welcome to "the daily distancing show." ♪ ♪ >> from trevor's couch in new york city to your couch somewhere in the world, this is "the daily distancing show" with trevor noah! ♪ ♪ >> trevor: okay, first up, let's talk about some of the change taking place in america right now. in the weeks since protests began following the murder of george floyd, the movement has been more successful than many people could have imagined. 53% of american voters now say that they support "black lives matter" with only two -- when only two years ago it was around 40%. multiple major corporations in america have now said they are actively going to diversify their workplace and hire black people who they've previously discriminated against for so long, and millions of white americans are now desperately trying to find a second black friend. one to have the biggest shifts in america is something the country has been resisting for 155 years. >> over at the capitol, house

speaker nancy pelosi is calling for nearly a dozen confederate statutes to be removed saying they play homage to hate. >> in richmond a con fefort statue of jefferson davis pulled down, the face smashed before towed away in pieces. bubba wallace racing with "black lives matter" painted on his car, the race starting hours after nascar banned the confederate flag. >> that was a huge pivotal moment for the sport. a lot of backlash but it creates doors and allows the community to come together as one. >> trevor: yeah, from congress all the way to nascar, all over the country people are asking the question is it finally time to let go of the confederacy. i think it's impressive nascar is doing this because the confederate flag is extremely popular with a lot of their fans. to soften the blow, maybe ban the fans from bringing the flag to the races but incorporate it

into the race itself. if you win, they raise the checkered flag, for the loser the co confederate flag. everyone wins. why did congress have confederate flags in the first place? the confederacy fought against america so why have statutes of the confederacy in the building? it's like women having gluten in the kitchen. i don't even understand what that is. the government treats traitors better than black citizen. george floyd had a $20 counterfeit and gets chokes to death. the confederacy is responsible for thousands of dead americans and you build a statue. the winning side is finally deciding it doesn't need to keep

celebrating the side that tried to destroy them. one step that the pentagon is considering is renaming military bases that are named after confederate offices, you know, names like fort bragg in north carolina, forthood in texas and fort slave catcher in georgia. i don't even know how they let that one pass. what's interesting is that, while the military thinks this symbolic move can help race relations in the ranks, the commander in tweet strongly disagrees. >> u.s. militaries leaders expressed a willingness to discuss renaming bases named after confederate generals. trump says that won't happen saying they're part of a great american heritage. he tweets, the united states of america trained and demoid our heroes on these hall load grounds and won two world wars, therefore my administration will not even consider the renaming of magnificent and fabled military inn installations.

>> trevor: part of me thinks he's appealing to his confederate loving base, and then part because he thinks fort bragg named its base after him. as usual, trump's logic makes no sense. america didn't win world war ii because of the names of those bases, all right, america won world war ii because tom hanks found matt damon. that was the turning point. you can call the base whatever you want. not going to determine how effectively your soldiers are going to fight. america isn't going to be losing to russia in world war iii, like, we should have never renamed those bases! that was our secret weapon! ( gunfirebrook i know for some people this debate might seem inconsequential but you have to understand the reason the generals are open to changing the names of the bases is the same reason nascar is doing it. they want the military to take a

unified stand against racism and they want to show that the american military stands for all americans, including the millions of minorities who have served within its ranks because just take a second and imagine being a black soldier, training at a base that is named after somebody who didn't even think of you as a human being. that isn't just offensive to those soldiers, it's offensive to the confederate generals, too. imagine what if they came back and saw a base named after them. my god, all of the slaves have guns! donald trump isn't the only person trying to stand in the way of making progress. while states like new york are finally trying to pass legislation that tries to stop police violence, those changes are being resisted by a very powerful force, the police unions. in fact, just listen to the head of the new york police union pat lynch lashing out at police reform >> they're asking us to pull

