and the united nations is warning of massive flooding in those i'm think that's after the second giant storm in just six weeks plowed into the southern african country psycho and kenneth made landfall late thursday and authorities say it's off tomorrow could bring twice as much rain a spike in it i did last. year watching a nice life from berlin coming up next a dog filled with passion can change i'll be back in more detail in yes at the top of the hour thanks so much for joining us. shifting powers the old order is history the world is really good hours in itself and the media's role is keep the topic in focus at the global media forum twenty nine teams today one out of two people is online who will be following them to we trust to beijing and ship the future at the georgia golden globe before twenty the

country. on april the twenty fourth two thousand and thirteen the rana plaza complex in bangladesh collapsed crushing to death one thousand one hundred thirty five garment workers and injuring two thousand more warnings the building was unsafe were ignored there were customer orders to be made on time to satisfy our insatiable demand for fast fashion the horrific news and images shocked the world some people called it the closing industry's nine eleven. as the dark reality of

a system out of control too many collections too much consumption too much pressure from shareholders designers burning out globalised fashion has become an all too many ways unsustainable. prefer the clothes industry is a never ending loop it's completely insane with. trends what's in what's out what's hot what's not none of that exists now. the only production in fashion at the moment is capital production. there's no cultural production anymore to this system is absurd. the fashion industry produces eighty billion garments every year making it the second largest polluter in the world second only to oil fashion has become a toxic passion that is destroying us with a grin on its face. we met up with progressive activists who are working to humanize fashion. some have rediscovered weaving others use

three d. printers all of them call for ethical creativity and fashion that is sustainable and humane it's a do or to that indifferent superficial fashion a smug parody of itself today another kind of fashion is possible. paris april the twenty fourth two thousand and seventeen four years to the day since the rana plaza disaster a group of fashion activists are commemorating the loss of life what a cause of her life what good is the government and i thought ok for them there's blood on the clothes we buy and wear become pretty is the fashion business their slogan is who made my clothes and they want to put a face to those who keepers trend. make.

i feel like shouting this is an appeal to the world. they using printed prop happenings and internet radio broadcasts of street debates to get their message across. that the rana plaza tragedy was the moment when for the first time i opened my wardrobe to see where the clothes i own had been made. to see next month before that the test remove comments actually caught fire in bangladesh one hundred twelve women died in the flames all by jumping from windows the conditions are truly appalling no one talked about it until every thousand people died. the movement is now an international one called fashion revolution. fashion revolutions aim is to speak out and raise awareness we're convinced we can change fashions ecosystem and to do that we need a grassroots movement for south wales. fashion revolution is calling for

transparency as with organic products the idea is to make a garment supply chain traceable they want to see the faces behind the labels via twitter brands a challenge to disclose information the group's anger and frustration not aimed primarily at the multimillion dollar retailers who invented fast fashion. fast fashion as brands like h. and m. zorro who showed up in the ninety's with a really new business model it involved producing clothes as cheaply as possible in very poor countries in order to offer innovative collections every three weeks which made a real contribution to fashion. this need for constant novelty created a kind of addiction which is pretty harmful for the planet and for people. for the two. two thousand and four for the first time ever the god of your karl

lagerfeld created an affordable collection for h. and m. . friends it crowns of bargain hunters cleaned out the swedish clothing giant stores in just twenty minutes with a rarity enhanced through communication these mass marks design a collaboration so become a stereo inducing huli ritual. we were perhaps the first industry to come up with the concept of planned obsolescence we claim increasingly sooner that the clothes the products we've created on no longer fit for purpose and shouldn't be worn. by. the contras or to image the fast fashion giants talk about virtuous circles and launch recycling initiatives but they continue to overproduce close at lower and lower cost than cement if you can post their last week in paris i saw a poster for

a little bikini top that cost four euros ninety five cents and i felt sick to my stomach but it was a very complicated bikini top as well with a small very well stitched triangle. when you look at the photo you know there is usually two euro's worth of thread one euro of material plus shipping marketing costs and so on. pretty slim at this thing should have costs i reckon at least fifteen euros. it's cheaper than a sandwich it's intolerable because it's teaching people that it has no value. every season of course publishes her trend predictions she's regarded as an all thorough t.

