for me. that was when i realized that people in the a.f.d. don't really stick together. it's all a facade. would you describe your resignation from the party as a positive development if so how. do you know you're almost what. it was really positive that i was able to achieve closure by working through what happened to me i could make a clean break another positive messages of support from people some say that they felt uncomfortable about the party but they blamed themselves now they said they understand how the party works and they decided to leave too or they won't vote for the f.t. again those messages make me feel better. if your sister is an anti fascist are you talking again. we never stopped but now i think she enjoys talking to me and your parents. will stick with his course there's certainly relieved that

i left the party. but they couldn't understand why i joined in the first place i suppose they figure that i did eventually get to the point where i couldn't take it anymore i suppose it doesn't. i was in for the bones of them but i was our interview draws to a close we'd like you to complete three statements for us. first i helped to spread a half the propaganda and i regret that because. i brought other people into the party. in some cases it ruined their lives the boys and i truly regret that top it up as i wrote a book about the f.t. because via. that i wanted closure and to get that i had to work through everything that happened to me. radio vote for the age of fifty is a vote for and the other party dominated by far right radicals. francisco schreiber

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please. everyone and welcome to our highlights edition of the show with the best picks of the week i'm your host maggie lake here's a look at what we've got in store for you today. a festival fringe every year the arts event draws lots of visitors and performers to edinburgh. because of the moments we visit a museum dedicated to the art of conjuring. and swiss so journalists was town of the congo and the annual film festival. we kicked off the program in edinburgh which is playing host to the biggest cultural event in europe the festival fringe started in one nine hundred forty

seven as an event for fringe groups and it's since grown into a giant venue for artists and performers from all over the world where this year artist from more than fifty countries are taking part so visitors certainly do have quite a selection to choose from for the performers competition is fierce for gathering an audience well we went there to find out more. every august musicians acrobats and theatre groups converge on edinburgh scotland for the fringe and for more than three weeks the venerable royal mile in the historical old town becomes a speech for performers from all over the world and. it was. time. well it. is unique. as far as i'm aware this sales in the world where

art just lives and breathes it's overwhelming but i think that's the best part of frames where you go you get pulled in one direction or another you know what you're going to hear. most of the performers spend their day trying to get as many people as they can to come to their show. to upside down. the more than thirty five hundred shows range from cabaret to stand up comedy to classical theater and musicals competition is intense and in the open air. it's it's very difficult where i'm from nine o'clock in the morning just straight away flyer and i were doing silly stuff like pillars to try and just drop a tight chin because. many different things. singer and the dean has come with her band all the way to skye. in from australia to play their latest programme titled broken romantics. will be appearing for a total of twenty one evening's emogene already scored

a big success touring clubs back in australia and they have to make publicity in the streets now but now they see we know at least a city on the street in the stradley a flyer it's not something that gets here for a show you so it's a whole new world out but after last night we noticed that there that ticket sales have spiked so i think word of mouth is a really. really. probably the best way to provide a show i was over fifty thousand performances go to make this the world's largest arts festival it's been growing since it was first held in one hundred forty seven and just keeps getting bigger expanding to pubs theatres and even clubs anyone who can talk their way into one of the three hundred seventeen venues can join in. there's a cultural democracy that underpins the framers so it doesn't matter if your kindness product or you're an artist who's performing for the first time you get exactly the

same coverage in the fringe program you get exactly the same treatment exactly the same slot in the end the bad news of those two. is that there's a kind of beautiful a quality to it. a successful theatre groups come to edinburgh as well the cambridge footlights are taking their show pillow talk on a world tour the group from cambridge university was founded in one thousand nine hundred three and it's steeped in tradition. every year the company's lineup changes. stars like john cleese stephen fry and emma thompson were first discovered here the show's humor is typically british black and merciless. they didn't even have to drum up an audience. it's so much easier to sell people recognise things like this and think about i reckon i know loads of people who come up that i know at the top side which i watch and that's to try and then they kind of then come to see the next at that kind of

complement. they come from a great tradition and face high expectations. such famous predecessors are a tough act for the new to follow.