back. they're asking us to walk away from you! they're asking us to abandon our communities! they're asking me to walk away from where i live. they're asking me to walk away from where i work! they're asking us to walk away from the neighborhoods that we brought back! and that's what's happening. and you know what? we don't have a choice! if we put our hands on the criminal, you're going to jail. i'm not being dramatic, that's how bad it is. >> trevor: okay. with all due respect, i think you are being dramatic. no policeman is going to jail for touching somebody. this is almost like the police version of those guys during #metoo. remember the guys who were like, so what, i can't even smile at a lady in the office anybody more? just cut my dick off now, we know that's coming next! nobody's asking police to abandon their communities. police are asking police to treat all communities like it is

their community. think about the fact that this guy even says "we can't even put our hands on a criminal," that's part of the problem. all too often in america, police treat everyone that they come across like a criminal, especially black people, and i'm not being dramatic, that's just how it is! now, for those who don't know, police unions fight for their members in the ways that all unions do, all right, they organize for better pay and they organize for benefits. there are a lot of good things that come from having a police union, but they also protect members in ways that make it virtually impossible to hold bad camps accountable. they set the terms of internal investigations that accused cops can stonewall till the department gives up and if one is found at fault unions can put limits on penalties so even if police chiefs want to fire the officers who have done something wrong can't do it. on top of all that, there are even examples of police threatening not to do their jobs

if politicians try to hold them accountable, by, i'm sorry, is ridiculous. can you imagine if nurses threaten to let patients die if they're not allowed to steal opioids and sell them on the side? no one would accept that. the question is what can americans do. if meese unions are this powerful, what can people do? for more, i'm joined by our very own union expert roy wood, jr. what's going on, roy? how you doing? >> what's up, man? how you been is this >> well, i'm as good as i can be, and i'm assuming you've seen that video of pat lynch, you know, the head of the new york police union. what did you make of the video? >> yes, i saw henry winkler up there at the microphone doing his thing. looked like henry winkler. i thought it was a happy days reboot. i thought this is a terrible time to bring back this show. also, side bar, if you're a police union and you vote for somebody to be the head of the police union, you probably shouldn't have them be named la-

pat lynch. also where are the rest of the black people on this diverse police department? look at this photo? it looks like the 50-year union of a la crosse team >> trevor: yeah, roy, and another problem is the police unions are now basically showing people what a powerful force they are. they're standing up against the reforms, and they're so well organized that politicians are afraid of them. like the question i have for you, is there anything that can be done to weaken the influence they have? >> see, see, see, see, see, african, you're thinking about it wrong. here's the thing -- everybody's trying to make the police union weaker, when all you need to do is make a stronger union that's stronger than the police union. that's why i propose all black people come together and we form a black people's union, called the national black association. >> trevor: wait, hold on. the n.b.a.?

>> shit, man, i'll think of another name. look, the point is, once this union is together, it brings together every black person in the country and, if you're black, you're automatically approved. it's the opposite of a home loan >> trevor: okay, fine. and then what happens once you have the black union? how does that help is this >> once we're organized, every year, we'll make america negotiate a new deal with us and, with our strength in numbers, we can finally get our demands met, hold cops accountable for misconduct, dimilitaryize police, shift funding away from cops and towards schools and education and rescue kanye west from the sucking place. we need him back, man >> trevor: okay, roy, that sounds like fair demands, but what if america and the black union can't agree on a deal? what happens then? >> well, then black people will just have to take our talents elsewhere, like when lebron left cleveland, only now it's black people leaving all of

america. does america really want that? do you really want to be without black people? no sports, no music, no more dance moves. you will be on tik tok doing the hokey pokey when we leave. good luck going viral with that shit >> trevor: if black people leave america, where will they go? >> anywhere. maybe a country that doesn't have police brutality. there's japan, there's new zealand, there's -- what's the white one -- norway. you can go to norway. you know what? i don't think i should go to norway because i think winter is brutal. that's a whole different type of brutality to black people. we'll just go to japan. when we leave america, we'll get ourselves there. we don't need you offering no boat rides. not falling for that no more. travel vouchers only. if you'll excuse me, trevor, i need to check on the the 50,000 business cards i ordered that says n.b.a. on it. see if i can get those canceled. hey, what's up, man? yeah, i need you to cancel the