even when she challenges the convictions of the somewhat closed world of fashion she is currently dean of hybrid studies at parsons new york for more than thirty years her ten books have been the bible of fashion editors and brands alike. this color that will be the season's favorite. one year after the rana plaza building collapse she published anti fashion an upbeat downing manifesto addressing the fashion system's failings. i couldn't carry on pretending that everything was fine when i felt very strongly that it wasn't that it wasn't fun. because i love fashion and i really enjoyed all the years i spent working in the system. and i'm not a negative or an activist that isn't my thing. court has no illusions she can see fashion becoming greedy and for a young designers are trying to become hyperactive divas essential crafts and skills are disappearing and the desire for profit has seen designers deprived of

their creativity she believes that instead of reflecting the spirit of the age fashion has itself become outdated just that i would change everything in fashion it's sad and at the same time very exciting auntie fashion has become fashionable it's become a movement. and he fashion it's a term used with increasing frequency it's now even a movement the anti fashion project which holds its general assembly in must say world capital of this radical call for change. because we believed we would attain a degree of infiniteness by consuming and reinventing people another belief has been shattered. that is that. for three days thinkers and fair fashion activists joined forces with emerging brands outraged designers students and dad is

to give fashion a make over. we decided to reinvent sneakers to create a pair that respected people as well as the environment and that vision was born. founded in two thousand and four vision was one of the first brands to combine cool with ecological awareness. is to firstly deconstruct the entire production chain that improve each stage it's a mix of fair trade organic awareness and social inclusion. we buy wild rubber in the amazon rain forest we buy our organic cotton directly we know all the producers . and it's a totally transparent approach as for marketing we don't shine the spotlight on a top model or athlete but rather on the way in which our sneakers are made. with an annual turnover of over eight million euros has shown that

a moral conscience and shoot profits can go hand in hand responsible fashion however represents only around five percent of global sales fast fashions frantic and environmentally toxic calendar has become the norm plus it upsets creative rhythms. working to such tight time scale of obviously has an impact on designers. sometimes they'll see products in stores inspired by their own creations before they've even supplied their own clients. this evidently impacts on the creative process too there's also a need to be increasingly present and to crank out new collections faster and faster than in the late one nine hundred ninety s. with globalization and the advent of fast fashion the world of underwent major changes in. independent fashion houses were bought up by multinationals and fashion became the biggest money spinners of these luxury empires which opening new stores all over the world in two thousand and seventeen the global luxury goods sank to

reach sales of over a quarter of a trillion euros with a pressure of stock prices monitored in real time by shareholders the fashion business changed the race was on to continually develop new product innovations and produce them in greater numbers became impossible for designers to keep up the murderous pace. three of them can come up with sixteen collections a year while maintaining a consistent brand image the designer is in the public eye so they're a kind of brand ambassador but someone who's used to working in a studio making clothes cannot comprehend that they suddenly have to give instructions were mentally and that the nature of their work has changed with our. designers today aren't really designers or clothes make them managers and that can be really traumatic. among designers this new pace has been a factor in burnout and worse in twenty eleven john galliano's anti semitic

outburst seemed like career suicide at the designer was exhausted and strung out on drugs to your fired him. not long before that the suicide of alexander mcqueen at the height of his fame rocked the fashion world in two thousand and fifteen raf simmons and alba albinos walked out of your eye and long form in the space of ten years the figure of the one out designer has become the cliche of a creatively sterile system. looking at the fashion world over the last thirty years in the late eighty's and the ninety s. you had the big names. helmut lang stand come together so you prove that clothes were no longer just clothes that they could be part of the history of design the history of art that's when clothes started. societal it was even. on the questions of gender japanese minimalism which reflected a crisis a country in transformation. the prophets of futurism faction became

