers or you get kings of leon. take folding stone and of course, the white stripes. they all step into the role of capital r, rock star. i'm gonna fight em off a seven nation army couldn't hold me back. >> people thought the strokes were going to save rock. you felt that there was going to be a movement forward. and for a while it worked. but ultimately, it didn't really change the musical landscape. you can probably say the white stripes or arcade fire are the last really big rock band in
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the classical sense, and the state's coming from my blood and i go back home. so what happened in the early 2000? the electric guitar started to be replaced by this song sequencing software, and you started to see the future is not rock music. the groundbreaking artist who is going to completely change what we think good music sounds like, is not going to be playing an electric guitar. >> kobe believed in himself at the youngest possible age. >> people who may never even know what a basketball looks like felt his presence. >> he wants the opportunity to make his own mistakes. he's going to end up making them. >> that's when the black mamba was born. >> it's one of the most remarkable stories in sports
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for fast acting relief. absolutely free. text love to 321321. >> today i'm eva mckend in plains, georgia and this is cnn. mo mo mo mo. if we started the decade with boy bands, we end the decade with solo women ruling the pop world, and lady gaga is at the height of her power. can't read my can't read my. >> no, we can't read my poker face. >> she's listening to something like poker face or bad romance. you could tell that she was a student of roxy music. she was a student of disco. she was a student of the drag balls. and she was someone who wanted to combine all those elements into a really aggressive, hard hitting pop music. i want your love and all your lover's revenge. >> you and me could write a bad
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romance. >> suddenly it was no longer enough to wear a pretty gown on the red carpet. you had to make art. you had to make a statement. >> you asked me if my music was distracted by my sexuality, if i was a guy and i was sitting here with a cigarette in my hand, grabbing my crotch and talking about how i make music because i love fast cars and girls. you'd call me a rock star. >> lady gaga is a female empowerment role model, and this is just the beginning of girls running the world. baby, you're a firework. >> come on, let your colors burst. >> we have katy perry, shakira. she wolf in the closet, nicki minaj. you have taylor swift just coming into her own. walking the streets with you. >> and your worn out jeans. >> taylor swift is a songwriter and at an impossibly early age, she comes up with what might be
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the single of the decade, you belong with me. if you could see that i'm the one who understands you been here. and that just straps her career to a rocket. be me, be you. >> belong in me. do you belong with me? >> we saw someone like taylor swift become a huge sensation because of her myspace page, posting her music on her page. and look where she is now. it's pretty incredible. >> by the end of that decade, artists would make their own music and put it up on myspace, and all of a sudden you can have a career in the internet age. >> it's become a do it yourself operation. hang your star on youtube and see how brightly it shines. how do you reverse? >> keith rowley river? >> justin bieber was the first of the youtube kids. he was using the new tools of the internet to really do an end run around the traditional industry. when i was like,
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baby, baby, baby, oh, like baby baby baby no. >> in the 2000, the music industry was undergoing a massive shift with all of the technological change and the fact that the price of music had effectively been ground down to zero. >> i'm standing outside where i used to buy my cds, a store that is now shuttered and shut down. as you can tell, like so many other music stores across the country, by the end of the decade, the music business was falling off a cliff. >> it seemed like all of it was gone, reduced to rubble. the shuttering this weekend of virgin's last two stores in manhattan and hollywood marks the death of a once booming chain and another nail in the coffin of the music cd. >> by the mid 2000, music labels realized that youtube, myspace and file sharing software was the way people were discovering new music. so what do you do? you get all of the people that you've heard online together in one act, and
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you charge 130 bucks to see it. and this proved to be a very successful model. waking up feeling. >> good in the after, the one that really set it off was bonnaroo and then coachella. >> so you came here from england for this festival? >> yeah. yeah, man. why not coachella? >> all of a sudden? that same generation, that discovering music, peer to peer online wants to be somewhere in a field with that peer enjoying the live music experience. >> i've seen about 40 different bands every time. any type of music you can imagine. >> the music festivals, there would always be this dj tent, and over the years that tent kept getting bigger and bigger. >> which the superstar dj diplo and david guetta, kaskade and paul oakenfold these guys are
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pulling in millions as headliners. >> same time, things get a little hip hop stars are becoming rock stars. >> djs are becoming rock stars praising the crowd. >> they're jumping up and down. >> the only people who aren't becoming rock stars, lightning zombies. >> and then it drops. >> right here are rock stars. pop. >> the idea of just standing there and staring at someone on stage is a 20th century idea, whereas in the 21st century it's more interactive, it's more about us as an organism. come on, clap your hands, clap your hands, clap your hands, y'all clap your hands. >> in the 2000, we saw an industry that seemed like it would never change. we saw it be forced to change. i got a feeling. >> online distribution of music broke down. the barriers of taste. and suddenly everyone was listening to everything good night.
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>> that tonight's gonna be a good, good night. >> with the help of a computer. the past is just cool stuff that you can discover. and that's what a whole generation of new music makers do. yes, the 2000 are the age of the machine, but that doesn't mean there's not a search for the soul inside the machine. one. two. >> three. go to the night tonight. let's live it up. i got my money. hey, let's spend it up. i feel. go out and smash it like a oh my hard. jump off that sofa. what? let's kick it. oh, i know you will have a ball if we get down. and go out and just lose it all. i feel. stressed out. i wanna let go. let's go way out. face down and losing all control. chin chin chin chin. here we go, here we go. we got a rock. go easy. go now we on top, top, top, top. feel th
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