od order. >> trevor: all right, well, thank you, roy. time for us to take a short break. but when we come back, we'll talk about a way to solve coronavirus, police brutality and long voting lines like that. don't go away. [anthony] hey mama, what's up? [mama] i'm confused. confused about what, everything ok? yeah, i only see one price on my phone bill. that doesn't sound confusing mama. you're on t-mobile, taxes and fees are included. oh come on, there's always extra fees! not on t-mobile mama. why can't all my bills be like this? i don't know mama. bye mama, love you. anthony? umph! at t-mobile, taxes and fees are included. and right now, when you switch your family, get 4 lines of unlimited for just $35 a line. (brad) how dwell, it's mostlyt-com find through a commitmentkly? to our artistic endowment program.

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treat yourself to a heath bar. because nothing says special like rich english toffee. ♪ heath, it's english toffee "the daily distancing show." you know, with states opening up and people protesting in the streets, a lot of the public feel like coronavirus is over. the only problem is nobody told coronavirus. >> america's covid 19 pandemic has passed another terrible milestone, as of this morning, more than 2 million americans have tested positive for the coronavirus, more than 112,000 of them have died. the head of harvard's global health institute said yesterday the u.s. death toll could reach 200,000 in september. earlier this week, 16 states reported an increase in average new covid 19 cases compared to two weeks ago.

at least 14 states have seen a rise in current hospitalizations since memorial day, including texas, where hospitalizations jumped 42%. in arizona, hospital capacity is at 83%. state data shows the usage of ventilators, i.c.u. beds and intubations at all-time highs. >> trevor: you know, i can't say this for certain because i'm not like a scientist, but i feel like coronavirus grew up with a father who never loved it because, right now, it's working really hard to prove itself. i mean, 200,000 deaths by september? coronavirus is attacking america so hard, half of the country's going to want to put up a statute of it. look, there are many reasons americans are taking the pandemic less seriously, but one of those reasons might be the fact that the people running the country barely seem to be thinking about it any more at all. they haven't held a coronavirus press conference to update the public in weeks. i don't know where the country

officially stands. do you? are we winning? are we losing? can we go back outside? can we sneeze on the buffet again? what's happening? doesn't help that just yesterday the head of the coronavirus task force did this. >> vice president mike pence deleted tweet showing staff deleting coronavirus recommendations. he reposted showing trump campaign staffers with no social distancing or face masks, that despite these are the recommendations of the coronavirus task force led by pence. >> trevor: you see, this is the problem -- how do you expect the public to take shings seriously when you yourself are not taking it seriously. you tell people to wear masks but you don't, you tell people to social distancing but you're crammed together like the tiny fish inside the can. the fish. you know the fish. they've got the smell. the -- the -- on the tip of my tongue. you know what i'm talking about,

because it's clear to see america's battle -- sardines! you're packed together in a room like sardines! ha! look, the point is america's botched coronavirus response is just one of the reasons that 74% of americans novel like the country is on the wrong track, and i don't blame them. police are beating up protestors in the streets. millions of people are unemployed. and georgia couldn't even hold a primary election without making people wait in lines for hours. clearly, american democracy is failing, which means there's only one thing to do. >> what if i told you about a country in crisis. >> a country ravaged by disease. >> where the economy has collapsed. >> where soldiers patrol the streets. >> a government that gases its own people.

>> and lines to vote are longer than the bathroom line at coachella. >> what if i told you that country is america. >> admit it, america is a failed state. >> america needs a return to democracy. >> if there's one thing america knows, it's when a country needs democracy, you invade it. >> it's time for someone to invade the united states. >> specifically canada. >> that's right. we're asking the good people of canada to invade us. please. >> please. please invade us. >> please invade us. for the love of god -- what do y'all pray to, a moose? >> we're not asking for a donation, we're asking for an invasion. >> some of our states are already basically canadian -- minnesota, maine, the non-detroit parts of michigan. >> we're right next to you. just invade us for the weekend and see if you like it! come on! >> no new language to learn. it's english and with a slightly more normal accent. >> to my fellow americans, why would we not want canada to