a very active and very aware member of society. there people realized all of a sudden we were facing a new age the temporality a fashion a system that totally distorted the intentions. globalized the fashion image has cannibalized new media blogs and social networks the brands all post frantically on instagram v.i.p. fashion shows are a thing of the past connections are revealed in real time meanwhile internet users create their own clothes shows one connection follows the next in a never ending hypnotic but shallow stream like instagram the outsiders preferred medium can deliver an alternative message to. kids to say how do you go about creating desire for government what you call the fact is if you don't desire a garment you don't buy it because you thought you want to buy it when you've seen it looking good somewhere. and then you wonder looking good

where. girls don't actually buy fashion magazines anymore they check out instagram . instagram is the virtual showroom of some years the i d a designer and anti fashion activist spotted by john shadegg cast about jacques she goes to places fashion ignores and wants to tackle the to boost her time. and even bringing my designs here makes them come alive fashion magazine photos don't always do it for me i have a problem with studio shoots i like life having people in the background people watching even something going wrong nothing is planned. so me as the idea is perhaps the quintessential digital native. that's great just her hands she is part of a generation who are done with the immediate allure of capitalism and who are

instead searching for meaning. they say that what i've come here with a transparent head scarf to take away its dark religious aspect the fact it frightens people and so on to show that it's basically just an item of clothing one that i've turned into a fashion accessory. it isn't religious clothing at all even if there is a nod to that i repurposed clothes but with a touch of humor it would be awful if you could have fun with fashion. unable to finance the manufacture of her connection samir has created a multi-platform visual environment her creations become collages that find a place in art galleries where she sells them. she questions the notion of boundaries as seen and heard in this political video featuring a dress inspired by the plight of migrants in the spin.

room. well you know this dress represents a country that doesn't exist it's actually a standard bearer and it standard is the word migrant i use a lot of collage to present my work and i put it on an olympic podium in the winner's position. competing outside the market so mia has her name she encourages us to think about the unresolvable problems of our times for her fashion reflects so stop. avoiding verve of fashion elevate everyday staples and even embrace ugliness this is the philosophy of vette mom the latest pubic cool fashion sensation it's an international collective of young designers founded by denmark braeside leah a former student of matar. the great pioneer of deconstructed clothing.

but man's first noteworthy show was an anti fashion shot in the arm held in the basement of a hardcore gay club over excited fashion editors discovered second time clothes with couture no professional models just ordinary people generic cards a cool or even ice cold demonstration of the art of repurchasing. is all. they offered clothes symbolizing life styles in their hands hoodies and the like became icons they really changed the proportions and the assemblage of components their very raw very interesting styling was understood the world over. to more concrete a long war. in far on a cell for once he was a brand that took the history of close seriously and said ok if this is the age of clothing we're going to go all the way and show that they're just clothes not

fashion. only. after just three seasons fred moore had already become a firm favorite among pop stars and celebrities most of their items sold down before they hit the shelves. the fashion to extremes with its version of the t. shirt worn by d.h.l. couriers. it's something that fashion has always done it's the poor pressed style it's the borrowing of work symbols clothes and uniforms it's been done before with the sale of jersey the boiler suits overalls is a kind of tape over her fashion. you surely must do sean did it the whole movement did exactly the same thing i think this contact between the two there's the workload and at the same time contemporary art they're very aware of what they're doing. and bothers me more is that millions of people are willing to

fork out loads to look like a delivery guy thought poor summary i mean you are an original d.h.l. t.-shirt costs less than ten dollars with a designer price tag vet version is the most unexpected fashion hit of recent years that it has in turn itself being copied. by. three four hundred dollars for a shirt this is the. scary day it feels like they're almost messing with the fashion industry by doing that it's controversial so i. try and it's not so much a designer as a fashion geek on a whim he created veta me a label parodying vetter mom it all started when he saw oversized black parkas sign out in new york on day one.

he has created a parallel market with use for march stroke bootleg project the maverick has his own independent and ironic fashion brand to do by prayer by his research. i looked on google. to find a fact to me. all the designs i did in photoshop. there's a reference. marks were. turned into my own. play on. the court on with a huge fan base to look better memes knockoffs provided competition for the original. a restart is the same it's all the. triumph locked his version and created a bounce in the fashion press not least. my early articles were about tension getting. what's that monk going to do. people like that make

a cyclic new york times wrote about it they reached out to that war and that man told. that they like the project they supported it and they were not going to see it. i was super happy yeah. the attitude of democratic leaders collect. it is surprising in an industry where piracy is the arch enemy second journeys that it raises questions about royalty information sharing open source culture and the real message here is creation that comes out of nowhere no longer exists everyone builds on existing codes the teachings make a name for themselves by remixing by creating a ritual track from a work that is in their own. fashion does that to me is if it's. there and that's a good thing if it promotes the recycling salvaging repurchasing of existing pieces . it can become a positive message about current consumption so that's actually false. the fact

remains is the hoping for donald trump he's day job in selecting and selling the best used luxury and design of clothing on the grail to platform items for fashion followers rarities that he finds online and then sells or collects himself. pretty fast actually saw this recently for five dollars. so i got shipped it so. i close with a history to this one for example. it's rare. you can't find this anywhere else you buy new like. hundreds of people have you know. this one. i really have to re-use i don't feel like i need more new it's expensive than i need it i love to recycle.

it's one of my fair pieces features. and the answer. if the fashion industry decide to start making clothes i think would be of. nothing would change i think we would have enough clothes to. everyone every single animal on earth.

the over production of clothes has reached levels every year two and a half billion pounds of genes are sold in the world france alone disposes of a massive seven hundred thousand tons of clothes annually only one quarter will be sorted and cycled in centers like this one. in the paris suburbs the best pieces are owned in france others are shipped to africa. turned into insulation. inexhaustible source or fabric is an i e says hunting ground to this is where the hipster rag picker on earth the roll materials for her future collections. i don't buy fabric because there's already more than enough material out there and it makes no sense to produce.

a i found this fabulous wool in material i'm going to make a little jacket with. this cotton here will be perfect for swirly dress. i don't mean this is my fave it's everything i love a big floral print and it used to be a curtain i'm after bold prints that tell a story and with lots of flowers that's really the d.n.a. of my collections and they're in near perfect condition too. with that finds it produces two collections a year for her brand layers a coupe are hardly. an ace is greener approach turning old materials into desirable fashion items is a classic case of upcycling. based in greater london eccentric thirtysomething daniel harris is the antithesis of fast

fashion he makes woven cloth and his mill is the first in the british capital but over a century. london craft company has revived a bygone craft in the process bringing the long forgotten machines back to life and they work wonders. with a handful of cash a collector's spirit and his d.i.y. skills daniel harris has revived the authentic tweet that is in such big demand. this is the design for about nineteen ten i got from a place called terrace in scotland and it came out of a basement filled with water so every single piece of this one end of it is covered in rust this is actually the loom i started with that we use it for we've discussed . these types of limbs is

a very basic you have to know about your nation that no imposition in life all they want to do is we have one thing but they will weave it all day every day without that. daniels mills spans several industrial revolutions his turn of the century looms sit alongside one thousand nine hundred sixty s. machines it's a strangely beautiful scene. despite his mills archaic appearance daniel is a formidable soul trader with a startup mentality he puts the magic of marketing at the service of a passionate love of all frantic textiles. moving his insanely repetitive it's. a boring but it drives you. for some reason to keep doing it and doing it more and getting it