invade us? >> we'll have racism but it will be polite, with a small. >> canada, we apologize for making fun of you so much. we're so soory! y'all make it easy! >> we're just jealous of your healthcare system. bring that with you! >> we did great under the last black president, we're willing to try yours! >> on top of that, i want to (~bleep ) canadian. >> we want to. >> if you're waiting to see canada's military zambonis roam the streets of our nation. >> go to dailyshow.com/invadeus and share with your friends. >> if enough of us ask politely, they can't say no. >> trevor: come on, canada, your time to shine. when we come back, i talk to

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"the daily distancing show." film-maker and story teller spike lee joined me earlier to talk about his new netflix tim "da 5 bloods," and how it relates to what's happening in america today. check it out. spike lee. welcome to "the daily distancing show." >> it's a pleasure spending time with you. i said this offscreen but i want to say it on camera, you are doing a great job. you are speaking truth to power, and you're making a difference. you're making a difference. >> trevor: thank you so much, my brother, i appreciate you. thank you, thank you, thank you. this interview is about you, man. let's talk to the great speak se lee. you've got a new movie coming out on netflix that i had the

pleasure of watching last night, and it's interesting, i mean, the last time i spoke to you about a film, it was black klansmen, right? i'm going to direct you for a second. can you pull up so i get more of you in frame? thank you so much. that's beautiful. >> i won't take directions from you! ( laughter ) >> trevor: i want to talk to you about how spike lee is making movies and what you're doing with your platform because "black klansmen," so many people watched it and one of the moments i won't forget is the scenes you played from the real-life news at the end of the movie and what was happening in the movie connected with what we're experiencing today. you've done something really similar in "da 5 bloods," in that you've created a story that's -- you know, it's a powerful story about black war veterans from the vietnam war

coming back together for a trip to go back to vietnam to reconnect as brothers to go and, you know, pay respects to somebody that they've lost, but you've made the film tie into what's happening now. you've even got moments of today in it. explain to me why you've chosen to do that? >> well, i think that -- and, also, thank you for having me on the show. i think that people are more apt to enjoy an historical piece if, in some way, shape or form, you can slip in what's happening now and, as you mentioned, we did that t at the end of the "black cannesmen," when we saw the murder of heather hair in the rally in charlottesville. and the way the film out came out had nothing to do with the timing, but there could not have been a better time for this film

because i truly think that a lot of what's in the film is why people are marching all across this world chanting "black lives matter" and, in many cases, those are black and brown faces -- aren't black and brown faces yelling "black lives matter." >> trevor: right. >> and that's a win right there. that's a win right there. so i really feel strongly about this that all this energy, all these different people that were coming together, we're becoming galvanized, particularly in the united states of america, we have to keep this energy, register to vote, vote, and celebrate when the numbers come in, like our brother prince

said, like it's1999! ( laughter ) i'm telling you, there are going to be some of the biggest parties ever! >> trevor: you made films, spike, that have captured the moment in america. so what i wanted to know is when you made "da 5 bloods," every theme in the story connects to what's happening now. it's a story of four black men who served the american military during vietnam, and what's really powerful is they don't just face, you know, the struggles all veterans face when they come back, but they have the compound suffering of being black as well. they come back to a country that's still racist and still oppresses them, even though they fought for that country when they were called upon. that part of the story is really strong, you know, it's not just a trip. it's not just a boys' trip movie. it goes into the war, it goes into their experiences, it goes into their ptsd. that felt like what you were trying to focus on in the film. why was that important for you

to do? >> a very simple answer, my brother. chavic bowlsman who place stormin' norman tells them that the first person to die for the united states of america in a war, the american revolutionary war, was a black man. 1770 in a thing called the boston massacre. and a black man died, crispua addicks. so from the very beginning, we have been fighting for this country! from the very beginning! from the very beginning! we have been fighting for this country, as you said, that doesn't fight for us. we have been loving this country that doesn't love us. and, so, when this guy agent orange talks about our brother colin kaepernick not being

patriotic, that's some b.s. first of all, colin, him kneeling had nothing to do with blasting the armed forces or disgracing old glory, red, white and blue. it's about the same thing that people are marching all across the streets in this world. agent orange also called black n.f.l. players s.o.b.s. he also said that refrain we came really from the vietnam war which is told toward anti-war protesters, america, love it or leave it. first of all, you cannot tell any african-american love it or leave it. we built this bitch. we built it. the foundation -- i know some people might have heard me say this before, but bear with me -- the foundation of the united

states of america is distilled in the land from the native people and the genocide committed against them paired with slavery, that is the foundation of the united states of america, it's a fact. boom! ( laughter ) >> fact! >> trevor: before i let you go, spike, i wanted to ask you, i know this is a really controversial question, and i need you to bear with me, but do you think the n.b.a. stopping was the best thing that happened to the knicks? ( laughter ) or do you wish you were still there courtside? >> if you remember, because the whole thing blew up, i said, i'm not coming back to a game this regular season. >> trevor: and now nobody's coming to a regular game, spike!

( laughter ) oh, man. thank you very much for joining me again. i truly, truly appreciate it. continue doing what you're doing and, as always, it's an honor having you on the show. >> it's my honor. let me say this real quickly -- we've never ever had a meal or a drink. we've got to do that, a.c., after corona. >> trevor: i love that. >> we're here in new york, baby, come on! >> trevor: a.c., after corona, me and you, spike lee, having a drink. and we both know who's paying. i love you, spike! ( laughter ) thank you so much again for that, spike. when we come back, i'll be talking to actor josh gad about all his new projects. all his new projects. stay tuned. with a minty-flavored dark chocolate delicious twist. new kit kat duos mint and dark chocolate.

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got a "today" job? pick it up free same day at your local autozone. more of a "tomorrow" project? order as late as 10pm with free next day delivery. getting the job done, just got easier. >> trevor: welcome back to "the daily distancing show." earlier today, i spoke with tony-nominated actor josh gad. he starts in "aretmis fowl," which is going to be premiering on disney plus, and also a star in the animated hit "central park" which is on apple tv plus. we talked about those projects and the youtube series he created to raise hundreds of thousands of dollars for charity. josh gad! >> trevor! ( singing names ) >> trevor: welcome to "the daily distancing show." >> i'm so honored. i remember seeing you the first night you took over when jon left and you said to me, i can't wait to have you on. it's only been, what, five years

since you've had me on? >> trevor: so this is what happened -- i went home that night and i said, i saw josh gad and invited him to the show. a person said you should only invite him at a very special time in the world. and i said, all right. >> you should wait for a global pandemic. >> trevor: that's exactly what it is. >> he can't come to the studio, make sure you guys are literally thousands of miles away from each other. >> trevor: that's exactly it. but you're here now my friend, thank you so much for being here. >> i love you. >> trevor: i mean, this is such a strange time because, like you say, we've got protests in the streets, which you have been talking about. you know, you have been one to have the people most vocal about what's going on, talking about "black lives matter," sharing support. we've got coronavirus going on, the pandemic. it must be a whirlwind for you emotionally because you've got the joy of some of the beautiful shows you've created but you've also got the world stuck indoors watching the shows and then going outside and protesting and

coming back in and watching your shows to calm down. >> it's all of the above. you are doing the same thing. it's a weird time to entertain. it's a weird time to do my job, which is a pretty, you know, in the scheme of things, pointless job, or so i think. and all i can do since i'm not medically trained, since i don't have much to offer on a professional level, is try to bring a little light and joy to the world, and that's what i'm trying to do, maybe not great but i'm trying to do it. >> trevor: you've always done that, whether it's been "book of mormon." whether it's been you're two weeks on "the daily show" which nobody know about. whether it's you as olaf, whether being josh. you always love bringing joy to people's lives. it's no different now. we have three projects i want to talk about. disney plus one first, "aretmis