better each time i can't really tell you what it is it's like an addiction. a very very cruel unforgiving addiction but what is incredibly satisfying is getting fabric that has been washed the what we call finished back delivered and you open it up and it's not sort of an attempt at doing it's. there's no planned obsolescence or daniels mail his artfully woven cloth is durable and can be passed on for several generations just like our grandparents clothes and his approach appeals to global brands like a half long and even nike. the company gets its fair share of visitors eager to notice secrets of authentic british tweed. what it's very good for is educating people in the way of fabric comes from and

actually how much work goes into it they would never their sincerity fully understood the path that the wall or the cotton or whatever would take. in order to become the cloth that then becomes your clothes. on his own modest scale houses invented a new model of a retro future factory designer bass worker and artist he has reinvented tweed culture and restored its authenticity. i award away from the clatter of machines the work of a co-operative friends of light embodies a new idea of luxury taken to the extreme ultra slow fashion with monastic patience by hand and in the middle of the countryside for new yorkers spin weave and so one

off pieces this get filled up late and you can start here and there and then connect us. there star creation is this reinterpretation of the chanel suit woven using ancient techniques. a lot of people refer to it esther no quitter . i check it now but will go up because it's kind of not worth it thirty two hundred dollars and we pay ourselves fifteen dollars an hour. so it's a very transparent process of because it takes us at least the whole that sixty hours to lick all. friends of lines wealthy cling on town can afford this extra bit of so it's a new kind of luxury instead of the umpteenth she could sensory they purchased one off hand crafted pieces made without most precious of commodities time.

meanwhile futuristic machines are a great time saver it took a three d. printer one hundred twenty hours to make this jacket. make. these objects ghana the next major technical revolution is done it pellets collection assistant. a graduate of shankar a prestigious fashion school in tel aviv the young israeli designer made waves with her extraordinary graduation show. i didn't know anything about. working on this project so i started my research. so many amazing series there knowledge with an hour to learn more about this

technology local branch of the maker movement platform provided her with access to high tech machines enabling her to artfully meld fashion and technology they were so happy to see in. their media if they gave me all the information dedicated to anything i know about history. for our first collection created entirely at home dunnit peleg kept our machines running night and day to print jackets dresses skirts and even shoes for groundbreaking work baffled some of our teachers but captivated people elsewhere. in just two weeks over five million people viewed the video on facebook of this first and fiercely independent collection. this is a very tight jacket it has the word lever to invest it into the textile and it was their first garment they ever printed in three d.

so jacket has a really big plays in my heart for this triangular latinas jacket which he printed piece by piece and then assembled collectors inspired by the composition of using dell or choirs masterpiece liberty leading the people. and i felt that what leaves us is actually there for the idea of freedom that's why did da white culture are becoming so be and people are actually really like to create things by themselves as they like to be. self-reliance and a leg to be part of the production of what they're having i felt like something big is happening this is starting of a new revolution. far from his rediscovered hand craftsmanship but technology is threatening to turn

couture on its head. for the last ten years dutch designer iris found help and has been stunning the fashion press her inspired foundry pushing designs are made from nearly everything back to fabric she was the first designer to use three d. printers to produce unique textures and structures with futuristic materials today she has a show in parks. the centerpiece of her collection is reminisce. a cloud of suspended drops of water dumped the alchemy of light. through the structure actually. fired by insects early morning covered in doing that.

behind. the lights can actually transform the shape of the body. exploring of the unconscious visionary and determined are is fun happen has had a man's memorising impact the multi-disciplinary designer works with scientists architects and artists like new zealand connors fan camp with whom she created her legendary collection voltage. craftsmanship. aerials and technologies have. statics and when you heard step two. as a designer you can come. to. completely new shapes and even the old

behaviors of the gunman's. already immortal irises dresses are exhibited in museums around the world at once primitive and futuristic all her collections offer an anxious and poetic view of nature. reconnecting with nature is tech fashions new field of research the future will involve making garments with cellulosic fibers derived from resources available in abundance such as seaweed. potatoes corn and even milk. there's the promise of replacing all things synthetic with biotech which is obviously much better for the environment for people for our skin for everything. these alternative fibers are vital it takes eleven thousand liters of water as well as

pesticides to make a single pair of cotton jeans the world's main fashion brands together use over one hundred billion liters of fresh water annually in light of this disaster for the environment there is an urgent need for action. there are already products being made with spider silk but with no spiders involved spiders are capable of producing five different sorts of threads including one that is very elastic it's a silk so strong that it can be used to make bulletproof fabrics. having created a protein that bears similarities to spider silk california start our friend manufacturers of synthetic fiber every bit as flexible and durable as the original. this new nonpolluting material called the interest of british designer stella mccartney she teamed up with to produce the world's first synthetic spider silk dress alike long vegetarian the designer has been sending

a strong message to the industry by putting her money on biomimicry with a firm belief that by emulating nature's strategies and patterns we can create an eco friendly planet. by seemingly different means and approaches slow fashion and high tech fashion share a utopia. high tech and slow craft share a vision of another world one where we pollute much less and produce locally doing away with no need for transport. so it's where we can disseminate around the world maybe just the idea or the technology or the program and i think this is where open source will play a huge role open source version where. one day i was invited to an important event and i wanted to wear something special in you for it so looked

through my suitcase that i couldn't find anything to wear i was lucky to be the technology conference that day and i had access to three d. printers so quickly designed us occurred on my computer and i loaded the file on the printers just printing the pieces overnight the next morning i just took all the for uses somebody together in my hotel room and this is actually did it skirt that i'm wearing right now. the teachers line zation of clothing advocated by danny pearl it was a hit with the ted talks community the international sounding board for god ideas encourage the young designer to go further. i wanted to try and do production with one of their items i call it must be induction but it's only one hundred limited edition and jackets and their free customers can come to my website and customize a jacket. i need again and then integrate it with fitting

session and have it completely customized to buy the magic. television is a high tech city for the latest project on it telling joined forces with a local startup that it's launched allowing shoppers to measure their bodies and get their exact signs immediately. so the only thing she has to do is to take the two close is in front of the camera with her visible so it's like. turning say those. three d. printing plus made to measure means no material is wasted this represents huge potential savings for big brands who are also keen to get their hands on customer's personal data to target the more effectively. in the near future three d. printers will become the mainstream and replicate traditional fabrics fashion is set to witness a new industrial revolution clothing will be digital and patterns downloadable.

and i'm still waiting for someone to upload patterns on an open source site open source designers elsewhere are already doing it. and waiting for fashion to catch up so we can make our own dior skirts book like in the old days designer patterns used to be sold to department stores and they would recreate the garments it was the ready to wear of the time we're not inventing anything new it'll just be a different way of doing things. not have. this utopia of a shift to a sharing economy are still some way off but there is constant reinvention on the fringes of the fashion world more transparent more responsible driven by a culture of sharing and d.i.y. boosted by the inevitable technological revolution fashion status is changing.

it can finally be a common good again actions current crisis might just lead to its liberation. transforming a world heritage site into an art museum germany's sparkling and iron works is hosting the urban art in august. it features unique custom made artworks that reflect the site's industrial legislative.

election. thirteen years. what secrets lie behind these memos. find out in an immersive experience and explore a fascinating world cultural heritage sonics. d w world heritage for sixty two feet up mount. means time to take one step. and face. time you're up to such the you know and the fight for the truth. is hard to overcome downtrends comes compassion to. you it's time for.

a d.w.t. is coming up ahead. minds. this is news live from but in a shootout in sri lanka that leaves more than a dozen dead he's raid the home of a suspected terrorist linked to the east of bombings seizing a large cache of explosives isis unisons and flax look at the latest from our correspondent in the capsule also coming up mozambique baz the promise of a now that giants like to play tropical storm hanna on leashes high winds and

torrential rains on the country the u.n. warns of massive flooding ahead.