fowl." what is going on? it looks like an epic franchise, tell me about "aretmis fowl." >> eth based on a series of books biowen cove by -- by owen. the director of the orient express was the director of this, and i was middle east drawn to the character who is this insane loner type. he's haggard by way of hans solo. he's sort of a mess. the story is about a 12-year-old who is a criminal mastermind, and i just thought that was such a cool story, it was so different than anything i'd read before. >> trevor: we have "central park" as well. that's a lot of fun. when the show kicks off with your character, i don't know if it's a guitar or you ca ukuleleu have the fun, opening number.

if you live in new york as i do, it's a wonderful feeling, because it captures how crazy and diverse central park actually is. it's, like, everyone's home and no one's home at the same time. musical comedy and how that came together. >> i'm so unbelievably proud of central park. i co-created it with lauren bershard, and i wanted to create the same feeling that you got if you saw the book of mormon or frozen, things i've done on the big screen but never small screen. it's a love letter to new york, to passion, to perseverance in the face of adversity with an insane cast, leslie odom, jr., katherine hunt christian bell, katherine and stanley, the avengers of musical theater. >> trevor: let me ask you a question about a project you took on of your own volition, reunited apart. you have the show on youtube,

everyone's stuck at home. many people like their projects are just on hold and that's ours that. but josh gad steps up and says, no, raise money for kids, for americans out of work, raise money to try to help americans help americans, and the concept you came up with is amazing. you are reuniting the costs of just blockbuster movies in time. first of all, where did you get the idea. second of all, how on earth did you pull it together? >> i got the idea by being stuck at home and thinking to myself, trevor's never going to call, i'm never going to be allowed to go to his studio. where do i take that emotional pain and how do i circumvent that into something positive? lolo and behold, i came up with the idea of what would bring me so much joy? we were talking about it does

something psychologically when you see your favorite casts doing lines again from your favorite movies. it gives you a accepts of -- whatever you call that thing. >> trevor: i think that's the action for euphoric joy. >> that is it. it's sort of like a scoop up of your breast plate. so i really wanted to give people that and, in turn, what i hoped is that people would then donate if they can what they can to help lift others up. so far in lord of the rings we raised $145,000 for no kid hungry. ghostbusters is set for monday and we hope to raise a lot of money for the equal justice initiative. so i keep doing them to help as many different causes as i can knowing that it may bring somewhere a little bit of joy now. >> trevor: i tell you you my friend, you're not trying it.

you are doing it as the great spike lee told me. keep doing what you are doing. let's grab coffee sometime, my friend. >> let's do this in six years again. i can't wait to see you again. >> trevor: five years max. >> you're killing it. >> trevor: thank you so much, my friend. thanks for joining us. thank you so much for that, josh. that's our show for tonight, but before we go, "the daily distancing show" and comedy central have been donating to three groups fighting against police brutality and systemic racism, naacp legal defense fund, the equal justice initiative, and the bail project. if you are able to help and would like to join, please go to the following link and give whatever you can. until next week, stay safe out there. and now, here it is... your moment of zen. ♪ ♪ >> i have seven years experience

in mixed martial arts. you and i both do martial arts. you've met my martial arts instructor, you know what i'm talking about. >> yeah. >> sticks, plates, firearms, self-defense measures, mixed martial arts, martial arts. we do martial arts. that's all we talk about when we're together. put a little pressure on the wrist, ow! - ♪ i'm going down to south park ♪ ♪ gonna have myself a time ♪ both: ♪ friendly faces everywhere ♪ ♪ humble folks without temptation ♪ - ♪ i'm going down to south park ♪ ♪ gonna leave my woes behind ♪ - ♪ ample parking day or night ♪ ♪ people spouting "howdy neighbor" ♪ - ♪ headin' on up to south park ♪ ♪ gonna see if i can't unwind ♪ - ♪ [muffled] - ♪ come on down to south park ♪ ♪ and meet some friends of mine ♪

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